The best description to get here is, from Ilkley, to go up Wells Road, over the cattle grid, and about 500 yards past the cattle grid take the left turn up Keighley Road. This becomes a truly dodgy dirt-track when you hit the road to the Silver Well cottage on your right, but keep going uphill for another after a short while, but keeping walking uphill for another 500 yards till you reach a good-sized footpath on your right. Walk along here for 50-60 yards and then walk into the vegetation on your right and, just a few yards along, you’ll see a good-sized elongated stone in front of you.
Archaeology & History
Looking down on the cups
This large boulder has about nine cup-marked impressions, both on its eastern topmost part and others a few feet away on a lower south-facing section of the stone. But they’re not all man-made. The cups on the top-east surface are the ones we should be paying attention to. Of the three or four that we can see, at least two of them are man-made: it’s possible that all of them have been man-affected, but without a detailed geomorphological analysis, we’ll never know for sure. The cups and dips on the other, lower section of the rock are Nature’s handiwork. That doesn’t mean they had no importance in the overall mythic nature of the carving but, as with most British petroglyphs, we may never know one way or the other.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cup-and-Ring Stone: OS Grid Reference – SE 0467 6373
Archaeology & History
Hartlington Moor (2) stone
After visiting the Hartlington Moor Lane carving, walk further up the track for bang-on 400 yards and you’ll reach a gate on your right. In the field here, about 150 yards in, is an ornate cup-marked stone, which has had the dung of a hundred animals and other natural effects dumped upon it in recent years and, as a result, remains hidden at the mo. A sketch of it was made some time back, showing it’s general design, but it would be good to get some good photos of it (let us know if you manage to locate it).
The carving covers most of the surface of this low rounded stone and a number of the cups are quite deep, which suggests that it had been hidden from view for a long time. There are up to 54 cups, several of which are linked together by carved grooves, giving it what some folk call an ‘hour-glass’ feature. Near the middle of the stone it looked as if there was a faint cup-and-ring with a carved line running out of it.
The worst part about getting to this stone is finding somewhere to park on the B6265 road if you’re visiting by car! The best spot (as of writing) seems to be a small clearing that the farmer has made by the roadside near one of his gates. From Hebden village travel literally one mile (1.62km) east up the B6265 road and (keep your eyes peeled!) you’ll reach the small left-turn down to Hartlington Raikes (and on your left is a dirt-track) – but keep going straight on past this turning for another 450 yards where the farmer’s cleared the edge of the road against his field. Do not obstruct his field! (he’ll have every right to move it with his tractor if you’re an idiot) Naathen – walk back on yourself to the dirt-track (known as Hartlington Moor Lane) 450 yards away and walk up it for 300 yards where there’s a small tree on to your left. On the opposite side of the track, just below the wall right at the very edge of the track itself, you’ll see the small rounded carved stone.
Archaeology & History
Adjacent to a large, flat, elongated ovoid stone that nearly covers the width of the dirt-track is this much smaller stone with a decent scatter of cup-marks on it that was rediscovered only a few years ago by Yvonne Luke of Ilkley.
A rock art menagerie of Morley, Chappell & HothamHartlington Moor Lane (1)
The petroglyph comprises of two standard cup-and-rings, one of which has a carved groove running from the cup to the ring. There may be up to nine other single cup-marks on the stone, many of them quite worn (as you’d expect with it living on a track!); but some of these may be the result of natural erosion. Nonetheless, most of them seem to be the real deal. There are also several oval ‘notches’ on the design, but these may have been made by agricultural/farm machinery scratching across the stone.
From this carving, if you venture another 400 yards up the Hartlington Moor Lane track and go through the gate on your right, about fifty yards into the field is another carving at grid-ref SE 0467 6373, covered in cup-marks, but now covered over in vegetation. If you get a chance to make the stone visible again, let us know! It’s likely that other unrecorded carvings are hiding away in the adjacent fields.
Acknowledgements: With appreciations to Tony Morley, John Hotham and Graeme Chappell for getting us up to this olde stone. Cheers fellas!
This once important holy well seems to have been lost or covered over. It was mentioned several times in Edward Jeboult’s (1873) huge survey of the county and he located it “to the south of the church” of St. George in Wilton where, in his day, a spring of water could be seen. He told that, in the parish of Taunton,
“was formerly a noted spring called Fons George, or St. George’s Well, to which the afflicted were accustomed to resort, and which tradition reports to have worked many marvellous cures. The site of this well seems now uncertain.”
In Ethelbert Horne’s (1923) survey, it seems he couldn’t locate the site as he gave no description of the well, but merely echoed the account given by Mr Jeboult. Does anyone know what happened to it?
References:
Horne, Ethelbert, Somerset Holy Wells and other Named Wells, Somerset Folk Series: London 1923.
Jeboult, Edward, A General Account of West Somerset, Somerset & Bristol Steam Press: Taunton 1873.
We are unsure of the precise location of this site, described in some detail by the early Victorian naturalist Leo Grindon (1882) during one his many botanical rambles in and around Manchester nearly 150 years ago. He described it to be along a little valley known as Ridding’s Brook, located near “the water at Lymm” which he described as,
“a vast reservoir, brought into existence by the construction of the viaduct at the foot. The site now occupied by the water was originally a little vale, down which flowed a streamlet called the Dane. Becoming very narrow where the roadway now is, to throw a barricade across was easy. The construction of this gave distinctiveness also to the “dell,” the pretty hollow, full of trees, into which, when the water is high, the overplus, creeping under the road by a concealed channel, springs so cheerily.”
This is undoubtedly the Lymm Dam as it’s known today. From here, he told, “visitors should continue along the hillside, opposite the church, and as far as the grove of trees” and then “cross by the rustic bridge, and, turning to the left, ascend the little valley called Ridding’s Brook.” It is here where a magickal well whose waters turned plants into stone could be found. Grindon said of it:
“The special interest of the valley lies, after all, in its curious dropping and petrifying spring. At the further extremity, upon the right, the steep clay bank, instead of receding, is hollowed underneath for the length of a hundred yards or so, the upper edge projecting to a considerable distance beyond the base, so as to overhang the stream, and form a sloping roof to it. The surface is completely covered with luxuriant moss, and from the land overhead comes an incessant filter of water, which at once nourishing the moss and entangled in it, causes it to hang down in long vegetable ringlets. At a distance they seem soft, but examination shows that every drop has brought along with it a particle of earth, which being deposited in the very substance of the moss, is gradually converting it into stone. Every cluster, externally so green and living, is in its heart a petrifaction.”
“Rock Well” on 1882 map
Waters that turn objects into stone were obviously seen as possessing a somewhat supernatural propensity in many cultures—and although I can find nothing in the local records of the myths or medicinal properties of this site (early animistic folklore records were sadly neglected by the many Industrial historians in Lancashire, meaning we lost masses of valuable village traditions), there’s little doubt it would have possessed a mythic history of its own in the local area.
It’s possible that a Well shown on the 19th century Ordnance Survey maps as a ‘Rock Well’ could be the petrifying waters in question, but until site gains the attention of a diligent local student of occult history, we’ll not know for sure… Does anyone know if it still exists…?
References:
Grindon, L.H., Country Rambles and Manchester Walks and Wild Flowers, Palmer & Howe: Manchester 1882.
Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
In Adam Welfare’s (2011) second volume to his grand megalithic inventory, he described there being, next to the cup-marked Loanhead of Daviot (1) stone, another, that “has two on its outer face”— i.e., the east-facing vertical surface of the standing stone. It looked as if there were three cup-marks when we visited here recently, but I may be wrong. The main one, visible in the attached photo, is about two-inches across and a half-inch deep; another is above this and the other one is below it (you can just about see them in the attached photo). The design is in no way impressive.
Cup-mark to centre
Aubrey Burl (1979) suggested that the cup-marks on the neighbouring Loanhead of Daviot (1) stone were symbolic of the Moon, whose movement across the sky was recorded in the architecture of the circle itself. When he wrote such words, this secondary cup-marked stone hadn’t been noticed and, as it faces the opposite directly looking eastwards, it makes you wonder what he might have thought this design represented. (Welfare [2011] also reported that on the standing stone flanking the east-side of the recumbent stone, there is “a single cupmark a little above the ground surface on its inner face”.)
References:
Burl, Aubrey, Rings of Stone, Frances Lincoln: London 1979.
Welfare, Adam, Great Crowns of Stone – 2 volumes, RCHAMS: Edinburgh 2011.
Acknowledgements: Massive appreciation to Michelle and Steve Allan of Montrose for taking us to this site. Huge thanks to you both.
As you walk through the gate towards the stone circle, veer to the long fallen recumbent stone and, past the large upright that flanks the recumbent on the right-hand side, walk to the next standing stone along from here. That’s the one you need to be looking at!
Archaeology & History
This is one of at least two petroglyphs within the Loanhead of Daviot circle. Difficult to see unless the light is good (oh how often that’s the case!), on our visit here—under the fine guidance of Michelle and Steve Allan—the cups were hard to see clearly, and they proved troublesome getting good photos of them (we’d forgot our standard water-enhancing bottles this day too!). But we could just about make them out, as our fingers fondled their depressions.
It seems that the carvings were first noticed (please correct me if I’m wrong) by the Aberdeenshire antiquarian James Ritchie (1918) who, in a lengthy essay on rock art and megalithic rings, described seeing “twelve plain cups” on the standing stone in question. They are situated on the north-facing side of the stone, or, as Ritchie wrote,
The carved stoneRitchie’s early photo
“on the inner face of the stone, which points towards the centre of the circle…. Near the western edge of the stone five cups are placed, one above another, in an almost perpendicular line. Each of the three lower members of this group is 2 inches in diameter and ½ inch in depth, while the two upper members are ½ inch less in diameter and only ¼ inch deep. A little to the left, near the upper end of the group, there is a single cup, 1 inch in diameter and ¼ inch in depth. Near the centre of the stone there is another group of cups very similar in appearance to that already described. It also consists of five cups in an almost perpendicular line, with a sixth, a little to the left, nearly in the middle of the stone. All the cups in this second group are about 1 inch in diameter and very shallow.”
The second group of cup-marks that Ritchie described were the most difficult to see on our visit here, due to the bright daylight. Under the Moon, or early sunrise when the stone is wet, they should stand out nice n’ easy. Thankfully, most of them are visible in Mr Ritchie’s old photo of the stone (above), taken in 1917.
An interesting idea was posited by Mr Browne (1921) in his classic on the Aberdeenshire sites, where he thought that the cup-marks here are marks that denoted “the registers of the magician in charge” of rituals at the Loanhead circle. More recently, the great megalithic archaeologist Aubrey Burl (1979) suggested that the cup-marks on this stone were representative of the cyclical movement of the Moon, as observed from this stone circle.
The second cup-marked stone at this stone circle is on the next stone along, going anticlockwise (east): on ‘Stone 5’ (as designated in the Royal Commission survey).
References:
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Browne, G.F., On Some Antiquities in the Neighbourhood of Dunecht House, Aberdeenshire, Cambridge University Press 1921.
Burl, Aubrey, Rings of Stone, Frances Lincoln: London 1979.
Cup-Marked Stone (missing): OS Grid Reference – NJ 747 289
Archaeology & History
When James Ritchie’s (1918) wrote his lengthy essay on the cup-and-ring designs on the megaliths of Aberdeenshire, he mentioned one of the two known carvings that are in Loanhead of Daviot stone circle, but also mentioned one “in the wood, a short distance to the northwest of the circle.” It’s not been seen since he wrote about it. Ritchie described there being several rocks in the trees and, “on the upper surface of one of these, two plain cups are to be seen.” He told them to be “similar in size and appearance to those on the standing-stone” in the Loanhead stone circle a short distance below, but he thought there was no connection between the two sites. The carving is likely to be still there, beneath the undergrowth. It would be worthwhile seeking it out during the Winter and Spring months, before the vegetation returns.
Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
From Wooler High Street, walk east past Market Place and then down The Peth, across the A697 road, go over the river bridge and then left up the long dead straight Brewery Road. It bends left about half-a-mile up and just over 100 yards past the bend (just where another sharp bend in the road occurs), make sure to take the hidden footpath that runs into the shrubs. 700 yards along, the path levels-out as you hit the edge of the moor and you reach a ‘crossroads’ of paths. Bear left (NE) and walk another 800 yards (past a gate or 2) where you hit a small woodland; keep walking straight along the same path until you hit the next copse of trees on your left, and here walk sharp right, through the field for 300 yards (past some more trees), through the gate and another 100 yards or so through the next gate. Ahead of you is a covered rocky ridge with some gorse bushes. Look around!
Archaeology & History
…from another angle
We were fortunate on our first visit here. For, in spite of what several tomes and local guides have said of this carving—i.e., “the site is hard to find as it’s covered by gorse bushes”—local folk have cleared it and made it accessible and much easier to find. Thank fuck! For on the day we came here, in spite of considerable cloud cover, it was very hot and humid—and the last thing I needed was working to rummage through vegetation on a day like that!
It was certainly in a crappy state when the old rock art writer Maarten van Hoek (1982) came here: “covered by sheep dirt” as he called it! But he cleaned it up – and thankfully the tradition amongst the local folks continues.
Arc of cups & double-ringClose-up of main design
Cut into a rounded triangular-shaped flat rock are a series of multiple cup-and-ring designs, each with lines running in various directions to, or from, the central cup-mark. One of them—the smallest of the lot near the top-middle of the stone—is an incomplete double-ring, and all round the outer south- and western edge is a semi-circle of eight or nine cup-marks which, from my unconscious mind, brought about feelings of lunar phases defined by the cups as the Moon moved through the heavens—and then back on itself along the same movements through the skies. This simple ‘flash’, so to speak, was the unconscious of my youthful astronomical mind that brought it to the fore—and although ‘time’ in the neolithic was defined by the Moon (menstrual rites & all…), this impression, this ‘dreaming’ lacks consensus recognition and so, in the social Darwinian paradigm of modern archaeology, would be promptly put to bed! I still like the impression though; but it begs the question as to what mythos might underlie the rest of the design!
No such impression seems to have hit Maarten van Hoek (1982) upon his visit here. He described the carving thus:
van Hoek’s 1982 sketchBeckensall’s 1991 sektch
“7 cupmarks, 5 of them surrounded by rings. On the N part is a cup and 4 rings with a tail from the cup running to the NW. Through this carving runs a large crack in the rock. Almost touching its outer ring to the S is a small cup and 1 ring. Further E is a cup and 2 rings with a tail from the cup running SE. Near the end of this tail is a single cupmark.
On the S part is a more complex figure: it is a cup and 4 rings, the two outer rings broken off at the edge of the rock. The outer ring is gaped to the NW to enclose the outer ring of a cup and 2 rings. From the central cup of this cup and 2 rings runs a tail to the NW ending in another cupmark.”
On van Hoek’s visit, it was obviously a cloudy grey day, as there are some obvious ‘extras’ on the design that he missed (somehow missing the distinct arc of cups surrounding the double-ring for one thing!). Beckensall (1983) wrote about the carving a year later and picked-up on the omissions, and subsequently updated the details in his later (1991) tome—as we can see from their respective drawings (above); although he too missed a cup or two along the same arc. It’s easily done…
References:
Beckensall, Stan, The Prehistoric Carved Rocks of Northumberland, Frank Graham: Newcastle-upon-Tyne 1974.
Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings – A Mystery Explained, Pendulum: Rothbury 1983.
Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, Abbey Press: Hexham 1991.
Beckensall, Stan, Prehistoric Rock Art in Northumberland, Tempus: Stroud 2001.
van Hoek, Maarten, The Carved Rocks near Wooler, privately printed: Oisterwijk 1982.
Cup-and-Ring Stone (lost): OS Grid Reference – NT 98491 28424
Archaeology & History
Highburn House C&R, 2015
This carving was rediscovered by rock art explorer Jan Broewer in September, 2007, a few hundred yards out of Wooler on the way to Akeld and Kirknewton, in the field on the right-hand side of the road, on the embankment just a few inches above the waters of the High Burn. On a recent visit here by Tom Cleland and I, despite us rummaging amidst the gorse and other herbage all along the edge of the waters, we were unable to locate the carving and presume that it has either been destroyed or re-housed in someone’s garden, living a more comfortable life. We certainly hope it’s the latter!
Sketch of the designHome of the lost carving
It’s design is nothing special: merely a singular, albeit scruffy cup-and-ring, with two other distinct pecked cup-marks and, possibly, a third shallow one just to the side of the cup-and-ring (but this is, in my opinion, highly suspect). The stone was obviously not in its original position when Jan first found it, and would seem to have come originally from the slope above the stream where a number of earthfast stones can be found. The numerous scratches across its surface shows that it’s been hit a few times by some (probably) metallic objects, or perhaps horses hooves, thus dislodging it from the slope above and rolling into the spot where Jan found it. Anyhow, we presently don’t know where it is or what’s become of it. Does anyone in Wooler know where it’s living?
Acknowledgements: Huge thanks to Pete Chattaway for use of his photo; and to Tom Cleland for helping the search party!
