carved stones – Page 19

Tillicoultry House Carving, Tillicoultry, Clackmannanshire

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Cup-and-Ring Stone (lost): OS Grid Reference – NS 9240 9752

Also Known as:

Canmore ID 48255

Archaeology & History

A recent visit to try find this intricate carving—the only one of its kind in Clackmannanshire—proved unsuccessful, and so I add it here in the hope that someone might know where it is and bring it back to light. It looked like quite an impressive petroglyph. If the stone isn’t hiding in undergrowth at the edge of someone’s garden, it may well have been destroyed—which would be appalling. As a unique design, this important carving should have been preserved. Even when the Victorian explorers found it, the covering stone circle had been greatly damaged and many stones in the ring had been removed. This carved stone remained intact however. When Mr R. Robertson (1895) and his friend visited the site, it was covered in sand and dirt and had fallen to the side of an internal cist:

“On clearing this away a remarkable feature was brought to light. The block was found to be elaborately ornamented on its sides and upper surface, with rings, spirals and lines. The labour of cutting these in the hard granite with primitive tools of the period must have been very great. Several successful photos of the stone and its carvings were taken by Provost Westwood, Dollar…. This stone has now been removed to the vicinity of Tillicoultry for safety.”

In the same article, George Black told slightly more of the design:

“The covering stone of the cist…bears on the face a series of concentric circles, and spirals springing from one of the groups of circles, Four grooves also unite the same set of circles with the left-hand edge of the stone. On the edge shown in the photograph there is another group, consisting of two concentric circles. The unevenness of the surface of the stone appears to have been of no moment to the sculptor of the circles, as the incisions follow the surface into its sinuosities and depressions.”

Not long after Robertson & Black’s visit, the great megalithomaniac Fred Coles (1899) came here—and he found that the “spirals” that Mr Black described were nothing of the sort.

“The huge irregularly-shaped diorite boulder which covered the cist has several cup-and-ring marks on one face and one side…. These marks are now, so I was informed when inspecting them, very much less distinct than they were when the photograph was taken (above) in 1894. It would be difficult now to describe the incised markings with accuracy; it is difficult even to see them when wet. But…I must take exception to the term ‘spirals’ as applied to any of these ‘rings.’ There are three groups of rings so placed as to make the outermost ring in each group touch that of the others (not an uncommon form), but there is no one true volute.

“…What is more noteworthy is the group of four long parallel, nearly perpendicular grooves issuing (probably) from the outermost ring of the group of five rings, and ending at the edge of the boulder.”

Cole also noted that the carvings were to be found on the upper surface of the stone. It would seem very probable that the excessive erosion which Cole described was due to the fact that the stone was, many centuries earlier, exposed to the elements within the stone circle and not buried as it later came to be. It makes sense.

The excessive erosion was spoken of by the Royal Commission (1933) lads, aswell as the last person to describe the site, Ronald W.B. Morris (1981), who said that during his visits here between 1966-75,

“the author has only found traces of possible cups visible on the rough surface, which has flaked badly.”

Morris (1981) said that the stone measured “1½m by 1¾m by ½m (5½ft x 4½ft x 2ft)”—and was last known to be some 10 yards NW of the Tillicoultry House cottage, but we could locate no trace of the stone or its carving. If anyone is aware of the whereabouts or fate of this important neolithic carving, please let us know.

References:

Coles, Fred R., (1899b) ‘Notices of the discovery of a cist and urns at Juniper Green, and of a cist at the Cunninghar, Tillicoultry, and of some undescribed cup- marked stones’, in Proceedings of the Society Antiquaries, Scotland, volume 33, 1899.
MacWhite, Eoin, “A New View on Irish Bronze Age Rock-Scribings,” in Journal Royal Society Antiquaries, Ireland, 76:2, 1946.
Morris, Ronald W.B., ‘The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties, part II’, in Proceedings of the Society Antiquaries, Scotland, volume 100, 1969.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Robertson, R., Black, G.F. & Struthers, J., ‘Notice of the discovery of a stone cist and urns at the Cuninghar, Tillicoultry‘, in Proceedings of the Society Antiquaries, Scotland, volume 29, 1895.
Royal Commission on the Ancient & Historical Monuments of Scotland, Fife, Kinross and Clackmannan, HMSO: Edinburgh 1933.
Young, Alison, “Cup-and-Ring Markings on Craig Ruenshin, with some Comparative Notes,” in Proceedings of the Society Antiquaries, Scotland, volume 72, 1937.

Witches Stones, Kirkton of Auchterhouse, Angus

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Cup-and-Ring Stones (lost): OS Grid Reference – NO 345 392

Also Known as:

Canmore ID 31908
Greenfield Knowe
Greenford Knowe
Sidlaw Hospital
Spittal Stones

Archaeology & History

1843 map showing the ‘Stone’

We have no precise location for this carving, nor several of its petroglyphic relatives who lived within this arena for countless centuries until (you guessed it!) the advance of the Industrialists brought their profane ways to the region, with the usual disregard for local people and their unwritten traditions. Which is a great pity, for there were obviously some old stories and important archaeology hereby. Aubrey Burl (1988) for one, thought this cup-and-ring carving may have played its part in being one of the stones in a larger “four-poster” stone circle, although local history accounts tell that it was part of an impressive prehistoric tomb.

One of the Witches Stones

The Witches’ Stone we see illustrated here was one of at least two carvings in a cluster of stones. The great J. Romilly Allen (1881) wrote about the it, although it seems he never visited the site himself. Instead, his description came from that of a colleague, a Mr W. McNicoll, who told him that at the position marked on the early OS-map as a single “Stone” that was “Remains of a Druidical Altar” there were in fact

“two in number: one, an upright pointed stone, 5ft by 2ft by 3ft 6in high; ans the other lying 3ft 6in to the southwest, 7ft 6in by 5ft by 2ft 6in thick. The latter has fifteen cups, varying from 2 to 3in in diameter; one with a single ring carved on the sloping face at the south end of the stone. It lies horizontally and has two hollows, worn at the ends where the cups are, by the toes of persons climbing onto the top. The ground under this stone has been partly removed and it appears to rest on two others; but the whole appears to be natural and not a cromlech or rocking stone.”

Folklore

One of the Witches Stones

Reference was made to this “Witches Stone” in the 1860 Object Name Book of the region, where it was said to have been part of a larger group, “considered to have been used by the Druids as a place of worship.” This catch-all phrase of druidic relevance should be translated as “local traditional importance” where animistic rites of some sort would have occurred. Certainly we find the usual reverence or fear in the local tale told by Mr Hutcheson (1905) which he thankfully recorded following his visit to the site:

“Here…occupying a small knoll known locally as Greenfield Knowe, towards the western end of the plateau…two upright standing stones of boulder character formed a conspicuous feature. They were, if tradition be accepted, the survivors of a larger group. The same tradition records that the farmer of Greenfield Farm, requiring stones for the erection of dykes, removed some of the standing stones from Greenfield Knowe. He, however, speedily found unexpected difficulty in carrying out his intentions. The dykers whom he had employed absolutely refused to use the stones, alleging they would thereby bring misfortune upon themselves and families, , and threatened, rather than risk such calamities, to throw up the job.

“While in this quandry the farmer, it is said, had a vision: a ghostly figure appeared to him, and in a hollow voice warned him against interference with he stones on Greenfield Knowe, and concluded by the adjuration, “Gang ower the howe t’ anither knowe.” Needless to say, the farmer lost no time in obeying his ghostly visitor. Next morning he carted back the stones he had removed and sought material for his dykes elsewhere.”

This is probably the same tale, slightly reformed, which the local historian W.M. Inglis (1888) described, when he told that,

“About the beginning of the present century, when a worthy old parishioner was having some repairs carried out upon his house, he removed a few of the large stones with the intention of having them built into the walls. Throughout the night, however, an eerie feeling came over him, his conscience was on fire, he could get no rest. Accordingly he got out of bed, yoked his horse into the cart, and like a sensible man replaced yjr sacred stones where he found them, went home, and thereafter slept the sleep of the righteous.”

References:

Allen, J. Romilly, “Notice of Prehistoric Remains near Tealing, in Forfarshire” in Journal of British Archaeological Association, volume 37, 1881.
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR 195: Oxford 1988.
Hutcheson, Alexander, “Notice of the Discovery of Stone Coffins at Auchterhouse,” in Proceedings of the Society of Antiquaries, Scotland, volume 39, 1905.
Inglis, W. Mason, Annals of an Angus Parish, John Leng: Dundee 1888.

Halo Stone (318), Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 13223 46505

Also Known as:

Carving no.154 (Hedges)
Carving no.318 (Boughey & Vickerman)

Getting Here

Looking straight down at it

From Ilkley train station, head up Cow Pasture Road and get to the Cow & Calf Hotel (if needs be, ask a local). From its car-park, cross the road and go along the straight-ish footpath onto the moor. Less than 200 yards on, you’ll hit a main track (and a faint cup-marked stone). OK – walk down this track (left) for 30-40 yards, then walk left again into the heather for about 10 yards. You’re looking for a small rounded stone and you’re damn close!

Archaeology & History

…and from another angle

Just over 40 yards east of the very basic Brown Law cup-marked stone, we find this slightly more exotic petroglyph, keeping low in the undergrowth. Difficult to see unless the daylight is just right, preferably as the sun is rising or setting (as with many neolithic carvings), on this small slightly rounded stone we see a central cup-mark surrounded by a double-ring (unfinished, perhaps on its northern edge)—although an outer cup seems to touch the edge of this second ring. As the faint images here show, there are other cups and shallow lines also etched onto the stone, but these are gradually fading as the years go by. It was originally found close to a small cairn that has seemingly been destroyed in recent years.

The carving can be troublesome to find when the heather and bracken gets growing, so it’s best explored in the Winter and early Spring—unless of course you want me to show you it, along with the hundreds of others on these moors! If so, gimme a shout. 😉

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Baildon Moor Carving (130), West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13077 40097

Also Known as:

Carving no.11 (Hedges)
Central Design Stone

Getting Here

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!). You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention. The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course. It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs. Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings. It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

John Hedges 1986 sketch

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone. Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards. Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Skyreholme Carving (406), Appletreewick, North Yorkshire

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Cup-marked Stone: OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area. Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

Skyreholme Carving (405), Appletreewick, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 07395 62382

Getting Here

Skyreholme 405 Carving

Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.

Archaeology & History

Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one). A faint “X” is also carved on the stone, possibly from the mining days.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Panorama Woods (228), Ilkley, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11468 47288

Also Known as:

Carving no.100 (Hedges)
Carving no.228 (Boughey & Vickerman)

Getting Here

Panorama Stone 228, with cups highlighted (after James Elkington)

Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, as well as a bench to sit on, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the one in the centre being the one we’re dealing with here.

Archaeology & History

Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at roughly SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position. However, this carving is but a fragment of its former self.

It was originally to be seen within a large prehistoric enclosure—which was completely destroyed when rich houses were built hereby, without any evaluation of the site ever being made. But particularly impressive is the fact that this now enclosed sedated stone carving was originally the large rocky base for a small rocking stone, which also had cup-markings on it and a faint cup-and-ring. This is very unusual indeed – and perhaps unique in Britain? Thankfully, several Victorian antiquarians visited and made notes and a sketch of the site before it was uprooted and a large section of it destroyed. In J. Romilly Allen’s article (1879) he told that, just a couple of yards from the more famous and ornate Panorama Stone (229), a

“second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad. Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure. The superimposed rock has eleven cups, two of which are surrounded by rings. The under stone has 42 cups, nine of which have rings. Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in. Another has a circular cup 3in diameter, and five concentric rings, the outer ring being 1ft 5in across.”

J.T Dales 1878 sketch, with CR227 on top of it

In a sketch of the site by J. Thornton Dale done about the same time as Allen’s visit, and reproduced here (apologies for the poor quality), the “five concentric rings” that Mr Allen mentioned are not shown, but clearly a spiral design had been seen by Mr Dale’s eyes. Fascinating…. The large mass of carvings immediately left of the spiral is in fact the smaller upper stone known by modern archaeologists as carving 227.

Today, all we can see of this petroglyph are two cup-and-rings, and one faint double-cup-and-ring; several incomplete rings or arcs, and at least another 30 single cup-marks, some of which have short limes running to or from them. The rest of original stone base with its other multiple rings or spiral design were obviously destroyed.

As with many of the Ilkley carvings, Boughey & Vickerman’s (2003) description barely does the stone justice. They described it simply:

“Large rock, now set in concrete base, the surface rapidly deteriorating. Over forty cups, three with single rings, one showing traces of a second, grooves.”

The mightily impressive Panorama 229 carving sits next to this one and is truly worth checking out!

References:

Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements: With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for taking the photos and allowing ’em for use them in this site profile.

Lochay Woods, Killin, Perthshire

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Cup-and-Ring Stone: OS Grid Reference – NN 54125 35388

Also Known as:

Canmore ID 274203

Getting Here

Going out of Killin towards Kenmore on the A827 road, immediately past the Bridge of Lochay Hotel, turn left. Go down here for just over 2 miles and park-up where a small track turns up to the right, close to the riverside and opposite a flat green piece of land—right by The Green cup-marked rock-face. Walk up the small bendy track for about ⅔-mile (1km) and eventually, high above the tree-line, the road splits. Right here, go through the gate and walk downhill, over the boggy land, cross the burn, then the overgrown wall, and a second overgrown wall. Very close hereby is a small rise in the land amidst the mass of bracken, upon which is the stone in question!

Archaeology & History

This large long, undulating, quartz-rich stretch of rock has two main petroglyphic sections to it, with curious visual sections of natural geological forms accompanying the cup-markings, found either side of the stone on its north and south sides. Its northern face has at least 20 cup-marks, of differing sizes, measuring between one and two inches across and up to half-an-inch deep. Their visual nature is markedly different to those on the more southern side of the stone, where they are generally smaller and much more shallow, perhaps meaning they were carved much earlier than their northern counterparts. One of the cups on this section has a very faint incomplete ring around it.

Running near the middle of the rock is a large long line of quartz and a deep cleft in which I found a curious worked piece of quartz shaped like a large spear-head, and another that looks like it’s been deliberately smoothed all round the edges. Both these pieces fit nicely in my hand. All around the edges of the stone, many tiny pieces of quartz were scattered, as if they had been struck onto the stone—either to try carving the cups (damn problematic!), or for some visual/magickal reason.

Gatepost Stone, Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 09497 46961

Getting Here

Cup-and-rings on gatepost (photo credit, Dave Whittaker)

From Ilkley, follow the same directions as if you’re going up to the superb Swastika Stone. Keep walking on the footpath, west, for 65 yards (59m), then walk into the heather on your left. Barely 5 yards in, you’ll see this fallen standing stone or gatepost.

Archaeology & History

First described in one of Stuart Feather’s (1964) old rambles, I first saw this stone in my late-teens and was as puzzled by it then as I am today. Upon an obviously worked stone that may once have stood upright (or was intended to do), two faint and incomplete cup-and-rings were carved – but when exactly? If this stone was cut from a larger rock into its present shape, were the petroglyphs already on it, or were they done when the ‘gatepost’ was created?

It was first described in one of Stuart Feather’s (1964) rambles up here and later included in Hedges’ (1986) survey, where he told it to be a, “recumbent gatepost with one cup with almost complete ring and one cup with vestigial ring.” Boughey & Vickerman’s (2003) survey added little more. And when a group calling itself Carved Stones Investigation got itself about £250,000 to “investigate” the Ilkley petroglyphs, I was hoping that they could have at least turned this stone over to see if other carvings were on the stone – but they just revisited all those found by others, made a new list, and took the money to be honest (no website and no book – as they should’ve done). Thankfully, local folk are having a look at this and others and doing the work they should have. Check it out when you’re next up at the Swastika.

References:

Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.26, 27, 28 – Black Pots, High Moor, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:10, 1964.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Acknowledgements: Huge thanks to Dave Whittaker for the photo. Good luck with the plans fellas.