Barmishaw Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11193 46417

Also Known as:

  1. Barnishaw Stone
  2. Carving I/4 (Davies)
  3. Carving no.92 (Hedges)
  4. Carving no.253 (Boughey & Vickerman)

Getting Here

The Barmishaw Stone

Follow the same directions to reach the superb Badger Stone carving, and from here take the footpath that runs downhill.  You’ll cross another footpath about 100 yards down the moor, but just keep walking down the path and you’ll notice the small copse of woods ahead of you.  As the footpath begins to swerve roughly away, northeast, heading away from the said woodland, keep your eyes peeled on your left for a reasonably large but flattish rock close to the ground (in summer it’s surrounded by bracken) about 75 yards away.  That’s your target!

Archaeology & History

Of the hundreds of cup-and-ring stones on Ilkley Moor and district, this is one of my personal favourites!  I first visited the stone in 1977 as a young teenager and was mightily impressed by the unusual nature of the design here — and that impression still remains.  Aswell as possessing the usual cups and rings, the Barmishaw Stone is one of just a few rocks also possessing a sort of ‘ladder’ design or linear pattern within the overall carving: an insignia echoed on the nearby Willie Hall Wood carving, the Piper Stone, and also on the Panorama Stones.  As with the ‘ladders’ on the Panorama carving, those found here at Barmishaw are very eroded and are increasingly difficult to see during the daytime (the best time to notice them is usually around sunrise or sunset, and particularly when the rock itself is wet).

The carving has been described many times, albeit briefly, by a number of writers.  In John Hedges (1986) fine survey he said the following:

Barmishaw Stone, looking northwest
Barmishaw Stone, looking southeast

“Medium sized flat-topped rock…fairly smooth grit, sloping slightly east to west, covered with carvings, some of which are very worn.  Slanting sunshine needed to detect them.  About twenty-four cups, at least nine with rings or incomplete rings, two with multiple grooves half round and continuing straight down, one of them incorporating ‘ladder.’  Five other ‘ladders’ – in a good light.  Cups mostly deep and clear.”  A few years later, Boughey & Vickerman (2003) echoed much of Mr Hedges description, though noted that of the 24 cups with their rings, one possessed a triple ring.

Alan Davies’ illustration

Like so many cup-and-ring stones, they have given rise to hosts of fascinating theories and ideas — one of which is based on mathematics and metrology.  In the 1980s, Alan Davies (1983, 1988) surveyed the Barmishaw Stone — and other carvings on Ilkley Moor — to explore the possibility that the cups and rings were laid out according to a basic unit of measure, the Megalithic Inch (MI), as proposed by Alexander Thom some years earlier.  Although Davies’ work showed that such a primary unit of measure wasn’t to be found universally, his research at the Barmishaw Stone indicated “significant evidence for quanta of…3 MI,” although this occurred “when the analysis is restricted to only ringed cups.”  Despite this, Davies thought that the existence of the Megalithic Inch was evident in this and other carvings on the moors, stating that:

“The repeated emergence of the significance of ringed cups, and the fact that all putative quanta seem to bear a simple numeric relation to each other do not seem to be coincidental.”

However, the selectivity of data in Davies’ research would indicate more that any Megalithic Inches isolated in the metrology of the carvings was due, not simply to chance, but more that the implements used to carve the rocks and the size of the hands of the people doing the carvings was pretty uniform.  These simplistic factors need assessing.  In modern trials carving cup-markings, we find them to be of similar size to those carved in prehistoric times, as would be expected.

Barmishaw Stone (after Hedges, 1986)
Barmishaw stone (Cowling 1946)

The ladder motif central to this carving may have related to early religious and ritual events here.  Across the world, indigenous cultures commonly relate the ‘ladder’ to be a symbol of ascension, both by shamans, mystics and during rites of passage.  The symbol represents the journey of the soul to and from supernatural realms.  To discount this possibility at the Barmishaw Stone would be shortsighted.

The carving was very probably painted when our neolithic ancestors gathered here, much as Australian aborigines still do to their carvings using lichens and other plant dyes, with the respective ladders and lines changing colour where movements between worlds or shifts of attendant spirit occurred.  By virtue of the its very name, I consider this rock to have been considerably important; the “ghost” aspect to barmishaw being a typically misconstrued aspect of ‘spirit’.

Folklore

This excellent cup-and-ring marked stone probably derives its name from the old dialect words “barm i’ t’ shaw”, meaning “ghost in the wood” stone.  Whatever guise the attendant spirit of this rock may have had has long since been forgotten; though spectral accounts from the beginning of the nineteenth century until modern times may give us clues.  There have been several reports of green-coloured elemental creatures around the area between here and the White Wells sacred spring a short distance to the east.  The most recent account, from 1987, took on the modern mythic form of a little green man from space, with attendant UFO to boot!  The Barmishaw Hole nearby was a place where faerie-folk used to live.  Excesses of geological faulting and water makes the magickal nature of this place particularly potent.

References:

  1. Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
  2. Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
  3. Bennett, Paul, “Cup-and-Ring Art”, in Towards 2012, volume 4, pp.83-92, 1998.
  4. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  5. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  6. Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorkshire Archaeological Journal 1940.
  7. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  8. Davis, Alan, ‘The Metrology of Cup & Ring Carvings near Ilkley in Yorkshire,’ Science Journal 25, 1983.
  9. Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge University Press 1988.
  10. Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
  11. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  12. Wright, Joseph, The English Dialect Dictionary – volume 1, Henry Frowde: Oxford 1905.

© Paul Bennett, The Northern Antiquarian 


Weston Moor (543), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 18521 49406

Getting Here

Weston Moor cup-and-rings (after ‘QDanT’)

Get yourself to the impressive multi-ringed Greystone Allotment carving, then walk to the copse of trees close by and bear left, following the edge of the fence along and following it when it turns down at right-angles, until you hit the bottom corner of the trees, where a path cuts in front of you.  From the bottom corner of the trees walk 25-30 yards diagonally away from the trees.  It’s under your nose somewhere damn close!

Archaeology & History

This is another archetypal cup-and-ring stone, similar in size and design to the recently discovered Slade (02) carving on Blubberhouses Moor, just over 4 miles (6.5 km) northwest (followers of Alexander Thom’s megalithic inch theory might be interested in assessing the measure of these two).   It is one of number clustered in and around this small grass ‘moorland’ region, where a number of carvings perished in the 19th century.  Thankfully this one survived.  Boughey & Vickerman’s (2003) brief notes on the stone tell:

“Small, rough grit rough of regular oblong shape set very low in turf.  Two cups, each with a ring, and connected by a groove.”

On a recent visit to see this carving, Danny Tiernan, Paul Hornby, James Elkington and I were unable to locate it.  The carving may well have been destroyed, or moved.  If anyone is aware of what has happened to this petroglyph, please let us know.  We will be contacting the local authorities to see if any explanation is forthcoming from them.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.

Links:

  1. Weston Moor Rock Art – more notes & images


© Paul Bennett, The Northern Antiquarian

Nussey Green (404), Appletreewick, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0739 6254

Getting Here

Nussey Green CR404 (after ‘QDanT’)

Park at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat.  Walk on the track for about 600 yards until there’s a change of direction in the adjacent walling and then watch out for the dirt-track on your right, curving towards the small valley (if you hit the Skyreholme Wall carving (413), you’ve gone 100 yards past the turn-off). Go on here until you see the overgrown track on your left into a small disused quarry, and head right, down the grassy slope, checking out the few stones ion front of you 20 yards down.  You’re damn close!

Archaeology & History

Carving no.404 (after Boughey & Vickerman)

A simplistic carving that was first described by fellow antiquarian Stuart Feather (1964), this is one of at least four cup-marked stones in a small group here, above the valley of Skyreholme Beck — better known at this part of the valley as the Troller’s Ghyll, haunt of various heathen lore.  Although some of the carving has now been covered by the growing Earth, you can still see the majority of the design.

It is a flat, roughly triangular stone described by rock art students Boughey & Vickerman (2003) and having 13 cup-markings on it.  To get a full look at the entire carving, you may have to roll a bit of the turf away from one side of the rock.

Folklore

Although we have no lore relating to this specific carving, the small valley over which this carving looks was long known as the abode of the legendary bharguests, or black dogs: underworld creatures of earlier heathen myths.  Faerie lore can also be found a short distance further up the same stream.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Yorkshire Archaeological Register 1963: Appletreewick, W.R.,” in Yorkshire Archaeological Journal, volume 41, 1964.

Links:

  1. Nussey Green Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Slade Carving (02), Blubberhouses Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1411 5431

Also Known as:

  1. Owl Stone
  2. Sunset Stone

Getting Here

Cup-and-rings, looking NE

Same directions as the Slade 01 carving.  But once you reach the upstanding stone cairn on the rocky hill, walk 220 yards (less than 200m) WSW and look around.  You’re damn close!  If you find the large cup-marked Slade 03 carving,  walk back east about 10-20 yards and you can’t really miss it!

Archaeology & History

This is just one of at least seven previously undiscovered carvings on this section of moorland – and it’s worth looking for!  The two other names we gave it — ‘owl’ and ‘sunset’ — come from the very notable design: owl thanks to it having the appearance of large owl-like eyes, and sunset as the two cup-and-rings are etched on the western edge of the rock and, when we found it yesterday, the sun was setting (albeit to the NW) and the image prompted talks of setting suns, the land of the Dead and other such worldwide indigenous religious myths (Harvey 2000) — for without recourse to such ingredients, these carvings are vacuous archaeocentric museum pieces and nothing more.  And this carving at least deserves much more than mere cataloguing!  The internationally renowned archaeologist, O.G.S. Crawford (1957) would have entered this carving into his ‘eye’ and ‘owl’ motif, representative of goddesses or spirit-forms, as would Gimbutas. (1989)

…and from above

But this carving is archetypal, as we can see, though would appear to have no other etched features on the stone’s surface.  It is very close (if not within) the prehistoric graveyard that is plainly evident 30-40 yards south in the burnt heather and would very likely have had some mythic relationship with the dead (a symbiosis we have found in many cup-and-rings).  We plan further ventures here in the coming weeks in the hope that we can unearth other prehistoric remains.

References:

  1. Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
  2. Gimbutas, Marija, The Language of the Goddess, Harper Collins: New York 1989.
  3. Harvey, Graham (ed.), Indigenous Religions, Cassell: London 2000.

© Paul Bennett, The Northern Antiquarian


Slade Carving (01), Blubberhouses Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1421 5440

Getting Here

Simple cup-marked stone

From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor.  Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor.  Go on here for nearly a mile until you hit the stream and nearby Eagle Stone boulder.  Walk upstream from here, on its eastern (right-hand) side for 100 yards, then walk up onto the level moor, scattered with rushes.  Keep up here, heading towards the upright cairn open the skyline to the north.  Once here, walk 80 yards (73m) WNW and you’ll note a number of flat stones embedded in the heather around you.  You’re damn close!

Archaeology & History

Off-path and takes some finding and will all-but disappear when the heather grows back, so this one’s probably only for the purists amongst you.  But I like it anyway!  This is one of at least seven newly-discovered cup-marked stones hereby, including the nearby ‘Owl Stone’ with it’s big eyes!  There are just two cup-marks on the flat surface: one an archetypal large cup 3 inches across and a half-inch deep; the other, a small faint cup less than 2 inches wide and very shallow which is easily missed if you pay little attention.  On the photo here, the fainter cup is slightly above right of the centre.  The carving appears to be on the far eastern edges of the Slade Cairnfield.  Other undiscovered remains are likely to be found here.

© Paul Bennett, The Northern Antiquarian


Snowden Carr (597), Askwith Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 17965 51158

Getting Here

Find your way to the excellent Tree of Life cup-and-ring stone, then walk about 10-15 yards west.  It’s under your nose!

Archaeology & History

Single cup-marked stone

Another stone for the rock art purists amongst us: a singular cup-marking near the edge of the rock.  Although the photo here seems to show three cup-markings close to each other, only one of the three is in fact real.  The other two are simple geological creations.  But this fact seemed to go over the heads of some English Heritage archaeologists who reported to Boughey & Vickerman (2003) that this was a stone “with three cup markings” on it.  I’m not sure who trains EH rock-art enthusiasts, but they seem to have a tendency to mistake natural features with artificial cup-markings and their evaluations should be treated with considerable caution (you’ve gotta wonder who the students are that are teaching them).

The rock itself is found in close association with other prehistoric remains and may have been a part of enclosure walling.  Very close by are numerous well-preserved settlement remains, cairns and other cup-and-ring stones.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian


Eller Edge (431), Pock Stones Moor, Thruscross, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 09059 61506

Getting Here

From Appletreewick take the road east through Skyreholme and up Skyreholme Bank, bearing right at the fork in the tracks along the ancient Forest Road.  Keep going till you cross the Larnshaw Beck and keep walking along the track until it runs wallside.  Look over the wall and you’ll see this sloping-chair-shaped rock .  You’re here!

Cup-Marked stone 431

Archaeology & History

Worth looking at if you’re visiting the Spiral Stone of Eller Edge field and its large associate, but otherwise this cup-marked stone is probably only for the purist rock-art mad-folk amongst us!  There are what seem to be three decent cup-marks upon the sloping face of the rock here, with a possible pecked line to the side of two of them — though we have to consider the possibility that a geological condition is responsible for the easternmost cup.  Described in the Boughey & Vickerman (2003) survey simply as:

“Large triangular rock of smooth gritstone, quarried at SE and sloping into ground at W and N.  Three cups on top sloping face.”

Thirty yards up the slope along the wall-side you’ll find carving 432 with its single cup-marking.

 

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Eller Edge (426), Pock Stones Moor, Thruscross, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 08991 61486

Also Known as:

  1. Spiral Stone
Spiral Stone with cluster of cups (image © QDanT)

Getting Here

A slight walk to get here, but well worth it once you arrive!  From Appletreewick, take the road east through Skyreholme and up Skyreholme Bank track, bearing right at the fork in the tracks along the ancient Forest Road.  Keep going and after a couple of zigzags, you’ll cross the Larnshaw Beck.  Keep walking along the track until it runs wallside — and here, go straight down the field for 75 yards (best climbing over the rickety wooden bridge by the stream 50 yards back and walking up).  Although there are a number of other stones hereby, you can’t really miss this.

Archaeology & History

This carved stone and its close associates rest upon the green slopes overlooking the Blands Valley and further across upper Wharfedale and the lands beyond.  The majestic Simon’s Seat rises on the nearby western slope and there in the greater distance, once more reaches the sacred hill of Pendle, with whom so many other ancient sites commune within our northern lands.  It’s hard to say for sure that the Witch’s Hill was of little relevance to this and other stones, but only a fool would ignore the geomancer’s notes about this constant.

Eller Edge carving, looking south (image © QDanT)
Boughey & Vickerman’s drawing

The carving here doesn’t give much clues in any direct sense either.  We have an almost arrowhead-shaped rock with a dozen decent cup-marks or so cut along and near its western side; but the notable curiosity here is the small circular cluster of smaller cup-marks dotted in a near circular mass near the middle of the stone.

When Danny, Paul and I came here the other week, the initial impression of this cluster was one of a primitive solar symbol etched onto the rock; but the more we looked, the more it seemed that these small cups appeared to have been arranged in a very rough spiral lay-out.  Now I know that spirals are damn rare items in rock art (especially in this part of the world), but the more we looked and then subsequently checked Boughey & Vickerman’s (2003) illustration, the more evident it became.  Of course the ‘spiral’ could be merely fortuitous, but I’m not so sure misself.  In discussing this with our field archaeologist later, he suggested getting a rubbing of this part of the stone on his next visit.

The stone was first described by the petroglyph explorer Stuart Feather (1964) and later described by the rock art students Boughey & Vickerman (2004), simply as:

“Large, rough grit rock with face sloping SE down into grass at N.  About twenty cups to W, with three grooves at N corner and group of about twenty small cups at NE.”

A very intriguing carving.  And if you visit here, make sure you check out carving 424 and others in the same field.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Appletreewick, WR,” in ‘Archaeological Register, 1963’, Yorkshire Archaeological Journal, volume 41, 1964.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Burhill Kiln Allotment (415), Appletreewick, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07792 61829

Also Known as:

  1. Carving no.415 (Boughey & Vickerman)
Burhill’s cup-and-ring stone (image courtesy ‘QDanT’)

Getting Here

Probably the easiest way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat.  Walk along the track past the Skyreholme Wall carving, where it starts going downhill and, 100 yards before you reach the fork in the tracks, look in the field on your left.  The other route is to go east through Appletreewick village up to and through Skyreholme as far as you can drive, where the dirt-track begins.  Keep going up till you hit the fork in the tracks.  Go left, then thru the first gate you come to and walk up into the second field up where the notable rock stands out.  If you can’t see it at first, look around!

Archaeology & History

Boughey & Vickerman’s plan of the carving

This carving was rediscovered by Stuart Feather (1964) in one of his ambles in the area — and he would have been pretty pleased when he found this one!  It is the most complex and ornate of all the prehistoric carvings in and around this large open field.  With at least nine cup-and-rings and more than fifty other cups etched onto its rounded upper surface, there are various other lines and grooves linking up some elements of this mythic design. The best ones are on the upright and sloping east-face of the rock, into the rising sun.  In animistic terms the rock is distinctly female in nature.

Illustrated in one of Stan Beckensall’s (1999) works, the rock art students Boughey & Vickerman (2003) also include it in their survey, but give an inaccurate grid reference for the site.  They nevertheless describe it as:

“Large upstanding rock with slightly domed top surface. Most of top surface decorated but weathering makes detail uncertain: over sixty cups, eight or more with rings, many grooves.”

Many other carvings can be found in the area.

References:

  1. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Feather, Stuart, “Appletreewick, W.R.” in ‘The Yorkshire Archaeological Register, 1963’, Yorkshire Archaeological Journal, 41 (part 162), 1964.
  4. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

Acknowledgements:  Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile.  Cheers Danny!

© Paul Bennett, The Northern Antiquarian


Burnett’s Ridge (421), Appletreewick, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 08103 61500

Also Known as:

  1. Carving no.421 (Boughey & Vickerman)
The beautiful stone… (courtesy ‘QDanT’)

Getting Here

One way is to go east through Appletreewick village up to and through Skyreholme (making sure you bear right at the turn and not go up the left turn, which takes you uphill and elsewhere!) as far as you can drive, where the dirt-track begins.  Keep going up till you hit the fork in the tracks, and here, look into the field on your right.   The other way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running towards Simon’s Seat.  Walk all the way down this till you reach the fork in the tracks.  There’s a gate into the field just yards below the split in the tracks.  Go thru it and walk into the middle of the field where the stone unmistakably calls out for you to go sit with it for a while!

Archaeology & History

Boughey & Vickerman’s plan of the cup-marks

Sat near a ridge due north of the magnificent Simon’s Seat, this faded carved stone gets its name from the field in which it lives — and as Danny’s photo here shows, it’s a fine stone indeed in a very fine setting.  The cup-marks on its top were first described by Stuart Feather (1964), who found there to be around 20 cup-markings on the top, with some grooves — possibly natural, possibly man-made — linking them together.

However, in the fields north of here are a number of other cup-and-ring carvings, but much of the landscape has been damaged by industrial workings.  It makes you wonder how many there used to be here before the industrialists started digging the land up…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Appletreewick, WR,” in Archaeological Register, Yorkshire Archaeological Journal, volume 41, 1964.
  3. Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-Marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.

Acknowledgements:

Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile.  Cheers Danny!

© Paul Bennett, The Northern Antiquarian