Stone of Stars, Rivock, Silsden, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07507 44564

Also Known as:

  1. Carving no.26 (Hedges)
  2. Carving no.65 (Boughey & Vickerman)

Getting Here

A Stone of Stars, Rivock

The best/easiest way to approach this and the Rivock carvings as a whole is to reach the Silsden Road that curves round the southern edge of Rombalds Moor (whether it’s via East Morton, Riddlesden, Keighley or Silsden) and keep your eyes peeled for the singular large windmill.  About 200 yards east of this is a small parking spot, big enough for a half-dozen vehicles.  From here walk 450 yards east along the road till you hit the dirt-track/footpath up towards the moor.  Follow the track up for about 400 yards and you’ll see the crags a half-mile ahead of you.  Get up there to the Wondjina Stone and follow the walling east for about 175 yards where you’ll see a track-cum-clearing in the woods. Walk along and the first large stone on your left is what you’re after.

Archaeology & History

I first visited this carving in my teenage years in the 1970s, before the intrusive so-called “private” forest covered this landscape and when its petroglyphic compatriots were easier to find.  Thankfully this one’s still pretty accessible and possesses a damn good clear design.  It was rediscovered in the 1960s by Stuart Feather and his gang, zigzagging their way across the open moors, pulling back the heather to see what they might find.  His description of it told how the stone,

“has two roughly level areas, one 18ins and the other 2 feet above ground level.  Both (levels) have several well-preserved cup-and-ring markings on them.  There are eight single cup-and-rings and 18 cups, two of the latter being joined by a clear channel seven inches long and 1½ inches wide.  Nearly all the markings are unusually well preserved and the pocking marks are very clear.”

Note the line running down

He also had “the impression that all the markings on this stone and possibly one other similar stone in the Rivock area have been carved by the same hand, as all the symbols are nearly identical in in type, size and execution.” (this other carving he’s referring to seems to be one about 170 yards to the north, where occasionally “offerings” have been found)

The design from E-W

When John Hedges (1986) and his team checked the stone out he could only make out “seven cups with single rings, twenty two other cups”; whilst the ever descriptive Boughey & Vickerman (2003) saw “twenty-nine cups, eight with single rings.”  Eight cup-and-rings is what most people see when the light’s right.  There’s also a long, bent carved line on the lower level of the rock, running from near the middle of the stone out to the very edge.  It seems to be man-made (although I may be wrong) – and I draw attention to it as this same feature exists on at least three of the other large and very ornamental cup-and-rings hereby within 300 yards of each other – and on these other carvings the long “line” is definitely artificial.  Tis an intriguing characteristic…

Stuart Feather’s old sketch

When visiting this petroglyph you’ll notice how some of the carved elements on top of the stone are more eroded than those on the lower section.  This is due to the fact that the lower section was only revealed by Feather and his team in the mid-20th century, after it had been covered in soil for countless centuries.  As a result you can still see the peck-marks left by the implements that were used to make the carving, perhaps 5000 years ago!

The name of the stone was inspired by a local lady who saw an astronomical function in the design (I quite like it as well).  Examples of petroglyphs representing myths of heavenly bodies have been described first-hand in some tribal cultures and, nowadays, even a number of archaeologists are making allusions about potential celestial features in some carvings in the British Isles.  That doesn’t mean to say that it’s correct, but the idea’s far from unreasonable…

Anyhow – check this one out when you’re next up here.  You’ll like it!

References:

  1. Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Deacon, Vivien, The Rock Art Landscapes of Rombalds Moor, West Yorkshire, ArchaeoPress: Oxford 2020.
  4. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – no.16 – Rivock,” in Cartwright Hall Archaeology Group Bulletin, volume 8, no.10, 1963.
  5. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  6. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

AcknowledgmentsHuge thanks to Collette Walsh for use of her photos.

© Paul BennettThe Northern Antiquarian

Table Rock, Rivock, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid reference – SE 07326 44696

Also Known as:

  1. Carving no.43 (Boughey & Vickerman)

Getting Here

Table Rock cupmarked stone

If you’re coming via the Keighley-Bingley (Airedale) road, go up to Riddlesden and then up the winding Banks Lane until it meets the edge of the moors.  At the T-junction, turn left and about 330 yards along on your right there’s a dirt-track.  Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area.  About 450 yards on from the gate on your right-hand side you’ll see the long straight length of walling that runs uphill—and about 60 yards up here, on the left-hand side of the wall you’ll see a very large boulder.  Y’ can’t really miss it!

Archaeology & History

2 of the several cups here

This large natural block, embedded into the hillside about 80 yards below the Wondjina Stone and its companions, is nothing much in the petroglyphic visual scale of things, but is worth checking out for a break if you’re checking out the other good designs in the Rivock cluster.  Upon its sloping flat two-tiered surface there are just a small number of randomly spaced cup-marks of varying sizes: six at least, but perhaps as many as nine altogether.  In times gone by (many years ago) we thought one of them might have had a very faint ring around it, but on my last couple of visits here I couldn’t see anything.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

 

Rivock Top, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0745 4470

Getting Here

Rivock Top stone

Best approached via the Wondjina Stone, then over the wall and follow the geological ridge that bends into the trees.  It’s difficult to find amidst the dense forest and is another one of those carvings that’s probably only for the purists amongst you.

Archaeology & History

If you’re doing the Rivock rock art tour, you might as well give this a go once you’ve checked ou the decent ones nearby.   Here, on a rather large stone we find, on its uppermost ridge, three faint cup-marks next to each other in a very slight curve.  The cup-mark in the middle is slightly larger than its two compatriots and might be natural.  If you were to wet the rock when the sunlight is just right, you’ll probably get a better idea of its real appearance—otherwise we’ll have to let the computer-gadget lads suss it out!

© Paul BennettThe Northern Antiquarian

Market Cross, Baildon, Shipley, West Yorkshire

Cross:  OS Grid reference – SE 15475 39743

Archaeology & History

Located next to the old stocks by the main roundabout right in the middle of the town is this tall market cross, nearly ten feet high and well known to the local people.  It has been described by several local historians, although its recognition as a “market cross” is slightly contentious as it seems there are no written records to indicate that a market ever existed here.  The great Baildon historian, W. Paley Baildon (1912) was unable to find any info about such a market, commenting simply that “most villages…had crosses in medieval times, many of which still exist; so that the presence of a cross at Baildon is (not necessarily) evidence of a market.”

His description of its form is as valid then as it is to this day:

Old sketch, c.1900

Old photo of the cross c.1900

“The cross, as we see it to-day, is not an interesting object. The square platform of two stages, with its well worn stones, looks as though it might be medieval, and part of the original work.  In the centre of this is a large square block of stone, from which rises a tall cylindrical shaft.

The base is square, with chamfered corners, and a plain roll moulding at the upper edge; the cap is a plain square block, without any attempt at ornament.”

One of Bradford’s industrial historians, William Cudworth (1876) thought that the present cross replaced an earlier one, and that this one was erected by a member of the wealthy Butler family a few centuries ago.  Mr Baildon wasn’t quite as sure as Mr Cudworth.  Nevertheless they both agreed that this edifice replaced an earlier one.  Baildon said:

“My own view is that there was probably a cross here in medieval times; that it was destroyed, either after the Reformation (as so many were), or by the Puritan soldiery during the Civil War; that the steps and perhaps the base remained; and that in the eighteenth century, when the Butlers were one of the leading families in the place, one of them may have erected a new shaft on the old site.”

In much earlier days it was said to have been surrounded by a grove of trees and a brook ran by its side.  Villagers would gather here as it was “a favourite gossiping resort.”  At the beginning of the 20th century, an old gas light surmounted this old relic.

References:

  1. Baildon, W. Paley, Baildon and the Baildons – volume 1, St. Catherine’s Press: Adelphi 1912.
  2. Cudworth, William, Round about Bradford, Thomas Brear: Bradford 1876.
  3. la Page, John, The Story of Baildon, William Byles: Bradford 1951.

© Paul BennettThe Northern Antiquarian

Cottingley Woods (3), Bingley, West Yorkshire

OS Grid-Reference – SE 09825 37861

Getting Here

Follow the same directions as if you’re visiting the impressive Fairy Stone carving, then 3 yards east is the Cottingley 2 double cup-and-ring, keep walking past through trees for another 5-6 yards  where you’ll come across this reasonably large curved flat stone.  Y’ can’t really miss it

Archaeology & History

Cup, with ring faintly visible

This was another carving in the small cluster by the Fairy Stone that I found on my visit here in the 1980s—but it’s a pretty innocuous one to be honest.  There’s a faded incomplete “ring” (not really visible on my photos due to pouring rain and very poor light when I was here) with a distinct cup-mark in the middle.  Several inches away from the cup-and-ring is a carved line that arcs around it creating an incomplete oval design; and what seems to be a single cup-mark is visible at the top of this oval.  Other marks on the stone are both natural as well as recent ‘scratches’.

Some elements of this carving—as with others in this petroglyph cluster—seems to be modern.  The cup-and-ring seems to be the real deal, but the ‘oval’ seems to have been added much more recently, perhaps by the scouts who play around in this part of the woods.

© Paul BennettThe Northern Antiquarian

Cottingley Woods (5), Bingley, West Yorkshire

Cup-and-Ring Stone:  OS Grid-Reference – SE 09843 37869

Getting Here

Cottingley Woods CR-5

Get yerself to the Fairy Stone, then walk east past the adjacent woodland carvings—numbers 2, 3 and 4—from where you should walk about another 10 yards east across the grass, keeping your eyes peeled for a large flat stone measuring about 6ft by 10ft just as you go back into the tree cover north-side.  You’ll find it.

Archaeology & History

This large carved rock is the easternmost known petroglyph in this small woodland cluster of five. (a sixth one can be found, but it’s several hundred yards east from here)  Consisting of two distinct cup-and-rings in relative proximity to each other on the northern section of the stone, this design—unlike others in this group—has a greater sense of stylistic authenticity to it.  Despite this, one of the two cup-and-rings seems to be a more recent addition to the rock, as close inspection shows peck marks that aren’t very well eroded as you’d expect on rock of this type if it was truly ancient.  The more faded cup-and-ring on its northwestern section looks to have a greater sense of age about it when we look at its erosion level….perhaps…

The 2 Cup & Rings

The 2 cup-and-rings

We have to take into consideration when looking at this carving and the others nearby that possess some quite peculiar design-elements, that this section of woodland is used extensively by boy scouts who do what boy scouts do in their teenage ventures: from making fires, climbing trees and, perhaps, scribing on stones if/when their elders aint looking.  It’s an important ingredient that has to be taken into consideration when looking at the more rash motifs hereby—this carving included.  The more faded cup-and-ring on this, however, may be the real deal.  And hopefully, next time I visit this site, She’ll not be dark and pouring with rain (much though I love such weather), so I’ll be able to get some better photos!

© Paul BennettThe Northern Antiquarian

Cottingley Woods (2), Bingley, West Yorkshire

Cup-and-Ring Stone:  OS Grid-Reference – SE 09819 37862

Getting Here

The carving in situ

Follow the same directions as if you’re visiting the impressive Fairy Stone carving, then check out the overgrown rock three yards away, to the east.  You might have to rummage under the scrubbage to see it, but you’ll find it if you want to!

Archaeology & History

I first found this stone in the 1980s when I’d been shown the Fairy Stone carving which, at the time, was thought to be all alone.  But I used the olde adage: “where’s there’s one cup-and-ring, others tend to be“—and found this and several others closed by.

Large messy cup-and-ring

It’s a relatively small, slightly-domed earthfast rock, upon which we find an unusually large cup-and-double-ring design with a carved line running from the large central cup out to the edge of the stone.  However, the carved lines that constitute both the inner and outer rings are ‘crude’ in form and style when compared to the vast majority of other British petroglyphs; and for some reason, this aspect of the design has me casting doubts over its prehistoric authenticity.  I hope I’m wrong!

References:

  1. Bennett, Paul, ‘Tales of Yorkshire Faeries,’ in Earth 9, 1988.
  2. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.

© Paul BennettThe Northern Antiquarian

St Peter’s Well (1), Leeds, West Yorkshire

Holy Well (destroyed):  OS Grid Reference – SE 2894 3382

Archaeology & History

St Peters Well on 1852 map

Not to be confused with the other St. Peter’s Well that once existed in the city centre, this site was shown on an 1815 map of Leeds (which I’ve not been able to get mi hands on!), known as the Waterloo Map.  But when the Ordnance Survey lads visited the place in 1846, it had been covered over.  Immediately west of here, the saint’s name was also given to a nearby hill, whose folklore seems has been forgotten.

Although Ralph Thoresby mentioned it in passing, Edward Parsons (1834) gave us a brief description of its qualities, telling us that,

“Near North Hall is the celebrated spring called St. Peter’s Well ; the waters are so intensely cold that they have long been considered very efficacious in rheumatic disorders.”

Bonser (1979) reiterated this in his survey, also telling that, like its nearby namesake, its waters were “intensely cold and beneficial for rheumatism, rickets, etc.”  An old bathing-house that was “annexed to the Well” may have been used specifically to treat such ailments, but we cannot say for sure.

Interestingly, Andrea Smith (1982) told that 400 metres away a well was sunk in 1838 and a quantity of petrified hazelnuts were recovered from a broken red jar which had a female head painted on it.  Such a deposit is not too unusual, as a number of sacred wells in bygone days were blessed with nuts and signified the deity Callirius, known by the Romans as Silvanus, the God of the Hazel Wood – though we have no direct tradition here linking St. Peter’s Well with this ritual deposit.

St. Peter’s festival date was June 29.

References:

  1. Bonser, K.J., “Spas, Wells and Springs of Leeds,” in The Thoresby Miscellany – volume 54, Leeds 1979.
  2. Hope, Robert Charles, Legendary Lore of the Holy Wells of England, Elliott Stock: London 1893.
  3. Parsons, Edward, The Civil, Ecclesiastical, Literary, Commercial and Miscellaneous History of Leeds, Halifax, Huddersfield, Bradford, Wakefield, Dewsbury, Otley – volume 1, Frederick Hobson: Leeds 1834.
  4. Smith, Andrea, ‘Holy Wells Around Leeds, Bradford & Pontefract,’ in Wakefield Historical Journal 9, 1982.
  5. Thoresby, Ralph, Ducatus Leodiensis, Maurice Atkins: London 1715.

© Paul BennettThe Northern Antiquarian

Hough Hill, Bramley, Leeds, West Yorkshire

Tumulus (destroyed):  OS Grid Reference – SE 234 336

Archaeology & History

Today, Hough Hill has almost completely given way to modern housing; but in bygone centuries, this hilltop once housed a prehistoric burial mound—albeit an inconspicuous one.  It was mentioned briefly in Faull & Morehouse’s (1981) magnum opus, but we know very little of its overall appearance and stature.  Its existence was recorded posthumously thanks to the antiquarian John Holmes, without whose notes it would have been lost to history.

During quarrying operations at Hough Hill in December 1879, an ornamental urn was found,

“filled with calcined bones (that) was placed on a dish shaped hollow, some two or three feet deep, with charcoal and burnt earth.”

Holmes compared some markings that were upon this urn to one that was uncovered in Acrehowe Hill above Baildon by J.N.M. Coll in 1845.  Unfortunately the Hough Hill urn was broken into fragments shortly after being uncovered.  All remains of the burial mound have been completely destroyed.

References:

  1. Faull, M.L. & Moorhouse, S.A. (eds.), West Yorkshire: An Archaeological Guide to AD 1500 – volume 1, WYMCC: Wakefield 1981.
  2. Holmes. John, “A Sketch of the Pre-Historic Remains of Rombalds Moor,” in Proceedings of the Yorkshire Geological & Polytechnic Society, volume 9, 1886.
  3. Wardell, James, Historical Notes of Ilkley, Rombald’s Moor, Baildon Common, and other Matters of the British and Roman Periods, Joseph Dodgson: Leeds 1869. (2nd edition 1881).

© Paul BennettThe Northern Antiquarian

Sharp Haw (1), Flasby, North Yorkshire

Cup-Marked Stone:  OS Grid-Reference – SD 96279 55034

Getting Here

The Sharp Haw stone

From Skipton head up the B6265 Grassington Road and after a short distance you will reach the Craven Heifer Pub on your left.  About ¾-mile past the pub is a small turning on your left called Bog Lane. Go along here for about ¼-mile till you come to a sharp left bend and on the right you will see a gateway with room to park. Once here you’ll notice a sharp-pointed hill—and that’s Sharp Haw!  Go through the gate, up the gravel track parallel to the wall on your left for 500 yards.  Where the wall ends take the small path on your right and walk up here for ¾-mile where the path splits again.  Take the right-hand path for 85 yards and the stone is on the left of the path.

Archaeology & History

Positions of cup-marks

Nowt special to look at, this is merely an elongated earthfast female stone that will be hard to find when the reeds grow high.  The design consists of at least three cup-marks, with the most prominent one near the middle of the stone.  A second one is shallow and on its northern side, near the middle; whilst the third one on its southern side was uncovered when we peeled back the vegetation; the peck marks are still visible.  In the photo to the left I’ve placed numbers below the position of the respective cup-marks.  In a cursory meander here, we found no other carvings – but that doesn’t mean there aren’t any!

© Paul BennettThe Northern Antiquarian