To search for any sites in the northern counties of England (previously known as Brigantia), click on the list of relevant counties, below. Please note that not all these english counties were truly in Brigantia, but they came close to its southern edges; and as parts of them tickle the edges of the southern Pennines, I thought they should be included. Hope that’s OK with everyone!
Same directions as the Slade 01 carving. But once you reach the upstanding stone cairn on the rocky hill, walk 220 yards (less than 200m) WSW and look around. You’re damn close! If you find the large cup-marked Slade 03 carving, walk back east about 10-20 yards and you can’t really miss it!
Archaeology & History
This is just one of at least seven previously undiscovered carvings on this section of moorland – and it’s worth looking for! The two other names we gave it — ‘owl’ and ‘sunset’ — come from the very notable design: owl thanks to it having the appearance of large owl-like eyes, and sunset as the two cup-and-rings are etched on the western edge of the rock and, when we found it yesterday, the sun was setting (albeit to the NW) and the image prompted talks of setting suns, the land of the Dead and other such worldwide indigenous religious myths (Harvey 2000) — for without recourse to such ingredients, these carvings are vacuous archaeocentric museum pieces and nothing more. And this carving at least deserves much more than mere cataloguing! The internationally renowned archaeologist, O.G.S. Crawford (1957) would have entered this carving into his ‘eye’ and ‘owl’ motif, representative of goddesses or spirit-forms, as would Gimbutas. (1989)
…and from above
But this carving is archetypal, as we can see, though would appear to have no other etched features on the stone’s surface. It is very close (if not within) the prehistoric graveyard that is plainly evident 30-40 yards south in the burnt heather and would very likely have had some mythic relationship with the dead (a symbiosis we have found in many cup-and-rings). We plan further ventures here in the coming weeks in the hope that we can unearth other prehistoric remains.
References:
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Gimbutas, Marija, The Language of the Goddess, Harper Collins: New York 1989.
Harvey, Graham (ed.), Indigenous Religions, Cassell: London 2000.
From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor. Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor. Go on here for nearly a mile until you hit the stream and nearby Eagle Stone boulder. Walk upstream from here, on its eastern (right-hand) side for 100 yards, then walk up onto the level moor, scattered with rushes. Keep up here, heading towards the upright cairn open the skyline to the north. Once here, walk 80 yards (73m) WNW and you’ll note a number of flat stones embedded in the heather around you. You’re damn close!
Archaeology & History
Off-path and takes some finding and will all-but disappear when the heather grows back, so this one’s probably only for the purists amongst you. But I like it anyway! This is one of at least seven newly-discovered cup-marked stones hereby, including the nearby ‘Owl Stone’ with it’s big eyes! There are just two cup-marks on the flat surface: one an archetypal large cup 3 inches across and a half-inch deep; the other, a small faint cup less than 2 inches wide and very shallow which is easily missed if you pay little attention. On the photo here, the fainter cup is slightly above right of the centre. The carving appears to be on the far eastern edges of the Slade Cairnfield. Other undiscovered remains are likely to be found here.
Follow the directions to reach the Lippersley Pike cup-marked stone, then keep walking westwards, but go up the slope immediately on your right (north) and walk upwards along the path to the notable stone structure at the top-end of the ridge a coupla hundred yards ahead. Once there, you’re standing on it!
Archaeology & History
Lippersley Pike & shooter’s butt
A little known site with some excellent 360° views all round, reaching as far west as Pendle Hill, north past Simon’s Seat, and east onto the far reaches of the North York Moors. The landscape here is truly superb! And humans have been here since, it would seem, mesolithic periods at least, if Cowling’s finds are owt to go by! For although he described the much denuded tomb that we can still see under the herbage and recently-built shelter, there was also, “on the northern slope…a small occupation immediately below the summit on the northern side.” We found remains of it on our visit here the other day. But of the tomb itself — which Mr Cowling thought was neolithic in age — he wrote:
“The highest point of Lippersley Pike, on Denton Moor, is crowned by a stone cairn 1083 feet above sea level, and overlooks, on the northern side, a small site which appears to have been occupied by the ‘Broad Blade’ people, for there occur several pieces of patinated flint, along with scrapers and worked blades.”
Aerial view of Lippersley Pike
Cowling then describes a number of flints and other prehistoric working utensils that he found all round here. The remains of the cairn measure some 25 feet east-west and 23 feet north-south. There has been no excavation here, although the fella’s who dug out much of the stone to build the shooter’s butt on its top may have found summat, but have kept it quiet!
The cairn is an ancient marker along the boundary line marking the townships of Denton and Great Timble and was visited in perambulation walks in previous centuries. Grainge (1871) describes the extensive perambulation in his Knaresborough Forest work. ‘Lippersley’ itself first appears in records from 1576, although A.H. Smith (1963:5) does not suggest an etymology. The place is worth visiting as a good starting point to explore the other little-known prehistoric remains on these moors, including the Crow Well settlement, the Heligar Pike tomb, etc, etc.
References:
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Grainge, William, The History and Topography of Harrogate and the Forest of Knaresborough, John Russell Smith: London 1871.
Grainge, William, The History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1963.
Another stone for the rock art purists amongst us: a singular cup-marking near the edge of the rock. Although the photo here seems to show three cup-markings close to each other, only one of the three is in fact real. The other two are simple geological creations. But this fact seemed to go over the heads of some English Heritage archaeologists who reported to Boughey & Vickerman (2003) that this was a stone “with three cup markings” on it. I’m not sure who trains EH rock-art enthusiasts, but they seem to have a tendency to mistake natural features with artificial cup-markings and their evaluations should be treated with considerable caution (you’ve gotta wonder who the students are that are teaching them).
The rock itself is found in close association with other prehistoric remains and may have been a part of enclosure walling. Very close by are numerous well-preserved settlement remains, cairns and other cup-and-ring stones.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
From Appletreewick take the road east through Skyreholme and up Skyreholme Bank, bearing right at the fork in the tracks along the ancient Forest Road. Keep going till you cross the Larnshaw Beck and keep walking along the track until it runs wallside. Look over the wall and you’ll see this sloping-chair-shaped rock . You’re here!
Cup-Marked stone 431
Archaeology & History
Worth looking at if you’re visiting the Spiral Stone of Eller Edge field and its large associate, but otherwise this cup-marked stone is probably only for the purist rock-art mad-folk amongst us! There are what seem to be three decent cup-marks upon the sloping face of the rock here, with a possible pecked line to the side of two of them — though we have to consider the possibility that a geological condition is responsible for the easternmost cup. Described in the Boughey & Vickerman (2003) survey simply as:
“Large triangular rock of smooth gritstone, quarried at SE and sloping into ground at W and N. Three cups on top sloping face.”
Thirty yards up the slope along the wall-side you’ll find carving 432 with its single cup-marking.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here, but well worth it once you arrive! From Appletreewick, take the road east through Skyreholme and up Skyreholme Bank track, bearing right at the fork in the tracks along the ancient Forest Road. Keep going and after a couple of zigzags, you’ll cross the Larnshaw Beck. Keep walking along the track until it runs wallside — and here, go straight down the field for 75 yards (best climbing over the rickety wooden bridge by the stream 50 yards back and walking up). Although there are a number of other stones hereby, you can’t really miss this.
Archaeology & History
This carved stone and its close associates rest upon the green slopes overlooking the Blands Valley and further across upper Wharfedale and the lands beyond. The majestic Simon’s Seat rises on the nearby western slope and there in the greater distance, once more reaches the sacred hill of Pendle, with whom so many other ancient sites commune within our northern lands. It’s hard to say for sure that the Witch’s Hill was of little relevance to this and other stones, but only a fool would ignore the geomancer’s notes about this constant.
The carving here doesn’t give much clues in any direct sense either. We have an almost arrowhead-shaped rock with a dozen decent cup-marks or so cut along and near its western side; but the notable curiosity here is the small circular cluster of smaller cup-marks dotted in a near circular mass near the middle of the stone.
When Danny, Paul and I came here the other week, the initial impression of this cluster was one of a primitive solar symbol etched onto the rock; but the more we looked, the more it seemed that these small cups appeared to have been arranged in a very rough spiral lay-out. Now I know that spirals are damn rare items in rock art (especially in this part of the world), but the more we looked and then subsequently checked Boughey & Vickerman’s (2003) illustration, the more evident it became. Of course the ‘spiral’ could be merely fortuitous, but I’m not so sure misself. In discussing this with our field archaeologist later, he suggested getting a rubbing of this part of the stone on his next visit.
The stone was first described by the petroglyph explorer Stuart Feather (1964) and later described by the rock art students Boughey & Vickerman (2004), simply as:
“Large, rough grit rock with face sloping SE down into grass at N. About twenty cups to W, with three grooves at N corner and group of about twenty small cups at NE.”
A very intriguing carving. And if you visit here, make sure you check out carving 424 and others in the same field.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
John Dixon took a bunch of us on a pleasant amble here via the Fair Oak Circle site. From Fair Oak, go round the back of the farm and past the small cluster of hidden cottages, then bear right down the dirt-track and up the slope, then cross the field in front of you, going over the stile, following the footpath round the eastern edge of the slightly limestone New Laund Hill, and down again, thru the gate. From here, head diagonally across the field 150 yards towards the fencing at the woodland edge. Over the fence, into the trees, head halfway down the steep-ish slope and keep your eyes peeled for the rocky outcrop nearly halfway down. Alternatively, an easier way here is apparently from the Inn at Whitewell. Go across the river via the stepping stones (or wade!) and follow the footpath uphill towards a farm, where you’ll find a large steel gate on the left that leads into the woods. Here there are 2 paths: follow the higher of the two until it starts bearing to the right. Once here, look up the hill to the right you’ll see the rock outcrop. The caves are there!
Archaeology & History
Smaller Fairy Hole
There are at least 3 caves here, close to each other along the edge of the small footpath a few yards apart. The small rounded entrance of the northernmost one (photo, right) is reported by English Heritage to have had no human remains found therein, but further investigation is required here. The main cave however is where intriguing prehistoric finds were located. It appears that the entrance was deliberately built-up and blocked by stone walling a few yards inwards, giving the remains found therein a state of protection and sanctity. Writer and historian John Dixon (2004) tells what was in the cave:
“In 1946, an excavation was carried out on the site by the archaeologist Reginald C. Musson. In front of the larger cave is a flat platform on which evidence of Bronze Age daily life was found. This included animal bones, a pebble pounder (used to extract marrow from bones) and shards of a food vessel.
“All that survived of this tripartite collared urn was a large rim-collar shard, two fragments displaying neck/shoulder/body elements and five smaller pieces, probably from the base of the body. This is the only collared urn to have been found in a cave in Lancashire. Its tripartite Pennine form assigns it to an early Bronze Age date.”
The main Fairy HolePlan of cave chamber (after J.Dixon 2004)
The artificial walled entrance may not merely have been an ingredient giving sanctity to the place, but this could well have been a site for ritual shamanic practices, including prolonged rites of passage and death rituals (authentic ones, not the modern pagan nonsense). The ‘ritual death’ elements are highly probable here for, as John Michell (1975) told, caverns and crevasses are “most responsive to the necromancer’s invocation”. It’s geomancy, spirit association and the archaeological finds therein are strongly suggestive of this usage. (Eliade 1989, 1995; Maringer 1960, etc) Bearing this in mind, it is of some concern regarding the individual who thought it wise to spray-paint his name against the wall of the cave entrance (see photo); for many are those even in these days of shallow minds who fall prey to the car-crashes and creeping madness brought upon themselves by desecrating ancestral sites of ritual magick. It would be intriguing to keep a prolonged eye on the ‘Forsh’ who painted his ego in this cave of dead spirits…
Folklore
Not surprisingly, the little people hold legend here. Jessica Lofthouse (1946) found tales of these ancient peoples in several places close by, but at the Fairy Caves specifically,
“everyone knew that these little caves in the limestone at Whitewell were the homes of the little folk.”
…And in relation to the ingredient mentioned above, about ritual use of the cave in ancient times: are there any serious ritual magickians who’ve spent time working in this cave, overnight or longer, and who can let us know of their encounters here? (long shot, I know – but it’s worth asking, considering the probable use of the place) Or perhaps spontaneous encounters of other people here…
From the village of Chipping, go along Talbot Street until it meets Green Lane and there, on the left, there runs a country lane roughly northwards. Go along this and after about 1½ mile, watch out for the track of Quiet Lane on your left. Go all the way up this track for nearly 1½ mile, till you reach its end. Diagonally across to your right, note the stile into the field. Go over this and, some 50 yards across the field, look to your south where the field rises to its small peak. This is the site.
Archaeology & History
Fair Oak enclosure
Although little can be seen of this site at ground level, aerial photography in the 1980s identified a large circular earthwork at Fair Oak Farm. The circle has a surrounding ditch and bank enclosing a raised circular mound of approximately 100m in diameter. It is thought that the feature may represent Bronze/Iron Age settlement in the area, and may possibly be a village site. The site requires further survey.
Aerial photography has identified a number of possible settlement sites in the area between Dinkling Green and the River Hodder at Whitewell and in the area around Whitmore below Totridge Fell. The largest being that at Fair Oak.
Folklore
Jessica Lofthouse (1946) told of a number of places close by that were said by local people to be inhabited by faerie folk — Fair Oak itself being no exception. Hinting of earlier heathen gatherings, she wrote:
“As for the farm of Fair Oak, where we take the path to Dinkling Green, nearby was the fairy oak, the scene of so much midsummer revelry.”
Tumulus (destroyed): OS Grid Reference – SD 696 208
Also Known as:
Whitehall Tumulus
Ashleigh Barrow urns (after John Dixon)
Archaeology & History
Early accounts of this site tell of its destruction in the 19th century, but a modern reconstruction of the site has been made close to where it once stood. And this tomb sounded quite impressive! Within the ‘tomb’ were found a large number of urns, one of which was curiously empty. In John Dixon’s excellent Journeys through Brigantia (2003) work he told that,
“Contemporary reports about its excavation state that it was of circular form about 30 yards in diameter, being formed on a naze or promontory of an undulating plateau overlooking the Darwen valley. Its height was said to vary between 10 to 12 feet on the east side and between 2 or 3 feet on the west, the centre being about 6 feet in diameter and consisting of a slight hollow.
“Ten interments appear to have been made, one being just a heap of burnt bones, the others, having been enclosed in urns, the majority of which are badly broken, consisted of ashes and fragments of bone together with unrecognizable pieces of bronze. Two urns also contained ‘incense cups’ and another a 7½-inch bronze knife or dagger.
“The design of the urns is similar to those from the Middle Bronze Age… All but two of the urns were found within an area 21 feet by 14 feet, whilst one was 40 feet away. They were, with one exception, placed in the Earth with the orifice pointing upwards and were covered with slabs, the depth at which they were found varying from 1 to 2 feet.”
Remains of the urns can be seen on display in the Darwen Library.
Folklore
Once again in John Dixon’s (2003) fine Journey’s through Brigantia volume, we read of folklore relating to the respect of the dead which local people used to give this old tomb, telling:
“Many superstitions were attached to the barrow and its destruction in the 1860s, with the country people speaking of the place being haunted by ‘boggarts’ and children having been known to take off their clogs or shoes and walk past it barefoot in the night time.”
References:
Dixon, John, Journeys through Brigantia – volume 11: East Lancashire Pennines, Aussteiger Publications: Barnoldswick 2003.
Probably the easiest way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat. Walk along the track past the Skyreholme Wall carving, where it starts going downhill and, 100 yards before you reach the fork in the tracks, look in the field on your left. The other route is to go east through Appletreewick village up to and through Skyreholme as far as you can drive, where the dirt-track begins. Keep going up till you hit the fork in the tracks. Go left, then thru the first gate you come to and walk up into the second field up where the notable rock stands out. If you can’t see it at first, look around!
Archaeology & History
Boughey & Vickerman’s plan of the carving
This carving was rediscovered by Stuart Feather (1964) in one of his ambles in the area — and he would have been pretty pleased when he found this one! It is the most complex and ornate of all the prehistoric carvings in and around this large open field. With at least nine cup-and-rings and more than fifty other cups etched onto its rounded upper surface, there are various other lines and grooves linking up some elements of this mythic design. The best ones are on the upright and sloping east-face of the rock, into the rising sun. In animistic terms the rock is distinctly female in nature.
Illustrated in one of Stan Beckensall’s (1999) works, the rock art students Boughey & Vickerman (2003) also include it in their survey, but give an inaccurate grid reference for the site. They nevertheless describe it as:
“Large upstanding rock with slightly domed top surface. Most of top surface decorated but weathering makes detail uncertain: over sixty cups, eight or more with rings, many grooves.”
Many other carvings can be found in the area.
References:
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Acknowledgements: Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile. Cheers Danny!
