If you wanna find this carving, you’ll find it near several others on the Low Plain, 40 yards east of the footpath north of Dobrudden Farm. Look around in the tribbly grass!
Archaeology & History
This was first described and illustrated in a short article by William Glossop in the Bradford Antiquary in 1888, and reproduced by W. Paley Baildon (1913) – who drew his own impression of the carving. Tis one of my favourites from this moor. Dunno why – I just like it.
W.P. Baildon’s accurate 1913 drawingCowling’s 1946 drawing
Local astronomer and writer Gordon Holmes (1997) posited the theory that a part of this carving represented the constellation of Cassiopeia — hence its title! He told of finding the same pattern of cups at four other carvings on the moors and assigned astronomical meanings to them. He may be right, though I doubt it to be honest. Having looked and looked at the many carvings here, and many other places, the star-reflection hypothesis doesn’t tend to work (as the heavenly bodies have moved somewhat since the days when the cups were first carved). Along with this, when I was young I used to think cup-and-rings did have an astronomical basis — only to find, after constant analysis, that the theory didn’t work.
There are perhaps 20 cup-markings here, with various linking-lines and curves between and around the cups. Perhaps the most accurate of the early drawings was Mr Paley Baildon’s 1913 image, where he highlighted the faint surrounding ring enclosing the 4 or 5 cups near the bottom of the stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Glossop, William, “Ancient British Remains on Baildon Moor,” in Bradford Antiquary, 1888.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Holmes, Gordon T., 2000 BC – A Neolithic Odyssey, SASRG Press 1997.
From East Morton village, take the moorland road, east, and up the steep hill. Where the road levels out there’s a left turn where a trackway leads onto the moor. Go up here & keep walking till you hit a moorland ‘footpath’ signpost. Stop here and walk due west (your left) onto the gently sloping rise and into the mass of the Stanbury Hill enclosure system. Keep walking for 200 yards or so, where the land begins to slope down to the end of the spur; and just 50 yards before it drops down to the stream below you’ll find a cluster of carved rocks like the Lunar Stone, the Teaspoon Rock, Spotted Stone, etc, all scattered about. Near these, you’ll find this one!
Archaeology & History
Not to be confused with the carving of the same name on the northern side of these moors (near the Green Crag Slack enclosure), this carved rock gets its name specifically from looking like a lay-out plan of some settlement or enclosure. It’s unlikely that this title or description has anything to do with the carving, but its the impression it gave me when I first saw it! But then once you look at the carving from another angle it takes on a different impression.
Enclosure Carving from above
First thought to have been found by Stuart Feather in 1978, it is one of many carvings that occur in what seems to be an extensive prehistoric enclosure or settlement. There’s a complete cup-and-ring near the western end of the rock, with another distinct cup-marking by its side, and what looks to be a natural cup at the top-end of the stone. But it was the other section of the carving on the central and eastern side which intrigued me: a curious ‘enclosure’ of lines, with a cup-marking in each section. Cutting between the cup-and-ring and the enclosure lines is a natural long crack or fissure running roughly north-south through the rock. It seemed to me (though I could be wrong) that a line had been pecked running along this natural crack — although in Boughey & Vickerman’s (2003) drawing they don’t highlight this. It also seemed that the carved lines from ‘enclosure’ linked up to the pecked line that was carved along the natural fissure in the rock (as illustrated in my crap drawing!).
Shit drawing of CR99
As with the Lunar Stone nearby: it appears that either this stone was carved at different periods; or else for a long period of time much of the stone was exposed to the elements, whilst a section of it remained covered. For the distinct cup-and-ring on the western-end is more worn, with more eroded evidence of pecking, than the extended lines on the eastern end of the rock. I need to go back here and get some better images — and certainly do a much better drawing!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Dead easy! Avoiding Keighley (as common sense dictates), but going to its outskirts, get to the huge Cliffe Castle (tis free) on the northern outskirts of the town. Go inside and look around!
Archaeology & History
Carving in Cliffe Castle MuseumClose-up of cups & rings
Initially located in the ground a few yards south of Dobrudden caravan park amidst a large gathering of other carved rocks, this grand-looking cup-and-ring stone is no longer in situ. As with a several other carvings, this has been on a bittova wander in the last century! It was first uprooted from the Earth and archaeologically transferred to Bradford’s Cartwright Hall Museum sometime after World War 2, where it lived peacefully for a number of years, before being moved to Cliff Castle Museum, where it still lives, quietly (along with another prehistoric carved rock, the Comet Stone, that was nabbed from the uplands near the Roms Law circle).
Baildon’s 1913 drawing
As we can see from the photos (taken in poor lighting in the museum – sorry…) there are five cup-and-rings with one cup-and-2-rings standing out (plus about another 10-12 cups scattered here and there); though when W. Paley Baildon drew a picture of the stone around 1913, he could clearly see another cup-and-ring etched onto the stone, but this has faded somewhat in the last century. Messrs Boughey & Vickerman (2003) were unable to see it.
References:
Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, ‘Cup and Ring Boulders of Baildon Moor,’ in Bradford’s Cartwright Hall Archaeology Group Bulletin, 1, 1955.
From Bakewell take the A6 Matlock road, follow this till just past the signs for Haddon Hall where you take a right (the first major junction) for Youlgreave the B5056. After about 1km take the first left over the bridge. You then take the first right turn: a steep lane with restriction signs (don’t worry there’s access for cars but no wide vehicles). Take the first left you come to by the barn and then just follow the road, up through the woodland where the lane narrows then shortly after you’ll see Robin Hood’s Stride to your left. Park a little way after the field gateway and look across the field to your left. The stones are visible from the road.
Archaeology & History
This is a fine-looking ring of stones — though perhaps the word ‘ring’ is slightly misleading here, as only four of (apparently) nine originals still remain and they are, by definition, more in a square-shape than a circle! But it’s a lovely site. When Geoff brought us here for the first time only last weekend, despite the dark clouds and cold grey day, along with the fact that we’d been sleeping rough the night before and got soaking wet through, there was a subtle feel to this place which my shivering senses still touched. Only just though…!
Two southernmost stones
Mebbe it was the rising crags of Robin Hood’s Stride to its immediate south? Or the quietly hidden companionship with other stones and sites in the locale? I don’t really think so. There was something a little more about its own genius loci that tingled very slightly on the rise in the field upon which the circle sits. Some people would, perhaps, acquaint my sense of a subtle genius loci here to the various leys or ley-lines that have been drawn through here by other writers— but it wasn’t that.
When earlier writers came here, they too had various inspirations of differing forms. John Barnatt’s (1978) early impressions of the place had him signing astronomical events in and around the remaining stones here, despite knowing that the site had been damaged. In later years he revised his early notions — as most of us do as our perspectives are enriched — but the astronomy is still assumed here. As Clive Ruggles (1999) told:
“Other rings are located where natural features coincide with astronomical events, such as Nine Stone Close in Derbyshire…from which the Moon at the southern major standstill limit, sets behind the gritstone crag of Robin Hood’s Stride to the SSW, between ‘two stubbly piles of boulders jutting up at either end of its flat top.'”
Major Rooke’s drawing of the Nine Stones Circle, c.1780
The stones that remain here are quite tall, between 6½ and 8 feet tall. One of them seems to have originally been taken from a stream or river-bed. They stand upon the small rise in the field and has diameters of 40 and 45 feet respectively. Aubrey Burl described there being seven uprights still here in 1847, and the early drawing of the site near the end of the 18th century by Major Hayman Rooke highlights 6 stones around the spot where the circle now stands. In J.P. Heathcote’s (1947) summary, he wrote that,
“Bateman, in his Vestiges, says an excavation in 1847 yielded some indications of interments in the form of ‘several fragments of imperfectly-baked pottery, accompanied by flint both in a natural and calcined state.’ In 1877, Llewellyn Jewitt and Canon Greenwell…turned their attention…to the Nine Stones. They dug at the foot of the second highest stone and the Canon directed a good deal of digging within the circle, but nothing special turned up. The area in the circle is now quite level, but it is probable that there was, as Bateman says, a tumulus in the centre.”
This latter remark is the impression I got of the place. Tis a really good little site. All around here are a number of other sites: cup-marked stones, enclosures or settlements, prehistoric trackways, and more.
Folklore
One of the old names of this site was The Grey Ladies. This came from the well known tale found at other sites across the world, that some ladies were dancing here at some late hour and were turned into stone. A variation on this theme told how Robin Hood stood on the nearby rock outcrop to the south and pissed over the landscape here, “where seven maidens upon seeing it turned to stone.” In this case, Robin Hood replaced an older, forgotten account of a giant, who forged the landscape and the sites around Harthill Moor.
Another tale — whose origins and nature are allied to that of the petrification of the Grey Ladies — narrated with considerable sincerity by local people, was that the circle was a place where the little people gathered and where, at certain times of the year, “fairy music and the sight of hundreds of dancing shapes around the stones” would happen.
Said by Rickman and Nown (1977) to be “Derbyshire’s most magical ancient site,” they thought the site was on a ley that linked up with Arbor Lowe, less than 5 miles west, crossing a couple of tumuli on its way.
References:
Barnatt, John, Stone Circles of the Peak, Turnstone: London 1978.
Burl, Aubrey, A Guide to the Stone Circles of Britain, Ireland and Brittany, Yale University Press 1995.
Clarke, David, Ghosts and Legends of the Peak, Jarrold: Norwich 1991.
Heathcote, J. Percy, Birchover – Its Prehistoric and Druidical Remains, Wilfrid Edwards: Chesterfield 1947.
Rickman, Philip & Nown, Graham, Mysterious Derbyshire, Dalesman: Clapham 1977.
Ruggles, Clive, Astronomy in Prehistoric Britain and Ireland, Yale University Press 1999.
Thom, A., Thom, A.S. & Burl, Aubrey, Megalithic Rings, BAR: Oxford 1980.
Follow the directions to reach the Devil’s Den, a half-mile north of Clatford up the footpath towards the Fyfield Down cup-marked rock. You can’t miss it! The cup-markings are on the top of the capstone.
Archaeology & History
First described and illustrated by local historian and photographer, Pete Glastonbury, as far as I’m aware these cup-markings have not previously been included in any of Wiltshire’s archaeological surveys (that can’t be, surely?). The only reference I’ve found — not untypically — is from one of the early editions of the english Folklore Journal.
…and again!Devil’s Den cup-markings
At least two well-defined cups stand out on the top of the capstone. Each of them have ‘cracks’ running out of them, with the easternmost one of them (closer to the edge) turning into a channel which runs upwards on the stone, before then leading down off the edge of the rock. Each cup-mark is very clear, about two inches across and about a half-inch deep.
Archaeologists can check these cups out and work out for themselves whether they’re natural or not. They’re far more qualified than I on such matters and may be able ascertain other faint remarks on the stone. The proximity of the nearby Fyfield Down cup-marked rock, several hundred yards to the north, shows that such petroglyphs can be found in this region. Although we cannot expect many examples of rock art in this area (the rock’s damn tough and takes some burrowing into), it is likely that more carvings await discovery.
Folklore
The capstone on which these cup-markings are seen was told to be immovable and had lore said of it akin to that found at the great Whispering Knights, near the Rollright Stones. But the main piece of lore describes the cups quite specifically. In an article by Alice Gomme (1909), she told that:
“if anyone pours water into any of the natural cup-shaped cavities on the top stone at midnight, it will always be found in the morning to be gone, drunk by a thirst-tormented fiend.”
The tale is later repeated in Kathleen Wiltshire’s (1975) survey, where she too mentions the cup-marking (though only one), saying that,
“if a person pours water into the natural cup-shaped cavity on the top stone at midnight it will always be found to be gone in the morning — drunk by the devil.”
This folklore motif — repeated in Grinsell’s (1976) text — is found at rock-art sites in a number of the northern counties, where milk has been poured into the cup-markings (some of which were known as ‘cat stones’) and left overnight for the spirits to drink. In the case we have recorded at Devil’s Den, the spirit of the place seems to have been demonized, as is common.
Miss Gomme (1909) also reported the curious ingredient that the spirit of a white rabbit with glowing eyes would appear on the capstone at midnight and help the devil demolish the site with the aid of eight oxen! On this latter matter, I am duly informed by one-in-the-know that, to “those of us that know the locals and their humour, we just know this tale was made up for a visiting townie!”
References:
Gomme, Alice B., ‘Folklore Scraps from Several Localities’, in Folklore Journal, 20:1, 1909.
Grinsell, Leslie V., Folklore of Prehistoric Sites in Britain, David & Charles: London 1976.
This site can be reached with relative ease from Colne’s train station by crossing the road and going up Bridge Street, turning immediately left along Shaw Street for several hundred yards until you reach Waterside Road on your left-hand side. From here, as Mr Tom Sharples told, “St. Helen’s Well is presently within the area of overgrown and unmanaged scrub woodland adjacent to Waterside Road.” Look around!
Archaeology & History
First described on the Megalithic Portal by the pseudonymous Brionnfhionn, this recently rediscovered holy well can be found on the southern side of Colne, at Waterside. A few months after the MegPortal announcement, a more detailed overview of the site was published on GoogleDocs, from where Mr Tom Sharples has kindly allowed us to repeat the information that both he and Susan Bryant-Lauder compiled there.
The site was relocated after reference had been found in Geoff Crambie’s (1978) A Colne Festival, where he wrote:
“1935 saw the end of St. Helen’s Mill in Waterside. Built by Nicholas England in 1835, it was named after the St. Helen’s Well nearby, which was reputed to have been named by the Romans.”
The local writer Dorothy Harrison (1988) also mentioned the site, though only in passing, when she told,
“Along with St. Helen’s Well, Buck Spout provided the main source of drinking water in Waterside.”
There has to be some more information about this little-known site hidden in some old Lancastrian history or folklore work, somewhere – surely!?
References:
Crambie, Geoff, A Colne Festival, Turner & Earnshaw: 1978.
Harrison, Dorothy (ed.), The History of Colne, Pendle Heritage Centre 1988.
Head up to the lovely Wondjina Stone carving, then walk east towards the triangulation pillar. Keep going, over the wall – and keep going straight on, over the next wall (no footpaths up here at all). You’re now into rough heathland, but if you’re a real cup-and-ring freak, keep heading another 150 yards east, zigzagging slightly. You’ll eventually find it!
Archaeology & History
Long Rock carving, Rivock
A quite large, smooth earthfast rock, but nowt much to look at unless you’re one of the crazy bunch! This is just another one of our basic cup-marked rocks with very little modern archaeo-history attached. There are perhaps as many as four cup-markings etched onto the stone: two at the northern end, one a little further down (not mentioned in Boughey & Vickerman’s survey) and another one cited towards the south end of the stone. Gotta be honest though: a couple of them are slightly dubious and may be natural — but hopefully not! (soz about the crap photo of this poor carving; but the light was shit & our camera packed-up!)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Follow the same directions to reach the Pancake Stone, but about 100 yards west, following the footpath that runs along the edge of the ridge (towards the large Haystack Rock a few hundred yards west), watch out for these large seemingly split rocks, with one elongated length of stone by the pathside. You can’t really miss it!
Archaeology & History
Very little’s been said of this carving as it’s just one more of the many rocks with just a solitary cup-marking etched on top — as we can see in the photo. The cup-mark is near the bottom, southeast-ish portion of the rock and is plain to see.
(Note: I’m not 100% sure that I’ve got Boughey & Vickerman’s (2003) numbered carving correct here. They describe a carved rock very close by here as an “upstanding rock, part of a large split rock,” as their ‘number 326’ carving — which is roughly similar; though I’m not totally sure! No other single cup-marked stone is listed in their survey close by, so assume it’s the same one as in their work.)
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Go up the nicely-named Wildcountry Lane at the staggered crossroads on the edge of Barrow Gurney for about a half-mile, watching out for the dip in the road where it crosses the stream. Walk up the stream here for a coupla hundred yards, keeping your eyes peeled for the small spring on your left just past where a footpath crosses the stream.
Archaeology & History
Little of historical nature is known of this site, found in the dip near the stream, though it was much frequented in bygone centuries as a curative place for sore eyes.
Folklore
Although named after the little people, Phil Quinn (1999) wrote that,
“even the oldest villager cannot remember how the fairies became connected with this well. All that is told is that the people would go to the well to bathe their eyes, for the water was believed to be good in the treatment of all eye complaints. A local woman remembers that her father, who worked the land in this neighbourhood, would always drink from the well using a cup which was never taken away or used for any other purpose.”
It is likely that the fairy association here derived from the proximity of a nearby prehistoric tomb, cairn or similar archaeological remain. The aptly-named Barrow Wood immediately east and other ‘barrow’ place-names nearby would add weight to this notion. (faerie-lore has widespread associations with prehistoric tombs and similar relics)
References:
Quinn, Phil, The Holy Wells of Bath and Bristol Region, Logaston: Almeley 1999.
Take the same direction to reach the Murlaganmore Footprint, continuing up past the cottages. 100 yards on, where there’s a bend in the track, cross the field on your left and go thru the gate higher up the slope. Stick to the small rough ‘path’, past the Murlaganmore 1 carving for nearly 100 yards, where a small rocking-stone-like rock is ahead of you. That’s it!
Archaeology & History
Close-up of cup-marks
This stone’s in a lovely setting, with the craggy rise of Creag Mhor and the waterfall of Airigh an Fhraoich up the rich coloured slope behind it. But the carving here is a simple one, with perhaps only 2 cup-markings etched on the stone’s upper surface, as the photo here shows. Tis a lovely setting though, and there are other carved rocks living nearby which aint yet seen the pages of any record-books.
It was first mentioned in C.G. Cash’s (1912) essay on the antiquities of Killin and district, who told that here was “one well-cut cup, 3 inches in diameter and 1½ inches deep, and also a doubtful or faint one.” The carving was later listed in the Royal Commission’s Stirling District report (1979) as simply “a boulder bearing cup-marks.”
References:
Cash, C.G., ‘Archaeological Gleanings from Killin,’ in PSAS 46, 1911-12.
Royal Commission on Ancient & Historical Monuments, Scotland, The Archaeological Sites and Monuments of Stirling District, RCAHMS: Edinburgh 1979.
