Take the same directions as if you’re visiting the Eastwoods Cross base and cup-marked stone, but at Eastwoods Farm itself, walk downhill following the field-wall, past the large house, then through the first gate you come to. (it’s got a ‘private’ sign on it and has some handy bulls in the field – but ask at the house and the folks there are friendly) Following the footpath along the top of the field, cross the small stream, then head across the next field to the gap in the wall. You’re here!
Archaeology & History
Boughey & Vickerman’s sketch
One of a cluster of cup-and-ring stones around the Bryan’s Wood and Eastwoods area, this carving is well worth a visit, but can be covered in shit and muck as the bulls pass through the gap here on their daily amble. If the daylight isn’t good here, it can be difficult to see the carving – and when we visited the place the other day, the cloud was low and the heavens were ready to open, so our luck was out for a change! There are a number of cup-and-rings plus a double-ring, fading their ways around the more defined cup-markings. The stone appears to have been found in the 1990s, but records of it are scant. Boughey & Vickerman (2003) fail to tell the origin of the name, nor when or who rediscovered the site. Their description of the carving tells simply:
“Large flat smooth rock sloping slightly to E. Thirteen possible cups, one with partial double ring and four with partial single-rings; three ringed cups have grooves leading from them.”
Several other excellent cup-and-ring carvings can be found around here. The hugely impressive Morphing Stone and a prehistoric lightning-carving can be found three fields away to the south, past the trees on the other side of the stream.
Folklore
Close-up of the stone
The title of ‘fertility stone’ seems a modern one, although word has it that it relates to Beltane fertility rites. However, I can find no documentary information relating to this, and the people at Eastwoods Farm and adjacent house know nothing to account for it.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
The stone marking the position of the well is situated on the north side of the road at the east end of Grange Loan, a few yards west of the junction with Findhorn Place, at Newington on the south side of Edinburgh. Unfortunately, all that now remains of the well is a red sandstone front with two pieces of metal on each side.
Archaeology & History
Set back a little into the wall alongside the road, we today see only the architectural memory of this once famous and much-reputed holy well, whose waters sadly no longer flow. Curiously omitted from the primary Scottish surveys on holy wells, it was long known as an important water source by the people of Edinburgh in ages past. The best article on the site was written by W.F. Gray (1962) some fifty years ago, in which he told:
“Built against a garden wall, the Penny Well looks rather forlorn. Now that a plentiful supply of water is in every dwelling, its public usefulness is definitely at an end, though it may slake the thirst of a passer-by. But however that may be, the Penny Well has a long if not distinguished history, though fact and fiction, it is to be feared, are inextricably linked.
“And first, as to its age. There is documentary evidence of the existence of the Penny Well as far back as 1716. In that year Sir William Johnston of Westerhall, Dumfriesshire, disposed to William Dick of Grange three acres of his lands of Sciennes, which are described as bounded on the west by the lands belonging to “said William Dick and the Penny Well.” The well really marked the south-east boundary of the lands of Grange.
“The actual age of the Penny Well is unknown. All that can be positively stated is that it has existed for at least two hundred years… How the Penny Well came by its name is another unsolved mystery. There is a story to the effect that in the earlier half of the nineteenth century an old woman who lived in the cottage opposite the well had charge of the spring and sold the water to wayfarers at a penny a glass. A very plausible story by which to account for the name! Unfortunately its credibility is shaken by the fact that…the spring was known as the Penny Well fully a century before…
“Sir Thomas Dick Lauder, when he took up residence at Grange House in 1832, was deeply interested in the well at the east end of his property. He had it restored and above it placed a tablet with the words, ‘Penny Well’ inscribed on it.
“About 1870, when feuing operations were in progress and there was much digging in the vicinity of the well, the water suddenly ceased to flow. After an interval, however, it again became copious, so much so that it formed a tiny pond in front of an adjoining house. In the hope of drawing off the water, a pit was dug. This led to an interesting discovery. Five feet below the surface, workmen came upon what there seems no reason for doubting was the original trough of the Penny Well. This “interesting and unexpected find” (to quote from The Scotsman) was covered by a large block of hard sandstone. The trough, which was circular, measured 32 inches across and had a depth of fully 1o inches in the centre.
“The Society of Antiquaries made investigations and the opinion was hazarded that “the basin into which the water ran was without doubt a baptismal font,” possibly the one which once stood beside St. Roque’s Chapel, situated at the southwest end of Grange Loan, but long since removed.
“In the (1890s) the Penny Well underwent a second restoration, the Town Council providing £30 for the purpose. By this time however, the spring was found to be impure, but the trouble was got over by substituting the town water.”
Folklore
Penny Well in 1959
Although there are no documents proving with certainty, local tradition reputed this to be one of Edinburgh’s numerous holy wells. It probably was. And whilst W. Forbes Gray seemed at a loss to explain the name of this old water source, it probably comes from the old practice of local people dropping pennies and other offerings into the well in the hope that the spirit of the waters would confer good health or other benefits upon the hopeful pilgrim. Such rites, of course, are very ancient indeed and relate specifically to the animistic spirit-nature of the site. In Mr Gray ‘s (1962) essay on the Penny Well he also had this to say:
“According to one statement, it was a holy well attached to the Convent of St. Catherine of Sienna (which stood at the foot of St. Catherine’s Place), a well whose waters were possessed of miraculous powers of healing those afflicted with blindness, in which case it would be in the same category as the well of St. Triduana at Restalrig, and the Balm Well at Liberton.”
Reputed in times gone by to be one of the never-failing springs, this clear and sparkling water supply would keep bubbling away long after all others in the area had dried-up during summer droughts.
“It is also said that the ubiquitous Mary Queen of Scots, when she visited the religious sisterhood at Sciennes, partook of the waters of the Penny Well. “
Follow the same directions to reach the superb Badger Stone carving, and from here take the footpath that runs downhill. You’ll cross another footpath about 100 yards down the moor, but just keep walking down the path and you’ll notice the small copse of woods ahead of you. As the footpath begins to swerve roughly away, northeast, heading away from the said woodland, keep your eyes peeled on your left for a reasonably large but flattish rock close to the ground (in summer it’s surrounded by bracken) about 75 yards away. That’s your target!
Archaeology & History
Of the hundreds of cup-and-ring stones on Ilkley Moor and district, this is one of my personal favourites! I first visited the stone in 1977 as a young teenager and was mightily impressed by the unusual nature of the design here — and that impression still remains. Aswell as possessing the usual cups and rings, the Barmishaw Stone is one of just a few rocks also possessing a sort of ‘ladder’ design or linear pattern within the overall carving: an insignia echoed on the nearby Willie Hall Wood carving, the Piper Stone, and also on the Panorama Stones. As with the ‘ladders’ on the Panorama carving, those found here at Barmishaw are very eroded and are increasingly difficult to see during the daytime (the best time to notice them is usually around sunrise or sunset, and particularly when the rock itself is wet).
The carving has been described many times, albeit briefly, by a number of writers. In John Hedges (1986) fine survey he said the following:
“Medium sized flat-topped rock…fairly smooth grit, sloping slightly east to west, covered with carvings, some of which are very worn. Slanting sunshine needed to detect them. About twenty-four cups, at least nine with rings or incomplete rings, two with multiple grooves half round and continuing straight down, one of them incorporating ‘ladder.’ Five other ‘ladders’ – in a good light. Cups mostly deep and clear.” A few years later, Boughey & Vickerman (2003) echoed much of Mr Hedges description, though noted that of the 24 cups with their rings, one possessed a triple ring.
Alan Davies’ illustration
Like so many cup-and-ring stones, they have given rise to hosts of fascinating theories and ideas — one of which is based on mathematics and metrology. In the 1980s, Alan Davies (1983, 1988) surveyed the Barmishaw Stone — and other carvings on Ilkley Moor — to explore the possibility that the cups and rings were laid out according to a basic unit of measure, the Megalithic Inch (MI), as proposed by Alexander Thom some years earlier. Although Davies’ work showed that such a primary unit of measure wasn’t to be found universally, his research at the Barmishaw Stone indicated “significant evidence for quanta of…3 MI,” although this occurred “when the analysis is restricted to only ringed cups.” Despite this, Davies thought that the existence of the Megalithic Inch was evident in this and other carvings on the moors, stating that:
“The repeated emergence of the significance of ringed cups, and the fact that all putative quanta seem to bear a simple numeric relation to each other do not seem to be coincidental.”
However, the selectivity of data in Davies’ research would indicate more that any Megalithic Inches isolated in the metrology of the carvings was due, not simply to chance, but more that the implements used to carve the rocks and the size of the hands of the people doing the carvings was pretty uniform. These simplistic factors need assessing. In modern trials carving cup-markings, we find them to be of similar size to those carved in prehistoric times, as would be expected.
Barmishaw Stone (after Hedges, 1986)Barmishaw stone (Cowling 1946)
The ladder motif central to this carving may have related to early religious and ritual events here. Across the world, indigenous cultures commonly relate the ‘ladder’ to be a symbol of ascension, both by shamans, mystics and during rites of passage. The symbol represents the journey of the soul to and from supernatural realms. To discount this possibility at the Barmishaw Stone would be shortsighted.
The carving was very probably painted when our neolithic ancestors gathered here, much as Australian aborigines still do to their carvings using lichens and other plant dyes, with the respective ladders and lines changing colour where movements between worlds or shifts of attendant spirit occurred. By virtue of the its very name, I consider this rock to have been considerably important; the “ghost” aspect to barmishaw being a typically misconstrued aspect of ‘spirit’.
Folklore
This excellent cup-and-ring marked stone probably derives its name from the old dialect words “barm i’ t’ shaw”, meaning “ghost in the wood” stone. Whatever guise the attendant spirit of this rock may have had has long since been forgotten; though spectral accounts from the beginning of the nineteenth century until modern times may give us clues. There have been several reports of green-coloured elemental creatures around the area between here and the White Wells sacred spring a short distance to the east. The most recent account, from 1987, took on the modern mythic form of a little green man from space, with attendant UFO to boot! The Barmishaw Hole nearby was a place where faerie-folk used to live. Excesses of geological faulting and water makes the magickal nature of this place particularly potent.
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Bennett, Paul, “Cup-and-Ring Art”, in Towards 2012, volume 4, pp.83-92, 1998.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorkshire Archaeological Journal 1940.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup & Ring Carvings near Ilkley in Yorkshire,’ Science Journal 25, 1983.
Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge University Press 1988.
Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Wright, Joseph, The English Dialect Dictionary – volume 1, Henry Frowde: Oxford 1905.
From Hebden Bridge, go up the Heptonstall road, going round the village and onto and through Slack, keeping straight on the road until it goes uphill for a short distance, then levels out; then watch out for the small right-turn and the single-track road heading to a dead-end. Go right to the end, the very end, and go through the gate and walk up the track onto the moor. As you reach the ridge and the moorlands north open-up before you, note the small ‘standing stone’ on your right, about 10 yards off-path. Go up past it, following the path up the small hill and keep going till you hit the triangulation pillar. From here, keep walking on the same path ESE for another 200 yards. Y’ can’t miss it!
Archaeology & History
The name of the place rather gives the game away a bit, yeah…? When I first moved to nearby Hebden Bridge in the 1990s, I noted the conspicuous place-name ‘Standing Stone Hill’ on the maps — so when I met local earth-mystery enthusiast John Billingsley and asked him about any remains up here, he said, with conviction, “there’s nowt up there!” (or words to that effect)
“Are y’ sure?” I asked. To which he repeated his dictum. But I wasn’t convinced of his words and, like any decent chap with energy for old stones and such things, wouldn’t take ‘no’ for an answer and went to check for myself – and wasn’t too surprised when I found this lovely looking standing stone — and a fine specimen of a monolith it is indeed!
Standing stone, looking southStanding Stone, looking east
Although not a tall specimen by any means, this rounded and weather-worn upright has fine character and age to it. Standing more than 3 feet in height and nearly as wide, the stone has a faded but distinct artistic carving of the letter ‘T’ on its western face (which you can make out on the photo, hopefully). It was thought this may have been an old boundary marking, but the stone aint on any boundary line so possibly relates to some local family who marked it with that deluded notion of ‘ownership’ of this part of the desolate moors.
It’s a beautiful spot up here, out on its own. I’ve sat here many times, both alone and with good heathen friends, gazing across the endless silence on days coloured with snows, mists, bright sunshine and heavy rains. It has that feeling of solitude, of being forgotten, of being truly untouched.
Standing Stone Hill on 1851 map
There are a couple of other possible standing stones on this section of moorland. One in particular appears to have been taller in bygone times and is marked on the 1851 OS-map of the region about 100 yards southwest of the triangulation pillar (you’ll notice it on your right, off-path, as you’re walking towards the pillar—shown at the position on the map here, right). Further west is the tall medieval Reaps Cross, where corpses were rested in their journey over the moors.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
The folklorist John Nicholson (1890) wrote about this “block of natural concrete standing at the head of Drewton Dale, near South Cave” — which modern OS-maps call Austin Dale. Legend told how it “derived its name from St. Augustine, who used to preach from this stone to the heathen, before Britain became christian.” This obviously supplanted an earlier heathen site, but it’s difficult to work out what that may have been. It could have been the lost ‘Rud Stone’ immediately west; or perhaps had some traditional relationship with the healing well which emerges a short distance away further down the valley. Just above here as well, we find an ancient dragon’s lair at Drakes Hole, which could also hold a clue to this place.
A couple of years after Nicholson mentioned the site, John Hall (1892) published his excellent history of the township, in which he described St. Austin’s Stone thus:
“It’s a mass of rock projecting from the side of a hill and in its longest part, extending from the hillside to the face of the stone, measures about 60 feet. By some it is supposed to have formed a centre for druidical worship, and that the adjoining township took its name of Drewton (or Druid’s Town) from this fact. When St. Augustine came to England…he is said to have visited this part of the East Riding; and that this stone took its name from his visit.”
St Austins Stone 1890 map
The site was also surmounted by a cross at some time in its recent history, but this has gone. The earth mystery writer Philip Heselton (1986) told that the nearby Well was indeed a place connected to St. Austin’s Stone, in an early article in Northern Earth Mysteries, saying:
“St. Austins Stone near South Cave is a rock outcrop where Saint Augustine is said to have made converts, baptizing them in a nearby well. The site is used for church services. Every seven years, part of the stone falls away, but it always grows again.”
The site should be examined for potential cup-and-ring markings; as well as reports on the status of the Well. Any photos of the present situation of the site would be most welcome.
References:
Gutch, Mrs E., County Folk-Lore volume VI: Examples of Printed Folk-loreConcerning the East Riding of Yorkshire, David Nutt: London 1912.
Hall, John George, A History of South Cave and other Parishes in the East Riding of Yorkshire, Edwin Ombler: Hull 1892.
Nicholson, John, Folk Lore of East Yorkshire, Simpkin Marshall: London 1890.
Thompson, Thomas, Researches into the History of Welton and its Neighbourhood, privately printed: Kingston-upon-Hull 1869.
Until we’ve isolated this site, it’s difficult to suggest an age for it. It’s an all-but forgotten grave of some sort, last mentioned by John Clough (1886) in his rare work on Steeton township. Although the folklore indicates some medieval date here, the site may have been a prehistoric tomb, as it was located in the same valley a mile east of another little-known prehistoric burial at Crosshills. Mr Clough wrote the following of the site:
“Until AD 1790 the road to Kildwick would be down Pot Lane and past ‘The Lion’. Near a field, now called Nanny Grave Hill; there were four land ends; there are three lane ends yet; there was what i’s called Devil’s Lane, the lanes towards Eastburn and Steeton, and Wood Street… The junction of these four lane ends is the scene of one of Steeton’s tragedies. At this place is buried a suicide called Nanny, with “a stake in her inside.” Some people point out the mound under which she’s buried. When the suicide took place isn’t known, but it would certainly not occur later than the 17th century.”
But there are no records telling of the said ‘nanny’ and her death, nor archaeological accounts of any excavations hereby. The epithet nanny is sometimes used in northern counties to mean a witch, and although we have no remaining lore telling of such a character, the old name Devil’s Lane certainly infers some pre-christian or supernatural history hereby, common to many ancient burial mounds throughout Britain and across the world. Also a burial at an old crossroads is another heathen indicator; and the legend of the body having “a stake in her inside” is highly suggestive of further archaic death rituals, fixing the spirit of the dead at the site to prevent transmigration of any form, effectively ending the lineage of shaman or other heathen priestess. Any further information about this site would be most welcome.
References:
Clough, John, History of Steeton, S. Billows: Keighley 1886.
On Thurstaston Common a 298 foot high hill has a large red sandstone outcrop, on the landward side, known as Thor’s Stone. One large rectangular block of stone that is 50 feet in length, 30 feet wide by 25 foot high has been eroded over thousands of years. Described by J.A. Picton in 1877 as “the Great Stone of Thor,” the village itself seemed to have gained its name from this prominent mass of rocks. It was described first of all in the Domesday book, as Turstanetone, and both village and rocks have been written as variants on the original ever since. The place-names writers Mills & Room (1998) ascribe the name to being a “farmstead or village of a man called Thorstein”; but it’s just as likely to derive from “a farmstead of/at Thor’s Stone.” (Harrison 1898) As early landscape features were traditionally equated with animistic and mythic lore, the Viking god Thor is more probable than some unlikely chap called Thorstein.
Local folklore tells that the rock is named after the Norse god Thor – he who causes thunder and lightning. Viking settlers from Thingwell apparently settled here in the 10th century AD and, according to legend, these settlers used the stone as a pagan altar with blood sacrifices taking place here. A creation myth of the site tells that Thor tossed the large stone here in anger; and yet another says that the stone was raised here to commemorate the battle of Brunanburh in 937 AD. In modern more times, Morris dancers meet here and enact their rites on Mayday mornings.
The outcrop has been eroded away over thousands of years by the weather, post glacial erosion and even quarrying, leaving strange shapes, features and projections in the soft sandstone. There is much recent graffiti to be seen all over the rock, especially on the summit and sides including one set of graffiti carved by Professor Taylor in 1879. There used to be a “fairy well” near the stone but this disappeared long ago. Children took flowers to the well to decorate it, while adults visited it to receive a cure for various ailments of the body. At nearby Thurstaston Hall, Christina Hole (1937) reported there lived the ghost of a troubled woman.
References:
Harrison, Henry, The Place-Names of Liverpool, Elliot Stock: London 1898.
Hole, Christina, Traditions and Customs of Cheshire, Williams & Norgate: 1937.
Mills, A.D. & Room, Adrian, A Dictionary of English Place-Names, Oxford University Press 1998.
Same directions as the Slade 01 carving. But once you reach the upstanding stone cairn on the rocky hill, walk 220 yards (less than 200m) WSW and look around. You’re damn close! If you find the large cup-marked Slade 03 carving, walk back east about 10-20 yards and you can’t really miss it!
Archaeology & History
This is just one of at least seven previously undiscovered carvings on this section of moorland – and it’s worth looking for! The two other names we gave it — ‘owl’ and ‘sunset’ — come from the very notable design: owl thanks to it having the appearance of large owl-like eyes, and sunset as the two cup-and-rings are etched on the western edge of the rock and, when we found it yesterday, the sun was setting (albeit to the NW) and the image prompted talks of setting suns, the land of the Dead and other such worldwide indigenous religious myths (Harvey 2000) — for without recourse to such ingredients, these carvings are vacuous archaeocentric museum pieces and nothing more. And this carving at least deserves much more than mere cataloguing! The internationally renowned archaeologist, O.G.S. Crawford (1957) would have entered this carving into his ‘eye’ and ‘owl’ motif, representative of goddesses or spirit-forms, as would Gimbutas. (1989)
…and from above
But this carving is archetypal, as we can see, though would appear to have no other etched features on the stone’s surface. It is very close (if not within) the prehistoric graveyard that is plainly evident 30-40 yards south in the burnt heather and would very likely have had some mythic relationship with the dead (a symbiosis we have found in many cup-and-rings). We plan further ventures here in the coming weeks in the hope that we can unearth other prehistoric remains.
References:
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Gimbutas, Marija, The Language of the Goddess, Harper Collins: New York 1989.
Harvey, Graham (ed.), Indigenous Religions, Cassell: London 2000.
Corrycharmaig 3 stone, with Meall Dhuin Croisg rising…
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ’em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
This is the most visually impressive of the set of four cup-marked rocks along this ridge — although if you visit here when the light is poor, or the sky’s overcast, you’ll be lucky if you can actually see much of the material. For example, I counted 38 cups on this particular stone on a day when the sky was bright, but upon checking later, found that Mr Morris (1981) described there being, “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group of which 6 are in line.” Whereas more recently the Canmore website told there to be,
Corrycharmaig-3 carvingClose-up of line of cups
“At least 48 cupmarks are visible on the most westerly exposure. The cupmarks range in size from 25mm in diameter and 5mm in depth to 100mm in diameter and 40mm in depth. A straight line of six cupmarks arranged close together is orientated running from NW to SE.”
This line of six cups is very distinct and stands out as the most notable aspect on this carving, probably because it gives a sense of ‘order’ or linearity, whereas the rest of the carving (as with oh so many of them, thankfully) possess that non-linear feature of scattered cups and lines, dissolving reason and ego, and eliciting the natural meditative state, if one so cares to allow. On our most recent visit here, our eyes and fingers traced what appeared to be the faint remains of a carved line running along the bottom edge of the row of cups and then bending around the bottom cup in the same line — a little bit like the carved lines which run around the edges of the row of cups on Ilkley Moor’s Idol Stone. You can just make this ‘line’ out in the photo, below.
Cup-mark and flintClusters of cups and faint line
On one visit to the site when we’d stayed with the late great Lindsay Campbell of Stag Cottage, other sections of this carving were visible that we’d previously missed, highlighting at least 45 cup-marks that we counted. Several of the cups had been exposed by animals (sheep or deer – we couldn’t tell) cutting into the soaking wet earth and in carefully checking a couple of cups whose edges were exposed, found a small worked flint within one of the cups! I looked at it, held it, puzzled over it, then laid it back where we’d found it. You can see it in the photo here, on the right.
This carving obviously grows on you with time. And like its carved companions of Corrycharmaig (1), (2) and (4) both left and right of here, the stone rests within a natural theatre of dreams, eliciting — if only in a slight way — the non-focal perspective necessary to receive the carvings as its executor knew…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
In Grassington, go up the main street and keep going uphill, out of town. You’re on Moor Road now and it keeps going northeast for about a mile, where the small copse of trees grows just before Yarnbury House. However, on the other side of the road (right) two field before you reach the house, you’ll notice a slightly raised elevation in the field, close to the wall. A footpath runs right past it, so you shouldn’t have too much trouble finding it!
Archaeology & History
This is a fine, roughly circular neolithic monument, sat not-quite-on-the-heights, but still possessing damn good views all round (except immediately west), begging the question, ‘what on earth are you and why were you built here?’ Answers to which, we don’t really know. But ascertaining its geomantic nature wouldn’t be too difficult for local people who have spent years visiting the site. John Dixon (1990) mentioned how, in the winter months,
“the sun falls behind Pendle (Hill) providing it with a sky-red backdrop. In my own view the site is related to the presence of Pendle…and may have been the major factor in the location of the monument.”
He may be right! It has been suggested by one archaeologist (King et al, 1995) that the site was “most probably a wood henge” with upright rings of wooden posts that were built onto the central platform — but until we get a full dig here, we’re not gonna know.
N-NE section of hengeSW section of the henge
Found close to an extensive amount of other prehistoric remains in the area (dating from the neolithic to Iron Age), this henge monument is notable for its size, as it’s only a little fella! It’s like a mini-version of the Castle Dykes henge near Aysgarth, 14 miles to the north! First mentioned as a ‘disc barrow’ in 1929, J. Barrett (1963) added the Yarnbury Henge to the archaeological registers 32 years later, citing it as a “circular platform 60-63 ft diameter, surrounded by a ditch 20ft wide (crest to crest) and an outer bank.” A couple of years later D.P. Dymond (1965) described the henge in slightly more detail, telling:
“At Yarnbury, just over one mile north-east of Grassington there is an earthwork 116ft in diameter overall, consisting of a ditch with external bank. On surface inspection the earthwork appeared to have the characteristics of a henge monument. An excavation carried out in July 1964 , by an archaeological summer school based on Grantley Hall, proved this thesis. There was no trace of an internal mound and the entrance to the southeast was obviously original. No traces were found of any sort of internal structure, and a square pit in the centre of the circle had been caused by an excavation earlier this century. The ditch was rock-cut and the bank of simple dump construction. No dating evidence was found… With its single entrance the Yarnbury henge falls into Atkinson’s Class 1.”
SW area of the henge
In recent years it seems that some damage has been done by digging into the east and southeastern sections of the henge. Summat we hope doesn’t get any worse. In the field on the other side of the road we found traces of prehistoric enclosure walling (along with a curious, large, almost cursiform shadow, 44 yards across and running 110 yards NE), typical of the extensive settlement remains found less than a mile away at Lea Green and High Close Pasture, Grassington. It’s an impressive area, well worth checking out!
References:
Barrett, J., “Grassington, W.R.,” in Yorkshire Archaeological Journal, part 161, 1963.
Dixon, John & Phillip, Journeys through Brigantia – volume 2: Walks in Ribblesdale, Malhamdale and Central Wharfedale, Aussteiger Publishing: Barnoldswick 1990.
Dymond, D.P., “Grassington, W.R.,” in Yorkshire Archaeological Journal, part 163, 1965.
Harding, A.F., Henge Monuments and Related Sites of Great Britain, BAR 175: Oxford 1987.
Harding, Jan, The Henge Monuments of the British Isles, Tempus: Stroud 2003.
King, Alan, et al, Early Grassington, Yorkshire Archaeological Society 1995.
Wainwright, G.J., “A Review of Henge Monuments in the Light of Recent Research,” Proceedings of the Prehistoric Society, volume 35, 1969.
