Mountain Farm, Whittingham, Northumberland

Cup-and-Ring Stone (lost):  OS Grid Reference – NU 053 128

Archaeology & History

This lost carving may have been brought to light as a result of field ploughing which, quite fortunately, uncovered a Bronze Age burial site with a cup-and-ring stone therein.  It was reported by the regional historian David Dixon (1895) in his classic work on this area, although his description was brief and he made no sketch of the design.  He told us:

“A stone-lined grave or cist, similar to that discovered at Mile, was found several years ago on Mountain Farm, in or near to which was a sandstone slab, covered with a fine example of the incised circles, such as are found in the rocks at Routin Lynn, Bewick Hill, Chatton Law and Lordenshaws Camp.”

These other petroglyphs he mentions are bloody impressive!  Sadly they’re not yet on TNA. (site profiles required of them are considerable in size – if anyone would like to write them 😉 )

References:

  1. Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings – A Mystery Explained, Pendulum: Rothbury 1983.
  2. Dixon, David D., Whittingham Vale, Northumberland, Robert Redpath: Newcastle-upon-Tyne 1895.

© Paul BennettThe Northern Antiquarian

Whitelaw, Kirknewton, Northumberland

Cup-and-Ring Stone (lost):  OS Grid Reference – NT 942 295

Also Known as:

  1. Whitelaw Stone

Archaeology & History

Sometime at the end of the 1860s, a local man—Mr William Wightman of Wooler—was in possession of this impressive-looking petroglyph which, we presume, he uncovered.  The carved stone was, as we can see, broken off from a larger piece and so it’s very evident that this was originally a larger design than the one illustrated here in Mr Middlemass’ (1872) drawing.  The only information we have about it are from his short notes,

The Whitelaw Stone

“was found on the north side of a hill called Whitelaw, the next eminence south-east from Yeavering Bell.  The stone is a very hard gritty sandstone, and bears distinctly the tool marks by which the circles have been cut. The tool must have been of iron or bronze, as the material is too hard to be operated upon by stone implements; moreover, the tool marks shew that the instrument used had a sharp round point, and must have been held in a similar way to the modern chisel.  The marks shew the size of the point.  The object of the artist evidently has been to fill the stone with ornament as between the two great circles; and at the corners he has placed smaller circles to suit the space. The similar nature of the circles on all the stones hitherto figured would seem to show that such stones, if monumental, were not legendary, but, most probably of a religious character; serving, like the Christian cross, to invite the traveller to pay his devotions on a spot rendered sacred by the emblems of worship.”

Searches for this have been made by Stan Beckensall (1983) and his acolytes, but it remains lost. (the grid-ref is an approximation)

References:

  1. Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings – A Mystery Explained, Pendulum: Rothbury 1983.
  2. Middlemass. Robert, “On an Inscribed Stone in the Possession of Mr William Wightman, Bank, Wooler,” in History Berwickshire Naturalists Club, volume 6, 1869-72.

© Paul BennettThe Northern Antiquarian

Little Almscliffe Crags, Stainburn, North Yorkshire

Legendary Rocks:  OS Grid Reference – SE 23237 52275

Also Known as:

  1. Little Almes Cliffe
  2. Little Almias Cliff Crag

Getting Here

Little Almscliffe Crag (photo – James Elkington)

Coming from Harrogate, take the B6162 and B6161 road to Beckwithshaw, through the village and, 4-500 yards on, turn right onto Norwood Lane.  2 miles along, keep your eyes peeled on your left for a gravelled parking spot and you’ll see the large rock outcrop 200 yards south of the road. …Otherwise, from Otley: go over the river bridge and turn right up Farnley Lane and follow the B6451 for a few miles, thru Farnley village up the Washburn valley, past Norwood and at Bland Hill, turn right along Broad Dubb Road for 1¾ miles where you’ll reach that same gravelled parking spot.

Archaeology & History

Very much the ‘little brother’ of Great Almscliffe, 3 miles (4.83km) to the southeast, this site would be more of interest to the travelling geologist, perhaps, than to antiquarians.  But that depends what tickles y’ fancy I s’ppose.

In 1702 when the northern antiquarian Ralph Thoresby mentioned this and its big brother to the southeast, he described the “two famous crags of Almes Cliff—in some old writings called Aylmoys ut dicitur—but have seen nothing memorial of it, saving its remarkable lofty situation.”  He missed the cup-and-ring carving on the east-side of the crags, obviously, which indicates that it had some form of animistic sanctity in ancient times.

The location on 1851 map
Little Almscliffe c.1900

Little Almscliffe was one of many impressive places located within the ancient Forest of Knaresborough; and although it wasn’t on the original boundary line, a perambulation (i.e., annual ritual walking to the old stones, trees and wells defining the region) of the area written in 1770, in what Mr Grainge called “the Copyhold Forest”, was undertaken by the Enclosure Commissioners.  It differed from the more ancient perambulation rite, in that the newer one included a mention of,

“five bounder stones also marked F to an earth-fast stone, lying northeast of Little Almes Cliffe, marked also with an F; (and) from thence by other four bounder stones marked F to Sandwith Wath…”

The letter ‘F’ here signifying the word ‘forest’, as in the Forest of Knareborough.

William Grainge (1871) also believed these crags to have been a place of druidic worship.  He wasn’t the only one.  Many other writers of the time thought the same thing; and although we have no concrete evidence to prove this, it is highly likely that these rocks would have served some ritual purpose in pre-christian days.  Certainly in more recent times (during the 1980s and ’90s) we know that ritual magickians used this site for their workings.  On a more mundane level, the crags were previously used as a site for for beacon fires.  One was erected here in 1803 when the first Bonaparte threatened to invade England; but I can find no written accounts of earlier beacons here.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds 1895.
  3. Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904
  4. Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
  5. Grainge, William, History & Topography of Harrogate and the Forest of Knaresborough, J.R. Smith: London 1871.
  6. Parkinson, Thomas, Lays and Leaves of the Forest, Kent & Co.: London 1882.

© Paul BennettThe Northern Antiquarian 

Traquair Churchyard, Traquair, Peeblesshire

Cup-Marked Stone (lost):  OS Grid Reference – NT 3202 3347

Archaeology & History

In 1974, Ordnance Survey reported the existence of “a large piece of sandstone containing two depressions resembling cup marks” in the churchyard wall which, tradition told, originally came from the ruined 12th century parish church (long gone) more than 300 yards to the southwest (at NT 3185 3328).  However, in recent years the cup-marks seem to have disappeared and may be hiding behind the overgrowth of ivy in the boundary wall.  It needs to be recovered.

Halfway between the location of the original church and the present one, waters from the heathen St Bryde’s Well used to flow, but it had already been drained by 1856.

© Paul BennettThe Northern Antiquarian

Killiesmont, Keith, Moray

Cup-Marked Stone (destroyed):  OS Grid Reference – NJ 4124 5308

Archaeology & History

Diagonally across the road from Killiesmont, about a hundred yards up the sloping field on “a piece of ground called the Helliman Rig,” could once be seen a large flat stone with cup-markings on its surface.  Walter Gregor (1881) told that,

“It lay on the top of a rising ground, and commanded a very wide view of the country, stretching for many miles over the hills of Banff and Moray.  In a part of it the rock–a kind of slate–came to the surface.  In the rock were cut out nine cups in three rows.”

The carving was earlier described in one of the Topographical Gazetteers of Scotland (1848) where its story is bound up with local tradition and folklore of the land where it lie.  There it was described as being “a flat circular stone of about 8 feet in diameter, in which there are a number of holes, but for what purpose tradition is silent.”  Subsequently the local historian J.F.S. Gordon (1880) talked of this “large flat circular Stone, of about 8 feet in diameter, in which there was a number of half-pierced holes…. It was too large for a Quern or even a Millstone; and its purpose remained an enigma.”

The stone came to light when a local farmer was digging in the field and, “at the upper end of the Rig, there was found a rude Cist among a heap of stones, which contained ashes.”  The cup-marked stone was “turned up” at the same time.  It has sadly been destroyed—along with the associated cairn that probably had some relationship with the carving.  Prehistoric tombs and rock art are frequent bedfellows and it seems likely that the equation occurred here.  But the location of the site had some fascinating local lore told of it…

Folklore

The location of this carved stone in the field called ‘Helliman Rig’, was also known as the Guidman’s Croft or the Gi’en Rig.  This was a portion of land that was never to be touched or ploughed as it was “given or appropriated…to the sole use of the devil, in order to propitiate the good services of that malign being.”  This devilish tradition superseded the earlier faith of it being a place set aside for the fairy folk and their allies—nature spirits no less.  And it’s a tradition found in many places across Scotland and elsewhere, as the account in the Scottish Gazetteer told :

“Like other crofts of this description in Scotland, the present remained long uncultivated, in spite of the spread of intelligence (pedantic bastard! PB).  The first attempt to reclaim it was made not more than 50 years since, when a farmer endeavoured to improve it; but, by an accidental circumstance, it happened that no sooner had the plough entered the ground than one of the oxen dropped down dead. Taking this as an irrefragable proof of the indignation of its supernatural proprietor, the peasant desisted, and it remained untilled till it came into the possession of the present occupant…”

This of course fortified the old folklore in the eyes of local people.  I’ve found that even up to recent times, such folklore is still held quite seriously by some of the old folk in the mountain villages and hamlets.

References:

  1. Anon, The Topographical, Statistical and Historical Gazetteer of Scotland – volume 2, A. Fullarton: Edinburgh 1848.
  2. Gregor, Walter, Notes on the Folk-lore of the Northeast of Scotland, Folklore Society: London 1881.
  3. Gordon, J.F.S.,  The Book of the Chronicles of Keith, Grange, Ruthven, Cairney and Botriphnie, Robert Forrester: Glasgow 1880.

© Paul BennettThe Northern Antiquarian

Cartington Cove, Rothbury, Northumberland

Cup-and-Ring Stone (destroyed):  OS Grid Reference – NU 0444 0186

Archaeology & History

In an area teeming with prehistoric sites from the neolithic and Bronze Age periods, we had a rare example here of some cup-and-rings that had been carved within a small cave or rock shelter of some kind.  Sadly it got destroyed in the mid-19th century due to quarrying operations—but not before George Tate (1864; 1865) had a final sniff of the place and was very lucky to see some of the remains before they finally bit-the-dust.  He told us:

“The great sandstone ridge ranges from Eglingham and Beanley across the central part of the county towards Rothbury, near to which is a cave in the rock called “Cartington Cove;” concentric circles with central hollows were incised within this cave.  Mr. Williamson of Alnwick, from whom I had this information, played around them when a boy more than fifty years ago; and they were then popularly called “Cups and Saucers.”  Nearly all of them have been destroyed by the wedges and hammers of quarrymen; but on visiting the spot in 1859, I found sufficient traces to confirm Mr. Williamson’s testimony.”

But they were gone a few years later thanks to the lads at the quarry.  Although the site was subsequently described in Beckensall’s modern surveys (1992; 2006), nothing more was found about them.

Folklore

Whilst David Dixon (1903) reiterated Mr Tate’s notes on the “series of incised concentric circles and central hollows” here, he also mentioned an old piece of folklore:

“At Cartington Cove (is) a recess or cave which, local tradition says, is connected by a subterranean passage with Cartington Castle, three miles distant!”

Intriguing ingredients: caves – Underworld journey – north – all symbolic of Death in pre-christian lore.  Just saying…

References:

  1. Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 2, Abbey Press: Hexham 1992.
  2. Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
  3. Dixon, David D., Upper Coquetdale, Northumberland, Robert Redpath: Newcastle-upon-Tyne 1903.
  4. Tate, George, “The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders,” in History of the Berwickshire Naturalists Club, volume 5, 1864.
  5. Tate, George, The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders, Henry Hunter Blair 1865.

© Paul BennettThe Northern Antiquarian

Yeavering, Kirknewton, Northumberland

Cup-and-Ring Stone (lost):  OS Grid Reference – NT 931 302

Archaeology & History

Little is now known of this carving which was described briefly by Stan Beckensall (1983):

“A cup and ring marked stone was found in the field north of Yeavering Bell in the neighbourhood of the monolith.  The last heard of it, according to the Northumberland County History (14:67) was the it was in the grounds of Ewart Park.”

The monolith he speaks of would be the one called the Battle Stone (NT 9299 3038) and Ewart Park is 2 miles ENE of here.  The carving remains lost. (the grid reference where the stone was originally located is an approximation, but a pretty good one)

References:

  1. Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings – A Mystery Explained, Pendulum: Rothbury 1983.

© Paul BennettThe Northern Antiquarian

Summer Stone, Blubberhouse Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 15564 54039

Getting Here

Cupmark stone, looking W

It’s probably easiest to start from the Green Plain settlement, from here crossing the Sun Bank Gill stream and walking east through the scattered heather and grasslands for 450 yards to the right-angled edge of the woodland.  Keep walking eastwards alongside the woods for about another 250 yards, then walk into the grasslands north for about 140 yards or so.  Zigzag about – you’re damn close!

Archaeology & History

Only for the purists amongst you.  This is a simple small triangular stone, with a single notable cup-mark near the middle.  It would seem to be in isolation as we could find no others in the immediate vicinity.  An early marker no doubt.

Acknowledgements:  With thanks to Helen Summerton, who helped with location on this fine day.

© Paul BennettThe Northern Antiquarian 

Watcher Stone, Ilkley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 11816 46563

Also Known as:

  1. Carving no.109 (Hedges)
  2. Carving no.263 (Boughey & Vickerman)
  3. White Wells 05

Getting Here

Watcher Stone by the path

From Ilkley, go up to White Wells (ask a local if y’ get stuck) and walk round the back of the building. Walk to the trees and then follow the footpath up onto the moors; but after 70 yards a small footpath on your right goes up the slope.  Take this and after about 90 yards it veers round to your left, following the contours up towards the copse of trees.  Another 100 yards up it meets with another path and once here, just yards in front of you, right by the side of the footpath, is the stone in question.

Archaeology & History

First described in John Hedges (1986) survey, this simple cup-marked stone typifies many petroglyphs on these moors: a barely visible design much eroded by centuries of wind and water, with markings perhaps only of interest to the devoted student and explorer.  But at least it’s a good place to sit, rest and watch the valley below.

Looking down at the cups
Hedges 1986 sketch

This old fella looks to have only five cupmarks on its supper surface, one of which is elongated, as shown in Hedge’s drawing.  However, when he saw this, he thought the elongated ‘cup’ consisted of three of them in a line, all linked up.  He saw a “medium sized smooth grit rock standing in grass, its surface triangular in shape, with flat top sloping slightly N to S.  Three cups connected by a groove, c. four other cups, all shallow and worn.”

This description was echoed in Boughey & Vickerman’s survey (2003), where they thought that the “triangular top surface has about seven worn cups, three connected by a short groove.”  But if the light isn’t quite right, this can be very difficult to see.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Links

  1. The Watcher Stone on The Megalithic Portal


Castleton (7c), Airth, Stirlingshire

Cup-Marked Stone:  OS Grid Reference – NS  8551 8819

Archaeology & History

Looking down on C-7c

Near the northwestern end of the small geological ridge that runs to the west of Castleton farmhouse, close to an awesome nine-ringed carving, we find this more simplified triple-ringed petroglyph.  And although the carving is easy enough to describe, its labelling (as ‘Castleton 7c’) is rather troublesome.  As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek in the mid-1990s.  But van Hoek’s sketch of Castleton 7c and the one shown in our photos, whilst very similar, possess attributes that aren’t on van Hoek’s drawing.  Now this isn’t too odd, as many petroglyphs look different when lighting conditions change; to the point where some features you can see one day are almost invisible the next.  But this carving has attributes that are very difficult to miss – and van Hoek’s detailing tended to be good.  But, all this aside: until we can verify with certainty one way or the other and despite my suspicions that this isn’t what van Hoek described, I’m still entering this carving as Castleton 7c. So – now that bit’s out of the way…!

When we visited the site two years ago the day was dark and overcast, so we didn’t really have good conditions for seeing any faint carvings.  But this wasn’t faint, thankfully.  It was completely buried beneath soil and gorse bushes, but thankfully Paul Hornby managed to unearth the one you can see in the photos.  If it is the Castleton 7c petroglyph, it was rediscovered by van Hoek on one of his ventures here in 1985.

Carving showing wavy lines on right
…and from another angle

When we visited the site we only managed to uncover a small section of the stone, as the roots of the surrounding gorse prevented us from seeing more. (it’s tough stuff unless you’ve got the right gardening equipment!)  The section we uncovered consisted of a cup-and-triple-ring.  This is consistent with van Hoek’s sketch and description; but we also found there were two very notable ‘arcs’ on the outer edge of the rings—nearly opposite each other—as if another, fourth ring had been started.  You can’t really miss these elements – and even in the poor lighting conditions we had, these outer arcs are very evident on a number of photos – especially when they are expanded to full-scale.  However, as I mentioned, we were unable to uncover all the rock; but when van Hoek was here there was far less herbage.  What he saw on this carving was as follows:

“Deturfing part of this ridge revealed a fine cup with three rings with a broadly pecked tail; one solo cup; one large oval ring with small central cup; and a faint cup with two rings, the outer one incomplete.  The rock slopes 12º ENE.”

Crap drawing done in crap lighting
van Hoek’s 1996 sketch

The “broadly pecked tail” he mentions is also not really clear in any of the 60 photos we took.  There is a faint line that runs through the three rings, into the central cup and out the other side: a single curving line no less.  It’s certainly visible, but it’s far from broad.  But there are a number of other lines coming out of the rings.  These maybe just natural scratch marks, or even scratches acquired from farming activity.  It’s difficult to say.  In the poor light that we had, there as looked to be a single cupmark a few inches away from the rings, but this isn’t consistent with the position of the cupmark on van Hoek’s sketch.

There’s a simple solution to all this: we need to revisit the site and expose more of the rock.  At least that will tell us once and for all whether this is the same as van Hoek’s stone, or whether we’ve found yet another new carving. Watch this space, as they say! 😉

References:

  1. van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.

© Paul BennettThe Northern Antiquarian