Ostensibly non-linear carved designs, generally assumed to be Bronze Age in date, but many originate in the neolithic period (some may indeed date back to 5000 BCE). Their central features are small rounded cup-markings, circles, semi-circles, curved lines (short, mid-length, and long), straight-ish lines, double- and multiple-rings, all in usually abstract design-forms. Their almost complete non-linear nature relate to non-egoic structuralisms, making them difficult to ‘intellectually’ grasp. Added to this is that no two carvings are the same. Although no direct ‘meaning’ can be ascribed to the carvings, many of them have a relationship with ancient notions of death and/or burial. In animistic terms, they relate to the spirit of rocks and other features of the natural landscape. They have very little relationship with alignment features (though exceptions in some megalithic rings have been found). Some modern writers allege positive relationships with water, but this ingredient (if tenable) cannot yet be said with any certainty: the idea should be forged onto animistic relationships with the land itself.
Ornate cup-and-ring in Queens Wood (after RCAHMS 2004)
From Kenmore, take the road towards Acharn on the south-side of Loch Tay for about a mile. Just as you go out of Acharn, watch for the small road of Queens Drive on your left going uphill. Go up here, following the tree-lined burn (stream) towards the superb Falls of Acharn, crossing the track over it and winding uphill still, until the track veers left across open fields towards the large woodland 400 yards east. Just before the track meets the trees, notice the small burn running into the woods. Follow this for some 200 yards – and where it bends more sharply to go uphill, keep going for another 75 yards upstream until you meet with another opening going east. The rocky outcrop here is where this carved stone is found. Look around!
Archaeology & History
Hidden deep within the woods where wet feet and good ankles come together, is this fine example of a cup-and-ring stone, perhaps having something in times of olde to do with the meeting of the waters. A cluster of urisks and prehistoric remains scatter this lovely rolling section of southern Loch Tay, but I’ve found nothing specific to this bitta woodland that might give added mythos to the site. The carving was described in Mr Stark’s (2005) fine little work on the local rock art, saying:
“A rock outcrop, situated in woodland between Acharn Burn and the burn running down to Remony House, bears at least thirty-six cupmarkings. There are twenty-four plain cups, three cups each with a single ring, three cups each with double rings, and a cup surrounded by three faint rings, which has a gutter leading to the NW. The cups range from 40mm to 75mm in diameter and from 60mm to 120mm in depth.”
The next time we visit the place, I’ll make sure I get some good photos – and visit the stone circle and settlement a few hundred yards further up the hill…
References:
Stark, Gordon (ed.), Cupmarked Stones in Strathtay, Breadalbane Heritage Centre 2005.
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ‘em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, over the deer-fence, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
On my first visit to this stone, in overcast and wet conditions — the easternmost of at least four separate carved rock faces along the same geological ridge — I only noticed a handful of cup-marks etched onto the northeastern section of the stone. But I was sure there were supposed to be more. And when I returned home to check up, found that Ron Morris (1981) said there were “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group, of which 6 are in a line.” Much more than what I saw! And when I checked further, it was evident that even more cup-marks were once visible on the rock. In the very first description of this carved stone, E.A. Cormack (1952) told:
“On the easterly area there are about 70 small cups, roughly one inch in diameter, in groups of ten to twelve. Most are on the flatter rock surface, but some are on the steeper slope facing south, which also bears the marks of deep glacial scorings.”
A sample of cups on ‘Corrycharmaig 1’
So on our visit here again a few weeks ago when we stayed at Corrycharmaig house*, a couple more visits allowed a slightly better investigation, albeit in even wetter and cloudier conditions than our first visit! And the more we looked, the more we could see; and it was plainly evident that a number of cup-marks had become receptacles for moss-growth! We counted at least 40 cup-markings on this ‘Corrycharmaig 1’ stone, but it seemed pretty obvious that beneath the grasses and vegetation, more carvings would be found.
Walking SSE along the same rocky ridge brings you to the other rock faces of Corrycharmaig (2), (3) and (4) — all with their own carvings. Corrycharmaig 2 possessing the only known complete cup-and-ring on the ridge. More carvings remain hidden nearby…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Follow the same directions to reach the Duncroisk Crosses stone. From here, look up the slope to your right and you’ll see the line of fencing running uphill. Follow this until you reach the ruined remains of the old sheepfold building. From here, look towards the tree-lined gorge of Duncroisk Burn, a few hundred yards west and walk towards it for about 50-60 yards. There’s a group of three rocks hereby, two are large, but the carving’s on the smallest one in the middle.
Archaeology & History
This cup-marked stone was rediscovered as a result of the fine archaeological survey work by that Glasgow bunch of Certified Field Archaeologists, in their assessment of remains in and around Duncroisk Farm. As well as mentioning — albeit briefly — the carvings of Duncroisk Farm and Duncroisk Crosses, Dugald MacInnes (2001) and his team came across another that hadn’t been recorded before. Described in their survey as ‘feature 2’, he told,
“Some 20 metres downslope from the sheep fank and about 60 metres NW from it, there is a group of large boulders. On the southeast sloping face of one of these there are three previously unrecorded cup-marks. These are oriented vertically on a northeast to southwest alignment and are no more than 4cm apart. They are all about 7cm in diameter and 2.5cm deep.”
The carved rock is a relatively small one sitting roughly in between two much larger rocks, both of which are easily visible from the Duncroisk Crosses stone less than 100 yards down the slope. It’s probably only gonna be of interest to the rock-art purists among you and some may even question its veracity, particularly the bottom of the three cups, which gives the impression of being unfinished. If you visit the site in summer and autumn it will be much harder to find, as it gets overgrown with bracken. (we did take a number of photos of this stone, but managed to somehow delete them all before saving to disk – so have gotta check it again when we next visit here)
References:
MacInnes, Dugald, An Archaeological Field Survey of a Deserted Settlement at Duncroisk Farm, Glen Lochay, Association of Certified Field Archaeologists: Glasgow 2001.
Follow the same directions to get to the Corrycharmaig 3 carving; and just a yard or two to the right of the far western edge of the rock, you’ll see another smaller slightly sloping rock, closer to the fencing, with faint cup-markings. That’s the one! (note that the 10-figure grid reference given here might need adjusting slightly)
Archaeology & History
This small slightly sloping piece of exposed rock is on the western extremity of the Corrycharmaig cluster of carvings, but is a distinctly separate piece of rock from the Corrycharmaig 3 stone (though part of the same outcrop). The stone itself has two sections to it, with a natural crack in the rock defining eastern and western section — both of which possess cup-marks.
The easternmost section of the stone has seven cup-marks, some of which were only recently uncovered. A large single cup-mark sits near the middle of this portion of the rock; this is probably what Mr Cormack (1952) was talking about when he told that, “further west (of the Corrycharmaig 3 carving, PB) is one isolated larger cup of 4-inch diameter.” On the western side of the stone, we find just two or three cup-marks, though one large cup-marking here would seem to be Nature’s handiwork.
It is highly likely that beneath the excessive vegetational growth around this carving and others along this ridge, other sections of prehistoric carvings remain to be found.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
On the A657 road, a half-mile past Greengates towards Calverley, just before the road starts going uphill, take the lower dirt-track of Eleanor Drive on your left into Calverley Woods (here known as West Woods). About 150 yards along the track, note the small footpath on the right which goes up diagonally further into the trees. Go along here until you reach the remains of a dried-up pond on your left. The carved stone is about 10 yards before the pond, just above the footpath.
Archaeology & History
Rubbing of the 2 cupmarks
Another stone only for the puritans amongst you! This (and the West Woods 2 carving) was one we found in 1985 when we were exploring the woods looking for the Calverley Woods cup-marked stone reported by Sid Jackson in the 1950s. The stone is a small roughly oblong, earthfast rock, about 2ft by 1ft across, and has two distinct but faded cup-marks on its slightly sloping face. That’s it!
Soon after first finding this, we made a couple or rubbings of the stone, one of which I reproduce here and which shows the two cup-marks. You’ll note the measurement and note of the cups being 2 megalithic inches (MI) in diameter. The MI was a statistical unit of measure suggested by the late great Alexander Thom, who found regular integers of 2.07cm in many of the cup-and-rings he examined, and so surmised it as a deliberate numeric system. At the time when we found this cup-marked stone, I was exploring Thom’s idea and was very much taken up with it. However, after a few years doings numerous rubbings of the many cup-and-ring stones in West Yorkshire, and exploring the simple size of the human hand and how we execute cup-markings on rocks, I found Thom’s idea didn’t seem to be realistic. (though I still love Thom’s works: the man was an outstanding researcher, far exceeding all the archaeologists of his period in terms of his exploratory methods)
References:
Bennett, Paul, “The Undiscovered Old Stones of Calverley Woods,” in Earth 2, 1986.
Cup-and-Ring Stone: OS Grid Reference – SO 9875 2825
Archaeology & History
Nottingham Hill cup-and-ring
A rare find this! In October 1981, in deepest Gloucestershire on the edge of the Nottingham Hill Iron Age hillfort, archaeologists sifting through what they ostensibly called “occupational debris” along the western edge of the huge enclosed monument, found a singular piece of local oolitic limestone etched with an archetypal cup-and-ring design! The carving was on a typical ‘portable’ piece of stone and would not have been amiss had it been uncovered in a neolithic or Bronze Age cairn in our more northern climes. But this southern example is something of an anomaly.
In Morris & Marshall’s (1983) description of the stone they told how,
“it was found as a loose block lying with the worked surface uppermost, and half-embedded in the plough-soil, together with other slabs and irregular lumps of oolitic limestone of similar size, and of closely related rock-type. The object is a discreet slab with an unworked under-surface weathered by percolation of ground-water along a joint.”
Drawing of the carving
They found that the carved stone was typical of other rocks making up the ramparts at the outer-edges of the hillfort, and at some point in its history may possibly having been included in the walled structures of the fortress itself. However, this is unlikely to have been the original use of the carving. Its inclusion in the Iron Age ramparts would more be a likely consequence of it being appropriated from another, much earlier archaeological site in the area — a chambered tomb or long barrow for example. This re-use of cup-marked stones in the Cotswolds is known to have occurred in the village of Salford, on the church cross-base, 18.75 miles (30.2km) east of here.
The Nottingham Hill cup-and-ring was described in some detail by Morris & Marshall (1983). The rock on which it was carved measured one square-foot in size and barely 3 inches thick. The central cup-mark measured,
“approximately 15.5cm in diameter, and a shallow radial groove (channel 1) leads from it to the edge of the stone. The central cup-mark is surrounded close to its lip by a penannular channel or ‘ring’ (channel 2), which has a small depression at one end. This end of channel 2 appears to be discontinuous with channel 1, but there is a very lightly pecked connection at the other end. Outside channel 2 is a second shallower ring or channel (channel 3) but because of its shallowness it is difficult to determine whether it links with the radial channel 1. Channel 3 contains a clear, small cup-mark part-way along its length, and is quite definite on one side of the central cup-mark, and on the other side it is possibly mirrored by a rather indistinct depression or cup-mark and length of channel. Channel 3 is not continuous throughout its length, ending where it meets the edge of the stone beyond the small cup-marks.”
It is obvious that the carving, whenever it was made, was not subjected to long-term exposure to the outside air, as the carved design would have eroded quite quickly on the oolitic limestone.
Royal Commission on Historical Monuments, England, Ancient and Historical Monuments in the County of Gloucester: Volume 1 – Iron Age and Romano-British Monuments in the Gloucestershire Cotswolds, HMSO: London 1976.
Cup-Marked Stone (lost): OS Grid Reference – ST 260 870
Archaeology & History
Rhiwderin cup-marks
This fine-looking cup-marked stone was uncovered during a botanical outing in the last decade of the 19th century. Described as being around the township of Rhiwderin, the exact whereabouts of the carving is unknown and it’s not been seen since the first description of it in an early edition of Archaeologia Cambrensis by Mr T.H. Thomas. (1895) John Sharkey (2004) mentioned the site in his recent survey of Welsh rock art, saying simply “location unknown.”
The missing Rhiwderin stone
Although we know there are no hard and fast rules for working out the location of cup-and-ring markings, one may be fortuitous in exploring any nearby Bronze Age or neolithic tombs (cairns, tumuli, etc) in the Rhiwderin district, as they do tend to enjoy the company of such sites — but I must stress, this is by no means a dead cert!
Mr Thomas’s description of the carving was as follows:
“I enclose a sketch of what seems to be a cup-marked stone which I observed yesterday near Rhiwderin, Monmouth. Unless there be some operation which simulates such markings with which I am unacquainted, I take the specimen to add an instance of these mysterious prehistoric remains to the very short list given for Wales by Mr. Romilly Allen, and to be the first reported for South Wales.
“The stone displaying the cup-markings is a mass of millstone grit, earth-fast, the slanting surface appearing above the turf being about a yard wide, and 4 feet long. Upon the upper half of the surface is a group of twelve cups from 1½ to 2in diameter, and about 1in deep. On first noticing the cups they were taken for holes out of which quartz pebbles, abundant in the local millstone grit, had been weathered, but examination of the block showed that no pebbles of large size exist, or had existed in it, and the conclusion was arrived at that the cups are artificial.
“On turning back some of the turf covering the base of the slope of the stone, no other cups were discovered.
“The stone lies within an old enclosure, as shown by wild apple-trees and an abundance of daffodils, and still more clearly by ruins, which seem those of a cottage or small farm near by. This contiguity to a habitation which does not seem to have been abandoned more than a century, made me suspect some medieval or more recent origin for the markings. I cannot, however, account for them otherwise than by supposing them to be cup-markings in the technical archaeological sense.
“The stone was observed while in the company of Dr C.T. Vachell of Cardiff, searching for varieties of narcissus which occur at several points in the neighbourhood…”
If anyone comes across this lost carving, please let us know!
References:
Sharkey, John, The Meeting of the Tracks: Rock Art in Ancient Wales, Gwasg Carreg Gwalch: Llanrwst 2004.
Thomas, T.H., ‘Archaeological Notes and Queries,’ in Archaeologia Cambrensis, volume 12 (5th series), 1895.
Cup-Marked Stone: OS Grid Reference – ST 9583 0294
Also Known as
Badbury Rings Carving
Shapwick 6a carving
Archaeology & History
Badbury Barrow carving (after J.F.S. Stone 1958)
Amidst what was once a veritable gathering of prehistoric tombs on the ground immediately west of the Badbury Rings hillfort — a small necropolis no less! — one particular tumulus which Leslie Grinsell named as ‘Shapwick 6a‘ was in the process of being destroyed at the end of October, 1845, but was fortunate in receiving the quick attention of a local historian called John Austen, who gave us the first known account of the place. (a fuller profile of the Badbury Barrow can be found here) Inside the churned-up remains of Badbury Barrow, which measured 62 feet across and 9 feet high, Mr Austin found a fascinating number of urns and other remains and, shortly after, this rare example of a petroglyph was identified. The stone now lives in the British Museum where, the last I knew, you could certainly check it out. But it’s not its original size, as sections of the stone were broken off. As Aubrey Burl (1987) told us, the stone was originally about half-a-ton in weight, on which,
“were carvings of five cupmarks, two bronze daggers and two flat, triangular axes of early Breton type.”
Grinsell’s more detailed description of the carving from his work on Dorset Barrows (1959) tells a little more of the design found on this seeming ‘tomb-stone’:
“Sandstone slab, probably from stone cist, decorated with pecked carvings of two daggers with hilts, resembling those on stone 53 at Stonehenge; two triangular objects probably intended to be flat bronze axe-heads expanding at their cutting-edge; and five cup-shaped hollows. The existing decorated fragment (in British Museum) is 1ft 10in long, and was detached from the original slab which weighed probably more than half a ton. The size suggests, perhaps, a cover-slab.”
It may well have been. Certainly it had some relationship to death! The design was suggested in the 19th century to perhaps have been influenced by Greek imagery, when such notions were in vogue. As Grinsell tells,
“In the centre according to Durden…was the well-known large slab of sandstone which was decorated with carvings of daggers and axes, the former of type similar to those from Stonehenge, conjectured to be of Mycenean type.”
But the Mycenean nature of the carvings is highly unlikely. What is intriguing with this carving is the appearance of cup-markings (commonly associated in or adjacent to prehistoric tombs) alongside defined symbols of daggers. We could infer a magickal relationship between the two symbols here: one of which, the cups, comes from a much earlier period than the dagger-design. A more in-depth analysis of the human remains within the tumulus and a plan of the site would perhaps be more revealing…
…to be continued…
References:
Austen, John H., “Archaeological Intelligence,” in Archaeological Journal, volume 3, 1846.
Burl, Aubrey, The Stonehenge People, Guild: London 1987.
Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
Knight, Peter, Ancient Stones of Dorset, Power: Ferndown 1996.
Royal Commission on Historical Monuments, England, An Inventory of the Historical Monuments in the County of Dorset – Volume 5: East Dorset, HMSO: London 1975.
Stone, J.F.S., Wessex Before the Celts, Thames & Hudson: London 1958.
Warne, Charles, The Celtic Tumuli of Dorset, John Russell Smith: London 1866.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 1015 4702
Also Known as:
Panorama Rock 226
Archaeology & History
J.R. Allen’s 1879 drawing
It would seem that this excellent looking cup-and-ring stone may have been destroyed sometime around 1890 during the construction of the Panorama Reservoir and the building of the houses on the southwestern edge of Ilkley, right by the moorside. But this isn’t known for certain; and the carving could still exist beneath vegetation in the trees just north of the reservoir. In requesting to explore some National Archives data in which there may be information relating to this carving (and others nearby), I was directed to Bradford Council’s community archaeologist, Gavin Edwards (to whom requests should be made), but he denied access to look at the files, then completely ignored subsequent queries that might enable us to locate this and other important prehistoric carvings. So we did our best and this is what we’ve found so far (forgive any errors).
As there’s a slight ambiguity in the precise location of this lost carving, we cannot say for certain whether or not this site was included in the sale of Property Lots, numbers 7-34, “surrounding the far-famed Panorama Rocks,” which may have led to the site’s destruction and subsequent removal of the protected Panorama Stones to Saint Margaret’s Park on the other side of the road from the church, closer to Ilkley centre. The sale of this “building land” as it was called was advertised in the Leeds Mercury, Saturday September 4, 1880, with a brief description of the respective “lots” near this and the adjacent carvings. But this Panorama Stone 226 may have been left alone and be buried under the surface…
J.T. Dale’s 1880 sketch
Historical notes on this particular stone are scattered and sparse, but digging through old journals and texts has given us a reasonably good vision of the place. It was first described, albeit in passing, in A.W. Morant’s edited third edition of Whitaker’s History of Craven (1878: 289), where it was described in context with the other cup-and-ring east of here on the same ridge. All of them were described as being located within a now-destroyed prehistoric enclosure (precise nature unknown), with carving 226 at the westernmost end. However, the following year J. Romilly Allen (1879) gave more details of this, “the third stone” as he called it and furnished us with a damn good drawing to boot!
As we can see, there are four double-ringed cups and eight or nine archetypal cup-and-rings, with the usual scatter of cups falling across the design. The curious ‘ladder’ markings found on one of the other Panorama Stones, the Barmishaw Stone, Willy Hall’s Wood carving and at least one of the Baildon Moor carvings, were also quite prominent. Although when J. Thornton Dale visited here around the same time and did his own drawings, the ladders weren’t quite as pronounced. This would have been due to the simple factors of cloud cover, poorer sunlight and the time of day the drawings were done (the pseudoscientific proclamation of local archaeologist Gavin Edwards that such artistic difference is due to some Victorian chap adding, or removing sections of the carvings for his own pleasure, negates common sense and is strongly lacking in evidence). Romilly Allen’s own description of the site was as follows:
“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800 feet… About 100 yards to the west of this spot appears to be some kind of rough inclosure, formed of low walls of loose stones, and within it are the three finest sculptured stones near Ilkley. They lie almost in a straight line East to West… The third and most westerly stone of the group measures 10ft. by 9ft. and lies almost horizontally, having its face slightly inclined. On it are carved twenty-seven cups, fourteen of which have concentric rings round them. Some of the cups have connecting grooves, and three have the ladder-shaped pattern before referred to.”
Notes from a few years later told that this carving was still in situ when the companion carvings were moved and imprisoned behind railings across from St. Margaret’s Church in Ilkley. The carving was shown at the grid reference given above on the 1895 Ordnance Survey map of the region before the reservoir was built, correcting the coordinates given in Boughey & Vickerman’s (2003) otherwise fine survey. They described this very ornate carving thus:
“According to Thornton Dale (1880), this was a large rock with 27 cup, eighteen of which had single rings. Some of the cups had connecting grooves and three had the same ladder motif as the Panorama Stone.”
…to be continued…
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Allen, J. Romilly, “Cup and Ring Sculptures on Ilkley Moor,” in The Reliquary, volume 2, 1896.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith, “The Panorama Stones,” in Prehistory Research Section Bulletin, no.40, Yorkshire Archaeological Society: Leeds 2003.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Jennings, Hargrove, Archaic Rock Inscriptions, A.Reader: London 1891.
Turner, J. Horsfall, “British or Prehistoric Remains,” in Collyer & Turner, Otley 1885.
Whitaker, Thomas Dunham, The History and Antiquities of the Deanery of Craven in the County of York, (3rd edition) Joseph Dodgson: Leeds 1878.
A slight walk to get here. Follow the same directions as if you’re going to the Eller Edge 431 carving. Once here, walk west as if you’re going into the middle of the field, keeping your eyes peeled about 20 yards along for a small-ish rounded stone with nice colours of lichen amidst the grasses. If you’re patient, you’ll find it soon enough!
Archaeology & History
This is another simple cup-marked stone on the grassland ridge overlooking higher Wharfedale. The carving here is a little clearer and more well-defined than that of its close neighbours, with a number of simple cups visible on its rounded surface. We counted seven such cups on our cloudy-day visit, but Boughey & Vickerman (2003) thought there might be a little more, describing the stone simply:
from another angleB & V’s drawing
“Small lichen-covered rough grit rock. About eight cups and two depressions.”
A rubbing of this small stone (as practiced by English Heritage and rock art students alike) would prove useful in bringing out any other ingredients in the ancient design. And whilst you’re in this field, have a look at the curious Spiral Stone and some of the other cup-markings close by.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
