Little Skirtful Carvings, Burley Moor, West Yorkshire

Cup-Marked Stones: OS Grid Reference – SE 13830 45195

East side of Little Skirtful

Also Known as:

  1. Carving nos. 391a, 391b, 391c, 391d
  2. Little Skirtful of Stones’ Carvings

Getting Here

Follow the directions to reach the Little Skirtful of Stones giant prehistoric cairn. Once here, look for the singular rocks out of the many thousands which make up the giant cairn, mainly from the middle to the northern-half of the cairn, and you’ll find them amidst the mass!

Archaeology & History

Cup-marking near the centre of the cairn

Despite the task sounding difficult, it’s not too hard locating the cup-marked rocks within this giant cairn. As I recall there should be five of them, though the Boughey & Vickerman (2003) survey only list four and I only have photos of four of them as well…so I reckon age is probably getting to me at last!  There could very well be more of them amidst this massive tomb.  But we certainly can’t rely on the Boughey & Vickerman (2003) survey for the carvings at this site as they give the wrong grid references for each of the cup-markings listed, with them all being a kilometre east from the site of the tomb itself! Awesome! God knows what their cartographer was on when he did the profiles for these carvings! (there are plenty of spliff-butts scattered over this moor…..)  Not only that, but the position they cite of the relative cup-markings within the cairn are also wrong.

Another portable stone
Cup-mark at outer edge

But for those of you who like to know the archaeological data, here’s what was said: Carving 391a is a “small rock towards SW edge of cairn, with single worn cup”; but this stone is actually closer to the northern section of the cairn.  Carving 391b was told to be a “small dome-shaped rock at extreme S edge of cairn with single, small clear cup at top of dome.”  This again is more on the northern section of the cairn, away from the centre.  Carving 391c was described as a “small oval, rounded rock at N edge of cairn, with single, broad, shallow worn cup.”  Whilst carving 391d which was told to be a “small rock at SSE edge of cairn, with single small worn cup.”  However, we have to take into account that any errors about their position may simply be down to the fact that the small rocks have been moved.

Smoothed cup
Showing different rock-type

As you’ll see in the photos here, one of them is actually near the very centre of the cairn, with the cup-marking etched into the edge of the small rock itself.  I’m not quite sure if this is the additional fifth carving in the cairn, or whether it’s one of those wrongly ascribed as being in another position.  It’s hard to tell, as the local Ilkley Archaeology team don’t publish their findings and information on-line as they should do and unless you’re in their little club they’re hard to get info out of.  So this will have to do for the time being I’m afraid.  Also note how one of the cup-marked stones is of a rock-type different to the local millstone grit.

Folklore

The creation myth of the Little Skirtful itself tells that the giant Rombald (who gives his name to the moor) was in trouble with his wife and when he stepped over to Almscliffe Crags from here, his giant wife – who is never named – dropped a small bundle of stones she was carrying in her apron. Harry Speight (1900) tells us of a variation of the tale,

“which tradition says was let fall by the aforementioned giant Rumbalds, while hastening to build a bridge over the Wharfe.”

Variations on this story have said it was the devil who made the site, but this is a denigrated christian variant on the earlier, and probably healthier, creation tale. Similar tales are told of the Great Skirtful of Stones, 500 yards south.

The cluster of portable small stones with single cup-marks on them relates to traditions found in other cultures in the world where, usually, women would carry such items in their aprons and deposit them at or on the tomb, in honour of the ancestor or spirit known to be resident at the sacred site.  The folklore found at the Little Skirtful (and Great Skirtful too) of Rombald’s wife dropping the rocks here and forming the giant tomb, probably derive from variants of this same honorary practice.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAA 2003.
  3. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.

© Paul Bennett, The Northern Antiquarian


Castle Campbell, Dollar, Clackmannanshire

Cup-Marked Stone:  OS Grid Reference – NS 9613 9928

Getting Here

Cup-markings at Castle Campbell

From Dollar, take the steep road up to Castle Campbell (ask a local if you get lost).  When you’ve got into the building and paid your fiver, walk straight forward as if you’re heading to the front gardens, but stay within the castle by walking left on the inner-front section of the building, all the way along to the dark room in the far corner at the end of the path.  Just before you walk into the end room, look at the ground rock beneath your feet.

Archaeology & History

My first and only visit to the superb half-restored ruins of Castle Campbell was in the company of the author Marion Woolley.  It was a damn good day and the castle here is really worth checking out!  But as Marion and I wandered the grounds and internal remains, my eyes caught sight of what looked like a cluster of cup-markings, never previously recorded, on a section of earthfast rock over which a section of the Castle had been built.

A distinct arc of at least four cup-marks was accompanied with outlying single cups on either side of it.  Beneath the gravel it seemed that more were waiting to be be unearthed—but we left them alone.  As you can see in the photo here, the cup-marks seem typical of those we find in their thousands across northern Britain.  However, the rock hereby is volcanic and conglomerate and may be the result of such natural processes.  I’m truly not sure.  A local archaeologist in Stirling thought the carving looked authentic – but we need to return here and brush off the rest of the gravel to see in greater detail the extent of the cups.  There seemed to be more of them hiding at the edges.

If anyone finds out more about this, or gets some better photos, or ascertains this as a simple geophysical artifact, please lemme know.

© Paul Bennett, The Northern Antiquarian


St. Canna’s Stone, Llangan, Carmarthenshire

Legendary Rock:  OS Grid Reference – SN 1770 1874

Also Known as:

  1. Chair of St. Canna
  2. St Canna’s Chair

Archaeology & History

St. Canna’s Chair Stone

This once important healing stone that was moved a short distance (from grid reference SN 1775 1875 to SN 1770 1874 according to officials) to its present spot, around 1925, whilst having a long history according to the folk traditions of Carmarthenshire, was previously questioned as an authentic site by none other than Prof John Rhys (1875), following his visit to the site in the 1870s.  Although Rhys seemed an isolated voice, some modern archaeologists have also questioned its veracity.  It’s difficult to say precisely what the original nature of the stone may have been, but it was certainly accommodated in medieval times as a healing stone and used in conjunction with a pagan well – which was of course, accommodated by the Church.  If the stone itself had a megalithic pedigree, as some have believed, we know not what it may have been…

As Janet & Colin Bord (2006) wrote, the stone “still survives, but to the casual observer it looks like any other abandoned block of stone,” sitting innocuously within the ring of trees surrounding the church.  An early account of the stone was written by E.L. Barnwell (1872), who told:

“The present church of Llangan in Carmarthenshire is a wretched structure, built in 1820, and is about to be removed, as the population has long since migrated to some distance from it, and in a few years even the memory of Canna’s church having once existed here may cease. There is, however, a relic still left, which we trust will not be overlooked by the local authorities, as indeed it seems to have been hitherto ; for no notice occurs of it in the account of the parish in Lewis’s Topographical Dictionary or any other work. This relic is a rude stone, forming a kind of chair, lying in a field adjoining the churchyard, and about thirty or forty yards from it. When it was removed to its present position is unknown. There was also a well below the church called Ffynnon Canna; and there is still a small brook available, if required, for following the rules prescribed to those who wish to avail themselves of the curative powers of the saint’s chair. It appears that the principal maladies which are thus supposed to be cured are ague and intestinal complaints. The prescribed practice was as follows. The patient first threw some pins into the well, a common practice in many other parts of Wales, where wells are still thought to be invested with certain powers. Then he drank a fixed quantity of the water, and sometimes bathed in the well, for the bath was not always resorted to. The third step was to sit down in the chair for a certain length of time; and if the patient could manage to sleep under these circumstances, the curative effects of the operation were considerably increased. This process was continued for some days, even for a fortnight or longer. A man aged seventy-eight, still living near the spot, remembers the well and hundreds of pins in it, as well as patients undergoing the treatment; but, about thirty or thirty- five years ago, the tenant carried off the soil between the well and the watercourse, so as to make the spring level with the well, which soon after partly disappeared, and from that time the medical reputation of the saint and her chair has gradually faded away, and will, in the course of a generation or two, be altogether forgotten.”

Folklore

In Wirt Sykes (1880) classic text, he told us that the field where the original Canna’s Chair may have been, possessed fairy-lore that we find at other sites, usually ascribed as prehistoric.  He wrote:

“In the middle of this parish there is a field called Parc y Fonwent, or the churchyard field, where, according to local tradition, the church was to have been originally built; but the stones brought to the spot during the day were at night removed by invisible hands to the site of the present church.  Watchers in the dark heard the goblins engaged in this work and pronouncing in clear and correct Welsh these words, “Llangan, dyma’r fan,” which means, “Llangan, here is the spot.””

References:

  1. Allen, J. Romilly, The Monumental History of the Early British Church, SPCK: London 1889.
  2. Baring-Gould, S. & Fisher, John, Lives of the British Saints – volume 2, London 1907.
  3. Barnwell, E.L., “Canna’s Chair,” in Archaeologia Cambrensis, volume 3 (4th Series), 1872.
  4. Bord, Janet & Colin, Cures and Curses: Ritual and Cult at Holy Wells, Heart of Albion: Wymeswold 2006.
  5. Breverton, Terry, The Book of Welsh Saints, Bro Morganwg: Glyndwr 2000.
  6. Davies, Jonathan Ceredig, Folk-lore of West and Mid-Wales, Welsh Gazette: Aberystwyth 1911.
  7. “D.M.”, “Canna’s Chair,” in Archaeologia Cambrensis, volume 4 (4th Series), 1875.
  8. Rhys, John, “On Some of Our Inscribed Stones,” in Archaeologia Cambrensis, volume 4 (4th Series), 1875.
  9. Sikes, Wirt, British Goblins, Sampson Low: London 1880.
  10. Sharkey, John (ed.), Ogham Monuments in Wales, Llanerch: Felinfach 1992.
  11. Westwood, J.O., Lapidarium Walliae: The Early Inscribed and Sculptured Stones of Wales, Oxford University Press 1879.

© Paul Bennett, The Northern Antiquarian 


White Stane of Tam Baird, Dollar, Clackmannanshire

Legendary Rock: OS Grid Reference – NS 94135 99110

Also Known as:

  1. Canmore ID 48293
  2. Tom Baird’s Stone
  3. White Stone of Tombaird

Getting Here

The White Stane of Tam Baird

Very troublesome for so little a stone. But to the nutters or climbers who enjoy a good bimble: if you’re coming on the A91 from Tillycoultry take the dirt-track up to Harviestoun, but if you’re coming from Dollar, take the dirt-track up past Belmont House – either way, keep walking till you get to Kennel Cottage. Walk past here and into the woods, then follow the burn (stream) uphill. It’s a steep climb, with waterfalls and mossy rocks. Once out of the woodland, keep following the stream. Several hundred yards uphill, you’ll pass a large rounded hillock on your left. Keep walking up the stream for another 200 yards, then walk to the right of the stream for about 100 yards. You’re damn close!

Archaeology & History

White Stane on the 1819 map

An obscure and little known site outside of the Ochils region, this stone seems to have been described for the first time in 1769 – though local people would obviously have known of its presence and mythic history centuries before this. It was then shown on the 1819 Plan of The Estates of Harviestoun and Castle Campbell, as shown here.  The White Stane is a rounded quartz block about four feet long in the grasses, laid down and hard to find, it would have been impressive had it stood upright – which it may have done in ages not so long ago – in which case we would have had a shining standing stone on the edge of the steep slope halfway up the mountain. A curious ‘D’-shaped carving that seems to be etched on the top of the rock may simply be one of Nature’s simulacra.

The White Stane, looking south

When I arrived at the stone – after taking a typically circuitous bimble up the hillsides, and passing a variety of archaeological relics on the slopes east of the burn – the view was outstanding, looking some 60 miles south into the distant peaks of the Scottish Lowlands, with the sun casting itself over the entire landscape. The quartz rock by my side was gleaming brightly in the fresh daylight. Sitting down by its side, the cold wind cutting over us, a quietude befell the place and, and as I relaxed by its side, fell into a sleep for an hour or so. All was quiet and still in both mind and heart at the stone – then when I came round, I realised the sun was going down and thought it best to get off the mountains before dark!

In Angus Watson’s (1995) survey he told us,

“The 1860 OS Name Book says this is something of a mixture of whinstone and white marble, that the local tradition was that it had been erected to commemorate a battle between Wallace and the English, and that there was “no doubt whatsoever” that it was ‘druidical’!”

Watson also informs us that the name of the rock – Tom baird – is from the Gaelic, meaning the “bard’s knoll”. However, Bruce Baillie (1998) would have it that the The White Stone of Tam Baird,

“has possibly been derived from the Gaelic Tam a Bhaird, ‘the knoll of the enclosure.’”

And there is a large five-sided enclosure on the ridge of Dollar Hill, but that’s quite some distance away and would have little bearing on the naming of this quartz stone.

References:

  1. Baillie, Bruce, History of Dollar, DMT: Dollar 1998.
  2. Watson, Angus, The Ochils: Placenames, History, Tradition, PKDC: Perth 1995.

Acknowledgements: Huge thanks to Marion Woolley for directing us to the 1819 Estate map!

© Paul Bennett, The Northern Antiquarian


East Riddlesden Cross, Keighley, West Yorkshire

Cross:  OS Grid Reference – SE 079 421

Archaeology & History

A little-known early christian relic found in the driveway to East Riddlesden Hall was saved and propped up in the stable floor at the back.  In 1984 however, the National Trust got round to moving it and bringing the relic to greater public attention by putting it on display in the great hall of the building. (I think you’ve gotta pay to go in and see the stone these days – which is a bittova pain if you just want to examine the carving)

Old photo of the carved stone (after Margaret Faull)

Measuring just 1 foot across and 2 feet high and carved on all sides, the design is all too familiar to those of you exploring early christian or late-Celtic art forms.  Executed sometime between the 5th-10th century, on the main face of the cross we have the traditional ‘Celtic’ interlacing, with a bird-figure emerging on or around an early ‘cross’ symbol.  There are a variety of interpretations of this, but none relate to any modern christian mythic structures.  Indeed, we should cautiously reflect on the more pre-christian nature of this design: carved as it was at a time when the spirit of the natural world (animism) was endemic amongst all people.  This carving would in some way reflect such implicit subjectivity, though perhaps have had emergent ideals relevant to the christian cult within it.  However, we should be cautious about this christian idea, despite it being much in vogue by prevailing groups of consensus trance historians.

References:

  1. Faull, Margaret L., “The Display of the Anglo-Saxon Crosses of the Keighley Area,” in Transactions of the Ancient Monuments Society, New Series no.30, 1986.

© Paul Bennett, The Northern Antiquarian


Whooping Cough Stone, Struan, Perthshire

Legendary Rock: OS Grid Reference – NN 816 653

Getting Here

Old photo of the stone (after Duncan Fraser)

Up the A9 past Blair Atholl, a few miles later there’s the turning for Struan.  Scarcely a mile east of old Struan Church, head past the old farmhouse of Old Kindrochat and keep going eastwards along the edge of the trees for about 200 yards until you reach the sheepfold. There you’ll see a singular rock sitting alone by the fence. That’s it!

Archaeology & History

This little known healing stone was, at one time last century, of great repute in the Highlands. Today, very few people even know it exists. One of many rocks that were said to possess healing abilities, this one (obviously) was of great repute in the curing of whooping cough. But it wasn’t the rock alone that did the work here, for upon its edge was a small basin into which rainwater collected and this, when used correctly and in due accord with ancient ritual tradition, could enact the cure.  Mr Duncan Fraser said of this fascinating healing stone:

“The grey water-worn stone is about 4ft 6in long, 2ft 6in broad and 2ft high, with a deep gash on top, where the water lingers even in long dry spells. When full it holds about half-a-gallon. People were still coming here with their sick children as late as 1860 — and bringing a spoon made from the horn of a living cow. There was no cure without that.”

The ritual “spoon made from the horn of a living cow” was an important ingredient at another site with the reputation for curing whooping cough about 50 miles south of here, near Balquhidder. (see Whooping Cough Well, Killin)  What truly fascinates me is the origin of this stone and its medicinal virtues.  When  did the healing rites first start here – how long ago…?

References:

  1. Fraser, Duncan, Highland Perthshire, Standard Press: Montrose 1969.

© Paul Bennett, The Northern Antiquarian


Rivock East Carving, Keighley, West Yorkshire

Cup-Marked Stone: OS Grid Reference – SE 07640 44215

Getting Here

Cupmarks at Rivock East

Take the same directions as if you’re going to Dave’s Stone, to the eastern end of Rivock Edge itself. Then take less than 10 steps further onto the moor itself and you’ll see the stone pretty low down in the heather. (please note that grid-reference above needs revising)

Archaeology & History

…and looking straight down!

Found about 10 yards onto the flat ridge south of Dave’s Stone cup-marked stone, the vegetation covering this carving had only recently been brushed off when we revisited the place in 2012, by members of the Ilkley CSI team in their own survey of the area.  As you can see, it’s a simple design of just two well-preserved cups on a small rounded stone. What may be the remains of a very faint ring arc is possible over one of the two cups. Nowt much more to say really!

© Paul Bennett, The Northern Antiquarian 


Idol Rock, Ilkley Moor, West Yorkshire

‘Cup-Marked’ Stone:  OS Grid Reference – SE 13296 45898

Also Known as:

  1. Carving no.221 (Hedges)
  2. Carving no.327 (Boughey & Vickerman)

Getting Here

Idol Rock, Ilkley Moor

From Cow & Calf Hotel head onto the moor above you, following the same directions to reach the ornately carved Idol Stone (and its immediate companions). Ahead of you on the same footpath, about 100 yards along, as it begins to slope up the hill further onto the moor, you’ll see a large upright pyramid-shaped stone, about 8 feet all, right at the side of the path. Y’ can’t miss it!

Archaeology & History

Deep cups & lines on top

Although ascribed as a cup-marked stone in usual surveys, the cup-markings on top of this rock are seemingly Nature’s handiwork. There is a possibility that cup-markings were carved into the top of the stone, many thousands of years ago, but due to the centuries of wind and weathering, we cannot in anyway assess the curvaceous bowls and lines running across and from the top of this rock to be artificial.

Folklore

The name ‘Idol Stone’ seems to have come about as a result of the judaeo-christian Victorian obsession of satanic idolatry in all things natural – which many of them still fear. Sadly there are no early accounts of practices of idolatry at this rock, until it was used by chaos magickians in the formative years of that Current in the 1980s.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  3. Cudworth, William, “Rombald’s Moor Antiquities,” in Bradford Scientific Journal, volume 3, 1912.
  4. Forrest, C. & Grainge, William, A Ramble on Rumbald’s Moor, among the Dwellings, Cairns and Circles of the Ancient Britons, W.T. Lamb: Wakefield 1868-9.
  5. Hedges, John (ed), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  6. Holmes, J., “A Sketch of the Prehistoric Remains of Rombald’s Moor,” in Proceedings of the Yorkshire Geological Society, volume 9, 1887.
  7. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

© Paul Bennett, The Northern Antiquarian 


Balbirnie Carving (01), Markinch, Fife

Cup-and-Ring Stone: OS Grid Reference – NO 28587 02966

Also Known as:

  1. Balfarg
  2. Fif 1 (Morris 1981)

Getting Here

The cup-and-ring marked slab

Follow the same directions to find the Balfarg Stone Circle.  From the A92 going north from Glenrothes, turn E onto the country lane to Star and Kennoway. 100 yards on there’s a sign for Balbirnie; turn right here and about 200 yards on, where the road bends right, the circle’s just below you). This carving is perched on its side in one of the preserved grave cists within the circle, easily visible at ground level.

Archaeology & History

This carving (and its adjacent compatriot) was found inside the Balbirnie stone circle when it stood in its original position more than 100 yards northwest of the place it presently occupies (at NO 2850 0304). Thankfully, when the megalithic ring was moved and reconstructed, its original status was kept, including the repositioning of this impressive small cup-and-ring stone – despite it being a copy of the original.

Early photo of the carving

Like a good number of prehistoric tombs, this small carved stone was stood on edge, facing into the stone-lined tomb (cist), obviously representative of some important element in the Land of the Ancestors: perhaps a map of the landscape therein; perhaps a personal token; perhaps indicative of the spirits of the dead; perhaps a magickal amulet for safe guidance. There are a number of ritual possibilities here, and whichever it was, we can be sure the symbols were representative of the animistic cosmology of the neolithic people living hereby, linking the living with the dead.

As you can see from the original photograph, a number of cup-marks along the edges of the stone are accompanied by two or three cup-and-rings, one of which is very faint. Some carved lines run between some facets of the carving, linking one mythic element to another. Ron Morris (1981) described the carving, simplistically, as,

“Under a cairn, within a ring of stones, one of 5 cists had, carved on the inside of a side-slab (sandstone), ¾m by ½m by ¼m (2¾ft x 1¾ft x ¾ft): 2 cups-and-one-ring—one faint and incomplete—and also 8 cups, 2 with ‘tails’. Greatest diameter of ring 12cm (5in), and carving depths up to 2cm (1in).”

References:

  1. Burl, Aubrey, Rings of Stone, BCA: London 1979.
  2. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

© Paul Bennett, The Northern Antiquarian


Quarry Hill, Leeds, West Yorkshire

Settlement (destroyed):  OS Grid Reference – SE 309 336

Archaeology & History

Absolutely nothing is left of the large series of ancient earthworks that were reported to have existed near the very centre of Leeds by Ralph Thoresby, James Wardell and others in the 18th and 19th centuries.  Although we do not know with certainty the age and nature of the site, it would seem very likely to have had a prehistoric provenance.  However, this wasn’t the opinion of either Thoresby (1715) or Thomas Whitaker (1816).  They both thought the remains were of Roman origin – but we must remind ourselves of the inaccuracies made, particularly by Whitaker, when it came to estimating the dates of early monuments (e.g., Whitaker’s assertions of the huge Counter Hill earthworks above Addingham).  Sometime later, James Wardell (1853) thought the remains on Quarry Hill were distinctly pre-Roman; though reasoned that the invading force may have used the site at a later date.  Wardell wrote:

“Traces of a prior occupation were, until recently, observable on the summit of Quarry-hill, along the western edge of which ran an earthwork of considerable length and magnitude, and of semi-circular form.”

We know little else of the place, sadly, but the shape of the site around the hilltop edges would seem to support the likelihood of an Iron or Bronze Age origin.  Further information would, of course, be more helpful…

References:

  1. Thoresby, Ralph, Ducatus Leodiensis, Maurice Atkins: London 1715.
  2. Wardell, James, The Antiquities of the Borough of Leeds, Moxon & Walker: Leeds 1853.
  3. Whitaker, Thomas D., Loidis and Elmete, T. Davison: Leeds 1816.

© Paul Bennett, The Northern Antiquarian