Take the road up through Baildon village, across at the roundabout up Northgate and up onto the moor, then after a few hundred yards turn left on the Bingley Road. About five hundred yards along, keep your eyes peeled for where the ruined reservoirs are to the left-side of the road. Straight across the road from here (north) you’ll see the small cliffs of Eaves Crag. Walk along the footpath that runs above the cliffs and, about 80 yards past them, keep your eyes peeled on the ground right in the middle of the path. You can’t really miss it!
Archaeology & History
Basic cup-and half-ring
First mentioned in passing in the magnum opus of W. Paley Baildon (1913) and subsequently in one of Sidney Jackson’s (1955) series of profiles on the Baildon Moor carvings, this all but insignificant carving comprises of a simple cup-and-half-ring and another singular cup-mark a little further along the stone. John Hedges (1986) described this carving as being a “well marked cup surrounded by horseshoe groove – also well marked. Possible small cup and incomplete ring.” Whilst the minimalists Boughey & Vickerman (2003) told it to be simply, “two cups, one with incomplete ring.” A peculiarity with this design is that it might have been cut by a metal implement, perhaps in the Bronze Age, perhaps even in the Iron Age. We might never know…
References:
Baildon, W. Paley, Baildon and the Baildons – volume 1, St. Catherines: Adelphi 1913.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, ‘Cup and Ring Boulders of Baildon Moor,’ in Bradford’s Cartwright Hall Archaeology Group Bulletin, 1:10, 1955.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Two main routes to get here: i) from Dick Hudson’s public house, head left (east) along Otley Road (passing Weecher reservoir) for 1.9 miles (3.1km) until you reach Reva reservoir where a track leads you to the waters, and there’s a small parking spot on the left-side of the road. Stop here. (ii) coming from Hawkworth and Guiseley, head west along Hawksworth Lane which runs into Goose Lane and, at the T-junction at the end, turn right and nearly 500 yards along on the left-side of the road is the same small parking spot. From here, walk uphill for nearly 150 yards and then look at the walling to your left.
Archaeology & History
Reva Cross on 1851 map
This relic can be found on the far eastern edges of Hawksworth Moor, near Guiseley, and was said by the historian Eric Cowling to have originally stood upon a large rock nearby. It has an odd history. Initially, the cross was an ancient boundary or mark stone, referred to in a 15th Century document and outlined by William Preston in 1911, that marked the limit of the southern township of Burley township. Local historian C.J.F. Atkinson asserted that this cross in fact came from Otley, although his ideas were considered somewhat “fanciful” by archaeologists and other historians.
Its present position by the roadside is relatively new as it stood, not too long ago, a short distance away in the field to the rear, as highlighted on the early OS-map of this area. E.C. Waight of the archaeology division to Ordnance Survey wrote:
“Situated at SE 1530 4297 on the western side of the gate from the road into the field containing the remains of Reva Cross is a cross base (apparently in situ) serving as a bolster stone to the wall head at the gate opening.”
He described the dimensions of the base and the remainder of the cross, both of which “are contemporary with one and other,” he told. In the 1960s, the local council moved the cross to its present position.
Tradition told that despite its religious symbolism, it was also used as a market cross in bygone times. A certain Mrs Fletcher (1960), writing to the Cartwright Hall Archaeology Group, narrated that,
“Mrs Turner Greenwood….tells me that her mother, who, if living, would be in her nineties, lived at Gaping Goose Farm on the western side of Reva Hill… Mrs Greenwood’s father.. .remembered the cross erected on this hill, and related seeing the roads black with people climbing to it from Otley and Bingley, for the market held there.”
Despite this, Sidney Jackson was somewhat sceptical of it being the site of a market. Weather conditions and the bleakness of the spot would have made this site somewhat intolerable, he thought. However, people in previous centuries were much hardier than modern people and so it’s not as unlikely as you’d initially think.
Close-up of crossSid Jackson’s sketch
A much more interesting tradition of the cross was its use in times gone by as a Plague Stone. However, this name only applied to the cross-base at the time as no cross was stood upon it; merely a natural rock laid upon the moorside with a basin cut into it. It gained this name around the time of the great plague of 1660. During the plague, food was left on this table-like rock and money in return was placed in a basin full of vinegar. This tradition may have originated at the large natural rock bowl on one of the earthfast stones near the very top of Reva Hill a short distance to the west (also a number of cup-marked stones are close by and folklore records show that some cup-marks had healing properties). One account tells that it was Sir Walter Hawksworth (of the legendary Grand Lodge of ALL England masonic lodge) who was responsible for the siting of the cross as a Plague Stone.
References:
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, Eric T., ‘Letter,’ in Cartwright Hall Archaeology Group Bulletin, 5:5, May 1960.
Fletcher, Elsie, “Letter,” in Cartwright Hall Archaeology Group Bulletin, 5:5, May 1960.
Jackson, Sidney, “Ancient Crosses,” in Cartwright Hall Archaeology Group Bulletin, 1:12, 1955.
Jackson, Sidney, “Cross on Reva Hill,” in Cartwright Hall Archaeology Group Bulletin, 5:1, p.2, 1960.
Jackson, Sidney, “Reva Hill Cross Base Found,” in Cartwright Hall Archaeology Group Bulletin, 9:9, September 1964.
Jackson, Sidney, “Fresh Site for Reva Cross,” in Cartwright Hall Archaeology Group Bulletin, 11:7, July 1966.
Preston, William Easterbrook, “On an Ancient Stone Cross on Riva Hill,” in Bradford Antiquary, New Series 3, 1911.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
From Steeton village, go up Mill Lane, turning right and then bending up the steep Barrows Lane for a half-mile or so, where in turns into Redcar Lane. There’s a row of old cottages on your left with a green lane track running into the fields at the back of them. Four fields along you’ll reach a long straight line of walling running uphill. Up here, above and past the long geological stretch of quarried rocks, the land levels out and two trees sit next to each other by walling. The carving’s beneath them.
Archaeology & History
Close-up of carving
Rediscovered in the summer of 2024 by Thomas Cleland, a deeply worn cup-mark is the primary feature of this petroglyph on the topmost section of the stone, with the remains of a faint incomplete ring around one side of it. Three or four other smaller cup-marks can be seen close to the main one. There may be another cup-marked stone on an adjacent rock, with a lines running away from it, but we need to see that in better light or have one of the computer-tech doods to give it their attention to know for sure.
Cup-and-Ring Stone (destroyed?): OS Grid Reference – SE 314 537
Archaeology & History
The chances of this carving still being alive, so to speak, are pretty slim. It was reported by a Mr. Sullivan to the old Yorkshire petroglyph researcher Stuart Feather back in 1965, in the days when English archaeologists didn’t really give a shit about rock art. Sad but true. The carving was found in the grounds of what used to be the ICI Fibres Research Centre, in the present landscape of Hornbeam Business Park, a hundred yards or more west of Hookstone Beck. According to Feather’s report, the carving consisted of “a single-ringed cup and a groove” surrounding “two short pecked grooves and a meandering groove leading off,” all with clear signs of being pecked and carved in the old-school manner. All trace of the carving has vanished and it was probably destroyed by the Industrialists. (the grid-reference to this site is an approximation)
Simply follow the same directions as if you’re going to the Allt Thorrisdail (1) petroglyph, and the large, roughly oval-shaped boulder just a few yards away is the one you’re after. You can’t miss it!
Archaeology & History
This large, earthfast, ovoid ball of rock has a series of cup-marks on three of its curvaceous faces, some of which seem to be natural, with a number of them “enhanced” by human hands at some time in the long long ago….
The main cluster of these cups can be found on its near-vertical western-face: an unusual feature in itself! There are several cups on its southern curve and, further round, low down on the east side of the rock we see a few more of them hiding away. These, too, seem to have been Nature’s handiwork, then enhanced by the hands of wo/men. The carving was described in Hew Morrison’s (1883) work as possessing two groups of cup-marks,
“similar to that on the neighbouring stone, one of eighteen small and one large cup, and another of eleven small marks. There is a solitary mark on the summit of this stone, and its southern face is marked by lines crossing each other, but without any apparent order or design.”
On its northern face we see a large oval hollow, an inch or so deep throughout, that has all the hallmarks of being a primitive face. There is a tradition of such a rock “face” carving somewhere close by, which seems to be lost—and this would seem to be culprit! If you visit the place, let us know what you think!
One feature that stands out at this site is the nearby pyramidal hill whch, I think, had some mythic relationship with the carvings. Impossible to prove, obviously, but the pyramid is such a dominant feature in this landscape that a relationship seems inevitable. I can only echo what I’ve said in the site profile for the adjacent carving here: tis a ritual place indeed – without any shadow of doubt. And I don’t say such things lightly! This place is truly superb!
References:
Mercer, R.J., Archaeological Field Survey in Northern Scotland 1976-1979, University of Edinburgh 1980.
Royal Commission on Ancient & Historical Monuments, Scotland, Second Report and Inventory of Monuments and Constructions in the County of Sutherland. HMSO: Edinburgh 1911.
Acknowledgements: Huge thanks to Sarah MacLean for her company and landscape knowledge in visiting this and other nearby antiquarian sites. And to Aisha Domleo, for getting me into this neck o’ the woods in the first place….where’er She may be….
Cup-Marked Stone (lost): OS Grid Reference – NN 4808 0140
Archaeology & History
On the south-side of Loch Ard, just a few yards from the entrance to Rob Roy’s Cave (one of several), right by the water’s edge are the natural upstanding pillars known locally as Gog and Magog. In Peter Joynson’s (1996) work on Aberfoyle, this site is listed as one in a number of unrecorded cup-and-ring stones in the area. Discovered by a local lady—”the late Mrs Maitland”—here we have,
“two huge stones about 30ft high known as Gog and Magog situated at the mouth of Blan Ross Bay. They have numerous cup marks, but sadly have disappeared from view as they have been covered by forestry planting.”
An increasingly annoying problem that many rock art students are having to contend with! When we visited the site, the tops of these huge stones were, indeed, covered in depths of mosses and pine needles and the carving is hidden from sight. When the trees are felled, let’s hope someone can find it!
Folklore
These natural rocks were said to have been two giants that were turned to stone, the story of which seems to have been forgotten…
References:
Joynson, Peter, Local Past, privately printed: Aberfoyle 1996.
This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton. Ask a local. If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away) As you walk to the main crags, instead of going to the huge central mass, you need to follow the line of walling down (south) to the extended cluster of much lower sloping rocks. Look around and you’ll find it!
Archaeology & History
On the evening of May 27, 2024, I received a phone call from a Mr James Elkington of Otley. He was up Almscliffe Crags and the wind was howling away in the background, taking his words away half the time, breaking the sentences into piecemeal fragments. But through it all came a simple clarity: as the sun was setting and the low light cut across the rocky surface, a previously unrecorded cup-and-ring design emerged from the stone and was brought to the attention of he and his compatriot Mackenzie Erichs. All previous explorations for rock art here over the last 150 years had proved fruitless—until now!
Looking northwestCentral cup-&-ring
On the east-facing slope of the stone, just below the curvaceous wind-and-rain hewn shapes at the very top of the boulder, is a singular archetypal cup-and-ring. It’s faint, as the photos show, but it’s definitely there. What might be another cup-and-ring is visible slightly higher up the sloping face, but the site needs looking at again when lighting conditions are just right! (you can just about make it out in one of the photos) But, at long last, this giant legend-infested mass of Almscliffe has its prehistoric animistic fingerprint, bearing fruit and giving watch to the countless heathen activities going back centuries. Rombald’s wife Herself might have been the mythic artist of this very carving! (if you want to read about the many legends attached to the major Almscliffe rock outcrop, check out the main entry for Almscliffe Crags)
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. Along the tiny curving road for exactly 1km (0.61 miles), where the road has straightened out there’s a small dirt-track with a parking spot along it. A few hundred yards along there’s a crossroads of dirt-tracks: walk to your left (SW) for nearly a mile (or exactly 1.5km) keeping your eyes peeled for a small distinct footpath leading down-slope on your left. Walk along this undulating path for just over 200 yards till you go through the gate, then walk immediately to your right down the side of the fence in the field for about 20 yards. Y’ can’t miss it!
Archaeology & History
Blarnaboard (3), NE-SW
Located on the land of the early bards of Gartmore, we could speculate that those early orators told tales of, and from this old stone—but that’s all it would be: dreamy speculation. Instead, passing that aside, the petroglyph itself brings us a feast to drool over!
Made up of four distinct carved sections of almost interconnecting rock, this flat thin line of stone is covered with an impressive array of cups and multiple rings. Running downhill in a northeast to southwest line, it would appear to have been written about for the first time by Lorna Main (1988) who subsequently described it in the usual archaeological shorthand, simply telling that,
“There are at last 28 cups, 3 cup and one ring, 4 cup and two rings, 2 cup and three rings, 1 cup and five rings and 1 cup and seven rings.”
Multiple ringed elementSection 1 overview
…But, as usual, there’s much more to be said of it than that. Of the four sections, we’ll start at the uppermost northeastern section and work down the sloping ridge, looking at the respective symbols as we go. Section 1 has the largest surface area, but isn’t the most decorated of the bunch. Nonetheless, what we find here is impressive. About a dozen single cup-marks of various ages are scattered over the surface in what initially seems to be no recognizable order; these are accompanied by two single cup-and-rings: one of which could be said to be of standard size and form, whilst the other has a much larger and broken ring, near the middle of the rock, about 12 inches across. This larger ring has two or three of the cup-marks incorporated into its outer edges. The most impressive element of Section 1 is the large multiple-ringed design, five in all, radiating outwards or funneling inwards (depending on what was intended) around a central cup. The outer ring of this is incomplete.
Impressive cup & 7 ringsScatter of cups & rings
Section 2 is the most visually impressive of all the Blarnaboard (3) carvings: almost an evolutionary development of what we see on the first part. A 2-dimensional panorama shows off a distinct cup-and-ring close to the edge of the soil, and there’s a somewhat wonky incomplete cup with double-ring below it. A very clear cup-mark to the right of this has another faint incomplete double-ring round it—but this is hard to see. The same cannot be said of the cup with seven concentric rings surrounding it! (the outer two of these are incomplete) As I walked round and round this section, drooling somewhat, it became obvious that a number of well-defined cup-marks had been carved around the outer edges of the rings, deliberately creating an eighth ring comprised purely of cup-marks. It gave me the impression of it representing heavenly bodies revolving around the central Pole Star; but also of it defining the movement of the Moon through the heavens during a calendar year. (the astronomy of my youth still comes through at times!)
Section 3 carvingFaint double cup-and-ring
By comparison, the third and smallest section of Blarnaboard (3) almost pales into insignificance, possessing a mere cup-and-double-ring—and a very faint one at that. From a certain angle it looked like it possessed a third ring, but this was probably more to do with me wanting to see more than there is! Just below this double-ring, a single cup has what might have once been another incomplete ring round it—but we’d need the computer graphic students among you to suss that bit out! You can’t make it out on the photos here, sadly…
Section 4 carvingFaint double-arc, lower cup
The fourth section is the most visually unimpressive of the entire cluster and was probably carved much later than the rest. The poor little fella has just five single cup-marks, with a sixth at the top-corner or northeastern part with what seems to be a small carved double-arc, or partial lozenge, that was started and never finished.
A couple of other exposed sections of stone running a few more yards further down the same line have no carvings on them—but there may well be more to this petroglyph hiding beneath the turf, which covers quite a large area. I have no doubt that other unrecorded carvings exist in close by, but due to excessive forestry plantations all around here, they’ll either be covered over or will have been destroyed. Don’t let this put you off looking for others though!
Cup-and-five-ringsCup-and-seven rings
An interesting feature of this long line of stone is its potential alignment. When we were photographing the site, a local man came over and got chatting with us. He knew of the carving and had been here many times and told us that his wife had looked at this one and found it aligned with another cup-and-ring on the south-side of Blarnaboard farm and another one (officially unrecorded) even further along. I checked this when I got home and found that this long line of petroglyphs did indeed line up with the Blarnaboard farm carving, perfectly. Whether this was intentional and/or possesses an astronomical function, we might never know. The third carving along the line has yet to be located. I must emphasize however, that the relationship between earthfast petroglyphs and alignments is very rare and, where found, is little more than fortuitous. But when we find cup-markings on alignments of standing stones and other prehistoric monuments, the relationship seems to be much more intentional and would have had a specific mythic function.
If y’ follow the fence-line from this carving down to the small burn, on the other side is the much less impressive Blarnaboard (2) cup-marked stone.
Folklore
Prior to Lorna Main’s (1988) short note on this petroglyph, local people had long known about the carving. As late as the 20th century, people with fevers were brought to this stone in the early morning to be cured of the illness. The idea was that medicinal herbs were collected and placed in some of the cup-marks, which were used like a mortar and pestle to prepare the plants. This healing magick, spoken of by some of the old folk in Aberfoyle, was known to them as children, who’d been told of this by their elders and, of course, by the elders before them.
There is also a tradition that some of the stone that makes up the curious moondial (not sundial) that can be seen at the back of the church in Gartmore village nearly a mile to the southeast, originally came from here.
References:
Main, L., “Blarnaboard (Aberfoyle parish), Cup and Ring Marked Outcrop,” in Discovery & Excavation Scotland, 1988.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Anyone who’s going to visit this carving will be doing so as a result of visiting the impressive Blarnaboard (3) cup-and-ring stone, 115 yards (105m) away. From Blarnaboard (3), walk down the slope on your right (west), cross the tiny burn and go round to the other side of the small rocky hawthorn-topped hillock just a few yards in front of you. Fumble about and you’ll find what you’re looking for!
Archaeology & History
It’s possible that there’s more to this carving than meets the eye. On the west-side of this small rocky rise, along a thin elongated raised section in the stone, a gently meandering line of nine deep cups runs roughly northeast to southwest. You can’t really miss them as they average some 2 inches across and 1 inch deep, strongly suggesting that they were cut and reworked over and over for a long period of time.
Line of cups, from aboveRough NE-SW alignment
It was first described in distinct brevity by L. Main (1988) who told that, “over a length of 60cm on a north-east facing outcrop are 9 cup marks.” And, whilst all of the cups are clearly visible, one of them at the edge of the stone has been cut or worked into a natural curved hollow. You’ll see what I mean when you visit the site (it’s pretty clear in the photos).
Beneath the roots and soil there may well be other cup-markings that are still hiding away on this rocky dome. I have no doubt that other unrecorded carvings exist in this area, but due to the excessive forestry plantations all around here, they will be covered over or have been destroyed.
References:
Main, L., “Blarnaboard (Drymen parish), Cup Marked Rock,” in Discovery & Excavation Scotland, 1988.
From Comrie take the B827 road (towards Braco) out of town and where the fields open up on both sides of you, 400 yards along the straight road you’ll see a large bulky stone right by the roadside (it’s the standing stone known as the Roman Stone). Stop here and look on the ground just a couple of yards past the monolith where, amidst the grasses and mosses, you’ll see this small smooth stone (you might have to roll some of the mosses back to see it properly).
Archaeology & History
More than a hundred years ago when John MacPherson (1896) wrote his essay on the history of this area, he described there being “three large stones, supposed to be the remains of a Druidical temple.” He was talking about the Roman Stone here, with its two companions—although only the Roman Stone remains upright today. He noted that one of them, on the ground was “a round, flat boulder” which “bears upon its surface cup-marks arranged in irregular concentric circles.”
This seems to have been the first mention of the carving. Fifteen years later when the great Fred Coles (1911) looked at the same standing stones, he found the adjacent petroglyph to still be in situ, stating that,
“The surface is covered with a group of twenty-two neatly made cups … the majority being about 2 inches in diameter, with a few much smaller. Two cups measure only 1 inch in diameter.”
R.M. Pullar’s 1914 photoFred Coles’ 1911 sketch
A few years after this, members of the Perthshire Natural History Society on an excursion to Glen Artney in May 1914, stopped here to have a look at the same standing stones and they also pointed out that one of the stones “lying on the ground…is remarkable for the numerous cup-marks on its surface.” In truth, it’s not that remarkable compared to some of the other carvings, but it’s still worth checking out when visiting the other sites in the area. Many of the cups that were visible a hundred years back are difficult to make out unless the light is good; and it seems as if some of them have been chipped away, perhaps due to farming activity.
References:
Barclay, W., “Winter Session, 1914-1915,” in Transactions & Proceedings Perthshire Society Natural Science, volume 6, 1919.
Coles, Fred, “Report on Stone Circles in Perthshire, Principally Strathearn,” in Proceedings Society Antiquaries, Scotland, volume 45, 1911.
Hunter, John, Chronicles of Strathearn, David Philips: Crieff 1896.
Mac Pherson, John, “At the Head of Strathearn,” in Hunter’s Chronicles of Strathearn (David Philips: Crieff 1896).
