Follow the directions as if you’re visiting the fascinating Wondjina Stone and its companion. From here look at the large rocks on the edge of the drop a few yards away (west) and you’re looking for the flattest rectangular rock jutting out over the edge of the slope, about 15 yards from the walling. The carvings of Rivock (2) and (3) are on the adjacent rocks.
Archaeology & History
The southernmost of (at least) three cup-marked rocks on the edge of this outcrop, it isn’t a carving I’d necessarily include in my own surveys nowadays. It’s a dubious one to say the least. Nonetheless, earlier surveyors added it in their catalogues.
Lichen-covered “cups”
First mentioned in John Hedges’ (1986) survey, this large and roughly flat rectangular boulder possesses three or four questionable cups close to the edge of the stone. Boughey & Vickerman (2003) subsequently included it in their own work—copying Hedges’ notes—and told it to be a “large rock. About three cups on NW side.” Have a look at it when you visit the other more impressive Rivock carvings nearby and see what you think…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Take the same directions as if you’re visiting the fascinating Wondjina Stone and its companion. From here, just a few yards to the west, are the large rocks overhanging the steep hill, several of which have cup-markings on them (including the carvings Rivock Nose [1] and [2]). This particular carving is the one closest to the wall. You can’t really miss it!
Archaeology & History
Line of 3 cups
A simplistic design that’ll only be of interest to the real geeks amongst you; but you might as well give it your attention when you’re looking at the adjacent Wondjina Stone. On its large surface, the most notable ingredients are the three large cups that run (roughly) in a straight line from the middle of the stone to its outer pointy edge. You can see them pretty clearly in the photo. Several other cup-marks can be seen on the more northwesterly side of the stone.
It was first described in John Hedges (1986) survey, whose notes were simply copied in the subsequent survey of Boughey & Vickerman (2003) where, in their traditional way, gave a very basic description, saying, “Large gritstone outcrop: 3m x 2m. Five cups towards NW edge.”
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
On the moorland road from Dick Hudson’s pub, head east along the Otley Road for more than 1½ miles, past the T-junction right-turn at Intake Gate (to Hawksworth) and just a quarter-mile further on park-up at the roadside (opposite Reva Reservoir). Walk (north) thru the gate into the field and after 300 yards through another gate into the next field. From this gate, walk straight north to the Fraggle Rock cup-and-ring stone, then go down the slope NNW for nearly 50 yards and just above the old track you’ll see the edge of this stone peeking out!
Archaeology & History
One of a number of previously unrecorded carvings in these fields, this is a pretty simplistic but unique design. The first thing you’ll notice is at the top-corner of the stone where, like many rocks on these moors, a nicely-worn cup stands out. Erosion obviously…. or so it first seems. This cup-mark has another two by its side, along the top edge of the stone which, again, initially suggested them to be little more than natural. But in rolling back the turf this assumption turns out to be wrong; for, along the west-side of the rock you’ll see a notable pecked groove running down to another cup-mark about twelve inches below, kinking slightly just before it reaches that cup. You can see this in the photo. Now, if we return to the prominent cup-mark at the top corner of the stone, in certain light there seems to be a very faint incomplete ring around it – but we can’t say for certain and it needs to be looked at again in better light.
Cups & line clearly visibleMain carved section
The name given to this carving (thanks to Collette Walsh) comes from the wavy lines that go into the middle of the stone from the long pecked line. These wavy lines are natural, although one portion of them might have been artificially enhanced. It’s difficult to tell one way or the other and we’ll have to wait for the computer boys to assess this particular ingredient. Just above these “waves” is a single eroded cup-mark nearly 2-inch across. And that’s that!
Along Halifax Road (A649), get to the Shears Inn and then take the footpath at the back of the pub that runs down the side of the fields and alongside the allotments. Less than 150 yards down, just through the stile into the edge of the field on your left, you’ll see the side-edge of a large flat stone in the grasses. Check it out!
Archaeology & History
Along with the Attack Well and Tree Root Well, this was one of three springs close to each other that gave local villagers their water supply in bygone times. When we visited here at the height of a long warm spell in the summer of 2023, there was still was a small amount of clear water trickling beneath the long flat slab of stone — although it was somewhat clogged-up with vegetation. It wouldn’t take much work to completely clean this out and use the fresh drinking water once again.
The well gained its name from its position in the land, with balk, being “a portion of a field left unploughed”, or “a strip of ground left untilled” and variants thereof.
References:
Wright, Joseph, The English Dialect Dictionary – volume 1, Henry Frowde: London 1898.
Acknowledgements: Huge thanks to the great Gary Ferner, for use of his photo and the day’s venture!
Located down the slope behind Shears Inn on Halifax Road (A649), past the stone-lined Balk Well, then round the other side of the allotments up where the footpath cuts to your right, the waters from this site can barely be found in the now large mass of brambles that make it virtually inaccessible to reach. When Gary Ferner and I visited here, it seemed that a very small pool of water existed in the hollow beneath the prickly vegetative covering—but even I didn’t struggle to get through it all and so we don’t know if the waters are still running as once they were. It was obviously one of the wells that fed local people in earlier times, but I can find no historical references to the site apart from its showing on the 1908 Ordnance Survey map.
Holy Well (lost): OS Grid Reference – SE 134 331 (approximation)
Archaeology & History
This site is both interesting and frustrating at the same time. Interesting inasmuch that as early as 1258 CE, “the Knights Hospitallers of St. John of Jerusalem in England, had in Allerton a manor called the manor of Crosley.” The Hospitallers, as some will know, were the immediate successors of the more famous Knights Templars. As their name suggests, their patron saint was St John, whose festival date was summer solstice and had his name given to many holy wells. But this one has left us with no name and its location has long since been lost. In J.H. Bell’s (1888) essay on the early medical history of the area he told that local people with certain afflictions, “were wont to resort to them to drink their waters for their supposed medicinal virtues: there was one between Cemetery Bridge and Crossley Hall”. But he doesn’t give its exact position. In John James’ (1841) classic History of Bradford he thinks that near the place where the local stream known as the Hebble, “there was undoubtedly in former times a Holy well,” but is unable to cite a location. No well is shown on the early maps between the old Hall and the cemetery and the only definitive reference to wells close by are in the early boundary perambulation record, which describe a Brock Well and a Cold Well. Perhaps the the most probable contender and location is cited in Harry Speight’s (aka Johnnie Gray) Pleasant Walks (1890) where, taking a route between Great Horton and Allerton, he told us to,
“go through fields on to Necropolis Road, opposite Scholemoor cemetery, turn down lane left outside cemetery, ½ mile, descending steps, cross beck (here used to be the Spa Beck public gardens, now removed higher up) and ascend, at second field, leaving the forward path and turn left, following beck with Crosley Hall and trees to right.”
The location of the said Spa Beck gardens is very close to where Mr Bell described the medicinal spring and is/was the most likely position of what James (1841) thought to be a long lost holy well. If we could get more information about the history of the Spa Well, we may be able to make more definitive statements about the place.
From East Morton, head up the winding Street Lane for just over a mile until, on your right-hand side, you hit the long straight Roman Road, or Ilkley Road as it’s known. Literally 690 yards (0.63km) up, on your left a footpath is signposted. Take the path alongside the wall, through the first gate (note the pile of stones at this gate, which are the remains of the destroyed Bradup stone circle) then keeping on for ⅓-mile till you reach another gate, then 200 yards to the next one where you reach the moorland proper. From here you need to walk through the heather, just over 300 yards southwest where you’ll reach this large rock. Y’ can’t miss it!
Archaeology & History
Looking down at the CnR
Considering the size of this stone, visitors might expect there to be more on it than there actually is; although a large section of it has been quarried off and there might have been more to it in earlier times. A basic cup-and-ring with one or two single cup-marks elsewhere on its surface, the carving was first described by Stuart Feather (1964) following one of his many rambles hereby, when he was checking out the Rivock carvings a short distance to the west (calling it the Rivock 18 stone). He wrote:
S. Feather’s 1964 sketch
“On the eastern edge of the Rivock plateau, about half-a-mile west of the stone circle at Bradup Bridge, is a cup-and-ring marked rock of a pronounced triangular shape. This at present measures 10ft by 8ft and is 3ft high at its western side… At some time in the past it has been quarried, probably to build part of the adjacent gritstone walls. The 8ft side of the rock has quite distinct drill marks visible…
Close-up of the CnR
The rock has…on its sloping surface a very fine cup-and-ring mark, the ring 6in in diameter around a cup 2in deep, all finely executed and well preserved. Running south from this cup-and-ring mark is a level area 3ft long and 5in wide, which ends alongside the ring at one end and at the quarried edge of the rock at the other. This is probably the former position of a fossil which has weathered out and its alignment onto the cup-and-ring may be due to the carving having been deliberately sited in juxtaposition to this very distinct natural feature. Only one other 2in deep cup remains on the surviving original portion of the rock; others may have been quarried away.”
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – no.18, Rivock”, in Bradford Cartwright Hall Archaeology Bulletin, 9:2, 1964.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
An intriguing find, made not too long ago by Jeff Wallbank of Silsden. Simplistic in design, it’s found on a small ridge of rocks adjacent to an old quarry (so there may have been other carvings here in times gone by), rising up immediately south of Haw Farm about 20 yards away, from where you can ask permission of the kind land-owner to have a look at the stone.
It’s pretty basic: consisting of a distinct triangle of three plain cup-marks on one side of a natural crack that runs across a section of the stone. Immediately adjacent and on the other side of this crack, is another singular cup. This appears to have a carved line running from it and possibly an elongated semi-circular element around the cup itself. It’s not too special when compared to the much more ornate petroglyphs further east, but is worth checking out if you’re walking in this gorgeous western edge of Rombalds Moor.
Acknowledgements: HUGE thanks to Sarah Walker, without whose help and permission to use her photos, this site profile could not have been written.
Sacred Well (destroyed): OS Grid Reference – SE 3953 1570
Archaeology & History
The precise whereabouts of this site isn’t known with absolute certainty, but, following research by the respected folklorist and pagan historian Steve Jones of Wakefield, the grid-reference cited here has a high degree of probability about it. I certainly agree with Steve about its location.
Pond in Fairy Wood, shown on the 1893 OS-mapFairy Wood near Nostell, probable home of the Well
Known about in the 19th century, I was fortunate in coming across what seems to be the only reference to the place whilst perusing the scrapbook notes of local historian John Wilson (1903). Were it not for him we would have lost all knowledge of its existence and the local tale told of it, albeit watered into a dying belief in these supernatural creatures, would have faded completely before its final physical demise. Wilson was described as a “diligent a student of local history,” who possessed a great collection of rare booklets and pamphlets on Yorkshire history and was a “careful an observer and recorder of all pertaining to past times.” Of this Fairy Well, Wilson scribed the following poem:
At Nostell is a Fairy Well,
Hard by the margin of a wood
Wherein once dwelt, as old men tell,
The little folks of fickle mood ;
Till smoke and steam denied the dell
And made them quit both wood and well.
Blythe Henry Carr, mine ancient friend,
— So bravely keeping on his feet ;
May death long spare him,
still to wend His way along the village street,
Within the cobbler’s shop to spend
A pleasant hour — mine ancient friend.
The woodman at the Priory
In old Sir Rowland’s halcyon days
Was Thomas Watson, gay and free,
Who roused with song the woodland ways
A friend of Henry Carr’s was he,
—The woodman at the Priory.
This Watson many a tale could tell
Of fairies red and fairies green,
That in the wood and by the well
On summer evenings he had seen:
Of elves that thereabouts did dwell
This Watson many a tale could tell.
Whoever heard of such a thing!
He said that persons, known to him,
At eve would flasks of liquor bring,
And leave them, lying near the brim
Of this — the wondrous Fairy Spring —
Whoever heard of such a thing !
Was ever such a tale yet told ?
He said, that, when the morning came,
Each flask lay empty, and, behold !
Near each a drunken elf. O, shame !
The vice of those of mortal mould :
— Was ever such a tale yet told ?
Then question I mine ancient friend:
“Did no one seize the tipsy sprites? ”
“Not they ! for sudden is his end
On whom the fairy vengeance lights.”
With solemn eyes that fear portend
Thus answers me mine ancient friend.
Steve Jones already knew of the Fairy Wood, which was highlighted on the 1841 and 1854 6-inch-to-the-mile OS-map of the area—but no “Well” is shown in the woods. However, as Steve discovered, following a subsequent visit by the Ordnance Survey lads in 1891, they showed on their 25-inch-to-the-mile map of the woods a distinct small pond in the trees not far from the roadside. This, he thought, was probably the Fairy Well referred to by Wilson. It would seem so. Adjacent to the woods, the 1853 Tithe Award cite the existence of a field also dedicated to the fairy folk, known simply as Fairy Close.
References:
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 1, Cambridge University Press 1961
Huge thanks to the research by Steve Jones of Wakefield, without whose work the location of the Fairy Well would have remained a mystery. Also, thanks as always for use of the early edition OS-maps, Reproduced with the kind permission of the National Library of Scotland.
Follow the same directions as if you’re visiting the Gab Woods (1) carving—which you’re probably visiting if you’re checking this one out. Walk south into the middle of the woods and you’ll soon notice the road/houses on the other side of the trees. Once here, staying in the woods, follow the walling down for about 100 yards, keeping your eyes peeled for a reasonably large flat stone about 15 yards from the wall in the trees. If you can’t find it at first, patiently zigzag back and forth until it eventually appears!
Archaeology & History
One of two known petroglyphs in this woodland (there may be more hidden away) that was first found in the 1940s by Dan Cole. The main feature here consists of a cup-mark encircled by two large, well-defined oval-shaped “rings”, a bit like a large eye. From the central cup, a long carved line runs down the gently sloping surface of the stone and, roughly halfway down from the cup-and-ring to the edge of the stone, another carved line cuts across at rough right-angles, giving the carving a slight anthropomorphic (human-like) appearance when looking up the stone. This humanesque figure may have been the intention—though for my part I have to say that I’m slightly skeptical about it. We may never know either way. Several other single cups are on the stone: one to the side of the large “eye” and two or three below the elongated “arms.”
Vague humanesque figureLarge eye-shaped element
An additional, interesting non-petroglyphic feature is the name of the woodland in which the stone resides. In Thomas Wright’s massive dialect work, Gab is a northern dialect word meaning “to talk”, or “idle chatter” (and variants thereof); this is echoed in Blakeborough’s (1911) Yorkshire survey; and Wilkinson’s (1924) local study tells simply it’s “idle talk…able to talk glibly and with much plausibility—a Town Hall Square orator for instance.” This makes the place as something akin to being “the woodland that talks”, “the chattering woods” or “the talking woodland”, etc. You can make up your own mind as to what this might mean… *
References:
Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
Acknowledgements: Huge thanks must go to Peter Murphy for recovering this impressive carving from the archives, and from beneath the carpet of soil and vegetation, so enabling it to see the light of day once again. Also big thanks to the usual culprit of James Elkington, as well as Sarah Walker and Sarah Jackson.
* a Scottish dialect variant of gab relates to the mouth, tongue, taste.
