Very little seems to be known about this apparently lost site, deemed to be an authentic holy well in Francis Jones’ (1954) fine survey: the ‘Ellen’ in question here being the legendary St Helen. It was highlighted on the first OS-map of the area in 1869 and subsequently included in the Royal Commission’s huge Pembrokeshire (1925) tome, but when they came to visit the site they reported that “it could not be traced, nor any information obtained about it.” Has it truly fallen back to Earth, or do any local historians and antiquarians know where it is…?
References:
Jones, Francis, The Holy Wells of Wales, University of Wales 1954.
Royal Commission Ancient & Historical Monuments, Wales, An Inventory of the Ancient Monuments in Wales & Monmouthshire: VII – County of Pembroke, HMSO: London 1925.
Cup-and-Ring Stone: OS Grid Reference – NS 8551 8819
Archaeology & History
Looking down on C-7c
Near the northwestern end of the small geological ridge that runs to the west of Castleton farmhouse, close to an awesome nine-ringed carving, we find this more simplified triple-ringed petroglyph. And although the carving is easy enough to describe, its labelling (as ‘Castleton 7c’) is rather troublesome. As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek in the mid-1990s. But van Hoek’s sketch of Castleton 7c and the one shown in our photos, whilst very similar, possess attributes that aren’t on van Hoek’s drawing. Now this isn’t too odd, as many petroglyphs look different when lighting conditions change; to the point where some features you can see one day are almost invisible the next. But this carving has attributes that are very difficult to miss – and van Hoek’s detailing tended to be good. But, all this aside: until we can verify with certainty one way or the other and despite my suspicions that this isn’t what van Hoek described, I’m still entering this carving as Castleton 7c. So – now that bit’s out of the way…!
When we visited the site two years ago the day was dark and overcast, so we didn’t really have good conditions for seeing any faint carvings. But this wasn’t faint, thankfully. It was completely buried beneath soil and gorse bushes, but thankfully Paul Hornby managed to unearth the one you can see in the photos. If it is the Castleton 7c petroglyph, it was rediscovered by van Hoek on one of his ventures here in 1985.
Carving showing wavy lines on right…and from another angle
When we visited the site we only managed to uncover a small section of the stone, as the roots of the surrounding gorse prevented us from seeing more. (it’s tough stuff unless you’ve got the right gardening equipment!) The section we uncovered consisted of a cup-and-triple-ring. This is consistent with van Hoek’s sketch and description; but we also found there were two very notable ‘arcs’ on the outer edge of the rings—nearly opposite each other—as if another, fourth ring had been started. You can’t really miss these elements – and even in the poor lighting conditions we had, these outer arcs are very evident on a number of photos – especially when they are expanded to full-scale. However, as I mentioned, we were unable to uncover all the rock; but when van Hoek was here there was far less herbage. What he saw on this carving was as follows:
“Deturfing part of this ridge revealed a fine cup with three rings with a broadly pecked tail; one solo cup; one large oval ring with small central cup; and a faint cup with two rings, the outer one incomplete. The rock slopes 12º ENE.”
Crap drawing done in crap lightingvan Hoek’s 1996 sketch
The “broadly pecked tail” he mentions is also not really clear in any of the 60 photos we took. There is a faint line that runs through the three rings, into the central cup and out the other side: a single curving line no less. It’s certainly visible, but it’s far from broad. But there are a number of other lines coming out of the rings. These maybe just natural scratch marks, or even scratches acquired from farming activity. It’s difficult to say. In the poor light that we had, there as looked to be a single cupmark a few inches away from the rings, but this isn’t consistent with the position of the cupmark on van Hoek’s sketch.
There’s a simple solution to all this: we need to revisit the site and expose more of the rock. At least that will tell us once and for all whether this is the same as van Hoek’s stone, or whether we’ve found yet another new carving. Watch this space, as they say! 😉
References:
van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.
Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph. Standing here, you’ll notice the large boulder that looks as if it’s fallen down the slope immediately to your left. You can’t really miss it.
Archaeology & History
Beneath the gorgeous excess of ancient lichens you can make out at least three cup-marks on the south-facing sloping rock-face in the top-half of the boulder. There may be some other faint cups on here, but due to the lichens they are very difficult to see, so I’m erring on the side of caution regarding their veracity. This is another one of those carvings likely to be interest only to the most ardent petroglyphic nuts amongst you.
Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph. Standing here, look straight down at the dried-up burn barely ten feet below you, where you’ll see a small sloping rock. That’s it!
Archaeology & History
Nothing much to see here apart from a single shallow cup-marking. Most likely of interest only to the most ardent petroglyphic explorer, but worth looking at when you’re visiting the more impressive carvings nearby.
Holy Well (destroyed): OS Grid Reference – T 2481 8173
Archaeology & History
Highlighted on the 1838 OS-map, Grogan and Kilfeather (1997) report that there are “no visible remains” to be seen of this holy well. The cult of St Patrick is still celebrated in Ireland every year on 17 March.
References:
Grogan, Eion & Kilfeather, Annaba, Archaeological Inventory of County Wicklow, Stationery Office: Dublin 1997.
Lynch, Geraldine, “The Holy Wells of County Wicklow,” in Wicklow History and Society (edited by K. Hannigan & W. Noland), Dublin 1994.
As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek. (1996) It’s a pretty simplistic design within the impressive Castleton complex, found at the southeastern end of the gorse-covered rocky ridge, about 70-80 yards west of the farmhouse. It was uncovered on a visit here by Nina Harris, Paul Hornby, Frank Mercer and Lisa Samson on Sunday 19 November, 2018.
The cup-marked stoneLarge cup & arc of 3
Unlike the others in the Castleton complex, this carving is probably of interest only to the hardcore petroglyph hunters. The design consists of at least ten cup-marks on the uncovered section of the rock, one of which appears to have a broken circle with two ‘entrances’ either side of it, so to speak. The most notable element in the design is close to the edge, where an arc of three cups almost corners a larger cup right at the edge. There may be more carved elements to be found on the westerly side of the stone, which was covered in deep vegetation when we came here.
References:
van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.
This long lost ‘holy well of St Brigit’ (Tobar Bhride) has been mentioned—purely in literary repetition—by such folklore giants as F.M. MacNeill and others, but none of them give any additional information about it than that first mentioned by Alexander Stewart’s (1890) in his fascinating article on magical stones. Indeed, knowledge of this well’s very existence was only preserved thanks to a ritual incantation that was recited to imbue and maintain healing properties of one such magickal stone, known as the Charm Stone of Keppoch. It
“was an oval of rock crystal, about the size of a small egg, fixed in a bird’s claw of silver, and with a silver chain attached, by which it was suspended when about to be dipped.”
It was dipped in water taken from the sacred well of St Brigit, somewhere not far from Keppoch. The incantation made over the stone was in Gaelic, obviously, but the english translation is:
“Let me dip thee in the water,
Thou yellow, beautiful gem of Power!
In water of purest wave,
Which (saint) Bridget didn’t permit to be contaminated.
In the name of the Apostles twelve,
In the name of Mary, virgin of virtues,
And in the name of the high trinity
And all the shining angels,
A blessing on the gem,
A blessing on the water, and
A healing of bodily ailments to each suffering creature.”
On the east side of the river, just a few hundred yards away, could once be found the Fuaran na Ban-Tighearna, or the Well of Her Ladyship. In this sense, the term ‘ladyship’ refers to the “wife of a baronet or knight.” (Dwelly 1918) The idea that it may refer to Bride in Her guise as a ‘lady’ is linguistically improbable here (though not impossible). Also, if this fuaran did have a geomythic relationship with Bride, we would expect to find a Cailleach in the nearby landscape, which we don’t.
Folklore
An interesting piece of folklore that may relate to this well is described by the great Scottish landscape wanderer, Seton Gordon. (1948) Although he makes no mention of a Bride’s Well, there is the tale of a missing bride up Glen Roy, of which Keppoch sits below. “It was in earlier times,” he wrote,
“that the Maid of Keppoch was taken by the fairies in Glen Roy. She was an Irish girl, little more than a child, and had become the wife of MacDonell of Keppoch. But the wedding rejoicings were scarcely over when the bride, wandering into the oak woods which still clothe the lower slopes of Glen Roy, disappeared mysteriously. It was believed that, like the Rev Robert Kirk…she had been spirited away by the fairies. If indeed she was abducted by the Little People they held her closely, for from that day to this no trace has been found of the fair Maid of Keppoch.”
St Bride of course was Irish, like the Maid of Keppoch. And just a mile up Glen Roy from Keppoch House we find the Sron Dubh and Sithean, or Ridge of the Dark Fairy Folk. There are several burns (streams) running either side and below this fairy haunt, but I can find none with Bride’s name. Someone, somewhere, must know where it is…
References:
Gordon, Seton, Highways and Byways in the Central Highlands, MacMillan: London 1948.
Dwelly, Edward, The Illustrated Gaelic English Dictionary – volume 1, Fleet Hants 1918.
Stewart, Alexander, “Notice of a Highland Charm-Stone,” in Proceedings Society Antiquaries, Scotland, volume 24, 1890.
Ladywell Lane is shown on the 1855 OS-map (right).
At present we have no information or images about this site. Be the first person to contribute material by emailing us with info or images to the usual address – megalithix@yandex.com
At present we have no information or images about this site. Be the first person to contribute material by emailing us with info, field notes or photos to the usual address – megalithix@yandex.com
Take the A823 road out of Dunfermline south towards Rosyth. A half-mile before you hit the motorway roundabout, at the roundabout where Carnegie Avenue takes you east, turn west and park up along the road where the modern business park lives. 30-40 yards from the roundabout, set back on the pavement, you can’t really miss the huge flat slab of stone, covered in cup-markings, resting on a stone plinth with ‘St Margaret’s Stone’ stamped on it!
Archaeology & History
On the 1856 OS-map of this area, St Margaret’s Stone is shown at the roadside just above a farm of the same name, a short distance away from its present location. In October 1879, Alexander Stewart (1889) told us that funds were raised and steps taken to properly fix and preserve this ancient ‘resting-place’ of Queen Margaret on the Queensferry Road. It was quite a few years later before it was moved the few hundred yards further to its present location.
Cups on stone’s edge
Early writers tell us that originally its position in the landscape was on the crest of one of the rises in the land between Dunfermline and the sea, making it visible for some considerable distance. This would seem to have been a deliberate placement. In my mind, and in accordance with the placement of many a prehistoric tomb, St Margaret’s Stone may originally have been part of a neolithic or Bronze age cairn, long since gone. The size and shape of the rock implies it too, with similarities here of the impressive cist or gravestone found inside the Netherlargie North cairn at Kilmartin. However, this wasn’t the thought of the prodigious Scottish historian, William Skene. He thought that St Margaret’s Stone originally stood upright, being a Pictish-style standing stone that was mentioned in the first Statistical Account of the area. The brilliant Scottish antiquarian, John Stuart (1856)—who gave us an illustration of the ‘standing stone’ in question—told us:
“It has been supposed by some that “St. Margaret’s Stone,” a block now lying on the side of the highway leading from Inverkeithing to Dunfermline, and about midway between these places, can be identified with the standing stone referred to in the Statistical Account. Mr Skene has noted below a sketch of St. Margaret’s Stone:- “The sculpture upon this stone has been lately chipped off in mere wantonness, so as to leave few traces of the subject recorded upon it.” He farther states that it formerly stood erect, and was called “The Standing Stone.” According to Mr. Skene’s measurement, St. Margaret’s stone is about nine feet and a half in length, one foot in thickness, and four feet broad at the widest end, and broken off to a narrow point at the other.”
The missing ‘standing stone’
In this instance, Skene was confusing St Margaret’s Stone with the lost Pictish monolith (left) that used to exist nearby, which had carved horse figures and other memorial designs upon it and which he thought had faded away. Whereas the large slab we are looking at here, and which Skene visited and measured, is covered on one side by a gathering of prehistoric cup-markings—much earlier than any Pictish or early christian carvings. At first glance, it seems that some of these cups may well be natural, but it has to be said that some of them are distinctly man-made. And if we were to believe the archaeo-accounts of the stone, the cupmarks are only to found on one side of the stone. This is incorrect. As we can see here, a number of cupmarks run along the edge of the stone. We cannot say for sure whether all of them are artificial, but they certainly look like it! Also, on the other side of the flat surface, one or two single cups are visible. It would be good if we could get an artist to give us a detailed impression of the prehistoric carvings without the modern engraving of St Margaret’s Stone etching on the main face. (is there anybody out there!?)
The Royal Commission (1933) lads visited the stone in 1925 and, several years later in their write-up, told us simply:
“This stone…stands with its main axis due north and south and measures 8 feet 6 inches, by 4 feet 7 inches, by 1 foot 6 inches. On one side the entire surface is cup-marked, the markings varying in size from 1¼ inches to 3¼ inches and having an average depth of from ½ to ¾ inch.”
When the Scottish petroglyph writer and explorer, Ron Morris (1968) came to the site, he gave it an equally brief description, merely telling us:
“On standing stone (8 1/2 feet high, 4 1/2 feet wide), built in to roadside fence, over 80 cups, up to 4in in diam, 3/4in deep, some run together as rough dumbells.”
It’s well worth checking out!
Folklore
St Margarets Stone in 1825
When the Saxon Queen Margaret landed on the shores just west of Queensferry at Rosyth Castle (NT 1087 8200), legend reputes that she and her entourage made Her way north towards Dunfermline. Halfway along the ancient track She rested at this large stone which, thereafter, gained the name by which we know it today. It was said that Queen Margaret subsequently visited the stone on a regular basis for periods of solitude. The tale probably has some germ of true in it. Additional ingredients also told that,
“The large stone here is associated with St Margaret and was visited by women who hoped to conceive or sought a successful birth. The eight-foot high stone is said to mark the resting place of St Margaret when she journeyed between Queensferry and Dunfermline. Margaret had eight successful pregnancies and probably needed to rest quite a few times on her travels!”
The fertility aspects of the rock were not the only pre-christian virtues attached to it. We also find that oft-cited motif of rocks moving of their own accord: in this case, as J.B. MacKie (1905) told us, local people had always
“been told that the stone rose from its bed and whirled thrice round in the air every time it heard the cock at the adjoining farm crow.”
Cocks crowing are symbolic of sunrise, obviously, and this lore may simply represent a folk memory of the spirit in/of the stone being animated at that time of day. It’s a motif found at ancient sites all over the place!
Royal Commission Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in the Counties of Fife, Kinross, and Clackmannan. HMSO: Edinburgh 1933.
Rupert-Jone, John A., Rosyth, A. Romanes: Dunfermline 1917.
Stewart, Alexander, Reminiscences of Dunfermline and Neighbourhood, Scott Ferguson: Edinburgh 1889.
