Cup-Marked Stone: OS Grid Reference – ST 9583 0294
Also Known as
Badbury Rings Carving
Shapwick 6a carving
Archaeology & History
Badbury Barrow carving (after J.F.S. Stone 1958)
Amidst what was once a veritable gathering of prehistoric tombs on the ground immediately west of the Badbury Rings hillfort — a small necropolis no less! — one particular tumulus which Leslie Grinsell named as ‘Shapwick 6a‘ was in the process of being destroyed at the end of October, 1845, but was fortunate in receiving the quick attention of a local historian called John Austen, who gave us the first known account of the place. (a fuller profile of the Badbury Barrow can be found here) Inside the churned-up remains of Badbury Barrow, which measured 62 feet across and 9 feet high, Mr Austin found a fascinating number of urns and other remains and, shortly after, this rare example of a petroglyph was identified. The stone now lives in the British Museum where, the last I knew, you could certainly check it out. But it’s not its original size, as sections of the stone were broken off. As Aubrey Burl (1987) told us, the stone was originally about half-a-ton in weight, on which,
“were carvings of five cupmarks, two bronze daggers and two flat, triangular axes of early Breton type.”
Grinsell’s more detailed description of the carving from his work on Dorset Barrows (1959) tells a little more of the design found on this seeming ‘tomb-stone’:
“Sandstone slab, probably from stone cist, decorated with pecked carvings of two daggers with hilts, resembling those on stone 53 at Stonehenge; two triangular objects probably intended to be flat bronze axe-heads expanding at their cutting-edge; and five cup-shaped hollows. The existing decorated fragment (in British Museum) is 1ft 10in long, and was detached from the original slab which weighed probably more than half a ton. The size suggests, perhaps, a cover-slab.”
It may well have been. Certainly it had some relationship to death! The design was suggested in the 19th century to perhaps have been influenced by Greek imagery, when such notions were in vogue. As Grinsell tells,
“In the centre according to Durden…was the well-known large slab of sandstone which was decorated with carvings of daggers and axes, the former of type similar to those from Stonehenge, conjectured to be of Mycenean type.”
But the Mycenean nature of the carvings is highly unlikely. What is intriguing with this carving is the appearance of cup-markings (commonly associated in or adjacent to prehistoric tombs) alongside defined symbols of daggers. We could infer a magickal relationship between the two symbols here: one of which, the cups, comes from a much earlier period than the dagger-design. A more in-depth analysis of the human remains within the tumulus and a plan of the site would perhaps be more revealing…
…to be continued…
References:
Austen, John H., “Archaeological Intelligence,” in Archaeological Journal, volume 3, 1846.
Burl, Aubrey, The Stonehenge People, Guild: London 1987.
Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
Knight, Peter, Ancient Stones of Dorset, Power: Ferndown 1996.
Royal Commission on Historical Monuments, England, An Inventory of the Historical Monuments in the County of Dorset – Volume 5: East Dorset, HMSO: London 1975.
Stone, J.F.S., Wessex Before the Celts, Thames & Hudson: London 1958.
Warne, Charles, The Celtic Tumuli of Dorset, John Russell Smith: London 1866.
Of at least 26 prehistoric barrows or tumuli in close proximity on the grasslands immediately west of the Badbury hillfort, this particular ‘Badbury Barrow’ as it’s generally called, was the most intriguing of the bunch. Intriguing as it was found to possess a very rare carved stone near its centre, and had the elements of the dead laid out in a quite fascinating manner, with a large inner wall that surrounded the dead. Grinsell (1959) posited that this site may be the same one described on the 1826 Greenwood Map of the region as the ‘Straw Barrow’ – in which case I’d love to know if there are earlier place-name references to the site and see what its name is thought to mean. (Mills’ PNs Dorset, 2, could be helpful – though it could be just ‘straw’!) However, the Straw Barrow is some distance to the west of here.
The first lengthy description of the site was done very soon after the near destruction of the place in 1845. A local man called John Austen visited and described the old tumulus in some considerable detail, and I make no apologies for adding his complete description of the barrow, as he found it, just before the land-owner levelled the place. He wrote:
“On Nov. 1, 1845, I accidentally ascertained that a barrow situated about five miles from Wimborne, Dorset, upon the road leading to Blandford, and in the immediate neighbourhood of Badbury camp, was in progress of being levelled. The circumstance which chiefly attracted my notice was the vast quantities of large sandstones and flints which had been taken from it. Unfortunately nearly two-thirds of the tumulus were already removed. From the remainder, however, I have obtained a tolerably accurate idea of its interior arrangement, which, with perhaps the exception of the ‘Deverill barrow’, opened by W. Miles, Esq., in 1825, is more highly interesting than any yet examined. The labourer employed could give me but little information respecting the part already destroyed, further than that he had thrown up many pieces of pottery, and found one urn in a perfect state, but in removal he had broken it; sufficient however remained to enable me to ascertain its form and dimensions. It measured 8 inches in height, 6¾ inches at the mouth, and at the bottom 3½ inches. The colour of the outer side was more red than is usual, and within it had a black hard ash adhering to the side, It was inverted, and contained only a few white ashes. It was ornamented with lines of from nine to fourteen fine pricked dots, as if made with a portion of a small tooth comb. Such an instrument was discovered a few years since by some workmen, whilst lowering a hill midway betwixt Badbury camp and the village of Shapwicke, having at one end a small circular hole, and at the other eight short teeth like those of a comb. It was four inches long and one inch wide, and was part of the rib of a deer…
“The barrow was circular, measuring about eighty yards in circumference, the diameter sixty-two feet, and the height nine feet; it had however been considerably reduced by the plough. Upon clearing a section across the centre, the following formation presented itself. The outside circle or foot of the barrow was of chalk, occupying a space of fifteen feet towards the centre. There was then a wall extending completely round, and enclosing an area of about thirty feet in diameter, composed of large masses of sandstone brought from some part of the heath, probably from Lytchett, a distance of not less than five miles, and across the river Stour. These stones were well packed together as in the foundations of a building, and the interstices tightly filled with flints. Within this wall, for the space of three or four feet, was a bed of flints, without any mixture of earth or chalk, packed together from the floor to the surface of the barrow, having only a few inches of earth above. The remainder of the interior was occupied by large sandstones, serving to protect the various interments.
Urn found in one cist
“About the centre I found six deposits. The most northern of these was the skeleton of a young child, by the side of which, proceeding west, there was a cist containing a deposit of ashes and burnt bones; and near it another, rather above the floor, containing burnt wood. Immediately beneath this was a cist containing an urn, placed with its mouth downwards, and filled with burnt bones, which were perfectly dry and white. It was without any ornament, and measured in height ten and a quarter inches; the diameter at the mouth, which turned outwards, was eight and three-quarter inches, and at the bottom four inches. The other cists contained burnt bones and ashes. Sandstones had been placed over them, but were removed without my having an opportunity of ascertaining their position. A short distance south of these deposits there was a cist containing the bones and skull of a young child, over which had been placed a flat sandstone, and about a foot from it appeared a deposit of small bones, occupying a space of only two feet ; these were apparently the remains of a woman. Immediately above was a row of sandstones, resting, as was usual throughout the barrow, upon a thin layer of burnt wood. At this spot the barrow appeared to have been opened after its final formation, as if for the purpose of a subsequent interment, and filled up, not with the earth of which the remainder was formed, but with loose chalk, there being no stones or flints above those which lay immediately upon the deposit. At the extreme south of these cists was a large sandstone, three feet in diameter by sixteen inches in thickness, placed edgeways. The above-mentioned cists were circular.
Upright urn outside of cists
“A few inches west of the cist described as containing an urn, was the lower half of another, measuring in diameter five and a half inches, inverted, and placed upon the floor of the barrow, without any protection, merely surrounded by a thin layer of ashes and then the solid earth. It was filled with ashes and burnt bones, and rested upon the parts of a broken skull. Near this was an urn, also unprotected, and consequently much injured by the spade. It was placed upright, and measured in diameter nine and a half inches, by about ten inches in height. In form it resembled the urn first described, marked with impressed dots, but it was without any ornament. A short distance from these was a deposit of burnt wood at the west side of a large flat stone, placed edgeways, which measured three feet four inches by two feet ten inches, and thirteen inches in thickness. From its appearance it would seem that the fire had been lighted by its side. Immediately beneath the edge of this cist, and resting upon the chalk, was a small urn inverted, and by its side some small human bones. It was wholly unprotected, and unfortunately destroyed. South-east of this was a cist sixteen by twelve inches in diameter, and eighteen inches in depth, containing ashes and a few burnt bones, with a large-sized human tooth. Close to the edge of this cist, upon its western side, was placed in an upright position, a large stone measuring in diameter three by two and a half feet; and leaning against it another of still larger dimensions, inclining towards the north. This measured six and a half by four feet, and fifteen inches in thickness. About three feet further east were two large stones set edgeways, and meeting at their tops. Beneath them was the skeleton of a small child with the legs drawn up, lying from west to east. At the north-west side of the barrow, about five feet within the wall, was a cist cut in the solid chalk, measuring sixteen inches in diameter by sixteen in depth; it contained an urn inverted, and filled with burnt bones. Though carefully bandaged, it fell to pieces upon removal, being of more brittle material than any previously discovered. The clay of which it is formed is mixed with a quantity of very small white particles, having the appearance of pounded quartz. It measured in height nine inches by nine and a half in diameter, and is ornamented by six rows of circular impressions made with the end of a round stick or bone of a quarter of an inch in diameter. The cist was filled up with ashes.
Small cup-like urn
“A few inches from this was a cist differing in form, being wider at the top than beneath, in diameter eighteen inches by eighteen in depth; a flat stone was placed over it. It contained the skeleton of a young child, laid across, with the legs bent downwards. Lying close to the ribs was a small elegantly-shaped urn, measuring four inches in height by four in diameter, and made of rather a dark clay. It is ornamented with a row of small circular impressions, similar to those mentioned in the last instance, close to the lip, which turns rather out: beneath is a row of perpendicular scratches, and then two rows of chevrons, also perpendicular. At the feet of the skeleton was a peculiarly small cup, measuring in height one and a half inches by two and a quarter in diameter. It is ornamented with two rows of pricked holes near the top, beneath which is a row of impressions, made probably with an instrument of flat bone, three-eighths of an inch in width, slightly grooved across the end. The same pattern is at the bottom and upon the rim.
Another cup-like vessel
“Near this, towards the south-west, was a deposit of burnt wood, situated above the floor of the barrow, and immediately beneath it were two cists. In one of these, which measured two feet in diameter by one and a half in depth, were a few unburnt bones and several pieces of broken pottery, with a small cup, ornamented with three rows of the zigzag pattern, betwixt each of which, as well as upon the edge, is a row of pricked holes, and at the bottom a row of scratches. It measured in height two and a half inches by three in diameter, and had two small handles pierced horizontally: there appeared to have been originally four. In the other, which measured two feet in diameter by one in depth, were a few unburnt bones and a small urn placed with the mouth upwards, measuring four and three-quarter inches in height by the same in diameter. The lip, which turned very much out, is ornamented with a row of scratches, both within and upon its edge, a similar row also passes round near its centre. Close upon the edge of this cist was another urn of similar dimensions, inverted, and embedded in the solid earth without any protection. It is of much ruder workmanship than any of the others, and wholly unornamented, measuring five inches in height by five in diameter. Both these urns inclined equally towards the south-east. These last cists were partly, if not quite, surrounded by large sandstones set edgeways, and smaller ones built upon them, forming as it would seem a dome over the interments, filled with earth, and reaching to the surface of the barrow, where these stones have been occasionally ploughed out. From this circumstance, as well as the general appearance of the excavation, added to the description given by the labourer of the other part of the barrow, I am induced to suspect such to have been the case throughout… I found many pieces of broken pottery, and a part of a highly-ornamented urn. There was a total absence of any kind of arms or ornaments. The labourer however shewed me a round piece of thin brass, which he had found amongst the flints within the wall, measuring an inch and five-eighths in diameter. It had two minute holes near the circumference. It was probably attached to some part of the dress as an ornament. Teeth of horses and sheep were of frequent occurrence; I also found some large vertebrae and the tusk of a boar. Upon one of the large stones was a quantity of a white substance like cement, of so hard a nature that it was with difficulty I could break off a portion with an iron bar.
“If I offered a conjecture upon its formation, I should say that the wall, and foot of the barrow, which is of chalk, were first made, and the area kept as a family burying-place. The interments, as above described, were placed at different intervals of time, covered with earth (not chalk) or flints, and protected by stones. And over the whole, at a later period, the barrow itself was probably formed. My reason for this opinion is, first, that all these deposits, including, as they do, the skeletons of three or four infants, could scarcely have been made at the same time. And in the second place there was not the slightest appearance (with one exception) of displacement of the stones or flints in any way. As these circumstances then would suggest that the interments were formed at various periods, so the general appearance leaves no doubt as to the superstructure of flints, and surface or form of the barrow itself having been made at the same time and not piecemeal.
“I have met with no instance of a British barrow containing any appearance of a wall having surrounded the interments. Pausanias, in speaking of a monument of Auge, the daughter of Aleus king of Arcadia, in Pergamus, which is above the river Caicus, says, ‘ this tomb is a heap of earth surrounded with a wall of stone.’ And in the Saxon poem, ‘Beowulf,’ mention is made of a similar wall as surrounding the tomb of a warrior.”
One of the stones inside here was later found to possess “carvings of five cupmarks, two bronze daggers and two flat, triangular axes of early Breton type,” (Burl 1987) which Austen didn’t seem to notice at the time of his investigation. A profile of the Badbury Barrow carving can be found here.
Folklore
In Peter Knight’s (1996) survey of megalithic sites around Dorset, he includes the Badbury Barrow along a ley line that begins at the tumulus just below (south) Buzbury Rings and then travels ESE for about 5 miles until ending at another tumulus at ST 006 996.
References:
Austen, John H., “Archaeological Intelligence,” in Archaeological Journal, volume 3, 1846.
Burl, Aubrey, The Stonehenge People, Guild: London 1987.
Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
Knight, Peter, Ancient Stones of Dorset, Power: Ferndown 1996.
Piggott, Stuart, “The Badbury Barrow, Dorset, and its Carved Stone,” in The Antiquaries, volume 19, 1939.
Royal Commission on Historical Monuments, England, An Inventory of the Historical Monuments in the County of Dorset – Volume 5: East Dorset, HMSO: London 1975.
Stone, J.F.S., Wessex Before the Celts, Thames & Hudson: London 1958.
Warne, Charles, The Celtic Tumuli of Dorset, John Russell Smith: London 1866.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 1015 4702
Also Known as:
Panorama Rock 226
Archaeology & History
J.R. Allen’s 1879 drawing
It would seem that this excellent looking cup-and-ring stone may have been destroyed sometime around 1890 during the construction of the Panorama Reservoir and the building of the houses on the southwestern edge of Ilkley, right by the moorside. But this isn’t known for certain; and the carving could still exist beneath vegetation in the trees just north of the reservoir. In requesting to explore some National Archives data in which there may be information relating to this carving (and others nearby), I was directed to Bradford Council’s community archaeologist, Gavin Edwards (to whom requests should be made), but he denied access to look at the files, then completely ignored subsequent queries that might enable us to locate this and other important prehistoric carvings. So we did our best and this is what we’ve found so far (forgive any errors).
As there’s a slight ambiguity in the precise location of this lost carving, we cannot say for certain whether or not this site was included in the sale of Property Lots, numbers 7-34, “surrounding the far-famed Panorama Rocks,” which may have led to the site’s destruction and subsequent removal of the protected Panorama Stones to Saint Margaret’s Park on the other side of the road from the church, closer to Ilkley centre. The sale of this “building land” as it was called was advertised in the Leeds Mercury, Saturday September 4, 1880, with a brief description of the respective “lots” near this and the adjacent carvings. But this Panorama Stone 226 may have been left alone and be buried under the surface…
J.T. Dale’s 1880 sketch
Historical notes on this particular stone are scattered and sparse, but digging through old journals and texts has given us a reasonably good vision of the place. It was first described, albeit in passing, in A.W. Morant’s edited third edition of Whitaker’s History of Craven (1878: 289), where it was described in context with the other cup-and-ring east of here on the same ridge. All of them were described as being located within a now-destroyed prehistoric enclosure (precise nature unknown), with carving 226 at the westernmost end. However, the following year J. Romilly Allen (1879) gave more details of this, “the third stone” as he called it and furnished us with a damn good drawing to boot!
As we can see, there are four double-ringed cups and eight or nine archetypal cup-and-rings, with the usual scatter of cups falling across the design. The curious ‘ladder’ markings found on one of the other Panorama Stones, the Barmishaw Stone, Willy Hall’s Wood carving and at least one of the Baildon Moor carvings, were also quite prominent. Although when J. Thornton Dale visited here around the same time and did his own drawings, the ladders weren’t quite as pronounced. This would have been due to the simple factors of cloud cover, poorer sunlight and the time of day the drawings were done (the pseudoscientific proclamation of local archaeologist Gavin Edwards that such artistic difference is due to some Victorian chap adding, or removing sections of the carvings for his own pleasure, negates common sense and is strongly lacking in evidence). Romilly Allen’s own description of the site was as follows:
“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800 feet… About 100 yards to the west of this spot appears to be some kind of rough inclosure, formed of low walls of loose stones, and within it are the three finest sculptured stones near Ilkley. They lie almost in a straight line East to West… The third and most westerly stone of the group measures 10ft. by 9ft. and lies almost horizontally, having its face slightly inclined. On it are carved twenty-seven cups, fourteen of which have concentric rings round them. Some of the cups have connecting grooves, and three have the ladder-shaped pattern before referred to.”
Notes from a few years later told that this carving was still in situ when the companion carvings were moved and imprisoned behind railings across from St. Margaret’s Church in Ilkley. The carving was shown at the grid reference given above on the 1895 Ordnance Survey map of the region before the reservoir was built, correcting the coordinates given in Boughey & Vickerman’s (2003) otherwise fine survey. They described this very ornate carving thus:
“According to Thornton Dale (1880), this was a large rock with 27 cup, eighteen of which had single rings. Some of the cups had connecting grooves and three had the same ladder motif as the Panorama Stone.”
…to be continued…
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Allen, J. Romilly, “Cup and Ring Sculptures on Ilkley Moor,” in The Reliquary, volume 2, 1896.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith, “The Panorama Stones,” in Prehistory Research Section Bulletin, no.40, Yorkshire Archaeological Society: Leeds 2003.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Jennings, Hargrove, Archaic Rock Inscriptions, A.Reader: London 1891.
Turner, J. Horsfall, “British or Prehistoric Remains,” in Collyer & Turner, Otley 1885.
Whitaker, Thomas Dunham, The History and Antiquities of the Deanery of Craven in the County of York, (3rd edition) Joseph Dodgson: Leeds 1878.
A slight walk to get here. Follow the same directions as if you’re going to the Eller Edge 431 carving. Once here, walk west as if you’re going into the middle of the field, keeping your eyes peeled about 20 yards along for a small-ish rounded stone with nice colours of lichen amidst the grasses. If you’re patient, you’ll find it soon enough!
Archaeology & History
This is another simple cup-marked stone on the grassland ridge overlooking higher Wharfedale. The carving here is a little clearer and more well-defined than that of its close neighbours, with a number of simple cups visible on its rounded surface. We counted seven such cups on our cloudy-day visit, but Boughey & Vickerman (2003) thought there might be a little more, describing the stone simply:
from another angleB & V’s drawing
“Small lichen-covered rough grit rock. About eight cups and two depressions.”
A rubbing of this small stone (as practiced by English Heritage and rock art students alike) would prove useful in bringing out any other ingredients in the ancient design. And whilst you’re in this field, have a look at the curious Spiral Stone and some of the other cup-markings close by.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here, but well worth it once you arrive! Follow the same directions as if you’re going to the Eller Edge 426 carving. Once you reach this stone, notice the larger rounded rock about 20 yards to your west, a bit further down the field. You can’t really miss it!
Archaeology & History
A large rounded stone just on the meadows before it begins to slope more steeply downhill, there are several of those large natural ‘bowls’ that we see on a lot of cup-marked and not-so-cup-marked stones in our northern hills. These basins or bowls may, at times, may have had significance for our ancestors, but it’s the cluster of cup-markings on this stone which are of importance to us here. There are perhaps as many as a dozen cup-marks here, all very well worn, and mostly to be seen on the eastern sides of the rock. When I came here with Paul Hornby and QDanT a few months back, the cloud cover stayed with us all day, so I didn’t get any decent images of the carving. Ne’er mind…
Close-up of faint cups
The stone was described by Boughey & Vickerman (2003) simply as:
“Very large, uneven, rough grit rock with face with scooped-out areas sloping down to grass. Eleven possible cups and six basins.”
A plain carving, perhaps only of interest to the fanatics amongst you. But if you do visit here, check out carving 432, 431, and others in the same field.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here. Follow the same directions as if you’re going to the Eller Edge 426 carving, but as you reach the field edge, walk up the slope (in the field itself) along the side of the wall. You’ll pass rudimentary Carving 431 and about 30 yards further uphill this little fella will catch your eye! You can’t really miss it.
Archaeology & History
Another basic cup-marked stone that’s probably only gonna be of interest to the purists amongst you. A single cup-marking sits on the edge of a small patch of old dark lichen, although the rock art students Boughey & Vickerman (2003) reckon there could be another two on here—but I aint so sure misself. The stone was described by them simply as:
“Medium-sized rectanguar rock of medium gritstone, with vertical edges except for finely striated sloping W side. One cup near possibly quarried edge and perhaps two more.”
Single faint cup-mark
Another single cup-marked stone of the same size, type and quality as this one can be found on another stone not far from this stone, which aint in the Boughey & Vickerman survey. There’s also evidence of ancient lines of walling close by, but with little surface clues as to its age.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Takes a bitta finding this one – especially a this time of year when the bracken’s high – but it’s worth the walk. You’re probably best finding your way to the open-air carving on the slopes above Westcliff Farm, the Guisecliff Wood 626 carving (it’s pretty easy to find). From here, walk eastwards across the top of the two fields until you hit the old gate that take you back into the woods. Now it gets difficult! Walk less than 100 yards in the same direction, if you’re lucky, along the small footpath that runs pretty level through the trees, keeping your eyes peeled for a large sloping rock above you. I’d say that it’s probably best to start checking the relevant rocks (large ones) after 50 yards in the trees, just to be on the safe side. If you aint been here before it’s probably best to check it out at the end of Winter or during Spring time. Good luck!
Archaeology & History
As noted by several people in our visit here the other day, some aspects of this carving are similar in design to the Tree of Life Stone on the eastern edge of Askwith Moor, 10 miles south of here. But the features on this large carved rock have intriguing elements of their own here: not least of which is the large square ‘box’ into which a cluster of otherwise normal cup-and-rings are enclosed. It’s a unique feature in prehistoric carvings in this part of the world — although such ‘box’ motifs can be seen further north at Dod Law in Northumberland.
The fainter cup-and-ringsBoughey & Vickerman’s 2003 drawing
There are two distinct sections of carvings on the stone, both of which have a similar tree-motif patterns, but the boxed one grabs your attention more once you’ve sat with the stone for a while. The other small cluster of cups are a little more difficult to notice, but once you see them they almost grow into life! You can just make out the surrounding rings and lines around some of these fainter cups, which I tried to capture in the photos (but without much success).
Our visit here didn’t pass without some voicing the thought that ‘box’ section could have been added at a much later date — perhaps a Victorian addition? But we could be way off the mark with that one!
There’s every likelihood of other carvings being found in and above the woodlands here, though any further exploratory excursions here can wait till winter time, as the Nature’s summer growth here is considerable and covers most of the rocks in green. The carving was first described in Boughey & Vickerman’s (2003) text as a
“Very large rock with extensive flat surface on which there seems to be two separate designs. Seven cups are joined in a branch-like pattern, the whole within a square groove from which the ‘stem’ of the branch just protrudes; away from this is an approximately linear feature with three cups enclosed by linked rings at one end and then six more cups with a partial ring.”
If you’re a rock art enthusiast, or a real healthy heathen, this site is well worth checking out!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Take the same directions as if you’re visiting the Eastwoods Cross base and cup-marked stone, but at Eastwoods Farm itself, walk downhill following the field-wall, past the large house, then through the first gate you come to. (it’s got a ‘private’ sign on it and has some handy bulls in the field – but ask at the house and the folks there are friendly) Following the footpath along the top of the field, cross the small stream, then head across the next field to the gap in the wall. You’re here!
Archaeology & History
Boughey & Vickerman’s sketch
One of a cluster of cup-and-ring stones around the Bryan’s Wood and Eastwoods area, this carving is well worth a visit, but can be covered in shit and muck as the bulls pass through the gap here on their daily amble. If the daylight isn’t good here, it can be difficult to see the carving – and when we visited the place the other day, the cloud was low and the heavens were ready to open, so our luck was out for a change! There are a number of cup-and-rings plus a double-ring, fading their ways around the more defined cup-markings. The stone appears to have been found in the 1990s, but records of it are scant. Boughey & Vickerman (2003) fail to tell the origin of the name, nor when or who rediscovered the site. Their description of the carving tells simply:
“Large flat smooth rock sloping slightly to E. Thirteen possible cups, one with partial double ring and four with partial single-rings; three ringed cups have grooves leading from them.”
Several other excellent cup-and-ring carvings can be found around here. The hugely impressive Morphing Stone and a prehistoric lightning-carving can be found three fields away to the south, past the trees on the other side of the stream.
Folklore
Close-up of the stone
The title of ‘fertility stone’ seems a modern one, although word has it that it relates to Beltane fertility rites. However, I can find no documentary information relating to this, and the people at Eastwoods Farm and adjacent house know nothing to account for it.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
From Pateley Bridge take the B6265 road towards Grassington, turning left just a coupla hundred yards over the river bridge, towards Bewerley. Go through the hamlet and take the second on the right, up the steep zigzagging lane. A half-mile up the hill, watch out for the track onto Westcliff Farm. Go along here and onto the footpath, then as you walk through the field, look uphill where the long wall runs into the trees, and you’ll see a rock in the walling near the top. That’s it!
Archaeology & History
Just over the edge of the northern section of The Intakes at the western end of Guisecliff Wood, on a large rock in the walling near the very top of the field above Westcliff Farm, we find this little-known but very impressive cup-and-ring stone.
Close-up of some cupsBoughey & Vickerman’s sketch
Upon first sight the rock was aptly described by Danny Tierney as being like a Viking Hogback Stone with cup-markings along the sloping side of the long rock as it grew into the drystone walling. He had a point! It’s a curious carving (how many times do I say that!?), with the majority of the cup-marks and lines etched into the south-sloping face of the rock. Other cups found further down the stone stretch along the eastern side towards ground level; and we have a small line of cups etched onto the normal horizontal face halfway along the stone.
The carving was rediscovered by Stuart Feather in the ‘Sixties and was all-but-forgotten until Boughey & Vickerman (2003) rejuvenated it in their catalogue. They told it to be:
“Large rock of coarse grit lying with long uneven surface E to W, at ground level to S and E, but with high N and W faces. Up to eighty cups but some may be due to pebbles or other natural causes; one cup has two half-rings which, like some grooves visible, suggest a now incomplete design.”
The fascinating ‘boxed’ cup-and-ring stone of Guisecliff Woods 629 can be found less than 200 yards east of here, in the trees, and is certainly worth seeking out!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart & Hartley, C.E., “The Yorkshire Archaeological Register, 1964: Bewerley. W.R.”, in Yorkshire Archaeological Journal, volume 41, 1965.
From Askwith village go up the Moor Lane and at the crossroads go straight across (Snowden Moor is across left). Go down and along Snowden Carr Road until the road levels out and, watch carefully, about 500 yards on from the crossroads on your left you’ll see a small crag of rocks in the fields above. Stop and go through the gate walking up the field and as you near the top you’ll see a gate across to your left that leads onto the moor. Go through this and on the path which veers up to the right up to the Tree of Life Stone. About 20 yards along, keep your eyes peeled just off-path, to the left, where a small rounded stone hides at the edge.
Archaeology & History
This was one of a number of cup-markings that Graeme Chappell and I came across in the early 1990s, though it didn’t receive any literary attention until included in Boughey & Vickerman’s (2003) survey. It’s only a small fella, consisting of just six or seven cups on its upper rounded surface — though what may be a carved line runs round the southern side of the stone. It seems to have been associated with a small cairn close by (a common feature on these moors) and adjacent prehistoric settlement walling. In Boughey & Vickerman’s text, they gave the following notes:
“Small rock with rounded surface at ground level, near scattered cairn. Seven or eight cups, possible grooves at edge.”
Drawing of the stone (Boughey & Vickerman)
[You’ll notice in the photo above that the local phantom painter had been here again, artistically highlighting the cup-marks. The photos we took were done earlier this year, when the paint (or whatever it is) was first noted. It had not been painted-in the previous autumn. But most notably is the fact that this carved stone has never previously appeared on the internet (until today) and the only other reference to it is in the standard Boughey & Vickerman text. This would indicate that whoever it is that’s painting the carvings up and down mid-Wharfedale possesses a copy of that text, aswell as being relatively new to the subject of rock art.]
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
