England – Page 31

Baildon Moor Carving (130), West Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 13077 40097

Also Known as:

Carving no.11 (Hedges)
Central Design Stone

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!). You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention. The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course. It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs. Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings. It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

John Hedges 1986 sketch

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone. Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards. Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

St. Helen’s Well, Thorpe Hesley, South Yorkshire

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Holy Well (lost): OS Grid Reference – SD 370 960

Archaeology & History

In Rob Wilson’s (1991) study on the saints and wells of South Yorkshire, he mentions this site which, it would seem, may have been lost to history. In Wilson’s site-entry for the St. Helen’s Well at nearby Barnburgh, he tells that,

“There may have been other wells in South Yorkshire dedicated to St. Helen… Two 18th century surveys by William Fairbank list St. Helen’s Fieldin Thorpe Hesley and St. Ellen’s Field in Wentworth.”

Around ten different wells are highlighted in the village itself on the first Ordnance Survey map of the area, with a number of others scattered in the surrounding fields. Any one of these may be the well in question. Much of the region was badly disfigured by the Industrialists in their usual desecration of the landscape, which may make any recovery of this site impossible. However, a foray into the whereabouts of William Fairbank’s survey could be worthwhile — and if St. Helen’s Field is one that remained untouched by local mining, the site could be recovered from its present “lost” status.

(Please note: the grid-reference cited above is an approximation until further data allows us to correct it.)

References:

Wilson, Rob, Holy Wells and Spas of South Yorkshire, Northern Arts: Sheffield 1991.

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Skyreholme Carving (406), Appletreewick, North Yorkshire

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Cup-marked Stone: OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area. Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

Skyreholme Carving (405), Appletreewick, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 07395 62382

Getting Here

Skyreholme 405 Carving

Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.

Archaeology & History

Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one). A faint “X” is also carved on the stone, possibly from the mining days.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

St Peter’s Well, York Minster, North Yorkshire

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Holy Well: OS Grid Reference – SE 6038 5219

Also Known as:

Holy Well, York Minster

Archaeology & History

Old photo of the well

For people who like to visit the sacred sites that determined a cross-over from Earth-based animism to one which ceased sanctifying the Earth, this ancient water source in the cellars beneath York Minster would be a good example. Sadly, the church has closed off access to this ancient heritage and you can no longer see it. Yet despite the fact that the modern-day christians have closed off your encounter with this important heritage site (York Minster’s website doesn’t even mention its existence!), we should not forget its mythic history…

As you walk into the building (at some great expense, it has to be said), the location of the holy well is said to be at its more western end, albeit in the crypt underground—although there does seems to be some confusion with some authors about exactly where the well is positioned.

1850 sketch of the well

The earliest account we hear of the place relates to when the northern tribal King Edwin, along with his sons Osfrid and Esfrid, came here to be “baptized” in the waters of this clear spring “on Easter day, April 12, 627” CE. Immediately thereafter a small wooden chapel was constructed next to or above the well. From then on, as the centuries passed, the renown of the well grew and eventually the magnificent ritual temple of York Minster was eventually built. The waters eventually became dedicated to St. Peter and an annual festival occurred here soon after the Midsummer solstice on what became known as St. Peter’s Day (June 29). After the year 1462, a secondary festival date was also given to the site by the Church and another annual celebration occurred here on October 1 too. Its waters remained accessible to people for drinking, healing and rites throughout the centuries. It is only now, in the 21st century, that its sacrality and spirit has been closed-off. This is a situation that must be remedied!

In Mr Goole’s (1850) survey of York Minster, his architectural illustration of the building showed that the water from the well had been brought up onto the ground floor, on the southeast side of the inner cathedral building in the easternmost vestry, and named as St Peter’s Pump. This is illustrated in the 1850 drawing above-left.

A whole series of early writers mention the well in earlier centuries—of whom a brief sample is given here. When Celia Feinnes came here in the 17th century, she said that,

“In the vestry of York Minster there is a well of sweet spring water called St Peter’s Well ye saint of ye Church, so it is called St Peter’s Cathedral.”(Smith 1923)

Mr Torre (1719) gave it equal brevity, saying simply that,

“at the south-west corner thereof is a draw-well (called St. Peter’s Well) of very wholesome clear water much drunk by the common people.”

In R.C. Hope’s (1893) national survey of sacred wells, he told that

“There is a draw well with a stone cistern in the eastern part of the crypt of York Minster… The Crypt is about 40 feet by 35 feet.”

The well was even included in Murray’s Handbook to Yorkshire (1892) as being “in the southwest corner of the Minster.” William Smith (1923) included the site in his fine survey, telling his readers that,

“The water is excellent in quality, which in measure, so chemists say, is due to the lime washed into it by the rain from the walls of the Minster. The water has for centuries been used for baptisms, and is so used today. The well has now for some years been covered with a pump.”

Folklore

In Geoffrey of Monmouth’s famous early History, we find that King Arthur visited here. …And one final note, about which we know not for certain whether it was relevant to the holy well hiding in the crypt, but a fascinating heathen custom was enacted here in bygone days, almost above the spring. Mistletoe, as Christina Hole (1950) told,

“was ceremonially carried to the cathedral on Christmas Eve and laid upon the high altar, after which a universal pardon and liberty for all was proclaimed at the four gates of the city for as long as the branch lay upon the altar.”

Mistletoe is one element that is known to have been sacred to the druids (not the present-day druids!) and was sacred to the ancient Scandinavians (who came here), and also possessed the powers of life and death in its prodigious folklore and phytochemistry. Fascinating…

References:

Bord, Janet, Cures and Curses: Ritual and Cult at Holy Wells, HOAP: Wymeswold 2006.
Gutch, Mrs, County Folk-lore volume 2 – North Riding of Yorkshire, York and the Ainsty, David Nutt: London 1901.
Hole, Christina, English Custom and Usage, Batsford: London 1950.
Hole, Christina, English Shrines and Sanctuaries, Batsford: London 1954.
Hope, Robert Charles, Legendary Lore of the Holy Wells of England, Elliott Stock: London 1893.
Murray, John, Handbook for Travellers in Yorkshire, J.Murray: London 1874.
Parkinson, Thomas, Yorkshire Legends and Traditions, Elliot Stock: London 1888.
Poole, G.A., An Historical and Descriptive Guide to York Cathedral and its Antiquities, R. Sunter: York 1850.
Purey-Cust, A.P., York Minster, Isbister: London 1898.
Rattue, James, The Living Stream: Holy Wells in Historical Context, Boydell: Woodbridge 1995.
Smith, William, Ancient Springs and Streams of the East Riding of Yorkshire, A. Brown: Hull 1923.
Torre, James, The Antiquities of York, York 1719.
Whelan, Edna, “Holy Wells in Yorkshire – part 1,” in Source, No.3, November 1985.
Whelan, Edna, The Magic and Mystery of Holy Wells, Capall Bann: Chieveley 2001.
Whelan, Edna & Taylor, Ian, Yorkshire Holy Wells and Sacred Springs, Northern Lights: Dunnington 1989.

Egg Well, Ashenhurst, Leek, Staffordshire

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Healing Well: OS Grid Reference — SK 005 540

Getting Here

Just outside of Leek a right-hand lane leads to the small hamlet of Ashenhurst, turning left pass the gated road and on the right hand side at the next fork is the The egg well on the right in a small brick building.

Archaeology & History

The Egg Well is a curious site. No evidence appears to record it as a holy well, nor a spa— but it appears to be a secular healing well. Local tradition believes that the site was used by the Roman, but the older fabric was set in place by William Stanley, the owner of Ashenhurst Hall bewteen 1744 and 1752. The present house was erected in the 19th century.

The name of the well is curious; it could refer to the shape of the basin, but could also refer to sulphurous waters although I could not detect a smell. Today, a rather ugly 19th century brick-built structure surrounds this stone lined bath-shaped structure, which was roofed at a later date.

Folklore

The site was used by the Romans, but there is no evidence. Its properties are recorded on the basin is this monogram and an interesting Latin inscription which reads:

“Renibus, et splenui cordi, jecorique medatur, Mille maelsi prodest ista salubris aqua.”

The translation being:

“The liver, kidneys, heart’s disease these waters remedy. And by their healing powers assuage full many a malady.”

References:

Parish, R.B., Holy Wells and Healing Springs of Staffordshire – in publication.

Links:

Holy Wells & Healing Springs – Staffordshire

St John’s Well, Dronfield, Derbyshire

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Holy Well: OS Grid-Reference — SK 353 783

Getting Here

St Johns Well, Dronfield

In Dronfield, St. John’s Well is to be found off Church street in the Forge in the courtyard adjacent to the glass roofed atrium on the left hand side.

Archaeology & History

J.C. Cox (1875–9) in his Churches of Derbyshire appears to the sole reference although he quotes a lost 1710 reference. He notes a St. John’s Well cited by Francis Bassano, c.1710, saying:

“…a well, close to the churchyard in St John’s Lane, called St John’s Well, from which “they usually fetch water now for baptising infants””.

Looking down the well…

…and into the waters

Despite only this slight mention, the site still survive. According to local historian Mr. Ken Ward, the well is that now found in the courtyard of the forge: a 16th century building now developed into a small shopping complex. He states it is 80 metres from the south porch of the church supporting Bassano’s location. The site is along Church Street (previously Church Lane) which he believes was once called St. John’s Lane. The well is a circular one with modern stonework on the top. However, this encloses a much older ring of six layers with a grill apparently opening out into a larger chamber below. It appears to be a deeper well than would be expected, but it is spring-fed and was presumably deepened for use in the forge.

References:

Cox, J. Charles, Notes on the Churches of Derbyshire – volume 1, Palmer & Edmonds: Chesterfield 1875.

Cratcliff West Enclosure, Harthill, Derbyshire

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Enclosure: OS Grid Reference – SK 2259 6238

Getting Here

Site of Cratcliff West enclosure

Taking the roughly north-south road betwixt the village of Elton and the town of Youlgreave, rising up to see the great rock outcrop of Robin Hood’s Stride, park-up by the roadside and walk down the path towards the impressive rocky rise of Robin Hood’s Stride. Keep to the fields below the Rise on its north side and head for the next wooded rise 2-300 yards west. In the field you’ll cross (field number 202 in on the map, right) before this wooded crag [Cratcliffe Rocks], the outline of the enclosure is beneath your very feet.

Archaeology & History

Aerial image of the Ninestone Ring enclosure

This blatantly obvious oval-shaped enclosure or settlement ring has had very little said of it in archaeological circles as far as I can tell. (please correct me if it has!) I found it quite fortuitously during aerial surveys of the nearby Nine Stones circle. It’s certainly quite large. With a general circumference of roughly 285 yards (260.5m), the relative diameters of this enclosure are—from north to south—91 yards (83m) and—east to west—80 yards (73.25m). The ditch alone is quite wide all the way around, almost giving it a ‘henge’ quality. Its southern section is nearly 10 yards across at one point!

The northwest section of the enclosure has been built into, or upon a small natural outcrop of rocks. But also at this point—as seen clearly in the aerial photo—on the other side of the wall just past the raised natural outcrop, is a long straight parallel linear feature, very probably man-made, running away to the northwest for at least 174 yards (159m). It too is quite large, averaging more than 13 yards (12m) across all along the length of this “trackway”: twice as wide as the nearest road and similar in form to the smaller cursus monuments that scattered neolithic Britain.

The site seems to be typical in form and structure to general Iron Age, or perhaps late Bronze Age settlements – but without a proper ground appraisal, this is a purely speculative appraisal. Any further information or images of this site to enable a clearer picture of its nature would be most welcome.

Acknowledgements: With thanks in various way to Pete Woolf, Dave Williams, Geoff Watson & Martin Burroughs.

Panorama Woods (228), Ilkley, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11468 47288

Also Known as:

Carving no.100 (Hedges)
Carving no.228 (Boughey & Vickerman)

Getting Here

Panorama Stone 228, with cups highlighted (after James Elkington)

Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, as well as a bench to sit on, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the one in the centre being the one we’re dealing with here.

Archaeology & History

Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at roughly SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position. However, this carving is but a fragment of its former self.

It was originally to be seen within a large prehistoric enclosure—which was completely destroyed when rich houses were built hereby, without any evaluation of the site ever being made. But particularly impressive is the fact that this now enclosed sedated stone carving was originally the large rocky base for a small rocking stone, which also had cup-markings on it and a faint cup-and-ring. This is very unusual indeed – and perhaps unique in Britain? Thankfully, several Victorian antiquarians visited and made notes and a sketch of the site before it was uprooted and a large section of it destroyed. In J. Romilly Allen’s article (1879) he told that, just a couple of yards from the more famous and ornate Panorama Stone (229), a

“second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad. Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure. The superimposed rock has eleven cups, two of which are surrounded by rings. The under stone has 42 cups, nine of which have rings. Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in. Another has a circular cup 3in diameter, and five concentric rings, the outer ring being 1ft 5in across.”

J.T Dales 1878 sketch, with CR227 on top of it

In a sketch of the site by J. Thornton Dale done about the same time as Allen’s visit, and reproduced here (apologies for the poor quality), the “five concentric rings” that Mr Allen mentioned are not shown, but clearly a spiral design had been seen by Mr Dale’s eyes. Fascinating…. The large mass of carvings immediately left of the spiral is in fact the smaller upper stone known by modern archaeologists as carving 227.

Today, all we can see of this petroglyph are two cup-and-rings, and one faint double-cup-and-ring; several incomplete rings or arcs, and at least another 30 single cup-marks, some of which have short limes running to or from them. The rest of original stone base with its other multiple rings or spiral design were obviously destroyed.

As with many of the Ilkley carvings, Boughey & Vickerman’s (2003) description barely does the stone justice. They described it simply:

“Large rock, now set in concrete base, the surface rapidly deteriorating. Over forty cups, three with single rings, one showing traces of a second, grooves.”

The mightily impressive Panorama 229 carving sits next to this one and is truly worth checking out!

References:

Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements: With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for taking the photos and allowing ’em for use them in this site profile.