Healing Well (destroyed): OS Grid Reference – NT 6122 3746?
Also Known as:
Verter Well
Archaeology & History
The old Sulphur Well…?
This once important medicinal spring was, sadly, lost to the world after countless centuries sometime in the early-to-mid-1800s. It was one of at least four Verter Wells, as local dialect described them, i.e., Virtue or curative wells, all in or around the parish of Earlston (or Earlstoun of olde). It’s exact location would seem to have been forgotten, but based on the one and only description of the place—“in order that the knowledge…may not be lost”, said the writer, of it being “about a mile to the south of the Whitecleuch Well”, we come across, on the first Ordnance Survey map of the area of 1862, a ‘Spring’ of water some ¾-mile south of the Whitecleuch which may have been the place in question. Another contender could be a ‘Well’ on the same map, but it’s nearly 1½ miles from the Whitecleuch, so I think the first one is more likely.
It was a Well of some considerable renown back in the day, as local writer James Wood (1891) told us:
“The water of this well, which came bubbling up in the heathery moor, was strongly impregnated with sulphur, and the late James Weatherstone, farmer of Shielfield, always attributed his cure of a serious internal complaint to his drinking, copiously every morning, of the water which he said ‘‘just tasted like gunpowder.” About fifty years ago, however, this moor was ‘taken in’, and the medicinal spring fell a victim to the drainer.”
References:
Wood, James, “Verter Wells,” in History of the Berwickshire Naturalists Club, volume 14, 1891.
Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
The easiest route to get up here is probably from Wooler (locals, please forgive me!). Head up the B6348 road then, after about two miles, turn left over the old bridge, then keep going uphill where the road veers right and keep going for nearly a mile where (keep your eyes peeled!) you’ll see a dirt-track on your left that heads to West Horton Farm. Walk up the dirt-track, keeping north past the farm until you enter the field. You’ll walk past the newly-found West Horton (1a) cup-and-ring and, walking along the side of the fence, you’ll eventually reach the little copse of trees. Once here, in the field over the fence you’ll see a scatter of low-lying rocks in the field. Head for them and look around!
Archaeology & History
Cluster of cup-marks
Found a hundred yards or so to the east of the much more renowned and impressive West Horton ridge carvings (the raised spine in the land in the background up the slope in the photo), this basic cup-marked stone has (curiously) not previously been reported and was re-discovered by rock art explorer Tom Cleland in the summer of 1996. It’s nowt special to look at, and consists of merely four notable cup-marks—possibly five—that are quite deep and eroded, with one of them seeming to have a channel linking it it another, smaller cup. There is a scattering of other rock surfaces by this stone, none of which have any features on them apart from this stone.
Sacred Well (covered): OS Grid Reference – SE 10425 46701
Archaeology & History
Silver Well cottage
Highlighted on the earliest of the Ordnance Survey maps, this spring of water supplied the old cottage here for many a year. Nowadays it has been covered—and has been like that for upwards of fifty years—although it was said to be in constant flow by those who lived here in earlier times. When the Yorkshire holy wells writer Edna Whelan (1989) came here in the 1980s, the running water could still be heard beneath a pile of large stones that covered its source. Today, stone slabs cover it over—but the water is still running below. It had a reputation of never running dry, even in droughts. I spoke with a local doctor in the late-1980s who told us that he was confident the Silver Well would always keep running and its water were fine to drink. It’s a pity the source of the spring is covered over and, surely, is a case for being exposed and open for folk to use once again…
Silver Well on 1851 map
In Collyer & Turner’s (1885) magnum opus on Ilkley, they thought the Silver Well “was probably a holy well” —and it probably was something along those lines, depending on how precisely we define the word ‘holy’. The notion that it may have been a place where, in earlier times, silver coins and other offerings were given to the spirit of the well in exhange for good health and fortune (as is found at springs and wells all over the world) was given a boost when, in the 1960s, a short distance east of Silver Well, was found a clutter of very old silver coins dating from the periods of Kings Edward I and II (13th and 14th Century). The coins were donated to the British Museum where, I presume, they still live. But they may have either come from this well, or were being deposited here. We’ll probably never know for sure. A number of other Silver Wells in Britain possess so-called holy associations.
References:
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Whelan, Edna & Taylor, Ian, Yorkshire Holy Wells and Sacred Springs, Northern Lights: Dunnington 1989.
Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
From Ilkley central, go up Wells Road and, several hundred yards past the cattle-grid, keep your eyes peeled and turn left up the small moorland road for a half-mile and park-up at the start of the track to Silver Well cottage. Walk along here and, on the way, you may as well pass the cup-and-ring marked Weary Hill Stone, and the other Silver Well carvings further west through the heather. From the Silver Well (3) cup-marked stone, follow the walling uphill for nearly 100 yards until your reach the small gate. Go through it and stick to the footpath for 200 yards and then keep your eyes peeled for a large wonky ovoid stone less than 20 yards to your right. It’s a big thing, so you’ll find it easily enough.
Archaeology & History
Hedges 1986 sketch
Although this is primarily a cup-marked stone (a faint ring is possible around one of them), it’s a good design. It does it for me anyway! Sitting on a ridge at the top of a slope overlooking the Wharfe valley, from here the landscape opens up for many miles ahead of us looking mainly to the north, although the horizons both east and west also call our attention as the rising and setting sun would speak around the equinoxes. But it’s the airt of north which mainly calls from here. A scatter of cups splatter the rock surface, all of them on one half of the stone acting out in usual disorderly conduct apart from one spot where there are three deep cups in a line: this is the most notable part of the carving. At the top (southern) nose of the stone is a triangle of them and they then becoming increasingly disordered as you move along the stone. There are seemingly twenty of them altogether (perhaps more) with one of them having a short groove oozing out of it which can be difficult to see when the light isn’t quite right.
Silver Well (1) carvingSilver Well (1) carving
It was first described in Hedges (1986) survey, where he told it to be a “large flat rock in bracken with sixteen clear cups, four other possible cups, grooves and one basin”—although at the same time somehow, erroneously, he thought the carving may have been uncovered by Stuart Feather in 1970, confusing this stone with two more complex petroglyphs 300 yards to the west of here. Give it your attention when you’re walking on this ridge, before walking to the two others 300 yards to the west. It’s certainly worth looking at.
References:
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Anonymous, Walks Around Cup and Ring Stones, ITIC: Bradford n.d. (1995)
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Acknowledgements: Big thanks to the petroglyphic hands of Graeme Chappell and Tom Cleland for the work at this stone. Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Go up Wells Road out of Ilkley central, up and across the cattle-grid and, one-third of a mile (0.5km) past the grid, keep your eyes peeled for the small road on your left. Go up here for literally half-a-mile and park at the roadside. From here you’ll see the straight track leading to the Silver Well cottage in the trees. Walk 250 yards along the track (past the larger Weary Hill [3] carving on the slope just above) towards the cottage and, about fufty 100 yards before reaching the gate, walk up the slope through the heather to the small flat-faced rock that looks down at you. If you’re approaching the much larger, more notable boulder of the Silver Well (3) carving, you need to be about 20 yards east of it.
Archaeology & History
Line of distinct cup-marks
This is a simple but notable cup-marked rock. As you walk up the slope towards it, you get the impression you’re looking at the front-end of a tomb entrance of some sort—but it’s nothing of the sort (sadly). Once you reach the flat face of stone, you’ll see that its topmost section is a thin wedge of stone along which are three distinct and quite deep cup-markings. The stone was first mentioned in Hedges (1986) survey, where he also thought there may have been a fourth cup on the south-side of the stone. When I first saw photos of this, I thought it was either a modern one or just another of Nature’s carved handiwork; but when we visited it recently our opinions changed.
There’s a rock a short distance east of here with a single cup-mark on it—but it’s not really worth looking at and might not even be the real deal.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Acknowledgements: Big thanks for help and assistance on our day’s venture to Graeme Chappell and Tom Cleland.
Nice ‘n easy to find this one. Take the Wells Road up out of Ilkley central, up and over the cattle-grid and, one-third of a mile (0.5km) past the grid, keep your eyes peeled fro the small road on your left. Go up here for literally half-a-mile and park at the roadside. From here you’ll see the straight track leading to the Silver Well cottage in the trees. Walk 300 yards along the track (past the larger Weary Hill [3] carving on the slope just above) towards the cottage and, about ten yards before reaching the gate, walk uphill through the heather to the notable large boulder forty yards up the slope. Y’ can’t really miss it.
Archaeology & History
Cupmarks faintly visible
On a recent visit to this cup-marked stone, good old Mother E greeted us with a dark grey sky and so the design we were hoping to catch on this large sloping stone wasn’t quite what we hoped. The wide and half-inch deep cup-marks were visible when we stooped low to look across the surface of the stone, but from above they were difficult to make out. Altogether we counted eight cups—but Boughey & Vickerman (2003) reckoned there were nine of them. Also, well-defined grooves, half-natural and half-man-made, were just above visible, but we couldn’t see them in their entirety. In John Hedges (1986) sketch of the design, the cups and wide deep grooves are clear to see.
Hedges’ 1986 sketchSome cups faintly visible
In the event that you have a look at this petroglyph, it would be best to visit it on a clear day when the sun is low—and if you brush the surface with water it would highlight the design pretty clearly. It’s also possible that you’d see new elements on the carving as a result of your work.
One final note: when we came here recently, both Graeme Chappell and Tom Cleland related to me that the rock itself was quite a notable red colour—which was totally lost on me as I’m the colorblind dude in the bunch! But, as they both suggested, this distinct colouration was probably one of the ingredients the stone was chosen to be carved. Makes sense.
References:
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Anonymous, Walks Around Cup and Ring Stones, ITIC: Bradford n.d. (1995)
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Along the A81 road between the Port of Menteith and Aberfoyle, ¾-mile (1.2km) west of the Port of Menteith you’ll see a small single-track road on the right—by a group of cottages—that takes you uphill. Go uphill for just over a half-mile and park-up on the rough grass on your left, ensuring there’s enough room for a tractor to get past (if some halfwit Englishman comes out and says “you can’t park there!”, remind him that this is Scotland!*). Just where you’ve parked-up there’s a dirt-track on your left; walk up it, go through the gate, and nearly 300 yards after this there’s a gate into the fields on your left. Go through here, and follow the straight line of fencing for 700 yards, passing one of the Netherglenny cairns, till you hit a wall. Go through the gate and, 60-70 yards south-west on a raised ridge of land is a long line of bedrock stone. You’ve arrived!
Archaeology & History
Cups & rings & solar sign?
In the early 1990s, rock art explorer Kaledon Naddair gave a talk at Kilmartin on the prehistoric rock art of Scotland. Amongst other carvings, he reported on a number of new finds that he and others had made at the Ballochraggan complex near Aberfoyle and, as I recall, it included this fascinating and almost unique design (Naddair and his team did hundreds of detailed drawings of many carvings, most of which are very hard to find nowadays). Some years later, in 2009, rock art student George Currie came across the same stone shortly before forestry plantation grew to obscure it entirely. It was described for the first time in Brouwer & van Veen’s (2009) fine survey of the Ballochraggan petroglyphs. My first visit here was in 2021 in the company of Prof Paul Hornby, when the forest was still standing and we had to cut our way through the trees to see a section of stone. A few years on, now that the forest has been cut down, all of the carving has come to light again—and it’s a bittova beauty!
Down the stone NE-SWBowls & troughs of water
Described erroneously by the Scottish Rock Art Project as being at Netherglenny, this impressive design is just north of Ballochraggan house and is a faded but impressive carving, possessing a rare ‘motif’ or symbol not usually found on Scottish petroglyphs. The line of rock on which the carving’s found runs in a northeast-to-southwest line, perhaps relating to the rising and setting of the solstice sun. Perhaps… Most of the carving is a scatter of cup-and-rings covering more than half the length of the rock surface, mainly on its more western section. But also, notably, there’s a series of geological bowls and troughs along the rock, primarily from the middle of the stone to the easternmost end where, perhaps significantly, there are few carved elements apart from a couple of cup-marks close to two of the deep bowls. The bowls and troughs are mainly along the central and northern edge of the stone. On my visit here recently, near the end of a lengthy heatwave, these natural ‘bowls’ were still filled with a lot of water! I was grateful—and used the water to highlight some parts of the carving.
First group of cup&rings
…And so…
First group of cup&rings
We approach the stone from its north-eastern end. Walking to the troughs and bowls of water, collecting some of it as we pass, it’s important to recognize that this water would have had some mythic relationship with the carving we are about to see. The water in these bowls may have been used to mix organic paints, or possessed some healing virtues relative to the spirit of the rock; it would certainly have had some relevance to the design, so it’s important to mention them even though they’re Nature’s handiwork. But as we get near the end of these watery cleavages, more of the cup-marks begin to appear.
The first suggestion of a cup-and-ring appears where a single cup has the beginnings of a ring, or an arc, on its eastern side; and there’s a single cup attached to the end of this arc. Just past this is another cup-mark which, when looked at from certain angles, seemed to have had a very faint ring round it—but I’m really not sure. A couple of other single cups are just past these two, roughly in line with them. They’re clearly visible in the photos. Continuing southwestwards we come across a small cluster of cup-and-rings—two of them touching each other gently, all but kissing each other! From these conjoined cup-and-rings, a step to the north brings us to another single cup-and-ring.
Cups & rings & thingsMore cups & rings & things
More intriguingly is what’s found a foot or so further west from the cup-and-rings that kiss! We come across a very faint double cup-and-ring that never seem to have been completed—instead, intruded upon by two or three cup-marks on its northern edge and, more curiously still, what looks to be straight lines intruding the outer ring at various angles, almost in the form of the letter ‘W’—or ‘M’ depending where you’re stood. It can be seen quite clearly in the photos here, both left and right. I couldn’t make my mind up about this particular ‘W’ ingredient, inasmuch as: which parts of it are natural, and which parts are man-made. As I walked round and round this element, crouching down, standing up and gazing at it from as many angles as I could, it never seemed to show itself fully one way or the other. There’s undoubtedly some man-made element about it, but its ambiguity should perhaps be left to the computer-tech rock art kids and give them something to do when they next get some grant money to line their pockets. 😉
Large isolated cup-markPhoto from 2021
Detached from this portion of the petroglyph, a yard south of the main line of rock, is a small, earthfast oval-shaped stone. On it is a large deep cup-marking, bigger than all the other cup-marks on the main stretch of carvings. But back onto the main length of the carving and continuing west, we next step over a notable (but not large) natural scar running roughly north-south across the stone. Stepping onto the other side of this scar, the petroglyphic symbolism gets more expansive and complex.
Spoked-wheels & moreThe first spoked-wheel
On the other side of the crack is another one of Nature’s carvings: a large, deep tear-shaped bowl. About twelve inches above this (north), albeit very faint and almost impossible to see in some lights, is a wide carved circle, at the centre of which is a small cup-mark and, emerging from this central cup and reaching to the outer edges of the ring are a series of at least nine straight carved lines, somewhat like spokes on a wheel (but in no precise geometrical order), giving the impression of what some folk like to call a ‘solar’ symbol. It may indeed have symbolized the sun—but we simply don’t know.
Next down the rock is a small scatter of single cup-marks and then we reach another spoked-wheel or solar symbol, about the same size as the first one and again made up of at least nine ‘spokes’ radiating from a central cup-mark. A couple of single cup-marks are outside or above the ring. Between the two solar wheels is another natural elongated hollow, albeit shallow compared to the others on this length of rock.
Multiple cup-and-ringFaint multiple rings
From here, a few steps further west brings us to two very faint multiple-rings. These intrigue me just as much as the spoked-wheels! Initial views of them seem to show them as double-rings around a central cup, but as I watered them and got views of them from different angles, it was obvious that there was more to them (as usual!), with one of the cups seemingly surrounded by four rings—although the outer ring is seemingly incomplete. I’m not 100% sure about it though and it would be good to get more views around sunrise and sunset when the light paints the stone with richer textures, bringing the spirit of the rock into greater life. The other multiple-ringed motif—three rings in all—is faint, but clearer in giving up its secrets: the outer ring of this looking somewhat deformed as it droops down in a more ovoid form.
As we walk now to the very end of this long stretch of rock, no more carved imagery greets the eye. If there was ever anymore to be seen, the elements and Time itself have faded them from view (the nearby Mask Stone exemplifying the difficulty we have in seeing eroded carvings). If, however we walk off the western end of this rock, down into the uneven mass of roots, branches and decaying trees and keep going westwards, a short distance away is another outcrop, albeit much smaller. It has a single cup-mark on its surface. And, quite obviously, other carvings will still be found beneath the mass of dead trees and vegetation across this piece of land. It was obviously a very important place indeed…
The entire carving is a pictorial narrative whose story has been lost. Its complexity fits into the scheme of other carvings in this locale, possessing a rich tapestry of complex symbols along one stony face. It reminded me somewhat of the equally impressive Blarnaboard (3) carving which, curiously enough, this Solar Stone points directly at four miles away to the southwest, and which also possesses a series of multiple complex symbols cut along a long thin stretch of bedrock stone.
Anyhow, to those of you who just need the simplistic shorthand of the archaeologists: this carving comprises of at least fifteen single cup-marks, five cup-and-rings, a cup-and-double-ring, two cup-and-triple-rings (one of which may actually be cup-and-four rings), and two spoked-wheels or solar symbols. It’s good—even by Ballochraggan standards!
Parish, Nick, “Perthshire: Nether Glenny Field Visit,” in Discovery & Excavation Scotland, 2023.
* Numerous people have reported encountering this dickhead, and a number of local folk as far as Aberfoyle also report him as a miserable angry little man. Please don’t be intimidated by his antics (he’s obviously an unhappy old control freak) as he has no legal basis in Scottish law for you to do what he commands. Just walk on by and leave him to stamp his little feet and rant.
Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
The best description to get here is, from Ilkley, to go up Wells Road, over the cattle grid, and about 500 yards past the cattle grid take the left turn up Keighley Road. This becomes a truly dodgy dirt-track when you hit the road to the Silver Well cottage on your right, but keep going uphill for another after a short while, but keeping walking uphill for another 500 yards till you reach a good-sized footpath on your right. Walk along here for 50-60 yards and then walk into the vegetation on your right and, just a few yards along, you’ll see a good-sized elongated stone in front of you.
Archaeology & History
Looking down on the cups
This large boulder has about nine cup-marked impressions, both on its eastern topmost part and others a few feet away on a lower south-facing section of the stone. But they’re not all man-made. The cups on the top-east surface are the ones we should be paying attention to. Of the three or four that we can see, at least two of them are man-made: it’s possible that all of them have been man-affected, but without a detailed geomorphological analysis, we’ll never know for sure. The cups and dips on the other, lower section of the rock are Nature’s handiwork. That doesn’t mean they had no importance in the overall mythic nature of the carving but, as with most British petroglyphs, we may never know one way or the other.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cup-and-Ring Stone: OS Grid Reference – SE 0467 6373
Archaeology & History
Hartlington Moor (2) stone
After visiting the Hartlington Moor Lane carving, walk further up the track for bang-on 400 yards and you’ll reach a gate on your right. In the field here, about 150 yards in, is an ornate cup-marked stone, which has had the dung of a hundred animals and other natural effects dumped upon it in recent years and, as a result, remains hidden at the mo. A sketch of it was made some time back, showing it’s general design, but it would be good to get some good photos of it (let us know if you manage to locate it).
The carving covers most of the surface of this low rounded stone and a number of the cups are quite deep, which suggests that it had been hidden from view for a long time. There are up to 54 cups, several of which are linked together by carved grooves, giving it what some folk call an ‘hour-glass’ feature. Near the middle of the stone it looked as if there was a faint cup-and-ring with a carved line running out of it.
The worst part about getting to this stone is finding somewhere to park on the B6265 road if you’re visiting by car! The best spot (as of writing) seems to be a small clearing that the farmer has made by the roadside near one of his gates. From Hebden village travel literally one mile (1.62km) east up the B6265 road and (keep your eyes peeled!) you’ll reach the small left-turn down to Hartlington Raikes (and on your left is a dirt-track) – but keep going straight on past this turning for another 450 yards where the farmer’s cleared the edge of the road against his field. Do not obstruct his field! (he’ll have every right to move it with his tractor if you’re an idiot) Naathen – walk back on yourself to the dirt-track (known as Hartlington Moor Lane) 450 yards away and walk up it for 300 yards where there’s a small tree on to your left. On the opposite side of the track, just below the wall right at the very edge of the track itself, you’ll see the small rounded carved stone.
Archaeology & History
Adjacent to a large, flat, elongated ovoid stone that nearly covers the width of the dirt-track is this much smaller stone with a decent scatter of cup-marks on it that was rediscovered only a few years ago by Yvonne Luke of Ilkley.
A rock art menagerie of Morley, Chappell & Hotham
Hartlington Moor Lane (1)
The petroglyph comprises of two standard cup-and-rings, one of which has a carved groove running from the cup to the ring. There may be up to nine other single cup-marks on the stone, many of them quite worn (as you’d expect with it living on a track!); but some of these may be the result of natural erosion. Nonetheless, most of them seem to be the real deal. There are also several oval ‘notches’ on the design, but these may have been made by agricultural/farm machinery scratching across the stone.
From this carving, if you venture another 400 yards up the Hartlington Moor Lane track and go through the gate on your right, about fifty yards into the field is another carving at grid-ref SE 0467 6373, covered in cup-marks, but now covered over in vegetation. If you get a chance to make the stone visible again, let us know! It’s likely that other unrecorded carvings are hiding away in the adjacent fields.
Acknowledgements: With appreciations to Tony Morley, John Hotham and Graeme Chappell for getting us up to this olde stone. Cheers fellas!
