cupules – Page 13

Allt a’ Choire Chireinich (03), Kenmore, Perthshire

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Cup-Marked Stone: OS Grid Reference – NN 65249 39579

Getting Here

Allt a’ Choire Chireinich 03 Stone

Take the same directions to reach the large rounded Allt a’ Choire Chireinich 02 carving. Walk 65 yards (60m) northwest diagonally uphill to another large rounded stone of similar size. That’s the one!

Archaeology & History

A large cup-marked boulder, not previously recognised, was rediscovered on the afternoon of May 15, 2015. The great majority of the rock surface is covered in aged lichens, but at least three well-defined cup-markings were noted on the upper rounded surface of the stone: one near the middle of the stone; one near the centre-north; and another towards the top northwest section of the stone. The cups are more than an inch in diameter and eighth-of-an-inch deep. Others may be in evidence beneath the vegetation.

Allt a’ Choire Chireinich, Kenmore, Perthshire

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Cup-and-Ring Stone: OS Grid Reference – NN 65096 39442

Getting Here

The stone, uncovered

Take the A827 road between Killin and Kenmore and park-up at the entrance to Tombreck. Cross the road and walk up the track that goes up Ben Lawers. As it zigzags uphill, watch out for you being level with the top of the copse of trees several hundred yards west, where a straight long overgrown line of walling runs all the way to the top of the copse. Go along here, and just as you reach the trees, walk uphill for about 50 yards. You’re damn close!

Archaeology & History

Whether you’re into prehistoric carvings or not, this is impressive! It’s one of several with a very similar multiple-ring design to be found along the southern mountain slopes of Ben Lawers. Rediscovered on May 13, 2015, several of us were in search of a known cup-and-ring stone just 260 yards (238m) to the northwest in this Allt a’ Choire Chireinich cluster, but one stone amongst many called my nose to have a closer sniff—and as you can see, the results were damn good!

Looking from above

Etched onto a large flat rock perhaps 5-6000 years ago, probably over at least two different seasons, the primary design here is of two sets of multiple-rings: in one case, seven concentric ones emerging from, or surrounding a central cup-marking (more than an inch across); and the other is of at least eight concentric rings emerging from a cup-marking, about half-an-inch across. The largest cup-and-seven-rings is the one near the centre of the stone. Initially I thought this was simply two concentric seven-rings; but the more that I looked through the many photos we’d taken, the more obvious it became that the residue of an eighth ring (possibly more) exist in the smaller-sized concentric system. It must however be pointed out that neither of the concentric carved rings seem to be complete – i.e., they were never finished, either purposefully or otherwise. The largest cup-and-seven-rings is the one near the centre of the stone; with the outer smaller example being half the size of the one in the middle. At first glance, neither of the concentric rings seem complete – and so it turned out when it was enhanced by rain and sun.

First photo of the double-rings

The large central cup-and-seven-rings has two additional cup-marks within it: one on the outer fifth ring to the southeast, and the other in the outer sixth ring to the west. This western cup-mark is also crossed by a carved line that runs from the first ring outwards to the west and to the edge of the rock, crossing another cup-mark along the way. This particular carved line might be the same one that integrates itself into the first ring, and then re-emerges on is northeastern side, to continue out of the multiple-rings themselves and curve over to the eastern side of the rock. Running roughly north-south through the middle of this larger seven-ring element, a line scarred by Nature is visible which has been pecked by humans on its northern end, only slightly, and running into the covering soil eventually, with no additional features apparent. Another possible carved line seems in evidence running from the centre to the southeastern edge – but this is by no means certain.

The carving, looking north

This large central seven-ringed symbol has been greatly eroded, mainly on its southern sides, where the rings are incomplete, as illustrated in the photos. Yet when the light is right, we can see almost a complete concentric system, with perhaps only the second ring from the centre being incomplete on its eastern side. On the southern sides, the visibility factor is equally troublesome unless lighting conditions are damn good. The northernmost curves, from west to east, are the deepest and clearest of what remains, due to that section of the stone being covered in soil when it was first discovered, lessening the erosion.

Smallest 7-ring section, with cups

Multiple-ring complex & cups

Moving onto the second, smaller concentric set of rings: this is roughly half the size of its counterpart in the middle of the stone. Upon initial investigation you can clearly make out the seven rings, which have faded considerably due to weathering. It seems that this section was never fully completed. And the weathering on this smaller concentric system implies one of two things: either that it was left open to the elements much much longer than its larger seven-ring system, or it was carved much earlier than it. In truth, my feeling on this, is the latter of the two reasons. Adding to this probability is the fact that even more rings—or at least successive concentric carved ‘arcs’—are faintly visible around this more faint system: at least eight are evident, with perhaps as many as thirteen in all (which I think would put it in the record-books!). But we need to visit it again under ideal lighting conditions to see whether there are any more than the definite eight. It is also very obvious that the very edge of the rock here has been broken off at some time, and a section of the carving went with it—probably into the ancient walling below or the derelict village shielings on the mountains slopes above.

Just above the eroded eight-ring section are three archetypal cup-marks close to the very edge of the rock, one above each other in an arc. Of these, the cup that is closest to the eight-rings possesses the faint remains of at least two other partial rings above it, elements of which may actually extend and move into the concentric rings themselves—but this is difficult to say with any certainty. However, if this is the case, we can surmise that this small cup-and-two-rings was carved before its larger tree-ring-looking companion.

Below the smaller seven-ringer is the possibility of a wide cup-and-two-rings: very faint and incomplete. This only seems visible in certain conditions and I’m not 100% convinced of its veracity as yet.

Curious ‘eye’-like symbol

‘Eye’ to the bottom-left

We also found several other singular cup marks inscribed on the rock, all of them beneath the two concentrics, moving closer to the edge of the rock. But a more curious puzzle is an eye-like symbol, or geological feature, on the more eastern side of the stone. It gives the impression of being worked very slightly by humans, but as I’m not a geologist, I’ve gotta say that until it is looked at by someone more competent than me, I aint gonna commit myself to its precise nature. What seems to be a carved line to the left (west) of this geological ‘eye’ may have possible interference patterns pecked towards it. Tis hard to say with any certainty.

So – what is this complex double-seven-ringer?! What does it represent? Sadly we have no ethnological or folklore narratives that can be attributed to the stone since The Clearances occurred. We only have the very similar concentric six- and seven-ringed petroglyphs further down the mountainside to draw comparisons with. We could guess that the position of the stone halfway up Ben Lawers, giving us a superb view of the mountains all around Loch Tay might have some relevance to the carving; but this area was probably forested when these carvings were etched—which throws that one out of the window! We could speculate that the two multiple rings represent the Moon and Sun, with the smaller one being the Moon. They could represent a mythic map of Ben Lawers itself, with the central cup being its peak and outer rings coming down the levels of the mountain. Mountains are renowned in many old cultures as, literally, cosmic centres, from whence gods and supernal deities emerge and reside; and mountains in some parts of the world have been represented by cup-and-ring designs, so we may have a correlate here at Ben Lawers. O.G.S. Crawford (1957) and Julian Cope (1998) would be bedfellows together in their view of it being their Eye Goddess. But it’s all just guesswork. We do know that people were living up here and were carving other petroglyphs along this ridge, some of which occur inside ancient settlements; but the traditions of the people who lived here were finally destroyed by the English in the 19th century, and so any real hope of hearing any old myths, or possible rites that our peasant ancestors with their animistic worldview possessed, has died with them.

Tis a fascinating carving nonetheless—and one worthy of seeking out amongst the many others all along this beautiful mountainside…

References:

Bernbaum, Edwin, Sacred Mountains of the World, Sierra Club: San Francisco 1990.
Cope, Julian, The Modern Antiquarian, Thorsons 1998.
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Eliade, Mircea & Sullivan, Lawrence E., “Center of the World,” in Encyclopedia of Religion – volume 3 (edited by M. Eliade), MacMillan: Farmington Hills 1987.
Evans-Wentz, W.Y., Cuchuma and Sacred Mountains, Ohio University Press 1980.
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Michell, John, At the Centre of the World, Thames & Hudson: London 1994.
Yellowlees, Sonia, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.

Acknowledgements: Huge thanks to Paul Hornby for the use of his photos in this site profile; to Lisa Samson, for her landscape detective work at the site; and to Fraser Harrick, for getting us there again.

Langside House, Cathcart, Glasgow, Lanarkshire

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Cup-and-Ring Stone (removed): OS Grid Reference – NS 5726 6128

Also Known as:

Bluebell Woods
Canmore ID 44291
Langside Stone

Archaeology & History

In a region where, today, the busy city spreads its urban tendrils on the south-side of Glasgow, there could once be found an excellent multi-ringed prehistoric petroglyph. It was located in the landscape of Langside and Battlefield, betwixt where now large houses grow, a few hundred yards south of the hillfort-topped Queen’s Park. According to the official records, it was all alone – but I don’t buy that for one minute! (petroglyphs rarely occur in isolation)

The carving in Kelvin Hall, Glasgow (photo by Donny McIntyre)

Before being noticed by archaeologists, the stone was apparently being used as a stone seat in the woods on which people would sit, rest and admire the view! It was probably a part of a larger monument, perhaps a cairn of some sort. As we can see in the sketches that were made of it, along with Donny’s photo of it (right) in the Glasgow Museum store-rooms, the stone was part of a larger piece and was likely to have had companions, but records seem to be silent on the matter. The most detailed description of it comes from the pen of northern antiquarian Fred Coles (1906), who gave us the following literary portrait:

“The first notice of the Stone incised with the design shown below was due to Mr W. A. Donnelly, who contributed a description and a sketch to The Glasgow Evening Times of 25th June 1902. Later, Mr Ludovic Mann, at my request, sent me certain notes he had taken of the cup-and-ring-marks. But prior to this, the Stone itself had, on the instigation of Mr Donnelly, I think, been removed from its site in the wood, and placed near one of the entrances to the new Kelvinside Museum. There I saw it and made measurements in July 1903.

“The Bluebell Wood lies in a curving line to the west and south of Langside House, and the cup-marked Stone was at a point in the southern extremity of the wood, above and north of the river Cart. It is interesting to be able also to record that the longer axis of the Stone lay almost precisely north and South, and the opposite axis east and west.* The Stone is of a hard, whitish sandstone, a good deal weathered and rounded at the edges. It measures 4 feet 9 inches in length and 3 feet 2 inches in breadth, and varies in thickness from 2 feet 6 inches to 1 foot 7 inches. The striation of the Stone has helped to efface the cuttings which, though perfectly clear and measurable, are shallow in proportion to their width. And this feature I have endeavoured to portray in the accompanying illustration (above). Beginning at the north end of the Stone, there is one cup placed just where the outermost ring of that group touches the edge of the Stone. The ring has a groove leading towards but not into a central cup, and four other cups are placed on the two outermost rings, there being four rings in this group. The middle group consists of a central cup and three rings, flanked on the west by a row of three cups (one of which is the largest of all), and on the east by a double row of six cups, three of which are almost obliterated. This middle group is imperfectly concentric, two of its arcs running into the fourth ring of the group on the south, which has a fine deeply picked central cup. All the better-preserved rings are very nearly 1½ inches in width of cutting.

“The diameters of the outermost rings in each group are: of the north group, 1 foot 9 inches; of the middle group 1 foot 5 inches; and of the south group 1 foot 7 inches. The cups vary in diameter from 3 inches to 1½.

“Considering the extremely easily weathered nature of this Stone, and the fact that its sculptured surface has already suffered much ill-usage, its present position, near the entrance of the Art Galleries, entirely unprotected by a railing and exposed to all sorts of abuse by casual passers-by as well as the weather, is not a fit and proper place for a Stone of such interest.”

A few years after this, the local historian Ludovic MacLellan Mann (1930) wrote a piece for the Glasgow Herald, in which he thought that both this and another carving in the area,

“commemorate chiefly…an eclipse of the sun seen in Glasgow district in the year 2983 BC, at three o’ clock in the afternoon of the sixth day after the Spring Equinox.”

A fascinating idea… Mann was intrigued by the theory that petroglyphs represented astronomical events or maps of the skies – and we know from cultures elsewhere in the world that some carvings had such a function; but it’s not integral to all carvings by any means.

The stone was included in Ron Morris’ (1981) survey, merely echoing the description of Fred Coles, adding nothing more. And so it seems that the carving is still in the museum somewhere. Canmore has it listed as “Accession no: 02-78”. Does anyone know of its present situation? Can anyone get a photo so we can give it a more fitting site profile? It looked a damn good carving! And, if anyone lives nearby, I note that there are small patches of the old woodland still visible on GoogleEarth: therein, perhaps, a diligent explorer may just find another carving….

References:

Coles, Fred, “Notices of Standing Stones, Cists and Hitherto Unrecorded Cup-and-Ring Marks in Various Localities,” in Proceedings of the Society of Antiquaries, Scotland, volume 40, Edinburgh 1906.
Donnelly, W.A., “Letter”, Glasgow Evening Times, 25 June, 1902.
Mann, Ludovic MacLellan, “The Eclipse in 2983 B.C. – Discovery near Glasgow,” in Glasgow Herald, 17.09.1930.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
Small, Sam, Greater Glasgow: An Illustrated Architectural Guide, RIAS: Edinburgh 2008.

ACKNOWLEDGEMENTS: Huge thanks to beautiful Aisha for putting me up; and to Donny McIntyre for letting us use his photo.

* Although Coles did note how its earlier use as a stone seat probably negates his axial measurements.

West Strathan, Melness, Sutherland

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Cup-and-Ring Stone: OS Grid Reference – NC 56428 64071

Getting Here

Along the A836 road between Durness and Tongue, take the minor road north to Melness. Keeping to the right all the way along, drive almost to the very end, shortly before which is a double right-hand bend uphill. Park here and walk back along the road, north, past the cottage of Dun Bhuidhe for about 100 yards until you see the large sloping rock face with the telegraph post sticking out of it. That’s the place!

Archaeology & History

Not previously recorded, this cup-and-ring stone is right by the roadside up the far, lonely but beautiful glen west of Melness, which runs to a dead-end and into the heart of the silent moors high up in Sutherland’s remote landscape — and it’s a damn good one! It’s also the most northern example known of a Neolithic or Bronze Age petroglyph on the British mainland. The carving has been etched onto a large easterly sloping rock, fractured into several sections, with the decayed broch of Dun Bhuidhe rising to its immediate southwest. The setting alone is outstanding!

It was rediscovered on 25 August, 2015, after Prof Hornby and I had analysed the chambered tomb south of Dalvaid about half-a-mile away. In walking back to explore the aforementioned broch, I cut across the bottom of a nearby rock and found three distinct cup-markings etched near the bottom of its sloping face. Calling out to Prof Hornby, he retreated in his direction to the broch and came back to look at the top of this very large rock surface.

“There are some more cups on this section of the stone!” he called – and began to count them. “At least ten in this little section,” he said. There were indeed!

Carving, looking west

Carving, looking south

By the time we’d finished counting, drawing and assessing the design etched onto the rock surface, amongst at least two cup-and-ring elements we found at least 67 cup-markings, mainly carved onto the northwest portion of the stone. The first three that I’d seen were on the much lower eastern part and were etched in deliberate isolation from the primary design. However, of these three isolated cups, it looks as if one of them may have a spiral element curving out of it. This needs assessing in much better lighting conditions, because when we found it the skies were very grey and overcast, making an accurate survey very difficult (cup-marks on rocks can be hard to see unless daylight conditions are just right) – and, after a short while, the legendary Scottish midges appeared and began to feast on us, which stopped us in our work. The little buggers!

On a subsequent visit here with Sarah MacLean of Borgie in the summer of 2018, she found several more cup-marks beneath the lower arc shown in the above drawing (which I need to update, obviously).

Central features of the carving

Scatter of central cups

The most notable feature to this carving is the arrangement of the great majority of the cup markings. They were quite deliberately carved along the very top of the stone, close to its edge, in two contiguous lines of nine with a small gap separating them. At the northwestern end of this, a very notable feature occurs: a natural crack in the rock runs down the stone and, almost all the way down, we find a line of cups have been pecked onto the stone along the natural crack, with some of them near the top that are unfinished. These cup-marks are more elongated in form than the usual circular status; but this is due to them being etched into the cleft itself. From top to bottom there are 13 such cups. At the bottom of this line, another linear stretch of cups change direction and move back onto the main rock surface, just above another large long natural crack cutting across the rock. This gentle arc of cups (with two other possible cups beneath these) ends at a cup-and-ring, above which are two extra cups next to each other. Above these are a number of other cups of roughly similar size and depth, with a notably large one that gives the impression that the smaller cups around its edges are satellites to its larger parent body.

Line of cups on western edge

Row of cups etched into natural crack

Without any doubt there are other faint features that have been carved onto the stone, but due to the poor visibility factor at the time of its discovery we could not see anything other than the elements highlighted in the rough sketch. In looking through the many photos we took of this carving, there seem to be other faint lines, rings and cups within the overall design, but until we revisit the site (or someone else does!) such further features cannot be added to the drawing.

As the images of this petroglyph clearly shows, the primary feature defining it is the extensive line of continuous cup-markings running along the edges and enclosing a smaller number of internal cups. It’s an unusual element. Sequential line features such as these, defined by cups, are not common. My impression of this feature is that it was a pictorial representation of the horizons, inside which is played the story of….. something… But horizons they seem. Of course, this is a simplistic interpretation and is open to criticisms of any form. I care not! Much more importantly as far as I’m concerned is the fact that we’ve uncovered yet another unrecorded carving – and according to the official records, no such carvings exist here; but where one such carving exists, others are close by!

Watch this space…..

Acknowledgements: Considerable thanks must be given to Prof Paul Hornby, for use of his photos and without whose help this carving might never have been located. Cheers dood!

Cochno (05), Duntocher, Dumbartonshire

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Cup-Marked Stone: OS Grid Reference – NS 50301 73655

Also Known as:

Auchnacraig
Canmore ID 44536

Getting Here

Along the A810 Bearsden to Dunochter road, 100 yards past the Faifley roundabout, turn right up Cochno Road. Go up for literally 1 mile and hit the car-park. Go back onto the road and walk uphill. Barely 50 yards up, turn right and walk down the track. About 350 yards along its bendy route, some grasslands appear on your right and there, about 40 yards away, is the large Cochno-5 carving.

Archaeology & History

First described by James Harvey (1889) in association with adjacent carvings, he told that “there are eight isolated cups, two of which have a diameter of 2½ inches” on this stone. Harvey was one of those who loved the idea that our ancestors were etching cup-marks as receptacles for collecting blood and similar christian fantasies. It was a bittova fad at the time.

As we can see, the kids have sprayed their own ID onto the stone. It’s highly unlikely that they were even aware of this being a prehistoric site as there’s nothing to indicate it as such, and I know of archaeologists who wouldn’t have even seen the cup-marks on the stone, so we can’t really apportion blame. (We must recall that businessman Tom Lonsdale and Ilkley Council branded such things as “twenty-first century informal unauthorised carvings” when they sought and succeeded to get large amounts of cash to justify their own ‘brand’ of vandalism and called it ‘art’. Very common amongst those social types.)

References:

Harvey, James, “Notes on Some Undescribed Cup-Marked Rocks at Duntocher, Dumbartonshire”, in Proceedings Society Antiquaries, Scotland, volume 23, 1889.

Acknowledgements: Huge thanks to the awesome Aisha Domleo and her little dynamic duo for helping us get to this site.

Coilsfield, Tarbolton, Ayrshire

18/11/201828/05/2025 megalithix

Cup-and-Ring Stone (lost): OS Grid Reference – NS 4469 2624

Also Known as:

Canmore ID 42713
King Coil’s Grave Stone
Old King Cole’s Stone (Morris 1981)

Archaeology & History

This fascinating and very ornate prehistoric carving was found on the underside of a grave-slab beneath Old King Coil’s Grave, or an adjacent prehistoric burial feature (we don’t know for sure). In Daniel Wilson’s (1851) superb early work on prehistoric Scotland is a detailed drawing of this ornate petroglyph—similar in design and form to those found across the waters in Ireland—copied “from a drawing presented to the Royal Society of Edinburgh by Colonel Hugh Montgomery of Shielmorly, in 1785.” Mr Wilson informed us that,

“It formed the cover of a cist, discovered in digging a gravel-pit at Coilsfield, in Ayrshire, and underneath it was found an urn filled with incinerated bones. The dimensions of the stone were about five feet in length by two and a half feet in breadth”

A few years later Sir James Simpson (1866; 1867) wrote and published the earliest (and still one of the finest) books on aboriginal rock carvings in the British Isles, and all but echoed what Wilson had described. He added a further description of the designs that were carved onto the stone, telling us that,

“it had cut upon it a series of concentric circles, consisting of six rings placed around a central cup, the rings traversed by a straight radial groove. On the drawing are marks of other cups and rings, or rather volutes, and a number of angular lines… This sculptured stone covered an urn…”

Following the descriptions of our early authors, many archaeologists and antiquarians explored the site but could find little else about the carving. In Ron Morris’ (1981) most recent survey, he told us that it was,

“a gritstone slab, 1½m by ¾m (5ft x 2½ft), possibly broken after carving, had on one side (not now known if this was the inner of outer face); a cup-and-six-complete-rings with radial groove from the cup – diameter 50cm (20in) – 5 other cups-and-rings, mostly partly broken off or incomplete, an irregular ‘reversed-S-shaped’ single spiral with 3 convolutions at each end, other irregular grooved figures, 4 cups and about 7 ‘dots’ (6 of these are in the cup-and-six-rings).”

The Royal Commission at Canmore tell us that “the present location of the food vessel and cist cover is unknown”; yet the rock art researcher Ronald W.B. Morris (1981) reported the petroglyph was “said to have been given to the Society of Antiquaries of Scotland but (is) now missing”; whilst the local writer E.H. Letham (1900) told us “the urns were conveyed to Eglintoun Castle.” This aint good. Has anyone subsequently found out what became of it?

Folklore

The tumulus of King Coil’s Grave was the legendary resting place of the “Old King Cole” of popular rhymes. There were two such northern kings in ancient times and, as William Robertson (1889) said, “the only difficulty is to say which of the King Coils he was, whether the Coilu who lived three hundred and thirty years before Christ; or Coel, King of the Roman districts, who must have lived in the third century.”

References:

Letham, E.H., Burns and Tarbolton, D.Brown: Kilmarnock 1900.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
Morrison, Alex, The Bronze Age in Ayrshire, Ayrshire Natural History & Archaeology Society 1978.
Robertson, William, Historical Tales and Legends of Ayrshire, Thomas D. Morrison: Glasgow 1889.
Paterson, James, History of the County of Ayr – volume 2, Thomas Stevenson: Edinburgh 1852.
Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Smith, John, Prehistoric Man in Ayrshire, Elliot Stock: London 1895.
Wilson, Daniel, The Archaeology and Prehistoric Annals of Scotland, Sutherland & Knox: Edinburgh 1851.
Young, Alison, “Cup-and-Ring Markings on Creag Ruenshin, with Some Comparative Notes,” in Proceedings of the Society of Antiquaries, Scotland, volume 72, 1937.

White Caterthun Carving, Menmuir, Angus

17/11/201809/06/2025 megalithix

Cup-Marked Stone: OS Grid Reference – NO 54671 66022

Also Known as:

Canmore ID 35007

Getting Here

The carving below the walling

Many ways here, but from the nearest town of Brechin, take the minor north road out of town (not the B966) to Little Brechin, heading roughly north to the renowned hillforts of White and Brown Cathertun (ask a local if needs be). Park up and walk up the slope to White Cathertun, following the immense walling around to the right. Near where you reach the opposite side of the hillfort, look down the rocky slopes for a large boulder, just on the edge of the walling. You’ll find it!

Archaeology & History

Although Canmore include this cup-marked stone in the site-profile of the incredible White Caterthun hillfort, it should really have an entry of its own, as it’s age and nature very probably pre-date the construction of the giant fortress. But, this aside, if you’re visiting the hillfort (an incredible place!), at least give this heavily cup-marked stone your attention too.

Looking across the carving

Close-up of the main cups

Probably neolithic in origin, there was a small portable cup-marked companion found 30 yards away, suggesting perhaps that a cairn might once have stood on this hilltop—but tradition is silent on the matter. No other petroglyphs of any note have been located nearby, which is unusual. In all probability other carvings remain undiscovered, particularly in the hills immediately to the north.

Consisting of around 80 cup-marks, several of which appear linked by carved lines, the stone has been bound together with concrete and metal bolts after some idiot damaged it in the 19th century. It was first described by Miss Christian Maclagan (1875) in her stunning megalithic survey of the period. She wrote:

“To Sir James Simpson’s list of cup-markings we are able to add the one at the Caterthun, on a large block 6 feet long, which is quite covered with very distinctly cut cup-markings. It is a block of basalt…and the cups are so very clear and sharp in their lines that their freshness can only be accounted for by the stone having lain with the markings buried in the ground. This curious stone has been quite recently broken in two. It is a pity to see it so destroyed, because it is valuable to the antiquary in helping to establish a very remote antiquity for the fortification. It lies on the north side of the fort, among a chaos of stones, having probably once formed the side of a gateway.”

A few years later the late great J. Romilly Allen (1882) visited the site and gave us his description, telling:

“On the west side (of the hillfort), 10 yards north of the boundary of the fir plantation that covers one-half of the hill is a cup-marked boulder… The stone has been broken in two, and one portion of it lies at the foot of the stone rampart just above the first outer ditch, whilst the other half has been rolled down the hill by some mischievous person with more muscles than brains, and is to be found immediately below, where its further progress was arrested by coming in contact with the outermost wall. The two fragments when placed together measure 6 feet 9 inches long by 3 feet wide, and 1 foot 9 inches thick. The stone is greenish quartzose slate, and on its upper surface are carved eighty cups, varying from 1½ to 2½ inches diameter. In two cases two cups are united into one by a connecting groove.”

J. Sherriff’s 1995 drawing

J.R. Allen’s 1882 drawing

The most recent description and illustration of the stone is in John Sherriff’s (1995) survey. When we visited the carving recently we noticed three cup-marks etched onto the side of the stone, with a possible carved line running above one of them—but due to the bright sunlight on of the day of our visit, it was difficult to say whether this was a geological in nature or not (bright daylight can hamper good visibility of many carvings). Check it out!

References:

Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
Kenworthy, J., “White Caterthun: Cup-Marked Stone”, in Discovery & Excavation, Scotland, 1980.
MacLagan, Christian, The Hill Forts, Stone Circles and other Structural Remains of Ancient Scotland, Edmonston & Douglas: Edinburgh 1875.
Sherriff, John, “Prehistoric Rock-Carvings in Angus,” in Tayside & Fife Archaeological Journal, volume 1, 1995.

Old Lane Carving, Cowling, North Yorkshire

28/03/201804/11/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – SD 97300 42625

Getting Here

Old Lane Cup-and-Ring

This Stone is situated on Old Lane, Cowling, North Yorkshire. To get here coming from Crosshills, you come straight through the village and past the shops. About 250 yards after the shops you will come to a sharp left hand bend, and once you have gone round this corner you will see a sign pointing to Oakworth (Old Lane). You need to turn left here (up by the cemetery) and continue for about half a mile up that lane until you come to a sharp left-hand bend. Once you have gone round that left-hand bend you will see a driveway on the right, the stone is situated opposite, in the gateway. Hope you can find it and enjoy it like I do every time I pass it.

Archaeology & History

…and from another angle

I’ve driven past this stone many times, almost every day and never previously noticed any markings. Then, one particular day, the weather was a bit miserable but the lighting was just right to illuminate this little gem. Was this lump of rock a standing stone, or have modern day folk took advantage and moved it here to be used as a gatepost? I don’t think we ever will know.

(Editor’s Note – When Chris first informed us of this carving, I wondered whether or not it had anything to do with a cup-and-ring found on a gatepost in the 1950s or ’60s by Stuart Feather or Sidney Jackson, but this was not the case. This petroglyph therefore, is yet another one that our users have discovered and it has to be classified as a new find. Keep up the good work sir! PB)

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Over Glenny (05), Port of Menteith, Stirlingshire

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Cup-and-Ring Stone: OS Grid Reference — NN 56991 02834

Getting Here

Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left. Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) are several open flat rock surfaces. This is the most westerly of them.

Archaeology & History

On this small smooth rock surface we find an almost archetypal cup-and-ring stone, whose design consists of a double cup-and-ring and a faint cup-and-ring. The double-ring has several seemingly natural small fissures in the rock running at various angles into the central cup from the outside; and there are two faint ones running from the double-rings outwards to the cup-mark in the single-ring, framing the central cupmark in the middle. It may have been that these scratches on the rock gave rise to the position of the cupmark in this petroglyph. It’s difficult to see whether or not the single cup-and-ring was ever completed.

Canmore’s description of this petroglyph tells simply: “The larger of the two is 180mm in diameter and has two rings around a cup that is 70mm in diameter and 15mm deep. The smaller has one ring around a cup.”

Once you’ve seen this, have a look at the Over Glenny (6) carving, about 10 yards east of here.

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.
Sorowka, P., Davenport, C., & Fairclough, J., “Stirling, Over Glenny,” in Discovery & Excavation, Scotland, vol. 15, 2014.

Acknowledgements: Massive thanks to Paul Hornby, Lisa Samson & Fraser Harrick for all their help on the day of this visit.