Cup-and-Ring Stone (lost): OS Grid Reference – NX 529 528
Also Known as:
Bardriston
Archaeology & History
In a region possessed with a good number of cup and ring stones, this one on the lower slopes of Barholm Hill may have once been part of a prehistoric tomb, or cist cover. A fairly decent design had been carved onto a small flat slab of stone which, when uncovered in the 19th century, doesn’t seem to have been in its original position. As the great Fred Coles (1894) told us:
Coles’ 1895 sketch
“The Bardristan slab…was removed from amongst the stones of an old drain in 1889, and, through Mr Kinna’s care, it is now preserved at Bardristan. The evident attempt to square the stone itself; the extreme smallness of the rings ; the direct connection of the grooves, in all cases but one, with cups; and lastly, the vivid sharpness of the whole sculpturing, in which the tool-work is clear much beyond the ordinary, all combine to render this Bardristan slab unusually interesting and valuable.”
Less than twenty years after Coles’ description, the Royal Commission (1914) lads visited the site hoping to make their own assessment, but the carving had already been lost. Referring to Coles’ account, they told how,
“inquiry there failed to elicit information concerning it, and it appears to have been lost. Mr Coles’ illustration…shows in the general intercommunication of the various cups a feature which characterises the stone at Kirkclaugh, about ¼ mile to the south of Bardriston.”
In the subsequent commentaries on this carving by Ron Morris (1967; 1979) and A.E. Truckell (1961), its whereabouts remained a mystery and, to this day, we know not what became of it…
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., The Prehistoric Rock Art of Galloway and the Isle of Man, Blandford: Poole 1979.
Royal Commission Ancient & Historical Monuments & Constructions of Scotland, Inventory of Monuments and Constructions in Galloway – volume 2: County of the Stewatry of Kirkcudbrightshire , HMSO: Edinburgh 1914.
Truckell, A.E., “Cup-and-Ring-Marked Slabs in the Cairnholy and Auchinlarie Area,” in Transactions of Galloway & Dumfriesshire Natural History & Antiquarian Society, volume 40, 1961.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Park up at the singular dusty car-park on the east-side of Askwith Moor Road. If you walk to the sloping eastern edge of the car-park and then go down and over the collapsed fence onto the moorland immediately east, walk in the direction of the Tree of Life Stone to the north-east (be aware that there’s no footpath here and it’s boggy as fuck in places) . Just over halfway towards the carving, nearly 400 yards from where you’ve parked, you’ll begin to see various ruinous piles and scatters of stone. You can’t really miss them!
Archaeology & History
Cairn, looking north
In a region teeming with prehistoric sites, the great Eric Cowling (1937) seems to have been the person who stumbled across this “barrow group”, as he called it, during one of his rock art forays in this neck o’ the woods. Little has been written of them since. Not to be confused with the Snowden Moor cairnfield more than 350 yards to the north, at this place we find at least a dozen quite distinct cairns scattered around the grid-reference cited, most of them much larger in size than the cairns to the north, ranging between five to twelve yards across and up to three feet high. They have all been opened and robbed, with considerable disturbance on the largest of the ‘barrows’. We know not who may have done this, but there’s been a history of quarrying close by and it may have been some of the workmen who did the damage, knowingly or otherwise.
Large scatter of cairn-spoilCairn covered in bilberries!
As far as I’m aware, no burial or funerary remains have been found here—but there’s been negligible archaeological attention given to any of the sites on this moorland, meaning that we can draw no real conclusions about the nature of the cairns. They seem to be far too large to be clearance cairns; and the proximity of large scale prehistoric settlements and rock art all round here would strongly suggest they possessed a funerary nature. Several impressive petroglyphs exist right at the edge of this group, literally yards away from them. Check them all out out the next time you see the Tree of Life stone…
References:
Cowling, Eric T., ‘Cup and Ring Markings to the North of Otley,’ in Yorkshire Archaeological Journal, volume 33 (part 131), 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
If you’re looking for this carving, you’ll have been to the impressive Tree of Life stone first. From there, you need to walk further away from the walling, 30-35 yards southwest, across the other side of the footpath. There’s a scattered mass of stones all over the ground here: you’re looking for a low-lying long curved stone—longer than most of them hereby. If the heather’s grown back over the stone, it might take some finding!
Archaeology & History
Close to a line of prehistoric walling (seemingly a section of a settlement), this typically curvaceous female stone is possessed of two pairs of faint cup-marks on the eastern side of the rock. It was included in Boughey & Vickerman’s (2003) survey where they described the carving as being, “two small cups visible and two further cups under heather.” A third possible cup exists close to one of the pairs. The carving is found in an area rich in untouched prehistoric remains.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 1347 3882
Also Known as:
Carving no.143 (Boughey & Vickerman)
Archaeology & History
In Johnnie Gray’s (aka Harry Speight) early work on Airedale (1891), he described a number of the prehistoric sites on and around Baildon Moor and Shipley Glen Almost all of the things he wrote about have been identified, but a cup-and-ring stone at “Glen gate” (as he called it) remains elusive. He wrote:
“After crossing the stream from the Glen gate, and going about thirty paces, we come upon…an incised stone, whereon are a number of circling lines and cup-like cavities — one at each corner, with a long line branching off to the north-east; but this stone unfortunately has got broken, and lying on the main path is much defaced.”
Prod Gate on 1852 map
The exact location of this has proven difficult as the name ‘Glen gate’ was obviously a local one as it wasn’t included on the Ordnance Surveys of the period. There are two named “gates” hereby: one is Prod Gate at the east end of Prod Lane, and the other is Trench Gate a few hundred yards west at the other end of Prod Lane. But the most likely gate of the two would be Prod Gate. When Speight wrote his words, a stream existed that crossed the track about 70 yards west of Prod Gate, whereas no such water-course existed anywhere close to Trench Gate. And so we assume that he was writing about “the stream from the Glen (Prod) Gate.”
Having said all that, there are no known petroglyphs like the one that Speight described anywhere hereby. There are a couple of so-called “carvings” that have been included in so-called official surveys (Boughey & Vickerman 141 and 142; aka ERA- 2445 and ERA-2446) another 150 yards or so on the left-side of the road that could have been regarded as contenders, but these stones have just a mix of modern and natural markings and can be discounted. In all likelihood, this impressive-sounding petroglyph was broken up and destroyed when the proper road was laid in the middle of the 20th century; or perhaps broken up and stuck into one of the garden walls along the roadside. Either way, the carving seems long lost.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Gray, Johnnie, Through Airedale from Goole to Malham, Walker & Laycock: Leeds 1891.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Healing Well (destroyed): OS Grid-Reference – NT 2547 7337
Archaeology & History
Muses ‘Well’ on 1852 map
We have the historical detective work of Stuart Harris (1996) to thank for the location and probable meaning behind the name of this long-lost well, that could once be seen along Haymarket, near the heart of the old city. Shown on the 1852 OS map, without name, the site was recorded as a public well “from 1502 onwards,” he wrote — and its name was variably written as muse, muss, meus and mwse, which led him to surmise that it was from the old Scots word “meuse”, or the “well by the stables”; although I cannot find this validated in the established dialect dictionaries and glossaries of William Grant (1934-76) or Simon Taylor (2012). Their relative definitions tell it to be of a mouse, or a small trackway left by rabbits, hares or rodents, running between hedgeways. This would mean the ‘Muse Well’ was a variant around a “well by an animal track”, which in earlier centuries were very important to note, as wild animals were indicators of food (amongst other things).
This aside, “the King’s Stables, dating from the 1340s, were of course over 200 yards further west,” he wrote,
“but the convent of the Greyfriars, founded in 1471 in the Cowgatehead only about fifty yards east of the Muse Well, certainly gave lodging to travellers of the more distinguished sort, and although no early record of stables here has come to light, it may be no accident that the only stables recorded in the Valuation Roll of 1635 as being on the south side of Grassmarket were in McIntyre’s Close, which had its entry ten yards east of the Well.”
References:
Grant, William (ed.), The Scottish National Dictionary – 10 volumes, SNDA: Edinburgh 1934-76.
Harris, Stuart, The Place-Names of Edinburgh: Their Origins and History, Gordon Wright: Edinburgh 1996.
Taylor, Simon & Gilbert, Markus, “Elements Glossary”, in The Place-Names of Fife – volume 5, Shaun Tyas: Donington 2012.
Pretty easy to find: from Whitby town centre, head uphill to the great ruins of Whitby Abbey. You go past Caedmon’s Cross and past the more recent church and graveyard to the car-park at the top, outside the abbey. At the edge of the car-park on the grass, you’ll see this tall hard upright, nice and erect!
Archaeology & History
Cross shown on 1894 map
Highlighted on the earliest OS-maps and not to be confused with the nearby and more modern Caedmon’s Cross, this tall large monolith stands upon a stepped plinth comprising of six steps (originally five), about 18 feet high. The top of the cross was knocked off a century or two ago, when it was reported to have been twenty feet! Initially it stood about fifty yards closer to the Abbey, but was removed to its present position following the Dissolution.
The brief history regarding its origin was described in George Young’s (1817) major work, in which he told that in 1474, on John Nightingale, rector of Sneaton parish, in his will “appointed his burial to be on the north side (of the Abbey), before the cross,” which was already standing at that time. Young wrote:
“By this it would appear that the ancient cross, now standing in the abbey plain was then within the cemetery of the abbey.”
Abbey Cross, c.1900Young’s 1817 sketch
This has subsequently been taken as the standard regarding its origin. Tradition also told that it was an old market cross, but this was treated with considerable scepticism by George Young, who believed that the monks here simply wouldn’t have allowed such a thing at the edge the abbey and burial ground. He found evidence to indicate that it “was at the port or harbour of Whitby that corn was bought or sold, that here were kept the standard bushels for measuring corn, and that here the market-clerk had his station.” In spite of this, T.H. Woodwark (1934) reported that fairs had been held at the cross early in the 20th century. In a thoroughly profane way, electrical wiring was wrapped around the bottom of the cross and led to a generator, along with washing-lines running from it to a caravan! Mr Young would have been apoplectic!
References:
Atkinson, J.C., Memorials of Old Whitby, MacMillan: London 1894.
Holt, Robert B., Whitby, Past and Present, Copas: London 1890.
Woodwark. T.H., The Crosses on the North York Moors, Whitby Literary & Philosophical Society 1934.
Young, George, A History of Whitby and Streonshalh Abbey (2 volumes), Clark & Medd: Whitby 1817.
Acknowledgements:Massive thanks to Lindsay (wherefore art thou…?) Mitchell for getting us up here… Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Along the B6265 old road between Keighley and Bingley, at Riddlesden go up Granby Lane, bending left into Banks Lane. About a mile up you’ll reach the moorland road. Turn left at the junction and nearly half-a-mile along there’s a layby on y’ right. From here walk along the footpath on the edge of the ridge, half-mile along bending slightly above Rough Holden Farm until, a coupla hundred yards on, you hit the dirt-track. There’s a long straight stretch of walling on your left: follow this for a few hundred yards, go through the gate and here walk on the other (left) side of the wall (if you’ve reach a derelict farm, you’ve gone too far). Some 60 yards or so down here, keep your eyes peeled on the long earthfast stone right near the walling. An alternative is to start at the steep hairpin bend up Holden Lane and follow the footpath into the woods. Walk along here (parallel with the stream below) for about 600 yards until you hit the bridge crossing the stream. Don’t cross over: instead double-back up the field on your right, go diagonally across and through the gate into the next field, and walk up along the walling to your right. 160 yards up, go through the gate and walk about 30 yards along the side of the walling again. Tis there!
Archaeology & History
Unveiling the Sunset Stone
This is a fascinating carved stone on the western edge of Rombald’s Moor that I was fortunate to find in 2008. It’s found in association with two other cup-marked stones, north and south of it. I first noticed it when I was walking along the footpath by the side of the wall and saw that on a small exposed part of the rock a single cup-marking carved close to the vertical edge of the stone—and I’m glad that I stopped to give it more attention. The stone was very deeply embedded and the covering soil so tightly packed that I could only shift a small part of it—but the section that I managed to uncover and, importantly, the time of day when I did this, brought about an intriguing visage with subtle mythic overtones.
Carved arc on edge
Early photo in low light
The carving was found near the end of the day just as the sun was setting and touching the far horizon. I noticed there was a cup-and-half-ring to the side of where I’d sat for a rest, near the northern edge of the stone, and the clear but soft light of the evening caught this element and almost brought it to life! As I gazed down at the half-ring, the sun highlighted it even more and I saw that some extended carved lines continued and dropped over the near vertical edge of the stone, becoming an unbroken elongated ‘ring’ that stretched twice the length of the half-ring on the flat surface. Not only that, but a faint cup-mark seemed to be inside this extended vertical ring and, as I saw this, a dreaming epiphany hit me that the symbolism behind this was a representation of the setting sun that I was watching at that very moment. It was quite beautiful and the carving seemed to come to life. The thought, nay feeling, that this part of the carving symbolized a setting sun not only slotted easily into a common animistic ingredient, but hit me as common sense too! However, as my ego and rational sense rose back to the fore (I had to get mi shit together and walk a few miles home before night fell), I saw that this impression may be a completely spurious one; but, as the rock-face inclines west, towards the setting sun, the name of Sunset Stone stuck. As I carefully fondled beneath the heavy overgrowth of vegetation covering the stone, I realised that I needed to come here again and uncover more of it, as additional cups and lines seemed to be reaching out from the mass of soil.
Cups near the S edge
Close-up of ring-edge
I returned to the stone a few times, but it was several years that I revisited the site with the intention of uncovering more of the design in the company of Richard Hirst and Paul Hornby on August 4, 2013—and it took considerable effort to roll back the turf that covered the stone. But it was worth it! For it soon became obvious that much of the stone that was covered over had been unexposed for many centuries: as Richard pointed out, the edge of the rock was very smoothed by weathering, whilst the covered section of the stone that we were revealing was still quite rough and misshapen all across the surface, lacking weather and water erosion. Much of this design therefore, highlighted itself to us as it was when the mason first carved the stone. And it turned out to be a pretty curious design!
Faded photo of the carving
Faint proto-ring nr centre
Our first impression was that the design comprised of two cup-and-rings near the middle of the rock, with another cup-and-drooping-ring near the northern edge of the stone, and between ten and twelve typical cup-markings, many on the western exposed side. But curiously near the middle were also a couple of rings whose edges had been defined, but the hollowed-out ‘cup’ in the middle remained uncut or unfinished, being a proto-ring, so to speak. Also, lines leading from these unfinished ‘cups’ were also pecked and laid out, but they were also unfinished. Some sections of the unfinished lines ran onto the western edge of the stone and were very faint, but they were undeniably there. Unfinished cups is an unusual feature for carvings on Rombald’s Moor.
Mr Hirst’s clearance
Cups & curves on edge
But the most interesting element in the fainter, seemingly unfinished carved lines, was what may be a small spiral that started above the two faint cup-and-rings. This then continued in a sharp arc which doubled-back on itself. In the other direction, the lines curve round and go down to the vertical face of the rock, before bending back up onto the level surface again, then disappearing. The topmost cup-and-half-ring is also a curious feature. When you visit here you’ll see how this aspect of the design looks for all the world like a simply cup-and-half-ring near the edge of the stone. But, as I’ve already mentioned, closer examination shows that this “half-ring” has a larger oval body beneath it on the vertical face of the stone, very worn due to its exposure to the elements and very much in the shape of a bell—and within this large cup-and-ring ‘bell’ is a much fainter complete cup-and-ring, just below the topmost cup-marking. I know that I’ve already mentioned this, but I’m giving it added emphasis as it’s a unique design element for carvings on these moors.
Early photo of the carving
Edge of the carving
The Sunset Stone really requires more attention, when the daylight conditions are just right, so that all of these intriguing aspects can be highlighted with greater lucidity. There is also the potential that more carved ingredients remains hidden beneath the compacted soil.
What seems to be a more trivial single cup-marked stone can be seen roughly 20 yards to the north.
Acknowledgements: Massive thanks to Richard Hirst of Hebden Bridge, and Prof. Paul Hornby, for their help in bringing this carving to light.
Loch Earn (between the villages of Lochearnhead and St Fillans) has a road running on each side: the north-side is the A85, the south-side is a minor single-track road. You need to be on the south-side. Roughly halfway along the loch, there’s rough parking near Ardvorlich House; and from the track to Ardvorlich, keep on the lochside road, walking east for about 400 yards and then go up the dirt-track on your right. Walk up here for 450 yards until your reach the cottage. There’s a field above you to the left with some small crags near the top: walk uphill (through the gate) for 175 yards and on the topmost crags you’ll see a telegraph pole. The cup-and-ring stone is right next to it!
Archaeology & History
The first and only reference to this stone followed its rediscovery by George Currie (2011) in one of his many bimbling forays seeking out these old carvings. He told, in his usual minimalist manner that,
“A stretch of bedrock adjacent to a telegraph pole on a terrace above Balimeanach farmhouse bears thirteen cup marks, at least two of which have single rings, including the largest at 70 x 25mm.”
Line of cup-and-rings
View from above
The two cup-and-rings are next to each other on the northen side of the stone, with one based on a small concave depression in the rock itself; but next to this is what seems to be another, third and very faint incomplete cup-and-ring (you can see it in some of the photos here). We walked round and round this and whilst it seems quite obvious, some elements of it appear to be based on natural cracks in the stone, accentuated with minimal pecking by the artist. These three cup-and-rings are next to each other in a veritable Orion’s Belt formation, with a single cup hanging down from the middle.
Carving, looking south
Looking across the design
The other main section of the carving consists of a series of plain cups, scattered in a typically chaotic form and clustering mainly round the centre of the stone; whilst on its southern tip a single cup sits quietly.
When we peeled the turf back to see the entire carving, we found there was a considerable scatter of broken quartz all along the western edge of the stone. This element was also found at the Balimeanach (2) carving less than ten yards away and we’ve found this at a number of other petroglyphs in Perthshire and beyond. Even more intriguing was a large carved stone spearhead covered in soil alongside the quartz scatter! We left this where we found it.
In all probability, there are other carvings that remain undiscovered beneath the turf all along this ridge. Get y’ gardening gloves out!
References:
Currie, George, “Comrie: Balimeanach (BC 3), Cup-marked Rock”, in Discovery & Excavation Scotland, New series – volume 12, 2011.
In High Bradley village, you need to go up Mill Lane for 140 yards and then bear left up High Bradley Lane for just over a half-mile, past the last row of houses on your left where it becomes a dirt-track and park-up a short distance up here. 400 yards up, in the field past the new house on your left, walk up the hill over the field, past the wall at the top and head for the large protruding boulder a few hundred yards further up on the near skyline. Once here, walk to the right of it and there’s a scatter of rocks and stones. Look around!
Archaeology & History
In an area that was extensively cut up by the Industrialists in the 18th and 19th century, Thomas Cleland came across this scarce example of a cup-marked, possibly cup-and-ring marked stone in March 2025 high up on Millstone Hill, where extensive views reach out to the south, east and west, gazing with particular attention to the mightily impressive King and Queen’s cairns, more than 1½ (2.6km) south of here—and which would have stood out much more back then than they do today.
Close-up of faint arc
An arc of cups is faintly visible on the more western-side of the stone—five, perhaps six of them. Several others are in a typically chaotic scatter across the rock, with one or two looking as if they may have been affected by the heavy industrial actions that occurred up here. When Tom first found the carving, he could see a faint ring around one of the cups near the middle of the stone, but on our visit here the sun was near its apogee and due to the slope of the rock to the north where the cups are carved, this was nigh on impossible to make out. Near the bottom edge however (as shown in the photos), a cup-and-incomplete ring seems evident; although we didn’t notice this on our visit here and it may just be a fortuitous play of the light (but I hope I’m wrong!). This is a design that mainly comes to life, so to speak, is more easily visible, when the sun is either rising or setting. (typical of many petroglyphs on flat rocks)
Acknowledgements:Huge thanks to Thomas Cleland for use of his photos in this site profile.
Cup-Marked Stone (lost): OS Grid Reference – SE 2556 4687
Also Known as:
Carving no.556 (Boughey & Vickerman)
Archaeology & History
We know very little about this carving, which was first highlighted on Eric Cowling’s (1940) map of Wharfedale petroglyphs. Described simply as one of the “cup-marked rocks”, he mentioned it briefly in Rombald’s Way (1946) as being “the most easterly carving” in mid-Wharfedale—which it was at the time (a very recent find by Benn Potts of a cup-marked stone at Weeton has pushed the boundary further eastwards). Oddly for Cowling, he left no further notes nor sketch of the carving and when Stuart Feather (1961) came to write of it, he merely copied Cowling’s earlier words. It’s not been seen since. In Boughey & Vickerman’s (2003) survey, they could find no cup-marked stone in the wood but thought instead that,
“this may be due more to confusion than to loss of the carving. Riffa Wood does contain a carving: of a Native American on a conspicuous rock alongside one of the many woodland paths. Furthermore, one or two local residents recall a German prisoner carving something on a rock in Riffa Wood during the Second World War. Presumably, this is the origin of the Native American carving. Could it be that this man added something of his own to what was already a carved rock, in which case the Native American as he now appears is the site noted by Cowling before the War?”
No cup-marks exist on this Native American carving, and it’s highly unlikely that Cowling would have made such an elementary mistake. The carving no doubt lies covered in woodland vegetation waiting, once more, for the day that someone comes along and exposes its visage to the world again. Let us know if you manage to find it…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Archaeological Journal, volume 97, 1940.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings,” in Cartwright Hall Archaeology Group Bulletin, volume 6, no.3, March 1961.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
