Tag: Askwith

Mixing Stone, Low Snowden, Askwith, North Yorkshire

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Cup-and-Bowl Stone:  OS Grid Reference – SE 18074 51241

Getting Here

Follow the directions to reach the Ancestors’ Stone and the Sunrise Stone; and there, roughly halfway between them, right by the edge of the old collapsed walling, you’ll see this rise of a stone with a large ‘bowl’ on top.  That’s it!

Archaeology & History

Mixing Stone, looking E

Laid upon the same geological ridge as our Ancestors’ and Sunrise carvings, there are one, possibly two faint cup-marks visible on the low flat surface near the edge of this rock, barely visible unless the light’s right.  But the important element here, perhaps regardless of the cup-marks, is the ‘bowl’ or rock basin on top of the stone.  Internally, it’s smoothed equally on all sides and, due to being in-between the two impressive petroglyphs, may well have had a practical function to it.  Bear with me on this one…

The Mixing Stone’s bowl

Stone ‘bowls’ or cavities—natural and otherwise—have been made use of in many cultures for simple functional purposes, such as grinding flour, herbal mixes, etc.  We find such traditions in some of the bullauns of Ireland and Scotland; whereas in similar stone bowls known as cat troughs in nearby Haworth, milk was poured to appease the spirits of the land (this tradition was still being maintained in 2001!).  Folklore and traditions of such rock basins spread far and wide beyond the UK: one of the German terms for rock basins is Opferkessel, meaning ‘sacrificial basin’ and suggests ritualistic usage by early societies.  Elsewhere on Earth there are numerous accounts of the ritual use of petroglyphs in which indigenous peoples tell of their use of plant- or rock-based paints (in many cases red ochre) to decorate the carvings.  And it’s this element that I’m interested in here.

Water-painted cupmarks

The Sunrise and Ancestors’ Stones 10-15 yards either side of this Mixing Stone are ideal candidates for such petroglyphic paintings using early ochre and other stone or plant-based agents.  Such activities would always have been ritualised, either in honour of ancestors, genius loci, calendrical rites, or whatever the pertinent ingredient was at that place and time.  I’m suggesting simply that the rock basin on the Mixing Stone was used for just such purposes.  This is no spurious suggestion, but at the same time it’s important to recognise that my thoughts here represent merely an idea, nothing more—not a fact.  Whilst we know full well that these carvings were imbued fundamentally with animistic properties—a simple ‘fact’—this functional idea is just that—an idea.  Students and petroglyph-nuts need to understand this.  And the faded cup-marks at its edge are perhaps merely incidental…. though I don’t buy that misself!

© Paul Bennett, The Northern Antiquarian 

Ancestors’ Stone, Low Snowden, Askwith, North Yorkshire

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Cup-and-Ring Stone:  OS Grid-Reference – SE 18083 51229

Also Known as:

  1. Carving no.606 (Boughey & Vickerman)

Getting Here

The Ancestors Stone

If you’re coming up from Otley or Askwith, take the same directions as if you’re going to visit the impressive Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone.  From the Naked Jogger carving, walk up to the small outcrop of rocks that bends above you.  There’s a small collapsed line of walling just behind the outcrop.  Walk along this up the slope as if you’re heading for the Sunrise Stone carving, but only 30 yards along, low down and right into the edge of the wall itself, you’ll see this elongated piece of stone.  That’s the spot!

Archaeology & History

If you’ve caught the petroglyph-bug, you’ll like this one!  It received its name from the curious fusion of natural cracks with the man-made pecked lines that shows, quite distinctly when the light is right and the stone is wet, the outline of two humanesque forms joined to each other.  Figurative rock engravings of ancestors in the UK are extremely rare and when we came across this example, we noticed how the design could be interpreted as two Askwith Moor ancestor figures. Figurative rock art images elsewhere in the world such as the magnificent Wandjina paintings and the extensive galleries of figures engraved at Murujuga (Burrup Peninsula) in Western Australia, might provide an initial comparison, though more specific work needs to be done to better understand this unique petroglyph.

Sketch of the carving

You can almost make out the figures in the above photo: the upper torsos of two beings on the right-hand side of the rock, almost fused together.  And the carved shapes of these “ancestral beings” are morphically similar to some elements in the Sunrise Stone just 50 yards away – which themselves remind me of a Northumbrian carving near Doddington known as West Horton 1a. (Beckensall 1991)  But we should’t get too carried away by the idea because—as we can see here in the sketch of the carving—when looked at from a different angle above, we could infer the right-hand carved elements to be representative of an animal: a deer, perhaps.  Rorscharch’s once more tickle the exploring mind….

The rock has been quarried into at same time in the past (just like the nearby Sunrise Stone), leaving us to wonder what the complete carving might have looked like.  No doubt some pieces of it will be in the collapsed walling either side of the stone.  All we have left to see are the two unfinished cup-and-rings above the natural cracks that give rise to the “ancestral being” appearance.  The faint double cup-and-ring has curious linear arcs to its side, with two well-defined cups enclosed by two of them.  It’s a nice-looking carving when the light is good.  The petroglyph was carved over a long period of time, as evidenced by the differing levels of erosion in different sections of the design.  It’s a common attribute.  The oldest section is the faint double cup-and-ring, whose mythic nature was added to / developed at a much later date, perhaps even centuries later.

In the always-expressive archaeocentric description of Boughey & Vickerman’s (2003) otherwise valuable tome, they told this carving to be,

“Long, narrow, thick rock of medium grit. Six cups, one with a double ring with a tab out and two with at least partial single rings, grooves.”

Evocative stuff!

It’s very likely that this carving had some mythic relationship with its close neighbours either side of it, probably over a very long time period and I’m inclined to think it somehow related to the rising of the sun, just like its solar companion further up the slope.  Please note how I emphasize this ingredient in the site profile of its neighbour, the Mixing Stone 10-15 yards away—roughly halfway between this and the Sunrise Stone.   A distinct place of ritual was happening in this close-knit cluster of carvings…

References:

  1. Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, 1991.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  3. Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.

© Paul Bennett, The Northern Antiquarian

Shooting House East, Askwith Moor, North Yorkshire

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Hut Circles:  OS Grid Reference – SE 17401 50967

Getting Here

Askwith Moor hut circle (1)

Along the only road that crosses Askwith Moor, park up at the single carpark on the east-side of the road.  Walk up the road for 350 yards and through the gate on the left-hand (west) side of the road onto the moorland.  Once through the gate, walk directly west into the heather immediately below the path for some 25-30 yards.  Look around!

Archaeology & History

Rediscovered by Helen Summerton in May 2022 are at least two simple hut circles on this level piece of land close to the roadside, amidst this much wider and impressive prehistoric landscape.

The small ring of stones (SE 17430 50978) closest to the road is slightly more troublesome to make out due to it being more deeply embedded in the peat than its companion about 30 yards away.  Comprising of typically small rubble walling, this first circle is only 4 yards across and would certainly have been fine for one person or, at a push, perhaps a small family.

Askwith Moor hut circle (2)
Askwith Moor hut circle (2)

Its companion immediately west (SE 17401 50953) is somewhat larger and slightly more elongated in shape, being 10 yards along and 5-6 yards across, as well as being in a better state of preservation.  This larger hut circle has been raised on a notable artificial earth-and-rubble plinth, being one or two feet higher than the surrounding peatland.  A notable internal stretch of walling only a yard or two in length exists within the southeastern side of the construction, whose nature can only be discerned upon excavation: an issue we can say applies to the many prehistoric settlements and tombs across this small moorland.  It’s very likely that other settlement remains will be found close to these two hut circles.

The remains of another hut circle can be found closer to Shooting House Hill, several hundred yards away; whilst five hundred yards southwest we find a small but impressive cairnfield.  There are also a good number of petroglyphs close by and on much of the surrounding landscape.

Acknowledgments:  Huge thanks to Helen Summerton (not Winterton) for finding these ‘ere remains – and for the photos accompanying this site profile.

© Paul Bennett, The Northern Antiquarian

Longbarrow Field, Timble, North Yorkshire

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Cairn (lost):  OS Grid Reference — SE 18 53

Archaeology & History

Described in the Field Lore of Timble village by William Grainge (1895) are the names and short histories of some of the local place-names—with this in particular standing out like a veritable sore thumb!  Quite plainly, as Grainge told us,

“The name ‘Longbarrows’ is indicative of some burial mounds of a very early day.  None exist at present.  The land is under the plough, and is about the best in the township.”

But I cannot locate the position of this long-lost site and it’s not shown on any of the early OS-maps hereby.  Grainge said that the land on which it once stood was owned by a local farmer called Charles Dickinson, who leased it out to others.  He wrote:

“Dickinson had in Longbarrows 3 roods* and 23 perches*, and William Jackson’s share in Longbarrows was 1 acre, 3 roods and 21 perches.  Besides these, John Ward of Nether Timble had 1 rood and 17 perches int he same field, a long narrow slip without fence, between Dickinson’s and Jackson’s lots.”

Does anyone know where this was?  One of my suspects is the gathering place of the Fewston witches, a half-mile south of the village; but no remains of anything can be found there today and I may just be barking up the wrong tree.

The area south and west of here is rich in little-known prehistoric heritage, from the cairn-fields of Askwith Moor, the cairn circle at Snowden Crags, the settlements of Snowden Carr and the extensive petroglyphs all over the place!  Giants cairns of the early Bronze Age and neolithic period were also once more numerous upon the moors to the west and south, so the former existence of a long barrow in Timble is not unusual.  But where was it?!

References:

  1. Grainge, William, The History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.

*  A rood is an English unit of area, equal to a quarter of an acre or 10,890 square feet; a perch was a more variable unit of measure, being lengths of 161⁄2, 18, 21, 24 and 25 square feet.

© Paul Bennett, The Northern Antiquarian 


Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 18066 51251

Also Known as:

  1. Carving 605
  2. Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone.  From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you.  Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field.  That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains.  It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay (scattered with mistakes) on the validity of amateurs exploring petroglyphs.  But I’d never even visited this carving until two years ago!  The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design.  We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present.  Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned.  When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer.  When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups.  The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s amateur description is a good one. Certainly more accurate than the subsequent one by Boughey & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder's 1990 drawing

Phil Reeder’s 1990 drawing

Boughey & Vickerman's sketch

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it.  I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field.  It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Northern end of carving

Southern side of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment.  But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape.  For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point.  As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us.  In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming…

References:

  1. Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
  2. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  3. Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
  6. Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
  7. Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
  8. Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

© Paul Bennett, The Northern Antiquarian


Snowden Carr carving (610), Askwith, North Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 18105 51210

Getting Here

Snowden Carr carving 610

From Otley, take the road north across the River Wharfe up and up, heading towards Askwith Moor.  As the moorland opens up ahead of you, at the crossroads turn right along Snowden Carr Road and literally ¾-mile along (1.25km) where a track on your right goes to Carr Farm, on the left-side of the road is a gate.  Go through here to the Naked Jogger Stone and walk up the rocky ridge ahead of you, alongside the walling (as if you’re going to the Sunrise Stone), and about 20-30 yards up you’ll reach this carving.

Archaeology & History

Best visited on a clear day, this is one carving amidst a small cluster of cup-marked petroglyphs found along the small geological ridge between the Sunrise Stone and Naked Jogger carving (none of which are as impressive as those two!).  This particular design consists of a number of faint cup-marks— between 17 and 25 of them—reaching along the horizontal surface, with no distinct formal pattern, as usual.  The carving continues beneath the encroaching soil.

Looking down at the carving
Archaeo-sketch

It seems to have been described for the first time by Stuart Feather (1973); then subsequently in Boughey & Vickerman’s (2003) survey, in which they attach a single cup-marking on an adjacent rock into the matrix of this design—but the two rock surfaces are distinctly separate.  This apart, their description tells, briefly as always: “Large long rock which may be outcrop, with hill falling away steeply below. Seventeen worn cups.”

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  2. Feather, Stuart, “Askwith, W.Yorkshire,” in ‘Yorkshire Archaeological Register’, Yorkshire Archaeology Journal, volume 45, 1973.

© Paul Bennett, The Northern Antiquarian 


Picketts Beck East, Askwith Moor, North Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 1708 5054 —  NEW FIND

Getting Here

Cup-and-ring stone in situ
Cup-and-ring stone in situ

From the Askwith Moor Road parking spot, head across the road and take the directions to the Woman Stone carving about 510 yards (467m) across the moors to the west.  From here, look straight down the slope and head towards the largest boulder at the bottom, 20-30 yards away.  About 10-20 yards to the right of this, zigzag about in the vegetation until you find the small stone amidst the bracken.  You’ll find it!

Archaeology & History

This small stone, whose natural contours and cracks have been utilised in the design of the petroglyph, may once have been part of a prehistoric tomb, perhaps rolled or thrown downhill from the nearby Askwith Moor Cairnfield.  I say this due to the size and portability of the stone, i.e., it’s small and barely earthfast, giving an increased likelihood that its present position was not its original one.  But we might never know…

Rough sketch of the design
Rough sketch of the design
Close-up of the carving
Close-up of the carving

It’s almost archetypal in design, being a primary cup-and-ring, with what appears to be a faint inner ring etched marginally within the larger notable incomplete circle, just an inch beyond the inner central cup.  From this same cup runs a carved line, out to the near edge of the small stone.  Single cup-marks occur on the edges of the rock, as can be seen in the photos: three, possibly four of them.  One of the cups, where the stone narrows to a rounded point, may also have had a partial ring around it.  When we found this stone a few weeks ago, the day was grey and overcast and the light was poor, so our photos do not highlight the carving too well.

(Note: the OS grid-reference for this stone is an approximation: pretty damn close, but not close enough. If someone ventures here and can get the exact grid-ref, we’d be most grateful.)

© Paul Bennett, The Northern Antiquarian 


Wester Cairnfield (02), Askwith Moor, North Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 1698 5070

Getting Here

Faint cupmarks clearly visible
Faint cupmarks clearly visible

From the Askwith Moor Road parking spot, head west to the Askwith Moor cairnfield. Keep walking west, going downhill past the main cluster of rocks.  If you begin zigzagging amidst the heather hereby, you’ll eventually come across this relatively small stone which, even when the heather is deep, thankfully rises to the surface.  The Wester Cairnfield 1 carving is close by.

Archaeology & History

Although I presumed that Graeme Chappell and I found this petroglyph when we surveyed the area in the 1990s, I cannot find an early account of it in my files, so must presume that when James Elkington, James Turner and I came across it a few weeks ago, it was the first view of the stone in many a century… It’s another simple carving, only of interest to the mad rock art hunters out there.

...and from another angle
…and from another angle

When we first found it, it seemed to me (with the sunlight effects on the stone) that two cup-marks had been etched here; but as Mr Elkington pointed out, from the angle he was looking at the stone, there were another two.  He was right.  But it’s nothing special to look at, sadly, and is probably only of interest to the real hardcore petroglyph nutters amongst you. (please note that the grid-ref for this carving needs revising and may be 50 yards either side of the one given)

© Paul Bennett, The Northern Antiquarian 


Wester Cairnfield (01), Askwith Moor, North Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 16966 50674

Getting Here

Cup-mark near top-right
Cup-mark near top-right

From the Askwith Moor Lane parking site, take the directions to the Askwith Moor Cairnfield.  Walk westwards for about 100 yards down the gradual slope, towards the boggy land below, but before reaching the reeds, still in the moorland heather, there are a scatter of rocks.  Just keep zigzagging about until you find it. It’s a reasonably large stone.

Archaeology & History

'Cup mark' on vertical face
‘Cup mark’ on vertical face

This is one of several simple cup-marked stones found down the slopes about 100 yards west of the Askwith Moor Cairnfield.  When James Elkington, James Turner and I re-surveyed this area again recently, I wondered whether it was a newbie or had already been located when Graeme Chappell and I did our tedious surveying of this region in the 1990s—and it turned out that we did!  The carving is nothing special to look at, even if you’re a petroglyph zealot.  Comprising of a distinct single cup-mark on the top nose of the rock, another is visible on the vertical south face, and another possible is on its eastern face.

1894 map of shooting target
1894 map of shooting target

When we look at the early maps of this area, we find that to the north and south of this stone once existed ‘Shooting Houses’.  As we can see on the attached map, the position of one of the shooting targets is very close to the location of this stone and so we must conclude that the cups on the vertical face were done by gunshot and are not prehistoric. However, the distinct cup on top of the stone retains its prehistoric link.

© Paul Bennett, The Northern Antiquarian 


Lower Lanshaw Stone (02), Askwith Moor, North Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 16059 50875

Getting Here

Lanshaw cup-and-ring nearby
Lanshaw cup-and-ring stone

Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast.  Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence.  Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself.  Now, walk up the slope to your right and, near the top of this rise 250 yards away, past Lower Lanshaw 01 carving, in some ancient walling, you’ll find it!

Archaeology & History

A very faded cup-and-ring carving can be found about 30 yards northeast of the Lower Lanshaw cup-marked stone, just as the hill slopes down to the overgrown stream.  It rests on the lower edges of the prehistoric (probably Bronze Age) enclosure in which other archaeological remains can be found.  Although the photo here highlights what seems to be 3 cups on the south-face of the rock, only one of them seems authentic.  A pecked “line” also seemed evident, but the light conditions were poor when we were here.  It does seem that there’s a faded ring around one of the cups, as you can see in the photo.

© Paul Bennett, The Northern Antiquarian