High Cross, Tottenham, Greater London

Wayside Cross: OS Grid Reference – TQ 33781 89561

Also known as:

  1. Historic England Grade II Listed Building Number 1188856

Getting Here

The Cross is on the east side of the A10 Tottenham High Road, on the traffic island at the Monument Way Junction.

Archaeology & History

Cross shown on 1873 map

One of the earliest records of what was called the “hie crosse” is contained in a court-roll of 1456.  It was at that time a wooden wayside cross, but there are hints that its origins may go back to Roman times.  The Cross is next to what was the southern end of Ermine Street, built by the Romans where there was no pre-existing roadway and described as the most important thoroughfare in Britain: built to give direct communication to the main centres of the military occupation at Lincoln and York.  Writing of Roman land survey marks, the now discredited early 20th century Middlesex historian Sir Montagu Sharpe (1932) thought Tottenham Cross possibly marked an earlier (i.e. Roman) stone, although no archaeological evidence has been found to support this.  As it was next to Ermine Street it could equally have been a milestone or ceremonial pillar. After the Romans left it may have become a local heathen shrine which, with the coming of Christianity, was ultimately replaced by a wooden cross—but this is speculation, and we will probably never know why and when the original cross was placed where it was.

Originally in the historic County of Middlesex, the settlement of Tottenham surrounding the Cross was known from mediaeval times to the 19th century as ‘Tottenham High Cross’.  Local historian William Robinson writing prior to 1840 thus describes the Cross:

“About the year 1580, a column of wood was standing, with a square sheet of lead on the top to throw off the water, supported by four spurs: these, being decayed and rotten, were taken down, about the year 1600, by Dean Wood, Dean of Armagh, who at that time resided in a house on the east side of it, and who erected on its site an octangular brick column, pointed at the top and crowned with a weathercock, and the initials of the four cardinal points, and under the neckings, small crosses, which were called tau-crosses, according to the true cross or Greek letter T.

“Tottenham High Cross, as it appeared in 1788, was an octangular brick pillar, divided into four stories, viz.: a double plinth, first portion of the pillar; second portion, of the same; and a pinnacle; each plinth and story rendered distinct one from the other by certain appropriate mouldings ; and the whole design appeared without any kind of ornament, pointed at the top and crowned with a weathercock. The Cross having fallen into decay, several of the inhabitants of the parish entered into a subscription, in the year 1809, for the purpose of putting it into a proper state of repair, and about the sum of £300. was raised. It was accordingly repaired, and covered with Parker’s cement. The octangular plan, and the proportions of the Cross in its four stories, have not been departed from ; but in other respects it is a new work ; some of the decorations seem to be formed from the exterior and interior of the chapel of Henry VIII; the double plinths or pedestals are as plain as before, but the intermediate mouldings are new; the first portion of the pillar consists of angular pilasters at each cant done with a pointed head; compartment of five turns, connecting itself with another compartment; above it diamonded, with a shield containing an imitation of the black letter. As there are eight faces to the upright, of course there are as many shields, each bearing a letter of the same cutting, beginning at the west face, TOTENHAM: in consequence of there being but eight shields, one of the T’s in the spelling has been necessarily dispensed with. The mouldings between this story and the second are worked into an entablature, with modern fancy heads and small pieces of ornaments alternately set at each angle.

“Second story—small buttresses at the angles of the octagon, with breaks and pinnacles, but no bases. The face of each cant has a compartment embellished with an ogee head, backed with narrow pointed compartments. The mouldings between this story and the pinnacle, making out a fourth story, give, at each angle, crockets, and its termination is with a double finial, but not set out in geometrical rule to the crockets below : there is at the top a vane, with N. E. W. S. The base is surrounded with a neat iron railing on Portland stone curb. The date at which these alterations were made is not placed in any conspicuous part of the structure.”

(left) engraving based on Samuel Wale’s 1759 illustration to Compleat Angler; (centre & right) 19th C views pre- and post-renovation

The craftsman who carried out the modernisation was a Mr. Bernasconia, working to the designs of a Mr. Shaw. Not everyone was pleased by the transformation. A regular contributor identified only as ‘An Architect’ made these caustic comments in the November 1809 edition of the Gentleman’s Magazine:

“Tottenham High Cross has this summer been covered over with Compo: it previously bore a simple appearance, but is now rendered of a very rich and elaborate cast, doing away in the first instance the Architectural history of the erection; and allowing it possible that there might once have been on the spot an Eleanora Cross, holding in contempt, by a want of due imitation, the characteristic style of decoration prevailed at at the time of the Queen’s demise.  But according to the system of our Professional innovators, to destroy a sacred relick of antiquity, and to restore it as it is called, upon a model quite in a different style and nature, is one and the same thing. “Any thing is Gothick.”

“….Surveyed November 1809. Entirely covered with the proclaimed everlasting stuff, Compo; a stuff now the rage for trowelling over our new buildings, either on the whole surface, or in partial daubings and patchings; it is used in common with stone work, for instance, on an arcade, half one material, half the other; “ making good,” as it is called (abominable expedient) the mutilated parts of Antient Structures, there sticking on until it reverts (after exposure to the air for three or four years, more or less) to its first quality, dirt and rubbish, and then is seen no more….

“Provided this Compo effort had been advanced on any other occasion, and on any other piece of ground, where no piece of Antiquity was to become the spoil, such as an object to mark the centrical point of three or four counties, a general standard of miles or any other common document for the information or amusement of travellers, all would have been well, and some praise might have been bestowed, for its tolerable adherence to the above style, if not for the material wherewith it is made up. But as nothing of this sort will come in aid of the innovators, and only the barefaced presumption, “ alter or destroy, what was,” is to be encountered, let the detail of parts, put this matter to issue….”

Folklore

A modern view (Wikipedia Creative Commons)

The Cross stood in front of the Swan Inn, a place frequented by fishing writer Izaak Walton in the 1640s when he would go to fish in the nearby River Lea.  In 1653 he published The Compleat Angler describing his fishing activities in the classical form of a philosophical dialogue between him as ‘Piscator’ and ‘Venator’ (hunter) and other passing characters, starting and ending his adventures at the High Cross.  The 1759 edition of Compleat Angler contains the earliest illustrations of the Cross, with some slight artistic licence, by Samuel Wale.

Afterword

As the Cross now stands in the maelstrom of North London’s traffic, it is worth recalling American traveller Nathaniel Carter’s 1825 observation when travelling north from London:

“Passing Tottenham Cross, we entered a rich agricultural country, possessing the usual charms of English landscape.”

References

  1. An Architect (pseud.) – Architectural Innovation No. CXXXIX – The Gentleman’s Magazine, November 1809
  2. Anonymous – Tottenham High Cross, The Gentleman’s Magazine, April 1820
  3. Blair, John, The Church in Anglo Saxon Society, Oxford University Press 2005
  4. Carter, Nathaniel Hazeltine, Letters From Europe..in 1825 ’26 & ’27, G & C & H Carvill, New York, 1829
  5. Margary, Ivan D., Roman Roads in Britain, 3rd Ed., John Baker: London 1973.
  6. Robinson, William, The History & Antiquities of the Parish of Tottenham, 2nd Ed., Nicholls & Son, W. Pickering, W.B. Hunnings: London 1840.
  7. Sharpe, Montagu, Middlesex in British, Roman & Saxon Times, 2nd Ed., Methuen: London 1932.
  8. Walton, Izaak, The Compleat Angler, Facsimile of the 1st Ed., containing illustrations from the 2nd US edition by John Major, No imprimatur, 1907.

© Paul T Hornby 2020

Dawe’s Cross, Cambridge, Cambridgeshire

Cross (destroyed):  OS Grid Reference – TL 455 578

Archaeology & History

This is one of several medieval stone crosses in Cambridge that were destroyed several centuries ago.  This particular one was erected on a three-stepped stone base at the old crossroads where, today, the modern A1307 of Regent Street meets the A603 Lensfield Road.  It was described in an old Field Book of 1575 as standing being beside an old poplar tree, long gone.  Mr H.P. Stokes (1915) gave us a short account of the site, telling:

“In describing the lane called “Deepway” between the London Road and the Hadstock Way and known as “King’s Lane” from the latter road to Hinton Way, mention was made of a Cross (called Dawe’s Cross) which stood at what is now known as Hyde Park Corner.  Dawe’s Cross is often mentioned in ancient deeds, and in an old Field Book, which formerly belonged to the vestry of the Church of St Andrew the Great, there was a most interesting representation of it.  This is here reproduced…from a copy in the celebrated Bowtell MSS.”

The cross stood along one of Alfred Watkins’ (1932) “archaic tracks”, or leys, in this area—although he wasn’t aware of its existence.

References:

  1. Stokes, H.P., Outside the Barnwell Gate, Cambridge Antiquarian Society 1915.
  2. Watkins, Alfred, Archaic Tracks round Cambridge, Simpkin Marshall: London 1932.

© Paul BennettThe Northern Antiquarian

Weary Hill Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10617 46586

Also Known as:

  1. Carving no. 75 (Hedges)
  2. Carving no. 244 (Boughey & Vickerman)
  3. I/1 carving (Davis)
  4. Silverwell Stone

Getting Here

Weary Hill Stone (photo by Dave Whittaker)

From Ilkley town centre take the road up to White Wells (ask any local if y’ can’t find it), but instead of heading up the track to the wells, keep on the road and, after just over 200 yards, turn left up the Keighley Road.  Half-a-mile up there’s a dirt-track on your right which leads to Silver Well Farm.  Walk along here for about 150 yards, keeping your eyes peeled for a large rock in the heather about 50 yards up onto the moor.  You’ll find it.

Archaeology & History

Located just 100 yards west of the old Roman road that effectively runs north-south through the middle of Rombalds Moor and which, when this carving was executed, was a prehistoric trackway, this is an impressive carving, all but unknown by many.  On my last visit to this stone—maybe 10 years ago or more—it was a cloudy day.  I know this from the fact that the design on the stone was difficult to see in its entirety.  But not anymore!  When the northern antiquarian Dave Whittaker came a-wandering this way a few years back,  the stone so overgrown in vegetation that the design was very difficult to appreciate and, like any healthy curious antiquarian, he wanted to know what the full carving would look like.  He enquired whether or not it was OK to uncover the stone from beneath its mass of heather to see the full image and, as far as we were concerned the idea was a good one.  And so, following in the footsteps of Beckensall, Currie, Chappell, me and a few others, he got stuck in!

Cup-and-rings from above (photo by Dave Whittaker)
Looking across the stone (photo by Dave Whittaker)

As you can see in Dave’s fine photos, the petroglyph is indeed a fine one.  It comprises mainly of four cup-and-rings, two of which are incomplete  The rings, as you can see, are very faint, whilst the cups, both in the rings and those outside of them, are notably deep; perhaps indicating that they were carved into many times over a long period.

One of the great petroglyphic pioneers, J.Romilly Allen (1882) seems to have been the earliest to record this carving.  Allen’s early sketch (below) was obviously drawn on a shady day, as it misses several of of the rings that are clear to see when the the daylight is just right.  It’s an easy mistake to make.  He wrote:

J.R. Allen’s 1882 sketch
Hedge’s 1986 sketch

“One mile south-west of Ilkley is a road leading over the top of the Moor…very appropriately as Weary Hill.  To the west of the road, and between it and the boundary-wall of Silver Well Farm, is a small boulder of gritstone with cup-markings on it.  It lies at a level of 900 ft. above the sea, and it measures 8ft by 5ft.  On its upper surface, which is nearly level, are carved ten cups, varying in diameter from 2 to 3 ins., one of them being surrounded by a single ring.”

The pseudonymous “A. Reader” (1891) also included the stone in his international overview of prehistoric carvings, but merely copied the notes of his predecessors.  Nearly a hundred years later when archaeologist John Hedges (1986) did his survey of these moors, he described this carving simply as:

“Medium seized rock…in grass, heather and crowberry with c.ten cups, four with rings, two with grooves from rings, three depressions and series of probably natural lines running down to bottom edge.”

And as with the pseudonymous A. Reader (1891), Boughey & Vickerman’s (2003) also just copied Hedges’ earlier description.

Seeking numeracy in Alan Davis 1988 sketch
And from another angle (photo by Dave Whittaker)

The greatest analysis of this carving to date is by physicist and mathematician Alan Davis.  He set out in 1983 to explore the possibility of there being a universal measurement used in neolithic times that was coded into our cup-and-rings—a theory first espoused by the great archaeo-astronomer Alexander Thom. (1968)  He selected carvings from Rombalds Moor and Northumberland, including this one at Weary Hill (calling it the I/1 carving) to see if a ‘megalithic inch’ (MI) that was propounded by Thom had any foundation in fact.  As a mathematician he was ideally qualified to examine this proposition.  His 1983 paper found there to be “substantial support” for this prehistoric megalithic inch.  However, in a subsequent 30-page analysis of the same carvings Davis (1988) found that some criteria in his initial investigation needed re-examining.  In his updated report he told that “many of these deficiencies have now been remedied.”

His initial 1983 report concluded the Weary Hill carving possessed a deliberate mathematical code in accordance with Thom’s MI.  However in the subsequent 1988 report, Davis found that the measurements were based on 5MI and 3 MI, but only in the cup-and-rings and not the single cups.  Despite this, there remained an overall scepticism in terms of any deliberate universal use of the MI.  My own take on this is a simple one: there was no deliberate use of any MI at carvings.  Where we do find precise MIs, this is due simply to the average size of human hands, meaning that some obvious figurative correspondences will occur upon investigation.  The more you think about it, the more obvious it becomes.

Anyhow, all this intriguing geometry aside: to those of you who take the time to check this out, have a bimble in the heather barely 100 yards west and you’ll find a few other carvings sleeping quietly, whose site profiles I’ve yet to do…

References:

  1. Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
  2. Anonymous, Walks Around Cup and Ring Stones, ITIC: Bradford n.d. (1995)
  3. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  4. Collyer, Robert & Turner, J. Horsfall, Ilkley, Ancient and Modern, William Walker: Otley 1885.
  5. Davis, Alan, ‘The Metrology of Cup and Ring Carvings near Ilkley in Yorkshire,’ in Science and Archaeology, 25, 1983.
  6. Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge 1988.
  7. Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
  8. Reader, A., Archaic Rock Inscriptions, privately printed: London 1891.
  9. Thom, Alexander, “The Metrology and Geometry of Cup and Ring Marks,” in Systematics, volume 6, 1968.
  10. Turner, J. Horsfall, Historical Notices of Shipley, Saltaire, Idle, Windhill, Wrose, Baildon, Hawksworth, Eccleshill, Calverley, Rawdon and Horsforth, Shipley Express: Idle 1901.

Links:

  1. Weary Hill Stone on The Megalithic Portal

Acknowledgments:  Huge thanks to Dave Whittaker for his work at this stone, plus allowing us use of his photos in this site profile.

© Paul BennettThe Northern Antiquarian

Robin Hood’s Oak, Great Horkesley, Essex

Legendary Tree (lost):  OS Grid Reference –TL 96 28

Archaeology & History

In more than twenty volumes about Robin Hood in the Northern Antiquarian library, no mention can be found of this all-but-forgotten site, first recorded (I think) in September 1637, in the boundary perambulation account of northern Colchester.  In days of olde, folk walked the boundaries annually and so the description given here follows their very footsteps – although the landscape has obviously been altered in places since then.  Because of the length of the entire perambulation their account is rather long, so I’ve cut to the piece relating to our legendary oak tree, which gives a good idea of its location.  We meet up with them at a place called Motts-Bridge, just above a place that is today called Seven Arches Farm (TL 9630 2595):

“…and so over Mott’s-bridge, and so cross the river by Nicholas Ayleward’s howse into the meadowe crossinge over to the lower ende of West-fielde, and from thence to Buttolph’s brooke leavinge the Brooke alwais upon the left-hand, and so along to Thomas Abrige (which is righte against Robin Hood’s oake). And from thence to Black-brooke under Chesterwelle and so along the Rampiers by Horkesley Heathe to the brooke that is under Langham-park-corner…”

P.H. Reaney (1935) proposes that the ‘Rampiers’ in this account is the Iron Age hillfort of Pitchbury Ramparts.

The description of its whereabouts isn’t too clear, but in a subsequent and much longer perambulation account from August 1671, some extra topographical features are mentioned.  Starting not far from Mott’s Bridge, down Shett’s Hill to Newbridge,

“and then into the Fields in the occupation of Matth. Ayleward…through a gate a little above the Bridg: and soe along to Matth. Ayleward’s Yard, crosse the River into Matth. Ayleward’s Meadowe, and crosse that Meadowe into the lower part of Westfields, neare to which is a Foote-bridge cross the river, which is called Mott’s-bridge.  And soe along through West-fields to a Gate in a lane at or neere the north ende of a Meadow of one Mrs —, now in Samuel Duglet’s occupation, which lane parts West-fields from Bergholt, as the Parsons of each Parish, whoe were both present, affirmed; and, upon a Tree standing neere to which Gate is set a crosse.  And from thence to Butolph’s brooke, leaveing the brooke allwaies  upon the left-hand; and soe along through Mr Leming’s Meadows and Woods at the ende of them to a Bridge called Thomas Abridge, leading on to Horkesley Heath, which bridge is right against Robin Hood’s Oake, that stood on the pitch of the hill. And from thence along the Naylande Roade over Horkesley-heathe to Blackbrooke under Chesterwell, which Brooke runnes crosse the way at the foote of Horkesly cawsy…”

This second account seems to speak of the tree in the past tense, telling us that “Robin Hood’s Oake, that stood on the pitch of the hill”, but we can’t be completely sure.  I presume that there’s no longer any trace of this legendary oak tree; however, considering the fact that oaks can live to an incredible age, it may be worthwhile for a local antiquarian to follow this ancient boundary and see if, perchance, any remaining tree stump might still be there.  Y’ just never know…..

There are several other place-names in Essex relating to our mythical outlaw, including Robinhood End at Finchingfield described in 1699, and a farm of the same name nearby; plus a Robin Hood’s Inn near Loughton. (Reaney 1935)  There are probably a few more hiding away in field-name records…

NB:  The grid-reference map linked to this site is an approximation.  If someone can find the exact spot where the tree stood, we’ll update its position.   

References:

  1. Morant, Philip, The History and Antiquities of the Most Ancient Town and Borough of Colchester, W. Bowyer: London 1748.
  2. Reaney, P.H., The Place-Names of Essex, Cambridge University Press 1935.

© Paul BennettThe Northern Antiquarian

Backstone Beck West (282), Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 12719 46272

Also Known as:

  1. Carving no.124 (Hedges)
  2. Carving no.282 (Boughey & Vickerman)

Getting Here

Cup-and-Ring Stone 282

Various ways to get here, but probably the easiest is to start from Cow & Calf Rocks, walking up the steep slope onto the moor-edge. Paths veer left and right once you’re on the level, but you wanna head straight forward, west(-ish), for about 350 yards till you reach the stream. Cross over and then take the path that runs parallel with the stream, uphill.  Nearly 200 yards up, where the moor begins to level out, you cross a path running east-west; keep going past this for about another 50 yards (as if you’re heading to the Backstone Circle) and you’ll notice some small sheep-paths leading you into the heather to your right and, some  40-50 yards into the heath you’ll see this large flat stone!

Archaeology & History

This carving seems to have been rediscovered in the 1950s by Michael Walker and Stuart Feather.  They were amongst a small group of people who visited this and some other carvings in June 1956, when the first (known) sketch of the carving was done by Mr Walker.  His sketch of the stone is somewhat more elaborate than the one in John Hedges’ (1986) later archaeological survey.  Indeed, in some ways the two drawings seem to show little resemblance to each other. (not uncommon with these things!)

Walker’s 1956 sketch
Hedges’ 1986 sketch

Walker shows nine cup-and-rings in various states of completion, with several clusters of singular cups at different places on the rock—more than forty in all, some of which are connected to each other by short lines.  This is in contrast with the later archaeological description, which saw far fewer of the primary symbols.  When John Hedges (1986) described the carving in his inventory, he informed the reader:

“Fairly smooth, medium sized grit rock standing up in heather, crowberry and grass, sloping SW to NE with the hill, its almost triangular flat top covered with carvings, some very clear, interesting patterns.  About thirty-five cups, seven surrounding a small ring with cups on the circumference and at centre.  Two long grooves with a cup at one end, running down to the edge of the rock. ‘Peck’ marks noticeable in one groove and in one ring round a cup.  Three other grooves going half round cups, or leading from a cup.  Slice of rock apparently removed.”

Boughey & Vickerman (2003) added nothing new in their later survey.

Although we have an uninterrupted open view of the landscape to the north and west from here, it might not have been like this when the carving was done 4-5000 years ago.  The scattered woodland covering these heaths may have impeded the views.  However, immediately west of this carving are the broken remains of a small Bronze Age settlement, some of whose walling is traceable some 100-150 yards away and any tree cover that may have been here may have been cut back.  We may never know for sure…

References:

  1. Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  2. Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
  3. Jackson, S. & Walker, Michael J., “Ilkley Boulders Tour,” in Cartwright Hall Archaeology Group Bulletin, 2:1, 1956.

© Paul BennettThe Northern Antiquarian 


Alexander’s Hill, Follifoot, North Yorkshire

Tumulus (destroyed):  OS Grid Reference – SE 3222 5211

Archaeology & History

Site of tomb on 1894 map

We are thankful that the antiquarian James Wardell (1881) gave us some details of this long lost site in his survey of prehistoric remains, otherwise information about it would certainly have been lost.  Prehistoric burial mounds are rare in this part of Yorkshire, but on the rise of land behind Follifoot Ridge house could once be seen “a large barrow measuring 50 feet in diameter.”  Believed by Challis and Harding (1975) to have been a late Bronze Age structure, the story of its demise was told by Wardell as follows:

“This monument of a former age…exists no longer, owing to the ignorance and cupidity of the surveyors of the highways of the township in which it was situate; by whose orders the stones, of which it was partially composed, were carted away at intervals, during a period of some five or six years, to keep in repair a neighbouring road.  At the base were several very large stones, probably a kistvaen, and at the same time were found fragments of urns, bones and ‘pieces of brass’, which immediately became dispersed.  Some of the latter articles came into the possession of the village smith, from whom this information was obtained, and were disposed of by him to a brass-founder as old metal, and in due time, doubtless, found their way to the foundry.  From the description given of them by this person, there seems to have been amongst them some spear-heads and a palstave, but after a most diligent inquiry, there could not, as might be expected, anything whatever be recovered.  I should say that from weapons of bronze being found in this huge sepulchral mound, it was not one of the most ancient kind, but has perhaps covered the remains of British warriors slain in conflict with the Roman invaders… I am indebted to Mr John Dixon of Leeds for the information relating to the demolition of this barrow, which was only obtained by him after a lengthy enquiry; and he states that on his visit to the site, it could distinctly be traced by the grass there being of a darker hue than in other parts of the field.”

A mile to the northwest, one would have been able to see the Stone Rings of Pannal, also destroyed, and the two sites may have served some geomantic relationship with each other.

References:

  1. Challis, A.J. & Harding, D.W., Later Prehistory from the Trent to the Tyne, BAR: Oxford 1975.
  2. Wardell, James, Historical Notes of Ilkley, Rombald’s Moor, Baildon Common, and other Matters of the British and Roman Periods, Joseph Dodgson: Leeds 1869. (2nd edition 1881).

Acknowledgements:  Big thanks for being able to use the 1st edition OS-map for this site profile, Reproduced with the kind permission of the National Library of Scotland

© Paul BennettThe Northern Antiquarian


Trumpeter’s Well, Strathaven, Lanarkshire

Healing Well:  OS Grid Reference – NS 66014 41685

Also Known as:

  1. Canmore ID 203472

Getting Here

Trumpeters Well on 1864 map

Take the A71 road southwest out of Strathaven as if you’re heading to Kilmarnock.  After 2½ miles (4.1km) you reach the tiny hamlet of Caldermill (be careful or you’ll truly miss it!).  As you go out of the hamlet, on your left there’s a track up to Hillhead Farm with the small but tell-tale signpost saying ‘Trumpeter’s Well’ and the small dome-shaped stone monument in the field is what yer looking for.  If you’re coming from the Kilmarnock side, when you reach the Caldermill sign, it’s in the field immediately to your right.  Y’ can’t really miss it.

Archaeology & History

When the site was surveyed by the Ordnance Survey lads in the 1850s, the water supply had completely run dry.  It was later revived and the nine-foot tall circular stone building built to commemorate its history.  The water apparently now runs within the building, being supplied from Hillhead Farm.

Trumpeters Well, Caldermill

Folklore

The well is said to have gained its name after the local Battle of Drumclog (1679), when one rich Tory known as John Graham of Claverhouse was retreating for fear of his life; and because his own horse had been killed, the coward stole the horse of his young fourteen-year-old trumpeter.  In doing so, the young lad was subsequently killed and his body was thrown down the well.  Tradition also tells that other soldiers were buried in the same field.

References:

  1. Campbell, J. Ramsey, My Ain, My Native Tour – Stra’ven, J.M. Bryson: Strathaven 1943.

© Paul BennettThe Northern Antiquarian

Dowley Gap, Bingley, West Yorkshire

Cist (destroyed):  OS Grid Reference – SE 1196 3824

Archaeology & History

The remains of a prehistoric tomb existed near the foot-bridge on the south-side of the canal at Dowley Gap, but was destroyed during the building of the sewage works there in 1951.  It was reported by a Mr Duncanson to Bradford’s Cartwright Hall archaeology group, who told how they accidentally uncovered it during construction work.  He told that the

“stone cist (was) about 3½ feet long and 1½ feet deep and was found on rising ground at the western end of the works where the storm water tanks are now situated.”

We obviously don’t know the age of the cist, but such grave monuments are most commonly Bronze Age.  The existence of the Crosley Wood Iron Age enclosure 4-500 yards NNW and the prehistoric circle 800 yards east are the nearest other known early period monuments.

References:

  1. Jackson, Sidney, “Stone Cist at Bingley,” in Cartwright Hall Archaeology Group Bulletin, 3:6, 1958.

© Paul BennettThe Northern Antiquarian

East Wall Stone, Burley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13924 45493

Getting Here

East wall stone on the right

Follow the directions to reach the impressive Woofa Bank prehistoric enclosure.  You need to find the walling that constitutes the enclosure itself and walk along to its eastern side where you’ll reach an ‘opening’, as if it may once have been an entrance at that side of the enclosure.  A reasonably large sloping rock is on one side of this ‘entrance’.  You can’t really miss it!

Archaeology & History

Unlike many of the other petroglyphs found within the Woofa Bank enclosure, the design on this one is faint — very faint indeed (much like the recently uncovered triple-ring petroglyph by the Thimble Stones).  Comprising simply of a small cluster of cup-marks, you’ll struggle to see this one — unlike its compatriot on the western wall of the enclosure.

Looking down on the rock
Some very faint cupmarks

It consists of a single cup-mark on the northern edge of the stone, whilst on the sloping southern part of the rock are a number of very faint cups, eroded by them there millenia of Nature’s wind and weathering.  One or two of the cups are just visible in good lighting, but what are almost certainly a few more can be seen when the rock is wet and in low daylight hours.  It’s a design that’s probably only of interest to the hardcore petroglyph fanatics, but without doubt this is yet another carving within this obviously important prehistoric enclosure.

© Paul BennettThe Northern Antiquarian

Farr Church, Bettyhill, Sutherland

Cist:  OS Grid Reference – NC 71455 62258 

Also Known as:

  1. Canmore ID 6360
  2. Chealamay

Getting Here

The cist in its new home

Dead easy.  From the top of the hill at Bettyhill, take the road east out of the village along the A836 Thurso road.  At the bottom of the hill, on your left, you’ll see the white building of Farr church Museum.  Walk to it and instead of going in the door, walk past it and round the back, or north-side of the church where, up against the wall, you’ll see this small stone-lined hole in the ground.  Y’ can’t really miss it.

Archaeology & History

Originally located 7½ miles (12.1km) to the south at Chealamy (NC 7240 5017), in the prehistoric paradise of Strathnaver, it was uncovered following road-building operations in 1981 and, to save it from complete destruction, was moved to its present position on the north-side of Farr church museum.  It was fortunate in being saved, as it was covered by a large boulder which the road operators tried to smash with a large jack-hammer; but in breaking it up, they noticed a hole beneath it.  Thankfully, old Eliot Rudie of Bettyhill—a well respected amateur historian and archaeologist in the area—was driving past just as it had been uncovered by the workmen.  He recognised it as being a probable cist and so further operations were stopped until it was investigated more thoroughly.

The relocated cist

The cist—measuring some 4 feet long by 3 feet wide and about 1½ feet deep—contained the burial of what was thought to be a man in his mid- to late-twenties.  The remains were obviously in very decayed state and it was thought by archaeologist Robert Gourlay (1996), that the body itself had been “deposited in the grave (when it was) in an advanced state of decomposition.”  Also in the cist they found a well-preserved decorated beaker, within which Gourlay thought “probably contained some kind of semi-alcoholic gruel for the journey of the departed to the after-life.”

References:

  1. Gourlay, Robert, Sutherland – An Archaeological Guide, Birlinn: Edinburgh 1996.
  2. Gourlay, Robert B., “A Short Cist Beaker Inhumation from Chealamy, Strathnaver, Sutherland”, in Proceedings Society Antiquaries Scotland, volume 114, 1984.
  3. Gourlay, Robert & Rudie, Eliot, “Chealamy, Strathnaver (Farr) Beaker Cist”, in Discovery Excavation Scotland, 1981.

Acknowledgments:  To that inspiring creature Aisha Domleo, for her bounce, spirit and madness to get me up here; and for little Lara too, for meandering to the church museum where this cist can be seen; and to Eliot Rudie, who pointed it out to us.

© Paul BennettThe Northern Antiquarian