From the Askwith Moor car-park, walk down the road (south) for 2-300 yards until you reach the gate on the right-hand side of the road. Go thru this and turn immediately left, following the fence along, parallel to the road for about 100 yards (if you reach the small disused quarry, you’ve gone 100 yards too far), then walk into the heath, up near the top of the little peak and walk down the other side of the slope for about 80 yards. You’re getting damn close — look around!
Archaeology & History
First found on the afternoon of May 13, 2010, in the company of Dave Hazell — though at the time the light was poor and the sky was grey and overcast, not allowing for any decent images being made. We returned here yesterday under a lovely clear sky for most of the day (and without the polluting roars of planes from the nearby airport, thanks to that great Icelandic volcano [keep it going!], making it even better) and got some decent photos this time.
Sketch of basic designClose-up of some cups
It’s only a small low stone, slightly sloping (similar in size and form to carving no.535 about 100 yards west of here), and is gonna be very difficult to find when the heather is in full growth. But thankfully when we found it last week, the heather had been burnt back. Whilst there are two large and very notable cups here — one on the west-facing vertical edge of the stone, the other on its south-facing slope — several others are more troublesome to see clearly, both through a mixture of age and erosion. The other cups are a little smaller aswell, being very similar in status to the curious small cup-markings on the Lattice Stone carving (no.481). One cluster of these smaller cups are arranged in a curved T-shape formation around the middle to eastern-side of the rock. Below this are what seems to be a long singular cup, but upon feeling this — the Beckensall technique — the hardworking Keighley volunteer Michala Potts found it seemed to consist of three small cups all linked to each other. Attached to this section, a small groove runs up to the aforementioned T-formation cluster. Whilst at the top-end of the stone is what seems to be another larger cup-marking, but I’m not sure whether it’s Nature’s handiwork, or artificial. A few more visits here might enable us to say one way or the other!
There are no other archaeological remains immediately adjacent. Another “possible” cup-marked rock (more than twice the size of this stone) can be found about 30 yards further uphill, next to another large stone. But one of the nice things about this small carving is its position in the landscape: an excellent view opens up of mid-Wharfedale below you, and the uphills of Rombald’s Moor is on the far side of the valley. Make of it what you will…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
From the large parking spot by the roadside along Askwith Moor Road, walk up (north) 250 yards until you reach the gate with the path leading onto Askwith Moor. Follow this along, past the triangulation pillar until you reach the Warden’s Hut near the top of the ridge and overlooking the moors ahead. Naathen — look due south onto the moor and walk straight down the slope till the land levels out. If you’re lucky and the heather aint fully grown, you’ll see a cluster of stones about 500 yards away. That’s where you’re heading. If you end up reaching the Woman Stone carving, you’ve walked 100 yards past where you should be!
Archaeology & History
Discovered on the afternoon of May 13, 2010, amidst another exploratory ramble in the company of Dave Hazell. We were out looking for the Woman Stone carving and a few others on Askwith Moor, and hoping we might be lucky and come across another carving or two in our meanderings. We did find a previously unrecorded cup-marked stone (I’ll add that a bit later) — and a decent one at that! — but a new cairn-field was one helluva surprise. And in very good nick!
Cairn A, looking northwestCairn A, looking east
There are several cairns sitting just above the brow of the hill, looking into the western moors. Most of these are typical-looking single cairns, akin to those found on the moors above Ilkley, Bingley and Earby, being about 3 yards across and a couple of feet high amidst the peat and heather covering. But two of them here are notably different in structure and size (and please forgive my lengthy description of them here).
We found these tombs after noticing a large section of deep heather had been burnt back, and a large mass of rocks were made visible as a result. Past ventures onto these moors when seeking for cup-and-ring carvings hadn’t highlighted this cluster, so we thought it might be a good idea to check them out! As I approached them from the south from the Woman Stone carving (where we’d sat for a drink and some food, admiring the moors and being shouted at by a large gathering of geese who did not want us here), it became obvious, the closer I got, that something decidedly man-made was in evidence here.
Cairn A, looking south
Walking roughly northwards out of the heather and onto the burnt ground, a cairn-like feature (hereafter known as “Cairn A”) was right in front of me; though this seemed to have a ring of small stones — some earthfast, others placed there by people — surrounding the stone heap. And, as I walked around the edge of this large-ish cairn (about 9 yards in diameter and 2-3 feet tall), it was obvious that a couple of these outlying stones were stuck there by humans in bygone millenia. The most notable feature was the outlying northernmost upright: a small standing stone, coloured white and distinctly brighter than the common millstone grit rock from which this monument is primarily comprised. As I walked round it — adrenaline running and effing expletives emerging the more I saw — it became obvious that this outlying northern stone had long lines of thick quartz (or some crystalline vein) running across it, making it shine very brightly in the sunlight. Other brighter stones were around the edge of the cairn. It seemed obvious that this shining stone was of some importance to the folks who stuck it here. And this was confirmed when I ambled into another prehistoric tomb about 50 yards north, at “Cairn B.”
Cairn B, looking northCairn B, looking east
Cairn B was 11 yards in diameter, north-south, and 10 yards east-west. At its tallest height of only 2-3 feet, it was larger than cairn A. This reasonably well-preserved tomb had a very distinct outlying “wall” running around the edges of the stone heap, along the edge of the hillside and around onto the flat moorland. Here we found there were many more stones piled up in the centre of the tomb, but again, on its northern edge, was the tallest of the surrounding upright stones, white in colour (with perhaps a very worn cup-marking on top – but this is debatable…), erected here for some obviously important reason which remains, as yet, unknown to us. Although looking through the centre of the cairn and onto the white upright stone, aligning northwest on the distant skyline behind it, just peeping through a dip, seems to be the great rocky outcrop of Simon’s Seat and its companion the Lord’s Seat: very important ritual sites in pre-christian days in this part of the world. Near the centre of this cairn was another distinctly coloured rock, as you can see in the photo, almost yellow! Intriguing…
The smaller “Cairn C”
Within a hundred yards or so scattered on the same moorland plain we found other tombs: Cairns C, D, E, F, G and H — but cairns A and B were distinctly the most impressive. An outlying single cairn, C, typical of those found on Ilkley Moor, Bingley Moor, Bleara Moor, etc, was just five yards southwest of Cairn A, with a possible single cup-marked stone laying on the ground by its side.
Just to make sure that what we’d come across up here hadn’t already been catalogued, I contacted Gail Falkingham, Historic Environment team leader and North Yorkshire archaeological consultant, asking if they knew owt about these tombs. Gail helpfully passed on information relating to a couple of “clearance cairns” (as they’re called) — monument numbers MNY22161 and MNY 22162 — which are scattered at the bottom of the slope below here. We’d come across these on the same day and recognised them as 16th-19th century remains. The cairnfield on top of the slope is of a completely different character and from a much earlier historical period.
We know that human beings have been on these moors since mesolithic times from the excess of flints, blades and scrapers found here. Very near to these newly-discovered tombs, Mr Cowling (1946) told that:
“On the western slope of the highest part of Askwith Moor is a very interesting flaking site. For some time flints have been found in this area, but denudation revealed the working place about August, 1935. There were found some twenty finished tools of widely different varieties of flint. A large scraper of red flint is beautifully worked and has a fine glaze, as has a steep-edged side-blow scraper of brown flint. A small round scraper of dull grey flint has the appearance of newly-worked flint, and has been protected by being embedded in the peat…One blade of grey flint has been worked along both edges to for an oblong tool… The flint-worker on this site appears to have combed the neighbourhood to supplement the small supply of good flint.”
All around here we found extensive remains of other prehistoric remains: hut circles, walling, cup-and-ring stones, more cairns, even a probable prehistoric trackway. More recently on another Northern Antiquarian outing, we discovered another previously unrecognised cairnfield on Blubberhouse Moor, two miles northwest of here.
References:
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Jack, Jim, “Ancient Burial Ground and Bronze Age Finds on Moor,” in Wharfedale Observer, Thursday, May 27, 2010.
From the back of Moor End Farm on the south-side of Langbar village, follow the Long Ridge footpath up onto the moor. Walk along the path until its starts dipping down again, onto the moor proper and where another footpath crosses and goes down into the small valley of the Dryas Dike stream: follow it down, crossing the stream and up the small slope till you’re on the next level of ground. Stop here and walk right, off-path and up the gentle slope towards a small fenced-off piece of moor. About 30 yards before the fence, check out the rocks under your noses. You’re damn close!
Archaeology & History
If you’re gonna come up this region, this is the carving you’ll most wanna check out. It’s the most ornamented of all the cup-and-ring stones at the top of Delves Beck. Comprising at least five full cup-and-rings and a number of single cups, carved on a roughly square flat rock, it was first found by Stuart Feather in the mid-1960s. It sits amidst a cluster of many other carvings on the same ridge. This (for me at least) is something of a curiosity, inasmuch as we have a seeming lack of other prehistoric remains in attendance.
Carving 448 with paint damage…and again, with paint damage
On the other side of the Wharfe valley above Ilkley, aswell as where we find cup-and-ring clusters on the Aire valley side at Baildon and East Morton, a preponderance of burials tend to cluster around clusters of rock art; but this doesn’t, initially, seem evident here. A possible cairn is located on the northern side of this small ridge, and there is distinct evidence of another cairn down the slope on the other side of the Dryas Dike stream (by stone 440) just 100 yards away, but that’s it. A more thorough examination of this region is required to see if other burial remains were in evidence hereby in the past. I have photos of seemingly cairn-scatter material, and ancient walling in is clear evidence on the northern side of Dryas, but much more work needs doing. Obviously much of this would require full surface excavation, which means we’re gonna need quite a bit of work and effort to see if the rock-art/burial patterns found elsewhere are echoed here. It’s likely, it’s gotta be said.
…On a slightly more disturbing note: when me and Dave were up here last week, this carving and several others with more ornate designs on this ridge (carvings 446, 453 and others) had been painted over in some black substance. You can see this clearly in the photos we took, above. Whoever did it appears (word gets to me that a arty-dood called Paul did it) has done so to highlight the carvings so they stand out very clearly. If you wanna highlight carvings for better images or photos, there are much better ways of bringing out the designs than the methods you employed there: chalk for one!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart W., “Mid-Wharfedale Cup-and-Ring Markings: Nos 43 & 44, Middleton Moor,” in Cartwright Hall Archaeology Group Bulletin, 11:4, 1966.
Follow the same directions to find the Middleton Moor carvings of 441, 445, or others close by. If you can get to carving 445, then you’re about 20 yards northeast away from this one! A bittova upright stone, with another undecorated smooth flat rock about one-foot away.
Archaeology & History
Amidst the clump of other carvings on top of the ridge at the head of Delves Beck on the southern side of Dryas Dike, is this small standing-stone-like rock, which has a distinct single cup-marking right on the topmost part of the stone. In certain lighting conditions it seems that there may have been a partial surrounding-ring on its top, or perhaps a smaller faded cup by its side. It’s hard to tell — so let’s play safe and just stick with it being a single-cup stone for the time being!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Follow the same directions to find Middleton Moor’s 441 carving. Then, go across the small stream a bit further down the slope and up up the slope until you’re on the level. Once on this small rise in the land, look up the slight slope where approaching the the fenced area. You’re close!
Archaeology & History
Middleton Moor carving 445
On the Middle Ridge between the streams of Delves Beck and Dryas Dike, this small rounded triangular-shaped carved stone has eight simple cup-markings eroded, but notable on its smooth surface. Boughey & Vickerman (2003) suggest some may be gunshot marks, which has to be considered at several of the seeming ‘cup-markings’ on this moor. (particularly at Carving no.440 less than 100 yards away) Archaeo-astronomers amongst you will note the Cassiopeia-like central design on this design — though this is probably coincidental (it might have tickled mi fancy when I was going thru my astroarchaeology phase many years back, but not anymore).
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton. Ask a local. If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away)
Archaeology & History
Almscliffe Crags – looking east
This giant outcrop of rock rises out from the meadowlands here like a miniature volcano, visible for many miles all round. The history and legends surrounding the aged edifice are prodigious and the view from its tops on a fine day is one to be remembered. It is likely, although there is little corroborative historical evidence, that is was an “omphalos”, or navel centre of the universe for the local people many centuries ago. A great cutting runs through its centre and “runs from nearly north to south, and forms the boundary between the townships of Rigton and Stainburn, so that a portion of the rock is in each township.” On the respective sides of this division are carved the letters “T.F.” and “E.L.”, being the initials of the families who owned the land here in olden days, Thomas Fawkes [of the legendary Guy Fawkes’ family] and Edwin Lascelles, of the ancient Harewood family.
Although Almscliffe Crags have been described in a great many local history books, it almost beggars belief to find it omitted from all the ancient mystery or “sacred sites” books ever written. Curious… Such lesser sites as Alderley Edge, the Cow and Calf rocks, Kilburn’s White Horse, Twelve Apostles stone circle, and many more, whilst having their respective virtues, don’t touch this place for ritual or sacred intent.
First described in the early 13th century records of Fountains Abbey, A.H. Smith (1961) thought the name of Almscliffe itself originally came from a hypothetical lady’s name, which seems an all-too-easy proclamation to make, instead of the humble option of “I don’t know”! But Smith wasn’t the only one to throw some curious ideas up about the etymology of Almscliffe. Said by some local etymologists to derive from the Celtic Al-, a rock or cliff, and mias, an altar, there are other attempts to bring its rocky form into a consensus meaning. The anglo-saxon Ael or El, being fire, and messe, or mass; and the Scandinavian Ormcliff, being the “cliff of the serpent”. In Jones’ History of Harewood (1859), he tells
“it to have derived its name from the distribution of almes, at certain times, agreeably to the tenor of legacies left to the chapel which stood there in the sixteenth century, and was at that time dedicated to the Virgin Mary.”
It’s difficult to say which one tells its true title. Many a druidic tale has also been carved into its form. Such is the nature of this site that Grainge (1871) wrote how,
“it would not be difficult to show, with the exception of the artificial temple or circle of stones, this place possesses all the accessories of that ancient worship as…typical of the worship of the sun.”
Simpson’s 1879 drawing of the Almscliffe ‘cromlech’
A remark that was even echoed by one of Yorkshire’s finest and most sober historians, Harry Speight. (1903) Grainge also pointed out that in his day there were three standing stones by the great Crags, one fallen, but “two of these rocks yet stand upright.” A few years later we find that the ranting christian writer, Henry T. Simpson (1879), described similar megalithic remains here, though his description was of a “cromlech.” (illustrated here) I can find no trace, nor further references to these relics; but think it reasonable to suggest that, perhaps, Simpson’s cromlech and Grainge’s standing stones may have been one and the same monument.
In the field 100 yards immediately north of the Crags (the one with the two rocks in it) there used to be seen the remains of some primitive early walling, suggestive of a small, early settlement site. Very little can be seen of these remains today and, as far as I’m aware, no archaeological survey was ever done of them. In all honesty, it’s highly probable that a number of other important prehistoric sites were once in evidence at varying distances around Almscliffe Crags…
Folklore
The creation myth of Almscliffe tells that, long long ago, the great giant Rombald — whose main place of residence tended to be Ilkley Moor — was having a fight with the devil upon his homeland heath. As is common in the myths of giants, the ‘devil’ picked up a great boulder and threw it at Rombald, but it missed and fell just short of the village of North Rigton, creating Almscliffe Crags. A variation of this tale tells that it was Rombald and his wife having the argument and she threw the stones to create the place. Several sites have been named as the place where the mythological argument occurred: the Cow and Calf rocks, the Great Skirtful and Little Skirtful of Stones all cited in the folktales of our Yorkshire peasants. Another variation of the tale tells that the devil was simply carrying some stones (as devils and giants are renowned to do in the folk-tales of the world) and he accidentally dropped them where the Crags now stand. Such rock-throwing tales are, once more, symptomatic of cailleach tales more commonly found in Ireland and Scotland.
There are a great many cup-markings on the top surface of these Crags, most of which seem natural, but it is not unreasonable to think that, perhaps, some may have been carved by human hands? (not sure misself) Eric Cowling (1946) sincerely believed the antiquity of some carvings here. One of them particularly, three feet across and eighteen inches deep, though seemingly natural, has for several centuries been known as the “Wart Well.” Its name is attributed to folklore that is more commonly found in Ireland and the Scottish highlands; that is, should you have a wart, prick it with a pin until a drop or two of blood drips into the water that gathers in the stone bowl, then dip your hand in afterwards. The wart is sure to vanish. Another method to achieve the same end is to merely wash the skin affliction in the water, and it will soon fade. (Interestingly, an old psychotherapist friend, afflicted with the damned things, did just this and they promptly vanished.)
A more minor creation myth tells that the stone bowls we see on top of the Crags here – including the Wart Well – was actually made when the giant Rombald stepped from his home onto the Crags and left his footprint embedded in the rock face. He was said to have made it in just one step, from the Giant Skirtful of Stones prehistoric cairn [where one legend reputes him buried].
Faerie folk were also long held to live here. On the northwest side of the Crags is the entrance to a small cave that was always known as the Faerie’s Parlour, as it was said to be an entrance to their supernatural world. In times past, many people have scrambled down into the cave, but never reached their Otherworldly paradise. William Grainge (1871) wrote how the little people “were all powerful on this hill and exchanged their imps for children of the farmers round about.” This is typical of old changeling lore! In outlying villages surrounding the Crags there is a particular excess of faerie and old heathen lore.
One very curious-sounding tale tells how a goose was sent down the hole and, after some considerable time, re-emerged 3½ miles away out from a well near Harewood Bridge. The goose is one of the many symbols of the sun and one of its primary symbolic attributes is that of winter. Interestingly perhaps, as the rock art writer Graeme Chappell has pointed out, the underground journey of the goose from Almscliffe to Harewood Bridge coincides closely with the rising of sun on morning of the winter solstice. This tale may simply be a folk remnant — and an archaic one at that — of just that event: ritualising winter solstice from these Crags. In Norse lore, shamans tell of geese carrying the great god Wotan across the skies at the coming of the Yule period.
Another ritual date that was celebrated here was Beltane, or May 1. Not only do we find many of the outlying villages possessed their own maypoles, but in 1879 Mr Simpson of Adel reported seeing Beltane fires atop of these rocks. Other meetings were made here as the Crags are spliced in half by the local boundary line, and perambulation records show that people came here during the ‘beating of the bounds’, as they used to be called. This boundary perambulation moot ingredient is what strongly implies the site to have had ritual importance. And the fact that a mass of folktales emerge from here adds to this. Then of course we have the physical situation of the Crags at the heart of the mid-Wharfedale landscape. All these ingredients combined, strongly suggest the site would have been, not just the ritual meeting place of tribal elders in pre-christian times, but an omphalos: it rises majestically from the land and all monuments gaze towards its giant form. Important giant prehistoric monuments from the hills miles away tell of myths that come and go from this proud mass of stone. Although we have other omphali just over the extended horizons from Almscliffe, this is where the World began in the creation myths of ancient times in mid-Wharfedale, at the heart of the ancient kingdom of Elmet.
But there is still more lore to be told of these rocks…
The centre piece of the Crags is known as the Altar Rocks. Upon its western side is carved the “figure of a large tree, which we take to be the monogram of the Celtic Jupiter,” says Grainge. This assumption is derived from an eighteenth century writer who, said Speight (1903), told that “Almnus and Alumnus are titles of Jupiter, to whom this high altar was dedicated.”
The highest part of the Crags, to the west, is known as Lover’s Leap where, in 1766, a daughter of a respectable Rigton farmer of the name Royston, having been disappointed in love, decided to kill herself. She jumped, so legend reputes, from a point some sixty feet above ground, but a strong wind blowing at the time caught hold of her dress and carried her through the air until she landed safely in an adjoining field with naught but a sprained thumb! The said lady realised the stupidity of her ways and was said to have lived out a long and fine life.
In recent years earthlights (UFOs) have been seen floating above and around the great outcrop. It is likely that these were the same things which, in days of olde, the people would call the faerie. I highly recommend visiting the place!
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds 1895.
Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
Grainge, William, History & Topography of Harrogate and the Forest of Knaresborough, J.R. Smith: London 1871.
Jones, John, The History and Antiquities of Harewood, Simpkin Marshall: London 1859.
Simpson, William, Archaeologia Adelensis, W.H. Allen: London 1879.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1961.
Speight, Harry, Kirkby Overblow and District, Elliott Stock: London 1904.
You can come from various angles to approach this site, but I reckon the best is from along the old trackway of Parson’s Lane, between Addingham and Marchup. From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for about 500 yards until you reach the Millenium Way or Parson’s Lane track, to your right. As you walk along this usually boggy old track, the rounded green hill ahead, to the left, if where you’re heading. Less than 100 yards past the little tumulus of High Marchup there’s a stile on your left that takes you into the field. You’ll notice the depression that runs across near the top, at an angle. That’s part of the earthworks!
Archaeology & History
The Counter Hill earthworks just over the far western edge of Rombald’s Moor – thought to be Iron Age – are truly gigantic. More than ¾-mile across along its longest NW-SE axis, and a half-mile from north-south at its widest point, this huge ellipse-shaped earthwork surrounds the rounded peaked hill that gives the site its name: Counter Hill. And although Harry Speight (1900) thought the hill got its name from the old Celtic conaltradh, or Irish conaltra, as in the ‘hill of debate or conversation’ — a possibility — the place-name master Mr Smith (1961) reckoned its name comes from little other than ‘cow turd hill’! We may never know for sure…
Earthworks south of Counter HillCowling’s 1946 plan
The Lancashire historian Thomas Dunham Whitaker (1878) appears to have been one of the first people to describe the Counter Hill remains, though due to the sheer size of the encampment he thought that it was Roman in nature. Within the huge enclosure we also find two large inner enclosures, known as the Round Dikes and the Marchup earthworks. Whitaker’s description of Counter Hill told:
“There are two encampments, on different sides of the hill, about half a mile from each other: one in the township of Addingham, the other in the parish of Kildwick; the first commanding a direct view of Wharfedale, the second an oblique one of Airedale; but though invisible to each other, both look down aslant upon Castleburg (Nesfield) and Ilkley. Within the camp on Addingham Moor are a tumulus and a perennial spring; but by a position very unusual in such encampments, it is commanded on the west by a higher ground, rising immediately from the foss. The inconvenience, however, is remedied by an expedient altogether new, so far as I have observed, in Roman castramentation, which is a line of circumvallation, enclosing both camps, and surround the whole hill: an area, probably, of 200 acres. A garrison calculated for the defence of such an outline must have been nothing less than an army. But it would be of great use in confining the horses and other cattle necessary for the soldiers’ use, which, in the unenclosed state of the country at the time, might otherwise have wandered many miles without interruption. The outlines of these remains is very irregular; it is well known, however, that in their summer encampments the Romans were far from confining themselves to a quadrangular figure, and when we consider their situation near the Street, and the anxious attention with which they have been placed, so as to be in view of Ilkley or Castleburg, there can be little danger of a mistake in ascribing them to that people.”
Counter Hill earthworks, looking west
And though Whitaker’s sincerity and carefully worded logic for the period is quite erudite (much moreso than the greater majority of historians in modern times), his proclamation of the Counter Hill earthworks as Roman is very probably wrong (soz Tom). The embankments are much more probably Iron Age in nature and are very probably the result of indigenous tribal-folk than that of the incoming Romans. Most modern archaeologists and historians tend to see the entrenchments as being from such a period and I have to concur.
Folklore
The old antiquarian Edmund Bogg (1904) wrote that the Counter Hill earthworks were built as a result “of the struggle between the Anglians and the Celt,” long ago. The great Yorkshire historian Harry Speight (1900) narrated similar lore just a few years earlier, but told that the tradition was “of how the Romans drove the natives from this commanding site of Counter Hill.”
References:
Bogg, Edmund, Higher Wharfeland: The Dale of Romance, James Miles: Leeds 1904.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Fletcher, J.S., A Pictureseque History of Yorkshire – Part IX, J.M. Dent: London 1901.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 6, Cambridge University Press 1961.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Whitaker, T.D., The History and Antiquities of the Deanery of Craven, 3rd edition, Joseph Dodgson: Leeds 1878.
From Silsden go up the long hill (A6034) towards Addingham until the hill levels out, then turn left on Cringles Lane (keep your eyes peeled!) for about 500 yards until you reach the Millenium Way footpath, or rather, green lane track, to your right. Walk along this usually boggy old road for another 400 yards until you’re level with the small copse of trees below the field (about 100 yards away). The slightly raised ditched mound on the left side of the track ahead of you is what you’re after!
Archaeology & History
Unless this old tomb was pointed out, you probably wouldn’t give the place a second glance. It’s a seemingly isolated singular round tomb, subsided on top and surrounded by a small ditch, running into the edge of the walling. Gorse bushes and a few rocks are around the edges of the site. Harry Speight (1900) described this old tomb as a
“lonely isolated mound, to be seen in Parson Lane about a hundred yards west of the Celtic boundary, Black Beck, where some old dying chief has called his friends around him bidding them, “heap the stones of his renown that they may speak to other years.” It is a tumulus 80 feet in circumference and does not seem to have been disturbed.”
In Faull and Moorhouse’s (1981) magnum opus they describe the site as “the denuded remains of a ditched round barrow,” but say little else. It may have had some relationship with the settlement remains in and around the huge Counter Hill complex, immediately north.
References:
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Faull, M.L. & Moorhouse, S.A. (eds.), West Yorkshire: An Archaeological Guide to AD 1500 (4 volumes), WYMCC: Wakefield 1981.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
This carving was discovered very recently following an exploration of recognised sites on Middleton Moor by rock art student Mike Short on March 28, 2010. Found amidst a cluster of other carved rocks, it was located after he noticed a small piece of stone poking out of the peat and — as happens to those folk obsessed by these ‘ere carvings — he decided to dig round the stone and cut the turf back to see if there was anything carved on the rock, as there are other cup-and-rings are close by. Thankfully, after a bit of effort digging round the stone, Mike found the carving we see in the images here! (courtesy of Mike and Richard Stroud). With a distinctly ‘facial’ appearance (hence the name), the following notes were written describing the new find:
“Small roughly oval dome-shaped medium grit rock approx. 49cm X 36cm, at and below soil level. Two cups, one of which is conical and deep (55mm deep and 65-75mm diameter) and of similar profile to one of the cups on No. 458; small shallow bowl-like depression with possible peck marks; curving groove on northern edge.”
When Mike finished with their drawings and measurements, the stone was covered back over and left in situ. Although I aint seen the carving ‘in the flesh’ misself yet (we’re gonna have a look next week) it gives me the impression it had some association with burials.
References:
Short, Mike & Stroud, Richard, “Report of New Carved Rock (‘Caspar’) on Middleton Moor,” April 2010.
Take the road up across from Ilkley train station uphill towards the moor until you reach great rocks on your right. From here, the Cow & Calf Stones car park (packed with tourists and litter everywhere these days), go up the steep footpath onto the moor. As you level out looking across the first moorland ridge, to your left is a rounded hillock. Go into the heather there and near its small peak and you’ll find what you’re looking for.
Archaeology & History
This is a nice big stone, found amidst a clump of other stones, that gives the distinct impression of once being a large cairn or similar artificial prehistoric feature. But that’s wishful thinking on my behalf… This long fat 10-foot long rock has the distinct signature of someone who thought it a good idea to carve his little name on the carving in 1978, as the name of the rock tells: “Wray Nov 78” — vandalism which the local Ilkley Parish Council and local businessman Tom Lonsdale validate as little more than “twenty-first century informal unauthorised carving.” Beneath the great artist’s signature we find two distinct cup-marks above a large rounded bowl, inside of which seems to be the impression of an old ring, but this seems due to the actions of water and lichen. There are perhaps another two faded cup-markings alongside those distinctly visible. In Hedges (1986) survey he described the “top flat surface has three cups and one basin” — so let’s play safe and go with that!
Close-up of cups, bowl & modern etching
It’s a good stone, sat upon a fine ridge with distinctive views for miles both east and west along the valley of the Wharfe, and north to the ancient settlements and burial grounds of Middleton Moor on the other side of the River Wharfe. From here, behind and up onto Ilkley Moor, unfolds its greater mythic history, scattered and hidden over differing ages. In years past, this site was a fine one for reflection and insight. Today, one must venture further and to other sites for such quiet realities. Close by you can find the double-ringed carving of stone 318 and other faded cup-mark stones nearby.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
