From Bainbridge, take the A684 road east to Aysgarth. Just out of the town, 200 yards over the bridge, take the right turn down Blean Lane. Nearly ½-mile along, take the minor road on your left and go along here for 1½ miles where, a few hundred yards before the solitary farm of Carpley Green (lucky buggers!), you can park up. (keep plenty of room for a tractor to get in the fields) Walk down the track past the farm and 250 yards along, where the first field ends, a gate leads you into the hills on your left. Go through here and then the next gate 120 yards on, then walk straight along th elong geological ridge ahead of you, veering to the top-side until it meets the walling. You’ll see the giant Stoney Raise cairn on the other side.
Archaeology & History
Stony Raise from above
The remains we find here are nigh-on immense! If giant cairns get you going (like the Great Skirtful of Stones or the denuded Devil’s Apronful near Pendle, etc), this one will blow you away! Along its widest axis, to this day it’s nearly 40 yards across and nearly 7 feet high! But in earlier times it was even bigger—much bigger! The first known description of the site was made by one Charles Fothergill, a Yorkshire-born politician and ornithologist, who wrote a diary of his walking excursions to various places in North Yorkshire at the beginning of the 19th century. (Romney 1984) His account of it was a good one for that period and thankfully he recorded information that would otherwise have been forgotten. After his visit here in September 1805, he told about this,
“wonderful tumulus called Stone raise which is a great curiosity: it is formed entirely of large stones piled up without earth or gravel, differing in that respect from any I have seen. Notwithstanding that upwards of a thousand, nay ’tis said several thousand, loads of stones have been led away from it to build walls with, it yet remains a stupendous monument of this species of antiquity: we measured the base of it as well as we could by our strides and made it 369 feet in circumference and of such an height as to be seen for a considerable distance. It has been most completely rifled…and it now presents a number of small craters formed by the investigations of the money searchers. It is situated upon a hill about half a mile south of Addlebrough. In addition to the particulars I formerly mentioned, I may say the men who first opened it about 50 years ago worked incessantly for 33 days. It stands on Thornton moor, and tho’ the Thornton men would not assist in the labour, they intended to share in the profit if there was any; but the adventurers who had all the work resolved they should not and they carried a large sword with them every day to defend the treasure in case they found any; the wise man who read ’till the stones shook and rattled was a schoolmaster at Bainbridge: the teeth they found were deposited in a hollow place in the bottom of the tumuli formed long and narrow like a coffin by a walling of stones. Tho’ the tumulus has apparantly been compleatly rifled, I do not believe the whole base has been sufficiently searched, but if it was to commemorate one great individual, which appears to have been the case, perhaps nothing more may be found.”
Fothergill’s description of “upwards of a thousand” cartloads of stone being removed from Stony Raise has been doubted by some archaeologists, but this claim should not be dismissed so lightly without evidence. There are immense tombs from northern Scotland to the unholy South that have remained untouched by the hand of industrialists that easily enter the category of such giants and this may have had equal stature.
A few years after Fothergill’s visit, Thomas Whitaker (1823) briefly described the site in his magnum opus, but added very little, simply telling that on the hills behind Addlebrough,
“there is still on that elevated spot a cairn, called Stone Raise, about 120 yards in circumference at the base, to which the usual tradition of its containing a treasure of gold having been attached, two persons were several years ago induced to make the experiment; but having penetrated to the centre, found, to their great disappointment, what an antiquary would have prepared them to expect, namely, a kist vaen of flag stones, with the remains of a human skeleton, the teeth of which were still pretty perfect.”
To this day the site remains unexcavated, so we don’t know too much about the place. It’s likely to have been constructed in neolithic times and its ancestral nature quite obviously venerated. It may have been re-used during the Bronze Age, but without excavations we may never know. A decent dig into this site is long overdue!
Folklore
This gigantic tomb is, not surprisingly, said to be haunted. Strange sounds and visions have been encountered here in bygone times. But the most well-known tale is that it was the site of a great treasure—perhaps hinted at by Fothergill. There are variations on the theme, but this is overall story:
Structured stonework
The tomb was said to be where a local giant had fallen and with him was buried a great chest of gold which he had dropped before he died. Some say that the ‘giant’ was a Brigantian chief – others a great warrior. The great treasure chest beneath the cairn is said to looked over by a fairy who lived by the giant’s tomb. It was this tale which gave the site its local name, the ‘Golden Chest on Greenber’. Several attempts made to find the treasure have all failed to uncover it.
However, by the time Edmund Bogg came to write of the place in 1908, the giant had by all accounts been found within! He told that,
The giant’s cist cover?
“this Kist-vaen was opened, many years back, and the skeleton of a chieftain of great stature was unearthed; the treasure chest of that or some other primal savage was not, and has not yet been discovered – for, take heed ye matter-of-fact money hunters, it is said the lucky one must first see the wraith of the ancient warrior to whom it belonged, who will then shew under which part of the immense Raise it is hidden! May this help any reader who is imaginative enough to find it – having seen the wraith he must keep silence – he has then but to stretch out his hand, and draw it forth.”
There are variations on this tale that have subsequently been penned by a number of Yorkshire folklorists, but this is the general lore. There was also a short rhyme told of toney Raise, that speaks of its apparent use through history by various races:
Druid, Roman, Scandinavia,
Stone Raise in Addlebro’.
References:
Bogg, Edmund, Wensleydale and the Lower Vale of the Yore, E. Bogg: Leeds 1906.
Bogg, Edmund, Richmondshire, James Miles: Leeds 1908.
Elgee, F. & H.W., The Archaeology of Yorkshire, Methuen: London 1933.
Gutch, Mrs E., Examples of Printed Folklore Concerning the North Riding of Yorkshire, David Nutt: London 1899.
Lofthouse, Jessica, Countrygoer in the Dales, Hale: London 1964.
Parkinson, Thomas, Yorkshire Legends and Traditions – volume 2, Elliot Stock: London 1889.
Pontefract, Ella, Wensleysdale, J.M. Dent: London 1936.
Romney, Paul (ed.), The Diary of Charles Fothergill, 1805, Yorkshire Archaeological Society: Leeds 1984.
Whitaker, Thomas Dunham, An History of Richmondshire – volume 1, Longman Hurst: London 1823.
White, Robert, A Landscape through Time, Great Northern: Ilkley 2002.
Cup-Marked Stone (lost): OS Grid Reference – NU 2299 2989
Archaeology & History
Tait’s 1971 sketch of the carving
When the Beadnell Caravan Park was being constructed in 1970, in cutting into the Earth the workmen destroyed a couple of prehistoric tombs—but not before one of them (the northernmost one of the two) was thankfully excavated. It was looked at by John Tait (1971), who described the covering cairn as measuring “nineteen feet in diameter and four feet high”. Beneath it, within a cist that had been modified at two very different periods in time, were a large number of human remains that had been deposited over equally extended periods, suggesting it was a place of considerable importance to either one family lineage or the tribal lineage (unless it was just a dumping spot for any old Tom, Dick and Harry!). Outside of the cist itself, but within the rocky mass of the cairn, this cup-marked stone was found (illustrated). It had already been moved by the workmen before Tait came to excavate it, so he was unable to ascertain its precise position in the tomb. Carved into a piece of sandstone were a number of odd-sized cup-marks, smaller than usual. Tait wrote:
“It measures 38cm by 36cm and bears 29 small cup-marks and one slightly sinuous duct leading into what may be part of an earlier and larger cup. It also seems probable that additional cups were added in antiquity, since some are distinctly more shallow than others and, in one instance, two cups impinge upon one another. The stone had been broken in antiquity and may have come from a larger inscribed slab, as is perhaps the case with some other “portable” stones of burials or cairns and other monuments of the second this nature.”
It is thought that the carving was laid back in the ground whence it was found.
References:
Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, Abbey Press: Hexham 1991.
Beckensall, Stan, Prehistoric Rock Art in Northumberland, Tempus: Stroud 2001.
When the Grey Cairn above Balnabroich, Kirkmichael, was explored in the second-half of the 19th century by John Stuart (1865) and a number of local labourers, they found the floor of the tomb had been paved with a number of large boulders. Near its centre, along with finding remains of charred wood, they moved some of the rocks and,
“On turning over the stones a circular disc of stone with a hole in the centre was found, and also a small boulder with a cup on its flat face.”
Grey Cairn at sunfall
He made no further remarks about the carving and no intimation that it was removed, so we must presume it is still there, at the botton of the cairn. Any visitors to the site might want to have a look at the massive scatter of surface stones that make up the cairn to see if any further cup-marks exist on them. It’s not uncommon to find them on such giant tombs.
Folklore
A very curious folktale was known of the cairn in the 19th century, whose theme is recognized at numerous other prehistoric sites, but the mythic creature involved here is very much different from the ones we’re used to. Mr Stuart told that,
“The popular belief is that a mermaid is buried beneath it. This mermaid used to throw stones at people who were coming from church at Kirkmichael, and she could only be seen through a hole in the knot of the pine tree. At last she was chased to the hill at Balnabroch on her flight to the waters of Loch Marech, on the other side of the hill, and there killed, when the Grey Cairn was raised over her.”
References:
Royal Commission on the Ancient & Historical Monuments of Scotland, North-East Perth: An Archaeological Landscape, HMSO: Edinburgh 1990.
Stuart, John, “Account of Excavations in Groups of Cairns, Stone Circles and Hut Circles on Balnabroch, Parish of Kirkmichael, Perthshire,” in Proceedings Society Antiquaries, Scotland, volume 6, 1865.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
From near Skipton town centre, at the Cross Keys Inn along Otley Road, go up Short Bank Road all the way to the very top and then into the trees onto the Dales High Way footpath. Walk up for literally ¼-mile (0.4km) and where the path bends and heads ENE, notice here a footpath that takes you over the wall. Once on the other side, the path splits with one heading SE and the other roughly alongside the walling to the SW, which is where you need to go. About 200 yard on, go through the gate into the field and then another 375 yards on you’re into another field (copse of trees in front of you). Just as you’ve gone into this field, walk immediately left, uphill, by the walling for about 100 yards, over the marshy dip, then head into the field where, about 75 yards in, you’ll see some rocks scattered about…
Archaeology & History
Cleland Stone, looking S
In an area that’s had some considerable quarrying done to it, we’re lucky to find that this carving still exists. It was rediscovered by Thomas Cleland (hence its name!) in the summer of 2024. It consists of four distinct cups, with a possible fifth (and maybe more?) on its smooth elongated surface. The cups, as we can see, are quite deep and unmistakable. An incomplete ring seems to be around at least one of the cups; and there seems to be a carved straight line running between another two of them. A simple but distinct design and in a lovely setting gazing cross the Airedale valley from here.
There are very few other carvings in this neck o’ the woods (the Great Laithe Wood carving aint too far away), but the fact that this has been found would suggest that others are probably hiding away in the undergrowth. Check out the Iron Age Horse Close Hill enclosure while you’re up here too.
Acknowledgements: A huge thanks to Thomas Cleland, not only for finding the carving, but also for allowing use of his photos in this site profile.
Cup-and-Ring Stone: OS Grid Reference – NT 200 522
Also Known as:
La Mancha
Archaeology & History
Simpson’s 1867 drawing
This is what I’ve come to term dyslexic cup-and-rings, due simply to the fact that it’s a cup-and-ring stone carving, but the cup in the centre hasn’t been carved out or pecked away. They’re rare – but for some odd reason, a small cluster of them occurs in this part of lowland Scotland. The Drumelzier carving 13 miles SSW is one; the Carnwath carving 14 miles west is another; 14 miles to the south, the multiple-ringed carving in the Woodend cairn had no defined pivotal cup; and in Childe & Taylor’s (1938) short piece on the Hawthornden petroglyphs near Roslyn (less than 10 miles northeast), they noted—like Simpson & Thawley (1972) years later—the peculiarity of “the complete absence of cups”, akin to Lamancha’s carved rings. (although we should be cautious about the archiac nature of the Hawthornden carvings)
The carving here was first mentioned by one of the great petroglyphic pioneers James Simpson (1866; 1867):
“A broken slab, about two feet square, covered with very rude double rings and a spiral circle, was found by Mr Mackintosh, at La Mancha, in Peeblesshire, in digging in a bank of gravel. There were some other large stones near it; none of them marked. Possibly this stone, therefore, is sepulchral in its character.”
Lamancha carving (G. & A. Ritchie, 1972 )
Eoin MacWhite (1946) was somewhat sceptical of Simpson’s “sepulchral” association, simply due to there being no account of a burial here. But in Simpson & Thawley’s (1972) survey of passage grave art, they thought the Lamancha carving was from “a possible cist slab.” We might never know for sure one way or the other.
The carving ended up living in Edinburgh’s National Museum where it should, hopefully, still be on display. As a result of this, it received the attention of the Royal Commission doods who gave a good description of the design in their Peeblesshire Inventory (1967). They state that it
“is irregular in shape and has maximum dimensions of 2ft 6in by 1ft 10in; it averages 4in in thickness. The markings, which have all been formed by the pecking technique, occur mainly on one face, the most common symbol being single or double rings. There are four complete double-ring symbols, in which the outer rings measure from 5in to 7in in diameter, and the inner rings from 2in to 4in. Round the margin of the face there are the broken arcs of five more double-ring symbols and of five single rings and one small V -shaped figure. As well as the ring markings there is a double-spiral, each lobe of which measures about 4in in diameter. In one lobe the spiral has two and a half turns and in the other only one turn. In addition, in a space which is otherwise free of markings, there is an area, about 4in square, heavily pitted with punch-marks measuring one-eighth of an inch across and one-sixteenth of an inch in depth. A remarkable feature of the stone is that three incomplete single ring symbols have been made on one edge. They have been formed by the same technique and measure 3in across; as in all the other symbols, the grooves themselves measure about half an inch in width and about one-eighth of an inch in depth.”
McWhite, Eoin, 1946 “A New View on Irish Bronze Age Rock-Scriblings”, in Journal Royal Society Antiquaries, Ireland, vol. 76, 1946.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Ritchie, Graham & Anna, Edinburgh and South-East Scotland, Heinnemann: London 1972.
Royal Commission on the Ancient & Historical Monuments, Scotland, Peeblesshire – volume 1, Aberdeen University Press 1967.
Simpson, D.D.A. & Thawley, J.E., “Single Grave Art in Britain,” in Scottish Archaeological Forum, no.4, 1972.
Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Cup-and-Ring Stone (removed): OS Grid Reference – NT 12364 32627
Also Known as:
Drumelzier Carving
Archaeology & History
Position of stone in cairn
A carving that was located at the edge of a cairn on a knoll on the east-side of the River Tweed, this is an odd design that now lives in Edinburgh’s central museum: odd, inasmuch as the design looks as if it’s a typical cup-and-ring carving, yet none of the cups on this stone were ever hollowed or pecked out, and so the “cups”, so to speak, are actually small rings (if that makes sense!). There are a number of similar unhollowed “cups” on other carvings that are found associated with prehistoric tombs, so perhaps this aspect was something of a burial trend—amongst a very small tribal group, perhaps… It’s an element that was remarked upon in Simpson & Thawley’s (1972) examination of petroglyphs in neolithic tombs that were called “passage grave style” carvings: a sort of dyslexic cup-and-ring design no less! The intriguing thing about this carving is that it’s one in a small cluster of dyslexic cup-and-rings that are found in this part of Scotland—in an area where rock art itself is pretty scarce. Which begs the question: was it a local tribal style? Anyhow…
The carving was first uncovered when J.H. Craw (1930) excavated the aforementioned cairn, finding therein a number of cists. There’s speculation that the petroglyph might originally have been a covering stone for one of the cists, but we don’t know for sure. Craw described the carving as follows:
Craw’s 1930 sketch
Ron Morris’ 1981 sketch
“The ring-marked slab…measures 3 feet by 2 feet by 6 inches. It lay at the north side of the cairn (highlighted in sketch, PB), outside the encircling ring, but may originally have been the cover of cist No.2. On the upper side are five shallow ring-markings, four being double and one single. The former measure 3 inches to 4 inches in diameter, and the latter 1¾ inch. The figures are thus much smaller than in typical cup-and-ring-marked stones, and the lines are only ¼ inch in width. The only similar markings known to me are on a slab which I found a number of years ago near the site of several former cairns, and forts at Harelawside near Grant’s House, Berwickshire. The stone is now in our Museum.”
The “museum” in question being Edinburgh’s National Museum (I don’t know if it’s in a box somewhere or on public display, which is where it needs to be). If anyone can get a good photo of this carving, please send it to us or add it on on our Facebook group.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Ritchie, Graham & Anna, Edinburgh and South-East Scotland, Heinnemann: London 1972.
Royal Commission on the Ancient & Historical Monuments, Scotland, Peeblesshire – volume 1, Aberdeen University Press 1967.
Simpson, D.D.A. & Thawley, J.E., “Single Grave Art in Britain,” in Scottish Archaeological Forum, no.4, 1972.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
A little-known multiple ringed carving was discovered a few years ago during the excavation of a prehistoric cairn just immediately east of the A701 roadside, several miles south of Broughton. The cairn itself had been recognised many years prior to the recent excavation, when one of two cists inside it was noted by R.B.K. Stevenson (1940), and which was subsequently described in slightly more detail in the Royal Commission Inventory (1967). But when the modern investigation was undertaken by the Biggar Archaeology Group in 2008, a damaged but impressive carving was uncovered that somehow hadn’t been noticed before. It was described in Tam Ward’s (2008) excavation report where he told that,
Carving in situ (photo courtesy Jim Ness)
Carving looking N: courtesy Jim Ness
“lying almost immediately on the east side of Cist 1 is an angular rock…measuring 1m long and over 0.3m wide on the uppermost face, itself lying at an angle facing SW and away from the cist. The rock has fractured due to weathering in post deposition times, as indeed several other surface stones had, but on the widest part of the upper surface are at least seven concentric lines faintly pecked into the smooth flat surface of the stone. The lines are up to 10mm wide and appear to have been intended to form semi ovals on the edge of the rock. The outer ring forms an arc of c270mm on the long axis by c140mm on the short one (the former measurement being straight between the ends of the lines and the latter being a radius across the design). The terminals of the inner curved line are about 80mm apart. The lines are slightly irregular in distance from one another. Although it is far from certain, it does not appear that the rock has been part of a larger one with a more complete design on it, rather the pecking appears not to have been finished since the surface of the rock is similar in appearance overall while the abrasion of the carving varies.”
Fractured design (photo courtesy Jim Ness)
The carving remains in place with the cist, which was covered back over when the excavation had been finished.
Carvings such as this are uncommon in this neck o’ the woods; although less than a mile downstream from here, on the other side of the river, another petroglyph—known as the Drumelzier carving—accompanied another prehistoric tomb. Apart from this, there’s a great scarcity of carvings scattering the Lowlands—although it’s likely that there are others hiding away, waiting to be found on these hills…
References:
Royal Commission on the Ancient & Historical Monuments, Scotland, Peeblesshire – volume 1, Aberdeen University Press 1967.
Stevenson, R.B.K., “Cists near Tweedsmuir,” in Proceedings Society Antiquaries, Scotland, volume 74, 1940.
Tumulus (destroyed): OS Grid Reference – SX 0309 5227
Archaeology & History
More than two hundred years ago, an impressive prehistoric burial mound lived in an area that used to be known as Gwallon Down, not far from the impressive Long Stone monolith, about half-a-mile west of Charlestown on the southern edges of St. Austell, but it was completely destroyed in 1801. Thankfully there was a lengthy account made of the site in John Whitaker’s (1804) huge work, but there seems to be little else known of it. He told us:
“In the middle of that extended waste, the downs of St. Austle, was, what was called One Barrow. This waste, in 1801, was resolved to be enclosed, and the barrow was obliged to be levelled. In this operation, the single workman came near the centre, and there found a variety of stones, all slates, ranged erect in an enclosure nearly square. The stones were about one foot-and-a-half in height, apparently fixed in the ground before the formation of the barrow. The stones were all undressed, but had little stones carefully placed in the crevices at the joints of the large, in order to preclude all communication between the rubbish without and the contents within. On the even heads of these stones was laid a square freestone, which had evidently been hewn into this form, which seemed to rest with its extremities on the edges of the others, and was about eighteen or twenty inches in diameter. The summit of the barrow rose about eight or ten feet above all. In the enclosure, the leveller found a dust, remarkably fine, and seemingly inclining to clay. On the surface it was brown, about the middle downwards it took a dark chestnut colour, and at the bottom it approached towards a black. On stirring it up, a multitude of bones appeared, different in the sizes, but none exceeding six or seven inches in length. Among them were some pieces about the largeness of a half-crown, which, from their concave form, convinced him they were parts of a skull. The whole mass of bones and ashes might (he thought) be about one gallon in quantity. On touching the bones, they instantly crumbled into dust, and took the same colour with the same fineness as the dust in which they were found. They were exceedingly white when they were first discovered, but remarkably brittle; the effect assuredly of their calcination in a fire, antecedent to their burial. Much in fineness and in colour with these ashes, appeared several veins of irregular earth on the outside of the enclosure; which, from their position without, yet adjoining, and from the space occupied by them there, he conjectured to have been bodies laid promiscuously upon the funeral pile, but which I conjecture to have been only the ashes adhering to the ground, and not possible to be separated from it, for a burial with the rest within the enclosure. They had nothing of sand in them, but seemed inclining to clay, and even more so (from the adhering soil probably) than the dust of the enclosure. And, as the workman was fully convinced of what every one else must acknowledge, that the ashes and the bones of the enclosure had once belonged to a human body, he very properly took up the whole with care, placed the stones nearly in their original posture within an hedge contiguous, then in building, placed also the bones with the ashes within their original enclosure there, and even placed the covering-stone over both.”
One wonders where precisely the hedgerow happened to be where the stones were placed “nearly in their original posture”, and if this reconstruction was ever recovered.
The site was subsequently mentioned in Polwhele’s (1816) massive survey, reiterating Whitaker’s description, simply telling how:
“With respect to the monumental remains in the neighbourhood of St Austel, a very ingenious correspondent says in one of the mounds of earth on our downs which was lately levelled a kind of urn was discovered which evidently contained human ashes many of the bones were entire but appear to have been calcined I am well acquainted with the man who dug this up.”
References:
Borlase, William Copeland, Nænia Cornubiæ, Longmans Green Reader: Truro 1872.
Hammond, Joseph, A Cornish Parish: Being an Account of St. Austell, Skeffington & Sons: London 1897.
Polwhele, Richard, The History of Cornwall – volume 2, Law & Whittaker: Truro 1816.
Whitaker, John, The Ancient Cathedral of Cornwall – volume 2, John Stockdale: London 1804.
All remains of this prehistoric burial site have obviously long since fallen into only the vaguest of memory, but its incidence deserves reviving for those who may live nearby and seek for a place where our truly ancient ancestors once faired. Here, beneath the modern buildings of homo-profanus, less than a mile north-east of Newcastle city centre, a small prehistoric burial chamber, or cist, was uncovered quite accidentally by a Mr Russell Blackbird (1832) in the first-half of the 19th century. In a letter to the newly-formed (as it was back then) Society of Antiquaries of Newcastle in April of that year he told,
“In trenching some ground for planting, this morning, we discovered a stone vault, 4 feet long by 2 feet wide, and 20 inches deep, deposited in a dry hard marl below the soil, which we were taking out for making the walks in the garden. It contained the bones of a man, the head, in particular, quite perfect, with all the teeth in it. Also a small urn (was found)… There was some red-coloured earth in the urn which the labourers threw out.”
Mr Blackbird sent the antiquarian society a sketch of the urn that he and his colleagues discovered, reproduced here.
References:
Blackbird, Russell, “Account of the Discovery of a Stone Vault and Urn, at Villa Real, Jesmond,” in Archaeologia Aeliana, volume 2, 1832.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Cup-Marked Stone (removed): OS Grid Reference – NT 128 709
Archaeology & History
“M” marks the cupmark
A simple cup-marked stone was located inside a prehistoric burial cist that was discovered by quarry workmen in November 1897. The cist was subsequently excavated by Fred Coles (1898) who found therein (amongst other things) a simple cup-marked stone whose present locale is a box somewhere in Edinburgh’s National Museum (could someone send us a photo please?). The carving comprises simply of two complete cups and portion of a third, all close to each other on a small stone that was located on the south-side of the cist (see ‘M’ in the attached diagram). Coles described the carving thus:
“During the removal of (some) small stones, one, when the damp soil was rubbed of, showed two cup-marks, about 1½ inch wide each and ½ inch apart. The stone itself measures 5 inches by 4¾, and appears to be but a fragment of a larger one, one edge showing part of a third cup. The cups all show the tool-marks usually noticed on these mysterious sculpturings.”