Great Wood Laithe (019), Skipton, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SD 99620 50551

Also Known as:

  1. Carving no.3 (Hedges)
  2. Carving no.19 (Boughey & Vickerman)

Getting Here

Cowling’s 1964 drawing

From Skipton centre get to the Horse Close estate on the southern side of the town and look up to the fields on the sloping hill above it with the small woods above ’em.  Head up towards the trees, but before you get there go into the fields on your right, and in one of them you’ll see what looks like a pile of rocks near the middle.  Head for it!

Alternatively, follow the directions to reach the Horse Close Hill enclosure, then walk down into the field on its western edge.  You can’t really miss it!

Archaeology & History

This carving first saw the light of pen-and-paper in the early 1960s, soon after the Yorkshire antiquarian Eric T. Cowling (he of Rombald’s Way fame) was led to the site by his wandering nose and the aid of local people.  He sent a letter to the editor of the Bradford archaeology group at the time (a certain Mr Sidney Jackson), which told:

“South-west of the wood which gives its name to the Great Wood Laithe at the western end of Rombalds Moor and overlooking Skipton from the east, is a cup-marked boulder: NGR – SD 99625055.  In the middle of the field alongside the wood is an outcrop of rock which has been almost levelled with the adjacent field surface by the dumping of boulders from the surrounding ploughlands.

“The top of the outcrop rises to a dome-shaped projection which bears simple cup-markings.  These average two in diameter and total 17 in number.  The whole surface of the stone is weathered, and suitable light may reveal more details.”

And, faded though it is, in better lighting conditions it seems there may be more than twenty cup-marks on the rock.  Certainly this is what the surveys of Hedges (1986) and Boughey & Vickerman (2003) concluded.  There are other carvings close by and, on the hillside immediately above you, the denuded remains of a very impressive prehistoric settlement site known as Horse Close Hill.  Well worth having a look at!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  2. Cowling, E.T., “Cup-and Ring Boulders,” in Cartwright Hall Archaeology Group Bulletin, 9:5, May 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  4. Ramm, H.G., “Yorkshire Archaeological Register, 1964,” in Yorkshire Archaeological Journal, volume 41 (part 163), 1965.

© Paul Bennett, The Northern Antiquarian 


Pool Farm, Priddy, Somerset

Cup-and-Ring Stone / Tomb:  OS Grid Reference – ST 5375 5417

Getting Here

Dead easy this! (though a bittova cheat) Get to the Bristol City Museum and look inside.  This Google map should help those of you who don’t know Bristol too well.

Archaeology & History

Grinsell’s drawing of the carved slab (PPS 1957)

Found amidst a large cluster of other neolithic and Bronze Age remains—with the amazing line of the Priddy henges just a few hundred yards to the southeast—this is one helluva rare relic this thing: a carved stone, with seeming cup-marks and engraved “feet” no less, which was found when dug out of a prehistoric tomb way down South.  Obviously a buncha northern lads and lasses must’ve been on one helluva piss-up! (y’ never know…)  Although the tomb — a round barrow by all accounts — was well-known and excavated in 1930, the carving was somehow not noticed by the archaeologists when they dug here!  But it has to be said, at that period many archaeologists thought rock art to be insignificant and unworthy of study, so perhaps their ignorance stemmed from  the academic myopia of the time.

But at least they gave a reasonable description of the tomb itself.  It was due to be destroyed and the considerable mass of material from it was used for widening the nearby road!!!  Thankfully, for some reason, “the chamber or cist was left in situ” under the ground.  Leslie V. Grinsell (1957) takes up the tale:

“The barrow appeared to be about 100 feet in diameter and 3¾ feet high, but it had been spread and its height reduced by many ploughings. Excavation showed that the barrow, which was of the bowl type, was composed of fine mould throughout, and had never been enclosed by a ditch.  In the centre of the barrow, there was a stone chamber or cist, the external dimensions of which were 5½ feet long, 4½ feet wide, and 2½ feet high.  The floor, which was ‘crazy-paved’, was approximately on the ground-level.  The cist was placed with its long axis SE-NW.  The late Father Ethelbert Horne, who wrote the excavation report, stated that the south-eastern slab, which was inserted 6 inches deep into the floor, had the character of a ‘closing-slab’, and outside it were several packing stones.  There was a large cover slab of Dolomitic Conglomerate.  The small northwestern slab is of Carboniferous Limestone, and the south-eastern slab is of Liassic Chert, but the large south-western and north-eastern slabs are of sandstone derived from the vicinity.  The essential characteristics of this structure are therefore that is was abnormally large for a stone cist, had a strong suspicion of a ‘closing slab’ (implying some kind of entrance?) at the south-eastern end, and was above ground level, with its floor on that level.

“On the floor of this chamber or cist, at the foot of the approximate centre of the south-western slab, was a heap of burnt human bones, free from any admixture of charcoal.  As these bones had been broken small after being cremated, their determination was by no means easy.  Prof E. Fawcett…expressed the belief that they may have comprised the remains of an adult and a young person.”

But it was in 1956 that the carvings were noticed on the cist remains — by Mr Grinsell and his friend, C.S. Taylor.  At first they thought that some of the etchings were of human hands, but they later realised they were of human feet.  Grinsell wrote:

The Foot carvings: The feet shown are all single feet, no two forming a left-and-right pair of the same individual.  Nos. 1,2 and 3, in a row, are large, medium and small; no.4 is oblique in form; no.5 is on a slightly recessed portion of the slab; and no.6 represents the foot of a child between about 3 and 4 years old.  No.3 represents the foot of a child about 10-12 years of age.  Nos. 1,2,4 and 5 appear to represent the feet of adults.  No.7 is the symbol of uncertain meaning.  All these foot carvings show rounded heels and toes, in contrast to those on the Calderstones which are nearly all rectangular.  The toes are all splayed, and this carving is likely to be due partly to the nature of the stone and the tools with which they are carved, and partly to the fact that the feet represented are probably those of a people who did not wear shoes, or wore footwear that did not constrict the toes.

The Cup-marks: There are nine (possibly ten) cup-marks; their diameter ranges between 0.9 inches and 1.9 inches, and their depth between 0.1 inch and 0.3 inches… They are on the average about twice as deep as the foot-carvings.  The smallest cup-mark (no.17) is beside the smallest foot-carving; but there is no noticeable relationship between the other cup-marks and foot-carvings…”

Earliest known photo of the carving by R.A. Whiteford

An intriguing carved slab at the very least!  We can say with some certainty that this old tomb was of considerable importance to the people who built and lived around it in the centuries that followed (ancestral spirits and all that).  It may have been a tomb of an important tribal elder, shaman or queen — though we may never truly know.  But one thing which local archaeologists and antiquarians need to keep their eyes open for when opening any more burial sites in and around this region, are other examples of rock art, for the rule tends to be: where there’s one carving, others are close by!  So wherefore art the others…?

References:

  1. Coles, J., Gestsdottir, H. & Minnitt, S., “A Bronze Age Decorated Cist from Pool Farm, West Harptree: New Analyses,” in Proceedings of the Somerset Archaeological and Natural History Society, 144, 2000.
  2. Grinsell, Leslie V., “A Decorated Cist-Slab from Mendip,” in Proceedings of the Prehistoric Society, volume 23, 1957.

© Paul Bennett, The Northern Antiquarian


Tree Of Life Stone, Snowden Carr, Askwith, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 17978 51161

Also Known as:

  1. Carving no.598 (Boughey & Vickerman)

Getting Here

Tree of Life Stone (photo credit, Yorkshire Daz)

From Askwith village go up the Moor Lane and at the crossroads go straight across (Snowden Moor is to your left).  Go down and along Snowden Carr Road until the road levels out and, watch carefully, about 500 yards on from the crossroads on your left you’ll see a small crag of rocks in the fields above.  Stop and go through the gate walking up the field.  At the top is a gate: go thru this and turn right, up the footpath for 100 yards, keeping your eyes peeled!  You’re damn close!

Archaeology & History

The most well-known and one of the more decorative of all the carvings in and around the Snowden Moor region is the Tree of Life Stone.  In the 1930s, Eric Cowling first reported how, “this fine marking is the only one which appears to be known to the people of the district,” due in part to it being a site of local social activities (though nothing is said of this place in William Grainge’s [1895] survey).  Cowling (1937) described the carving thus:

close-up of main features
Eric Cowling’s sketch

“This stone lies alongside the bridle path which skirts the southwest corner of the enclosed moorland above the hamlet of Low Snowden.  A large flat rock surface at ground level has a number of cups joined together by a series of curved grooves, which in their turn are connected to a central straight groove.  Immediately above the design, a broad groove has been cut across a raised central area as though to isolate the markings from several scattered cups which are to be found on the remaining surface.”

The modern surveyors Boughey & Vickerman (2003) tell us that this highly ornate stone comprises of,

“about 25 cups, with a group at the highest…end and a few isolated, but most in complex design with enclosing grooves suggesting a tree in fruit: hence the name ‘Tree of Life Rock.'”

The Tree of Life Stone
Boughey & Vickerman’s sketch

The Coped Stone carving is just a few yards away and, on the slopes below here — as well as on the moor stretching above you — there is an excess of prehistoric remains: enclosures, hut circles, lengths of walling, cairns, other cup-and-ring stones — the vast majority of which has yet to be excavated in any formal sense (are any rich doods out there reading this who might wanna get things going…?).  It appears that both the Coped Stone and the Tree of Life carving may have been linked by some ancient walling that appears to run between them.

Another possible variant on the Tree of Life Stone has recently been uncovered on the outskirts of Ilkley; but on this newly-discovered example we find the central ‘trunk’ of the ‘tree’ is a natural crack that runs up the middle of the rock. Up the ‘trunk’ are several short branches with cup-marks on either side, not unlike apples on a tree.  Altogether there are at least 12 cups and one ring, with several curious lines, some of which seem geophysical in nature.  After several visits to the site, it’s obvious that the ‘tree’ design is more obvious and there are additional faint carved sections on the stone which weren’t visible when it was discovered in heavy rain and poor light.

Folklore

Tree of Life Stone (by James Elkington)

This is one of very few cup-and-ring stones with folklore attached.  Cowling (1937; 1946) reported it to be site of early morning Beltane (May 1) gatherings.  The title of the stone, the Tree of Life, was one he heard local people call this site, but “no reason is offered”, he said. About 100 yards below this we find a curious erectile, fertility image on the impressive carving 612, which (he says tenuously!) may (and that’s a dodgy “may”!) relate to the Beltane rites at the Tree of Life.

Tree of Life in situ

In more modern folklore, the old earth mysteries writer Guy Ragland Phillips (1976) suggested the Tree of Life Stone to be an important focal point along one helluva highly speculative ley line: running from the Irish Sea, across land and the Tree of Life stone, continuing way east until hitting the North Sea!  If this old ley did have any validity (it doesn’t!), the Tree of Life’s carved partners east and west of here — the Coped Stone and carving no.597 — would have also been on the same line.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
  3. Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  4. Phillips, Guy Ragland, Brigantia — A Mysteriography, RKP: London 1976.

Acknowledgements: Many thanks to James Elkington and to Yorkshire Daz for use of their photos.

© Paul Bennett, The Northern Antiquarian 


Snowden Carr Carving (582), Askwith, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 17803 51012

Getting Here

Cowling’s 1937 sketch

Not too difficult to locate if you don’t mind wandering to and fro in deep heather.  From the Askwith Moor Road parking spot, walk up the road (north) 300 yards until you see the disused quarry on the moor to your right.  From here, head onto the moor, straight down past the quarry for about 200 yards, angling slightly to your right.  You’ll notice some overgrown ‘lumps’ in the heather — deemed as a cairnfield by archaeologists — go just below these and watch out for some rocks emerging from the heather.  This carving (and its neighbours) is on one of ’em!

Archaeology & History

This curiously-shaped large rock has several worn cup-and-rings on its upper surface, with several cup-marks aswell.  Two deeply etched lines running down the edge of the rock have also been pecked away as part of the carving, in contrast to the distinguishing natural water-worn line that runs diagonally along and down to the bottom of the stone.

The site was first described by Eric Cowling (1937), who labelled it as Carving no.9 in his survey, saying:

Carving 582, looking SW
Carving from above

“At the eastern and lower end of the barrow group on Snowden Carr is a cluster of angular boulders, one of which has several markings cut on the upper surface.  There is a cup and ring on the highest, and alongside two rings are joined together and enclose separate cups. One corner of the area is isolated by a groove running from edge to edge, and within this enclosure are three cups.”

Catalogued as ‘stone 582’ in Boughey & Vickerman’s (2003) survey, their description of the carving was one with “fourteen possible cups, several with indications of a ring, some of which intersect; grooves.”

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
  3. Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.

© Paul Bennett, The Northern Antiquarian


Stoup Hill Carving, Askwith Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 177 501

Getting Here

Cup-marked stone, Stoup Hill

From the Askwith Moor car-park, walk down the road (south) for 2-300 yards until you reach the gate on the right-hand side of the road.  Go thru this and turn immediately left, following the fence along, parallel to the road for about 100 yards (if you reach the small disused quarry, you’ve gone 100 yards too far), then walk into the heath, up near the top of the little peak and walk down the other side of the slope for about 80 yards.  You’re getting damn close — look around!

Archaeology & History

First found on the afternoon of May 13, 2010, in the company of Dave Hazell — though at the time the light was poor and the sky was grey and overcast, not allowing for any decent images being made.  We returned here yesterday under a lovely clear sky for most of the day (and without the polluting roars of planes from the nearby airport, thanks to that great Icelandic volcano [keep it going!], making it even better) and got some decent photos this time.

Sketch of basic design
Close-up of some cups

It’s only a small low stone, slightly sloping (similar in size and form to carving no.535 about 100 yards west of here), and is gonna be very difficult to find when the heather is in full growth.  But thankfully when we found it last week, the heather had been burnt back. Whilst there are two large and very notable cups here — one on the west-facing vertical edge of the stone, the other on its south-facing slope — several others are more troublesome to see clearly, both through a mixture of age and erosion.  The other cups are a little smaller aswell, being very similar in status to the curious small cup-markings on the Lattice Stone carving (no.481).  One cluster of these smaller cups are arranged in a curved T-shape formation around the middle to eastern-side of the rock.  Below this are what seems to be a long singular cup, but upon feeling this — the Beckensall technique — the hardworking Keighley volunteer Michala Potts found it seemed to consist of three small cups all linked to each other.  Attached to this section, a small groove runs up to the aforementioned T-formation cluster.  Whilst at the top-end of the stone is what seems to be another larger cup-marking, but I’m not sure whether it’s Nature’s handiwork, or artificial.  A few more visits here might enable us to say one way or the other!

There are no other archaeological remains immediately adjacent.  Another “possible” cup-marked rock (more than twice the size of this stone) can be found about 30 yards further uphill, next to another large stone.  But one of the nice things about this small carving is its position in the landscape: an excellent view opens up of mid-Wharfedale below you, and the uphills of Rombald’s Moor is on the far side of the valley.  Make of it what you will…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Baildon Moor Carving (169), West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 13838 40138

Getting Here

Basic cup&ring design

From Shipley Glen, walk up to the Dobrudden caravan park on the western side pof Baildon Hill and then in the long grasses immediately north of here, on the Low Plain, this old carving could once be found.  I’m told it’s been moved in recent years (but have a mooch round anyway – there’s a number of other old cup-and-rings in the locale).

Archaeology & History

This small carving is not in its original position, having been moved to where it now sits a short distance northeast of the Dobrudden caravan park.  It was first described briefly in Mr Baildon’s magnum opus here, seemingly omitted from the Hedges (1986) and reclassified as ‘stone 169’ by Boughey & Vickerman (2003).  I’m not 100% certain that the illustration here by Joseph Rycroft and carving no.169 are one and the same – but they seem incredibly alike.  If anyone knows for sure, one way or the other, please lemme know and I’ll amend as necessary!

References:

  1. Baildon, W. Paley, Baildon and the Baildons – part 7, Adelphi Press: London 1913.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Pike Hill, Stamfordham, Northumbria

Cup-and-Ring Stone:  OS Grid Reference – NZ 0774 7048

Archaeology & History

1928 photo of carving

Found inside a prehistoric tomb that was excavated in the late 1920s “by Messrs R.C. and W.P. Hedley at Pike Hill, near Stamfordham,” this fascinating-looking carving was found on a stone that “was overlying the primary burial” cist in the middle of the tumulus, measuring “2 feet 9 inches long by 2 feet wide and 12 inches deep, with an orientation on the longer axis of NE.”  As we can see in the old photo that accompanied Mr Hedley’s (1928) short article in Antiquity journal, four single cups are arranged in a rough square and are joined with each other by a single line, running from cup to cup, outlining a clear quadrilateral formation.  Two other single cups are outliers on the left and right side of the ‘square.’

A second smaller cist was also found inside the same mound and on the central inner face of this was another, more simplistic carving described as “a very fine cup-mark 1½ inch in diameter and ¾-inch deep.”  These carvings are no longer in situ (I think they’re in Newcastle Museum) and apparently this second single cup-marked stone can no longer be located.

References:

  1. Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings, Pendulum: Rothbury 1983.
  2. Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 2: Beanley to the Tyne, Abbey Press: Hexham 1992.
  3. Hedley, R. Cecil, “Ancient British Burials, Northumberland,” in Antiquity Journal, volume 2, December 1928.

© Paul Bennett, The Northern Antiquarian


Clach na Sithean, Strathtay, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 895 531

Also Known as:

  1. Balendune
  2. Ballinduin

Folklore

This large cup-marked stone was known by local people as the Clach na Sithean, or the stone of the fairies.  Its smooth surface and well-cut grooves was said to be due to the fairies sharpening their knives upon it, and the straight cuts or grooves were tests of the keenness of their blades.

In addition to the fairies having hold over this stone, a brownie creature also roamed between here and the burn of Allt Mor.  Although a dutiful creature, he commonly used to scare the women when they returned from the ceilidhs by chasing them and screaming a curious noise at them. But as well as this, he would also enter the local houses and farms after nightfall and, when the local folk were asleep, would clean the supper dishes and put them in their rightful places. But if there was no work to be done once he had entered their homes, he would take the dishes out and place them on the floors where they would be found in the morning by perplexed householders.  Then they’d know that the brownie had visited. Sometimes he was a great help to the housewives, other times a nuisance.  He became known to local people as Puddlefoot, or Cas an Lubain, but so offended was he by the name when he heard it, that he let out an almighty scream and vanished, never to be seen again.

References:

  1. Kennedy, James, Folklore and Reminiscences of Strathtay and Grandtully, Munro Press: Perth 1927.

© Paul Bennett, The Northern Antiquarian


Baildon Moor (126), West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13066 40095

Also Known as:

  1. Carving no.9 (Hedges)
  2. Central Design Stone

Getting Here

Arc of deep cups

From the old Glen House pub, walk up the road onto ‘Shipley Glen’ as all locals call the place.  Go up the Glen Road for about half a mile, watching out for the small dirt-track turning going the slope on your left-hand side just near where the road starting swerving uphill to the right.  At this point where the track heads down and into the trees, there’s a footpath going into the bracken along to the right, heading onto level ground.  Walk up and along here.  After 100 yards or so you’ll notice the disused quarry on your left.  Keep walking along the footpath (two end up running parallel to each other) and you’ll see this carving right beneath your feet!

Archaeology & History

Baildon Moor carving 126

This was one of the very first examples of “cup and ring stones” that I ever saw, when I was a mere 10 or 11 years old!  I’m not quite sure what I expected to find, but something about this stone with its deeply set cup-markings obviously had an effect on me – as I’m still foraging about looking at them more than 35 years later!  About 20 yards away from the Glovershaw quarry carving (Baildon Moor 122), this central design stone — as I used to call it — was first recorded in W. Paley Baildon’s (1913) magnum opus and was then all-but-forgotten until the Bradford Archaeology Group mentioned it again more than forty years later.  Although you can only see three distinct cups on this small rock, another 2 or 3 seem in evidence under better lighting conditions, and a small line runs below the cups in the photo here, which you can just make out above the central cup.

This carving and others close by give the distinct impression that they were once part of some seemingly lost cairn-field, awaiting rediscovery…

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  3. Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Winter Hill Stone, Cowling, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SD 98288 41976

Getting Here

Winter Hill Stone, looking NW

The easiest way to get here if you’re coming for the first time is via the A6068 Glusburn to Cowling road. On the south side of Cowling, take the small road Old Lane, uphill on the east side of the road (very easily missed – keep your eyes peeled!) and keep going up until the road just about levels out, where there’s a muddy parking spot on your left (the giant Wainman’s pinnacle is down the path from here).  Cross over the road and head up towards the giant Hitching Stone. When you reach the first fence, cross over it and follow it into the boggy heathlands to your right (west-ish).  Head into the tribbly grass and keep walking for 3-400 yards till you see the large rock growing out of the Earth.

Archaeology & History

Cup-markings near ground-level
Looking from above

Not far from the legendary Hitching Stone is this curiously-shaped boulder sitting peacefully and alone in its landscape.  It is in fact a large cup-marked boulder, previously unrecorded until being described in The Old Stones of Elmet.  On top of the stone it seems that there are no definite man-made cup-markings, but there are a number of seemingly natural ones (although some could have been etched thousands of years ago and have just eroded well); instead the real cup-markings are found curiously etched at the base of this large rock, just above ground-level.

Hitching Stone on horizon

As can be seen in the photos, on its lower south-facing edge there are around 20 well-defined cups that clearly stand out.  No other cup-marked stones appear to be nearby (surely there’s a few more kicking about in the area…?).

An earlier assertion I made (2001) about the nearby Hitching Stone aligning with the winter solstice sunrise from here was recently put to bed following the morning observations of myself and Dave Hazell on December 21st, 2010, when — as can be seen in the photo here — the midwinter sun emerges from the land a few degrees of arc further southeast than expected.  However, I aint checked what the alignment here would have been when the cup-markings were first etched here, around 5000 years ago perhaps…  Would any of you archaeo-astronomers out there know about this?

References:

  1. Bennett, P., The Old Stones of Elmet, Capall Bann: Milverton 2001.

© Paul Bennett, The Northern Antiquarian