Cup-Marked Stone: OS Grid Reference – SE 12681 46748
Also Known as:
- Carving no.120 (Hedges)
- Carving 278 (Boughey & Vickerman)
Getting Here
From the Cow & Calf car-park, walk towards and past the gigantic Calf rock, swerving round the fallen mass of rocks and into the trees at the back. Walk uphill to the Hanging Stones cup and ring stones, then keep heading—down the slope then back up the next one—west, for barely 100 yards until you’re on the level ground again, following the footpath alongside the heather. Barely 50 yards along, keep your eyes peeled in the heather for a low flat rock just a few yards in. Forage around and you’ll find it.
Archaeology & History
You’ll no doubt be seeing this carving after you’ve visited the impressive Hanging Stones petroglyphs 150 yards to the east. And you’ll probably be disappointed in its lack of visual grandeur when compared to its more ornate eastern neighbour. But the petroglyph fans among you should give it your attention.
When the dawn or evening daylight cuts across the rock, the design looks much better than at sun high, perhaps telling us that the message of the stone coincided with those periods of the day. The gentle folds of the stone itself morph into the carving: evening and morning light cutting subtle shadowy folds across the rock, giving it an organic texture that our aboriginal ancestors told to be a vital essence of stone itself. The two small clusters of cup-marks upon this stone become greater than their basic design when brushed with the shadows and glows of a sunset. And when our aboriginal peoples painted them in ochre and other colours, an even greater mythos emerged—but sadly it is forgotten here….
When looked at with the simplistic eyes of the archaeo-mind, this and its compatriots are little more than a number of marks on lifeless rocks. This stone for example was described in John Hedges’ (1986) survey as being just “two groups of four and five cups and grooves”—nothing more—with naught but an echo in Boughey & Vickerman’s (2003) later work. The carving has neighbours even more basic in the heather close by…
References:
- Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
- Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
© Paul Bennett, The Northern Antiquarian
