cupules – Page 16

White Caterthun Carving, Menmuir, Angus

17/11/201809/06/2025 megalithix

Cup-Marked Stone: OS Grid Reference – NO 54671 66022

Also Known as:

Canmore ID 35007

Getting Here

The carving below the walling

Many ways here, but from the nearest town of Brechin, take the minor north road out of town (not the B966) to Little Brechin, heading roughly north to the renowned hillforts of White and Brown Cathertun (ask a local if needs be). Park up and walk up the slope to White Cathertun, following the immense walling around to the right. Near where you reach the opposite side of the hillfort, look down the rocky slopes for a large boulder, just on the edge of the walling. You’ll find it!

Archaeology & History

Although Canmore include this cup-marked stone in the site-profile of the incredible White Caterthun hillfort, it should really have an entry of its own, as it’s age and nature very probably pre-date the construction of the giant fortress. But, this aside, if you’re visiting the hillfort (an incredible place!), at least give this heavily cup-marked stone your attention too.

Looking across the carving

Close-up of the main cups

Probably neolithic in origin, there was a small portable cup-marked companion found 30 yards away, suggesting perhaps that a cairn might once have stood on this hilltop—but tradition is silent on the matter. No other petroglyphs of any note have been located nearby, which is unusual. In all probability other carvings remain undiscovered, particularly in the hills immediately to the north.

Consisting of around 80 cup-marks, several of which appear linked by carved lines, the stone has been bound together with concrete and metal bolts after some idiot damaged it in the 19th century. It was first described by Miss Christian Maclagan (1875) in her stunning megalithic survey of the period. She wrote:

“To Sir James Simpson’s list of cup-markings we are able to add the one at the Caterthun, on a large block 6 feet long, which is quite covered with very distinctly cut cup-markings. It is a block of basalt…and the cups are so very clear and sharp in their lines that their freshness can only be accounted for by the stone having lain with the markings buried in the ground. This curious stone has been quite recently broken in two. It is a pity to see it so destroyed, because it is valuable to the antiquary in helping to establish a very remote antiquity for the fortification. It lies on the north side of the fort, among a chaos of stones, having probably once formed the side of a gateway.”

A few years later the late great J. Romilly Allen (1882) visited the site and gave us his description, telling:

“On the west side (of the hillfort), 10 yards north of the boundary of the fir plantation that covers one-half of the hill is a cup-marked boulder… The stone has been broken in two, and one portion of it lies at the foot of the stone rampart just above the first outer ditch, whilst the other half has been rolled down the hill by some mischievous person with more muscles than brains, and is to be found immediately below, where its further progress was arrested by coming in contact with the outermost wall. The two fragments when placed together measure 6 feet 9 inches long by 3 feet wide, and 1 foot 9 inches thick. The stone is greenish quartzose slate, and on its upper surface are carved eighty cups, varying from 1½ to 2½ inches diameter. In two cases two cups are united into one by a connecting groove.”

J. Sherriff’s 1995 drawing

J.R. Allen’s 1882 drawing

The most recent description and illustration of the stone is in John Sherriff’s (1995) survey. When we visited the carving recently we noticed three cup-marks etched onto the side of the stone, with a possible carved line running above one of them—but due to the bright sunlight on of the day of our visit, it was difficult to say whether this was a geological in nature or not (bright daylight can hamper good visibility of many carvings). Check it out!

References:

Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
Kenworthy, J., “White Caterthun: Cup-Marked Stone”, in Discovery & Excavation, Scotland, 1980.
MacLagan, Christian, The Hill Forts, Stone Circles and other Structural Remains of Ancient Scotland, Edmonston & Douglas: Edinburgh 1875.
Sherriff, John, “Prehistoric Rock-Carvings in Angus,” in Tayside & Fife Archaeological Journal, volume 1, 1995.

Old Lane Carving, Cowling, North Yorkshire

28/03/201804/11/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – SD 97300 42625

Getting Here

Old Lane Cup-and-Ring

This Stone is situated on Old Lane, Cowling, North Yorkshire. To get here coming from Crosshills, you come straight through the village and past the shops. About 250 yards after the shops you will come to a sharp left hand bend, and once you have gone round this corner you will see a sign pointing to Oakworth (Old Lane). You need to turn left here (up by the cemetery) and continue for about half a mile up that lane until you come to a sharp left-hand bend. Once you have gone round that left-hand bend you will see a driveway on the right, the stone is situated opposite, in the gateway. Hope you can find it and enjoy it like I do every time I pass it.

Archaeology & History

…and from another angle

I’ve driven past this stone many times, almost every day and never previously noticed any markings. Then, one particular day, the weather was a bit miserable but the lighting was just right to illuminate this little gem. Was this lump of rock a standing stone, or have modern day folk took advantage and moved it here to be used as a gatepost? I don’t think we ever will know.

(Editor’s Note – When Chris first informed us of this carving, I wondered whether or not it had anything to do with a cup-and-ring found on a gatepost in the 1950s or ’60s by Stuart Feather or Sidney Jackson, but this was not the case. This petroglyph therefore, is yet another one that our users have discovered and it has to be classified as a new find. Keep up the good work sir! PB)

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

05/02/201827/12/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Over Glenny (05), Port of Menteith, Stirlingshire

16/09/201706/09/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference — NN 56991 02834

Getting Here

Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left. Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) are several open flat rock surfaces. This is the most westerly of them.

Archaeology & History

On this small smooth rock surface we find an almost archetypal cup-and-ring stone, whose design consists of a double cup-and-ring and a faint cup-and-ring. The double-ring has several seemingly natural small fissures in the rock running at various angles into the central cup from the outside; and there are two faint ones running from the double-rings outwards to the cup-mark in the single-ring, framing the central cupmark in the middle. It may have been that these scratches on the rock gave rise to the position of the cupmark in this petroglyph. It’s difficult to see whether or not the single cup-and-ring was ever completed.

Canmore’s description of this petroglyph tells simply: “The larger of the two is 180mm in diameter and has two rings around a cup that is 70mm in diameter and 15mm deep. The smaller has one ring around a cup.”

Once you’ve seen this, have a look at the Over Glenny (6) carving, about 10 yards east of here.

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.
Sorowka, P., Davenport, C., & Fairclough, J., “Stirling, Over Glenny,” in Discovery & Excavation, Scotland, vol. 15, 2014.

Acknowledgements: Massive thanks to Paul Hornby, Lisa Samson & Fraser Harrick for all their help on the day of this visit.

Over Glenny (06), Port of Menteith, Stirlingshire

06/09/201725/07/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference — NN 56993 02835

Getting Here

Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left (and ignore the english fuckers up here who might say “you’re not allowed to park here”, as Scottish government regulation allows you to do so unless you block the road). Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) is the carving you’re looking for.

Archaeology & History

It’s difficult keeping up with the carvings in this region to the north of the Lake of Menteith, as we find new unrecorded ones on every visit, maintaining the tradition of fellow rock art students Maarten van Hoek, Kaledon Naddair, George Currie, Jan Broewer and the rest—and we know that there’s more of them hidden away. This one doesn’t seem to be in the Canmore listings, but I put that down to the fact that they’ve got a grid-reference wrong somewhere, as it’s pretty plain to see. Although, to be honest, in the rather vague descriptions of other adjacent carvings (Over Glenny 5 and 7), this carving is in-between them, so you’d expect it to be listed. Anyway, that aside…

This long flat exposed rock surface has two primary cup-and-rings upon it: one cup with a double-ring, and the other standard cup-and-ring; there are also two single cup-markings on the stone: one near the middle of the rock and the other on its lower-right side. The main element is the double-cup-and-ring, which appears to be incomplete—not only in terms of its design, but also, as you can see in the photos, seems unfinished. From the central double-ring, a faint carved line runs out from the centre and into the other faint, incomplete, single cup-and-ring.

At the bottom of the stone (as with several others hereby) a curious set of deep scars have been cut into the edge of the rock. They’re unmistakable when you see them. They have probably been created by metal artifacts being sharpened along the bottom of the rock—many many times by the look of it. These deep cuts reminded me of the more famous Polisher Stone, down Avebury-way. They may be explained by the fact that, several centuries ago, a battle occurred here and some of the men gathered in the area before the attack. It would seem as if this and the other cup-and-ring stones were used to sharpen their blades before going into battle. Whether this was done because of some local lore which imbued these stones with some sort of magick, we do not know. Folklore here seems curiously scarce (english incomers destroyed local traditions, as writers were telling us in the 19th century), apart from the well-known one of the area being rife with fairies: Robert Kirk’s famous The Secret Commonwealth of Elves, Fauns and Faeries (1691) was written three miles west of here, at Aberfoyle.

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.

Acknowledgements: Massive thanks to the rest of the crew: Paul Hornby, Lisa Samson & Fraser Harrick.

Lochan Hakel (01), Tongue, Sutherland

09/04/201720/12/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – NC 56988 52656

Getting Here

Lochan Hakel’s cup & ring (photo by Sarah MacLean)

Whether you take the A836 or A838 into Tongue (through truly beautiful wilderness), make sure you go into the village itself—and then keep going, south, along the tiny country road. Nearly 2½ miles along, note the small loch of Lochan na Cuilce on your right. A few hundred yards past this, on the other side of the road (barely visible at first) is Lochan Hakel. Walk around to the south-side of the loch and, across from where the small island of Grianan lives, you’ll see this large rounded boulder by the loch-side.

Archaeology & History

Stuck in a veritably stunning middle-o’-nowhere landscape below the outstretched northern moors beneath Ben Loyal & co, there is no previous literary account of this faded petroglyph, rediscovered in early April 2017 when Sarah MacLean took us on a visit to the more renowned multiple cup-and-ringer of Lochan Hakel 2, just yards away above the moorland rise (which is unmissable from here). It’s not too special in comparison with its neighbour and many others—but try telling Sarah that!

Cup & ring atop of stone (photo by Sarah MacLean)

This large rounded lichen-covered boulder has, at its height, a carved ring around a natural rise—known as a ‘boss’—at the very top of the rock. On its southern side, Sarah found a single cup-mark, along with a couple of others on the more northeasterly sloping face. At the bottom of this face is another seemingly isolated small cup-marking. There may well be other carved elements beneath the mass of ancient lichens, but we thought it best to leave them for the time being. It’s also quite likely that other unrecorded carvings exist in the area.

Acknowledgments: Huge thanks to Sarah MacLean, not only for helping to locate this carving, but for use of her photos in this site profile. Cheers Sarah! And to Donna Murray, for putting up with me whilst in the area! …Now, let’s find some more of them!

Black Burn (3), Aberfeldy, Perthshire

08/09/201508/10/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – NN 83318 46049

Getting Here

Follow the same directions as if you’re going to the Black Burn (2) carving (which you’ll obviously be looking at if you’re checking this one out!); and from there, walk two or three steps southwards down the slope – and you’re just about stood on it!

Archaeology & History

This, at first sight, seems little more than two cup-marks: one rather small, and the other somewhat larger than usual. I walked round it, crouched down and fondled it, poured water on it and heightened the carving… and noticed what seemed to be a carved arc around the western side of the large cup. But I couldn’t make my mind up whether this was natural or not. And then as laid down and looked across the stone, it seemed as if a very faint triangle completely enclosed the large cup! I crawled round it at ground level and the shape appeared and disappeared as the light altered. So I took a few more photos and wondered whether or not the shape would become obvious in them. And it did!

Cup and faint triangle, or a trick of the mind?

It’s unusual – and I’m still not sure whether it’s natural or not. The carving needs more attention, in better daylight. Or perhaps the computer-tech kids might have a look at it and see if this really is an eye-in-the-triangle style design we’ve got here. It would be damn good! Anyhow, the carving was first mentioned by George Currie (2005), who told of it being two metres south of the Black Burn (2) cup-and-ring and, plainly, that it “has two cups: 60 x 15mm and 25 x 8mm.” It overlooks the urisk-haunted Urlar Burn, a creature known in some places for having milk and other offerings poured into cup-marks to appease it and gain good fortune.

References:

Currie, George, “Perthshire: Black Burn (Dull Parish) – Cup and Ring Marked Rocks”, in Discovery & Excavation Scotland, volume 6 (new series), 2005.

Black Burn (2), Aberfeldy, Perthshire

08/09/201508/10/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – NN 83318 46055

Getting Here

Take the A826 Crieff Road uphill for 275 yards then turn right up the Urlar Road. It’s a long uphill walk from here, up the private road, through and past Urlar Farm and along the track, making sure to go right where the track splits, keeping to the west-side of the burn. (don’t cross over it!) From here, the fields open up ahead of you into the distant hills. Keep along the track until, after a few hundred yards a small copse of trees is on your right. Walk past the bottom of this and then walk immediately up to the top of the large rounded knoll, or Tom, on your right. Once at the top, look for the triangular stone on its southwestern edge.

Archaeology & History

Upon this rounded tom, beloved of faerie folk and overlooking the urisk-haunted Urlar Burn, is this small flat triangular-shaped stone, embedded in the ground, possessing an unusual set of seven, possibly eight cup-markings (not five as Currie [2005] initially described) of varying depths and age, carved into straight geological fissures in the rock which, I hasten to add, were probably intended as part of the original design. Such elements are not unusual in carvings in other parts of the world, tending to relate to some spirit or ancestral ingredient. Whether that was important here, we might never know.

But in addition to the cups on their geological cracks, a large faint wonky incomplete ring has been carved around the centre-most cup-mark, seemingly stopping where it meets the natural crack. You can just make it out in the photos. One side of this ring may continue onto the top of the longer crack, but it was difficult to see in the cloudy daylight and another visit is necessary.

The carving was first described by George Currie (2005), who told, in his usual minimalist manner:

“On W side of large knoll, triangular-shaped rock, 0.7 x 0.7m, flush with ground; five cups, largest being 50 x 20mm and smallest, 25 x 8mm.”

Two or three yards away, just slightly down the slope to your south, is another cup-marked stone: the Black Burn (3) carving.

References:

Currie, George, “Perthshire: Black Burn (Dull Parish) – Cup and Ring Marked Rocks”, in Discovery & Excavation Scotland, volume 6 (new series), 2005.

Acknowledgements: Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.

Mask Stone, Port of Menteith, Perthshire

06/09/201405/11/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – NN 56107 01712

Also Known as:

Ballochraggan 12a

Getting Here

Take the same directions to locate the cup-and-ring stone of Ballochraggan 12. There are several rocks adjacent. The one immediately next to it, to the northeast, is the one you’re looking for. Be gentle and careful if you’re gonna look at it — deadly serious, be very careful indeed!

Archaeology & History

One of the most intriguing and most fascinating of all the prehistoric carvings I’ve yet to discover. Not that this was all my own work. If it hadn’t been for Paul Hornby, we might have simply walked past it as being little more than a single cup-marked stone—and in this area, single cup-marks tend to be little more than geological in nature.

After we’d looked over several of the registered carvings close by, I did my usual meandering back and forth, stroking stones and seeing if there were any carvings that had been missed by previous surveyors. And in walking past a small piece of smooth rock, a singular cupmark seemed to stand out. I walked past it, shouting across to my colleague.

“It looks like we’ve got a single cup-mark here Paul,” I said, “with possible half-ring.” Thankfully Mr Hornby gave it his better attention.

Mask Stone, with faint 'urn' — Mask Stone, with faint ‘urn’

The sun was still out and shining across the smooth rock surface, which tends to mean that you’re not seeing any carving on the stone quite as good as it actually is. Thankfully however, the sun was beginning to get lower and, when this happens, if we wet the rock, any carvings that might be there stand out much better. And this little fella just seemed to get better and more curious the more attention Paul gave it!

The first thing that became obvious were a series of faint carved lines above the single cup-mark. Initially these didn’t seem to merit much attention (straight lines on rock are usually more the product of geophysical action than that of humans), but as the rock got wetter, Paul saw something very distinct indeed.

“There’s a face on it!” he exclaimed. And indeed there was. A Rorschach response no doubt, but it was still very much like a face. This looked for all the world akin to the stylised olde English gentry sort of countenance, as in old cartoons. It was quite ‘distinct’, as such characters themselves insist on being! Yet around this initial face, more lines seemed to be emerging as the stone gave up more and more of its hidden story.

Standing back from an initial investigation, the carving was seen to consist of a triple-ring, but without the traditional ‘cup’ in its centre. Instead, the centre was marked simply by a small ‘dot’—perhaps, originally, being a small conglomerate hole formed as a result of another tiny harder fragment of stone falling away from its larger mass. But a ‘dot’ it was. The other carved ‘lines’ however, immediately below and attached to the triple-ring, gave us something almost unique—and another strong Rorschach response. As the photos clearly show, we have a distinct second ‘face’ made up of the same lines but in a quite different form. This ‘face’ has all the attributes we usually associate with pictures of mythical spirits, demons, or a mask—hence the name!

Paul took a series of fine photos, hoping that he could catch the image that our eyes could clearly see. And thankfully, his digital camera brought the image to life even better than our eyes did! The ‘mask’ is comprised of carved lozenge forms, akin to the more decorative ones we find at Kilmartin, and more especially around Newgrange, Ireland. We sat and talked about this: wondering and working out routes that we’d take over mountains and moors, from Ireland, to Kilmartin, then onto Ballochraggan, etching the same designs onto the rocks hereby and attaching similar mythic notions to them: of shamanism and kingship; underworlds and journeys—paradigms lost and certainly misunderstood in the non-polysemia of many modern academics.

…The stone here was still slightly covered over and, beneath the loose grasses, another feature emerged of another petroglyphic rarity. At the topmost western side of the rock a straight line ran across the surface, seemingly marked by the hand of man, with a curious little line almost doubling back on itself for just an inch or so, and then feeling to run down the stone, towards the concentric rings and the face below. When we stood back and took the photos, this line and its tracer took on a form that I’ve only seen echoed in one of the Netherlargie tombs at Kilmartin, Argyll, 44.4 miles (73km) to the west. It is very distinct.

Mask Stone04 — The beaker, rings & ‘face’

Spuriously ascribed as being ‘axe’ carvings (oh how archaeologists love this Rorschach projection), the Netherlargie North tomb cover-stone in Kilmartin has a series of burial ‘urns’ or beakers carved onto the rock, amidst a scattered collection of cup markings. (Beckensall 2005:73-4; Bradley 1983:92-3; Royal Commission 1971:68-70; Twohig 1972, etc) Here too at Ballochraggan we find another such symbol, but just a singular example, much larger and more clearly a beaker or urn, as are traditionally found within many old neolithic and Bronze Age tombs; although no tomb is immediately apparent at this Ballochraggan carving.

The entire carving is very faint indeed (you can’t even see it when you’re looking directly at it unless conditions are good) showing that it remained open to the elements for thousands of years. Other adjacent carvings lack the erosion that we find on this one, even on those which, as archaeologist Lisa Samson said, is “softer sandstone rock than this one”—implying that it’s one of the older carvings in this incredible cluster.

References:

Beckensall, Stan, The Prehistoric Rock Art of Kilmartin, Kilmartin Trust: Kilmartin 2005.
Bradley, Richard, Altering the Earth, Society of Antiquaries Scotland: Edinburgh 1993.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1971.
Twohig, Elizabeth Shee, The Megalithic Art of Western Europe, Clarendon: Oxford 1981.

Acknowledgments: Huge thanks again to Mr Paul Hornby for his considerable help with this site, and for use of his photos.

Calverley Woods (03), Leeds, West Yorkshire

03/10/201312/12/2025 megalithix

Cup-Marked Stone: OS Grid Reference – SE 20370 37925

Getting Here

Cup-Marked Stone near centre (courtesy Mike Short) — Cup-Marked Stone near centre (photo, Mike Short)

Mike Short tells: Walk ENE along Thornhill Drive (no vehicular access) to gate across road at the last house on the Drive and continue on for approx 475m where road starts to narrow slightly, becomes a little steeper and gently turns to E. Thornhill Drive is now cut into the hillside at this point with an upwards sloping bank on the S side of the path. After approx 25m further on at approx SE 20375 37950 look out on the S side of the path for a pile of boulders sitting on bedrock on top of the bank and a large rectangular tabular rock on the side of the bank. Ascend the bank and from the boulder pile the panel is approx 22m 200º(T) in the middle of an ephemeral E-W path more defined to W.

Archaeology & History

The profile (and ‘How to Get There’) for this recently discovered cup-marked stone was forwarded to me by fellow rock art explorer, Mike Short. The carving is another basic design found in Calverley Woods, between Leeds and Bradford, nearly halfway between the missing petroglyphs of West Woods 2 and Sidney Jackson’s Calverley Woods Stone. Rediscovered by Lisa Volichenko some time ago, Mike described the new carving here as follows:

Sketch of the carving
(courtesy Mike Short)

Cup-Marked Stone nr centre (courtesy Mike Short)

“Panel is carved on W sloping face of a sub-triangular earthfast coarse-grained sandstone boulder 0.81m X 0.50m X 0.38m, the longest axis lying almost exactly N-S. Carving consists of 3 cups, the most N of which is elliptical approx 65mm X 55mm; the central cup is elliptical approx 50mm X 40mm and the most S is circular diameter approx 40mm. On the N edge of the W face is a shallow elliptical depression thought to be of natural origin. There is an area of damage along the ‘crest’ of the boulder close to its S end.

“Carved rock is the most E of five rocks, measuring between 0.70m and 1.15m in length, in very close proximity forming an arc, 3 of which are in the footpath and one of which is resting on a large slab of rock almost completely covered by soil and vegetation.”

And so the small number of cup-marked stones in this woodland slowly grows. One wonders how many more are hidden beneath the roots of the trees—and are all of the lines and cups atop of the great Hanging Stone, a short distant away, all Nature’s handiwork…?

Acknowledgements: Huge thanks for Mike Short for the data, photos and sketch of this carving.