Two real ways to get here. Either (i) follow the directions to get to the Stag Cottage carvings of Duncroisk 1, then walk down to the fence by the riverside and walk along to the left for a coupla hundred yards till you reach a second metal fence-post sticking out of a rock on the other side of the deer-fencing; or (ii) from the roadside burn a coupla hundred yards along the road before you reach Stag Cottage, follow it down to the riverside, then head along the footpath behind the fencing, parallel with the river’s edge. It aint far. Within 100 yards you’ll reach the stone with the metal pole sticking out of it and the carvings are on this!
Archaeology & History
Confusingly redesignated as Duncroisk 5 carving by the usually efficient Canmore people, we’re sticking with this stone’s original name given by Ronald Morris (1981) in his British Archaeological Report of this and nearby carvings — and a quite fascinating carving this is as well!
C.G. Cash’s drawingDuncroisk 3 stone
As with many cup-and-rings, erosion and lighting has a powerful effect on seeing the design correctly. On my visit here in recent months there were quite distinct additional elements in the carving which haven’t been noted by previous archaeologists. But in saying that, there were also some elements that were reported by the earliest antiquarians that proved difficult to see in the grey light of day when I was here. The earliest report of the carving by C.G. Cash (1912) told there to be five rings, whereas today only 3 or 4 are visible (though this will probably change when viewed in other lighting conditions).
When Mr Cash told of this stone in his essay on the antiquities of Killin it sounded as if it was lucky to have survived, as it had previously been dug out and left by the roadside, before then being reused by a local to fix a fence-post in! Mr Cash told us that the local,
“had used it as the foundation stone of the stretching post at the south end of the easternmost fence on the farm, and there I found it, near the brink of the river, buried in sand and turf. I cleared it and then in pouring rain crouched over it to make a hasty sketch. It bears eighteen cups, of which five are surrounded by rings. The largest cups are 2½ inches and the rings 6 inches in diameter.”
Ron Morris’ images
When I visited the place the weather was much the same as Mr Cash described: lovely teeming rain, typical of the mountains, with the surrounding trees breathing moisture onto the slopes as ever.
Years later when Ronald Morris (1981) came here he saw “4 cups-and-one-ring…probably complete rings, up to 12cm (5 in) in diameters and 10 cups up to 2cm deep.”
If you stand and face the stone, the cup-marking on its lower right side (see Morris’ old photo, above) has a pecked line running from it further to the right and down to the edge of the rock. You can clearly make it out on the top photo. This carved line also seemed to touch another carved line which can be seen running along the outer edge of the stone — although the poor light didn’t allow me to view this with absolute confidence. I’ll have another look at it again when I’m up in the area in May and hopefully confirm or deny it with greater confidence (and if anyone else gets here in the meantime, have a look and see what y’ think).
From Hebden Bridge, take the Heptonstall road and go past the legendary Slack Bottom (no lies!), until a few hundred yards further on at Slack Top, take the Widdop road on the right. Amble the long and winding road for a mile – mebbe a bit more – until the valley on your right runs out of trees! (on the OS-map this is called Hebden Dale, but it’s generally known as Hardcastle Crags [after the name of the rock outcrop halfway up]). Just about here there’s a track to your left, by the rather desolate bus-stop! If you hit the wibbly hair-pin bend by the Blake Dean scout-hut, you’ve gone too far. Walk along the track for a coupla hundred yards and take the first opportunity you have to cross the deep dike on your immediate left. Then just walk along the edge of the stream itself until you reach the large rocks another few hundred yards along.
Archaeology & History
As Richard Stroud’s photo above shows, this is a beautiful spot — when the weather is good anyway! Much of the landscape around you is scattered with occult history and folklore: boggarts, witches, corpse routes, spirit animals, old stone crosses, standing stones and more! A damn good day out can be had in this area by any enthusiastic antiquarian or enquiring heathen.
Cups and faint rings
The carving we have here is an almost typical cup-and-ring stone, but it’s pretty isolated with no other ringed companions anywhere on these hills. It was first described in David Shepherd’s (2003) survey of prehistoric remains of the region — although I was initially a little cautious about the veracity of David’s findings, as some cup-marked stones in his survey are probably natural and some “standing stones” he cites nearby are simply natural earthfast rocks. But this particular carving seems man-made with large faint rings encircling at least one of the cup-marks, as you can see in Richard Stroud’s photo here. In Mr Shepherd’s survey, he said of this site:
“A prominent double boulder. On the top surface are two eroded cup marks by the south edge and one by the north edge. Two eroded cup marks with rings are on the northwest segment.”
References:
Shepherd, David, “Prehistoric Activity in the Central South Pennines,” in Transactions of the Halifax Antiquarian Society, new series, volume 11, 2003.
Acknowledgements: With thanks to Richard Stroud for use of his photos in this site profile.
From the north side of Killin, take the minor road next to the Bridge of Lochay Hotel at Killin, past the hydroelectric station, through the wooded section until the fields open out again. The first gorgeous old house you come to is on the right-hand side of the road. Stop here! (I could really do with living here misself – tis a truly superb place!) You can ask the lady at the house where the carvings are and she’s very happy to point them out – they’re on the rocky crag near the bottom-end of the field on the other side of the road.
Archaeology & History
R.W.B. Morris sketch of the main carvings
What a brilliant setting and clump of carvings we have here! As you get to the rocky hillock in the field, you see that there are numerous rocks visible along the ridge, a number of which have carvings on them – some with just cups, but most possess a number of cup-and-rings. It’s an excellent spot! Depending on the time of year when you come here will determine whether or not you get a better look at the carvings or not. I’d recommended April and May as the best time, as the vegetation is at its lowest then. Visiting the site near the end of summer doesn’t give you as good a view — but even then, if you like your rock art, you’ll still love it! The rocks here are mainly quartzite schist, with a number of the surfaces being almost pure quartz. Intriguingly, none of the pure quartz sections appear to have been carved on.
The carvings here were first mentioned in an article by D. Haggart (1895), who described them as “a very remarkable set of incised rock sculptures…discovered lately in this neighbourhood by Mr John McNaughton.” And remarkable they are indeed! In Ronald Morris’ (1981) survey of this site — which he labelled Duncroisk 1 — he counted eight separate rock surfaces that had been carved, marking them as carvings a-h, but there are at least eleven of them here; and in all honesty, if we could strip the surface of the hill of its vegetation, we’d probably find a few more hidden away!
Cup-marked stone
As you’ve walked across the field from the road, past the first unrecorded cup-marked stone near the start of the rocky rise, we reach Mr Morris’s ‘stone A’ near the easternmost end of the ridge, which is just a small slab of stone with “at least 6 cup-marks” on its surface. It’s easily missed in poor light, so watch out. However, if you reach ‘stone b’ (described below), just walk back ten steps and you’ll see it.
Carved Stone B
Ten yards west is ‘Stone B’, seemingly split into two sections, whereupon we find “a cup-and-two-rings and at least 12 cups-and-one-ring, up to 19cm in diameter – some rings gapped, others not, some with and some without a radial groove from the cup, and some with a “runner” or cup in a ring. There are also at least 58 cups” on this section of rock. ‘Stone C’ can also be missed, this time due to its size and the fact that the larger cup-marked surfaces are ahead of you. But assuming you don’t miss it, this carving consists of “a well-preserved cup-and-two-complete-rings 25cm in diameter, and a cup.”
Carved Stone D
‘Stone D’ is just next to ‘stone C’, but with rather more ornate designs etched upon it. This is one of the more archetypal petroglyph designs that are found in the photo-guides and textbooks. Morris (1981) told that it consisted “of a cup-and-two-complete-rings and 2 cups-and-one-complete-ring up to 20cm in diameter, also a cup-and-one-complete-ring and 2 cups.” The photo here shows it pretty clearly.
Carved Stone ECurious ‘bowl’, top-centre
‘Stone E’ is the next one along, just a foot or two away and Mr Morris (1981) told that the carving consists of “2 cups-and-one-ring up to 13cm in diameters, 1 complete, the others gapped, joined by groove to a cup, and at least 33 cups (C.G. Cash counted 42 in 1911).” Most of the carved elements on this rock are around the edges of the stone. A very large faded circular depression, man-made, is also visible on this section of the petroglyph (above left), suggestive of lunar symbolism.
Carved Stone F
‘Stone F’ is less than 10 yards further west and has the greatest number of cup-markings of the entire group here, as Morris described: “3 cups-and-one-complete-ring up to 9cm in diameter, and at least 80 cups, a few of which are widely scattered over a big area sloping steeply further south, beyond the attached diagram.” It’s perhaps the most notable of the carved rocks along the ridge here — not by virtue of its design, more its geological physique than anything else.
Carved stone G
‘Stone G’ is next along and has a curious look about it, suggestive of more modern times. At first sight it doesn’t seem to have quite the magnitude that Morris’ description affords it, but on closer inspection by rolling some of the covering turf back away from the rock, you can see what he meant. This stone has “10 cups-and-one-complete-ring, up to 10cm diameter…and also 15 cups.” One of the cup-and-rings on this section was found by Morris to have been “the smallest so far recorded by the author in Scotland.”
Then we reach ‘stone H’ at the eastern end of the carved ridge, consisting of simply 3 cup-markings. One of them has a faint arc pecked around it. Further along the rock, a complete cup-and-ring is visible close to the edge.
This entire line of petroglyphs is a fine place in a fine setting, perfect for meditative practices! Other carvings can be found close by: Duncroisk 3 is a coupla hundred yards east across the field just over the fence by the riverside; and Duncroisk 2 is on the other side of the fence down towards the River Lochay on the same side of the adjacent burn less than 100 yards away (though this is trickier to reach). Other prehistoric sites can be found not too far away…
Folklore
Local people tell of having seen curious lights flitting along the edges of the field, river Lochay and roadside close to the carved rocks hereby.
Go northwest along the country lane running between High Utley (on the outskirts of Keighley) and Steeton known as Hollins Lane, which then becomes Hollins Bank Lane. You’ll see the fine castle building as you go along, known simply as The Tower arising from the top of the tree-line. As you get to the driveway leading down to the Tower, a less impressive farm building is on the other side of the road, known as Hollins Bank Farm. On the right-hand side of this house is an old overgrown road. Walk along here to the end, going into the field immediately left where a small group of stones can be seen halfway up the field by the tree. You’re here!
Archaeology & History
First discovered one sunny afternoon on April 7, 2010, in the company of Buddhist scholar Steve Hart, this is a really curious carving, inasmuch as it seems to have been deliberately carved around what may be curious naturally eroded cup-forms. You’ll have to visit it to see what I mean. They’re a bit odd. Almost too perfect as cups to be the ancient eroded ones we’re used to looking at. But this aside….
…and againDragon Stone, looking NW
It’s a lovely flat stone, with curvaceous lines running across the middle and edges and into cup-markings. Although some of the cups give an impression of being natural, others have the authentic-looking ring to them, with at least one of them possessing a near-complete ring encircling it (as you can faintly see in the close-up photo here). There are at least 19 cup-markings on this stone, and four main ‘lines’ running roughly in north-south directions, with the cups interspersed between them. At the top (north) end of the rock, separated by a crack, the lines stop and we just have some cup-markings. The crack in the stone may have been functional here.
Although graphically different, the carving has a similar feel in design (for me at least) to that of the Wondjina Stone at Rivock Edge, on the other side of the Aire Valley a couple of miles east of here — though this newly found carving is in a better state of preservation. The small scatter of rocks around it seem to have been unearthed or moved recently by the land-owner (who aint keen on you looking on his land, so be careful) and the good state of preservation may be that they were only unearthed sometime this century. We must also keep in consideration that the lines that run across the surface of this stone are water-lines and may be more the result of Nature’s hand than humans. It’s obvious that some human intervention has occurred here, but it may be difficult to ascertain the precise degree of affectation between the two agencies.
Close-up of cups & lines
According to the archaeological record-books there are no carvings here, but another simple cup-marked stone accompanies this more extravagant serpentine design just a few yards away; a simple cup-marked stone may be seen at the top of the hill; and the faint Currer Woods carving can be found 0.68 miles (1.09km) due west of here, on the other side of the small valley. Other outcrop stones scatter the fields and slopes here, some of which still need checking to see whether or not further carvings exist.
…And for those who may bemoan my seemingly romantic title of the carving: remember! — close by in Steeton township, between the years 1562 and 1797, there was an old field-name known well to local folk, of “one parcel of arable land in town field called Drakesyke, 3 acres”, i.e., the dragon’s stream or dyke. (Gelling 1988; Smith 1956)
References:
Clough, John, History of Steeton, S. Billows: Keighley 1886.
Gelling, Margaret, Signposts to the Past, Phillimore: Chichester 1988.
Smith, A.H., English Place-Names Elements – 2 volumes, Cambridge University Press 1956.
To be found a couple of hundred yards west of Askwith Moor Road, head towards the bottom of the row of grouse-butts, following the fence that runs into the moorland across from the dusty car-park.
Archaeology & History
Single cup-marked stone
This single cup-marked stone — list as carved stone no.529 in Boughey & Vickerman’s (2003) survey — was reported when some English Heritage doods came here and found this small upright stone (probably part of a larger prehistoric monument, e.g., walling or cairn) and gave the cup-marking their “all clear” stamp and thought it authentic. But if memory serves me right (which it doesn’t always do these days!), I’m pretty sure Graeme Chappell came across this possible carving in the early 1990s during one of our many forays over these moors. It’s a cute little thing — though only for the purists amongst you perhaps — but, of course, needs to be seen in the context of its proximity to the many other prehistoric monuments across this moorland plain.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Stuck in the middle of the moor, at the bottom (southern) side of the Lippersley Ridge promontory. Head towards it from the Askwith Moor Road, along the track past Sourby Farm and onto the end. Then walk along the easy footpath which that takes you below the southern side of the ridge and, about 100 yards before getting to the end of the rise, look around in the heather. You’ll find it.
Archaeology & History
Graeme Chappell’s early photo of the carving
Graeme Chappell rediscovered this seemingly isolated cup-marked stone during one of our many exploratory ambles upon these moors in the early 1990s. The carving is a pretty simple one, consisting of between 10 and 12 cupmarks on the upper surface of a reasonably large elongated stone. No discernible rings or other lines seem to be visible. There are no other cup-and-ring stones close by; but two small prehistoric cairns can be found along the same sloping ridge east and west of here when the heather is low, and the larger Lippersley Pike Cairn stands out on the western end of the ridge 450 yards away. A more detailed exploration of this part of the moor may bring other previously unknown findings to light.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
This is an intriguing find inasmuch as cup-marked stones are rare in this part of the British Isles. Antiquarians have noted examples of such carvings in the Cornish townships of Davidstow, Delabole, Portreath, but very few others are known about. But in the once-impressive Tregulland Burrow barrow that was found here on the south-side of the road a few hundred yards up from Cold Northcott, just next to the old township boundary line, as many as eighteen carved stones were unearthed!
Fig.2
They were all found inside different sections of the barrow, which was built on top of an earlier cairn structure, which appears to have been built upon an even earlier concentric ring of upright wooden poles. The cup-marked stones appear to have been introduced, or etched, around the time when the cairn structure was laid on top of the concentric ring of stake-holes. This “tradition” of adding cup-marked stones to cairns is a feature found at a number of sites in the northern lands of Yorkshire, Northumbria and across the Scottish counties, but such a celebrated event as this in the far southwest is highly unusual! (although the custom is pretty universal and is found, not only in the UK, but in many parts of the world).
Fig.3Fig.4
In Paul Ashbee’s (1958) excellent essay on this prehistoric tomb, he described the carvings at some considerable length — which is unusual for an archaeologist of that period — noting them as the “cup-marked and ornamented stones”. I hope that people won’t mind me repeating his lengthy notes on the relevant carved stones found in the tomb, the largest of which was on a big slab near the middle of the cairn that possessed cup-markings “and an ‘eyebrow’ motif”,* (figure 1, above) as he called it. He described the respective carvings as follows:
“From the Cairn-Ring:
1-2. A hog-backed outlined slate slab (figure 1, above). The bottom has a straight worked edge which suggests that the form was deliberate. On the inner face are four close-set cup-marks, and an ‘eyebrow’ device which has been made around a natural flaw, whilst the outer half has been formed by pecking and bashing to remove an appropriate amount of the laminated slate structure to form a depression. On the outer face there are four widely set cup-marks, one being connected by a channel to the edge of the slab…
3-4. A roughly rectangular slate slab. The upper face bears two cup-marks, one much smaller than the other, together with one abortive cup-mark, the lower a single cup-mark. Four perforations had been used to remove this slab from a parent block, the halves of these perforations gracing the upper edge. The slab was incorporated in the upper part of the cairn-ring material stacked against the largest of the sub-megalithic blocks of the cairn-ring.
5. The slab is hog-backed in outline, resembling No.1 above in general form. On the upper face, at a right-angle to the straight bottom edge, a channel had been produced by pecking, the marks of a pointed instrument being clearly discernible at the bottom of the channel. This channel extends almost from edge to edge of the slab, being narrow at the bottom and then expanding, being thus wider and then gradually tapering. Were it not asymmetrical it could be considered as a dagger representation.
6. A small block of roughly pentagonal outline, one side being irregular. The device it bears has been made by pecking an outline and removing the intervening laminated slatey rock. Found at the base of the cairn-ring on the south side.
7. A weathered pillow-like lump of a coarse sandstone-like rock. The plane face bears at least seven small ‘cup-marks.’ On other sides there are more weathered and uncertain marks which may well be natural. It was found surmounting, in a central position, the faced walling on the western side of the cairn-ring. Dr F.S. Wallis reports that: “This is evidently a sandstone rock with a large amount of quartz. This is a very generalized rock and I am afraid that it is not possible to tie it down to any particular part of Cornwall. The rock is much weathered and, judging from the print, I should say that the pits are entirely natural. Such a rock would hardly contain fossils and thus the pits could not have an organic origin.”
8. A roughly rectangular slate slab with opposing ‘cup-marks’ broken through before complete perforation. In addition there is a single cup-mark on the upper edge. (see figure 2) It was in the banked stones on the western side of the cairn-ring.
“From the soil bank:
1. An even, rectangular slab bearing a group of three cup-marks in one corner, and single cup-marks in two other corners. (see figure 3) From the outer cup-marks of the group run two channels. A channel runs from one of the solitary corner cup-marks. It was found, cup-marks and channels uppermost, almost exactly above the satellite cremation trench-grave.
2. A roughly triangular slab, bearing on its upper face a single centrally set cup-mark. Found by the cairn-ring in the eastern quadrant.
3. A small slab, of pentagonal outline, bearing a single shallow cup-mark. Found by the cairn-ring in the eastern side.
4. A thin U-shaped slab which has been battered into shape by edge chipping. A concavity has been made along the upper edge.
“From the ditch infilling:
5. A tough, quartz-veined slab with a shallow battered cup-mark. From the western side of the barrow.
6. A small, tough, even, rectangular piece of slate, bearing an abortive cup-mark. From the western side of the barrow.
7. A thin piece of slate bearing a small cup-mark set at a point where laminae of slate have left the piece. From the eastern side of the barrow.
“Unstratified:
All the “unstratified” cup-marked slabs recovered from the central disturbances, both recent and earlier, may well be derived from the destruction of the central grave arrangements.
8. A thick lozenge-outlined slab bearing one large cup-mark, and one smaller set side-by-side. (figure 4, above)
9. A roughly square-outlined slab with two cup-marks of even size set across one diagonal. (figure 5, below) One cup-mark has a smaller one close by it.
10-11. Irregular pieces of thin slate, bearing traces of perforations on their edges, one bearing cup-marks.
12. A roughly triangular slab bearing an ? unfinished cup-mark.
13. An even hexagonal slab that appears to have been, by edge trimming, worked into this form.”
Fig.5
The prolific collection of cup-marked stones in this once-impressive monument would probably indicate that the character buried here was of some significance to the local people, both to those who knew him and, evidently, in the subsequent mythologies surrounding the site (click here for the details of Tregullan Burrow barrow if you wanna know the archaeology and structure of the site). And although we find, statistically speaking, a lacking of other cup-markings in this region, it’s more than likely there are others that are hiding away amidst other old tombs and rocks…
References:
Ashbee, Paul, “The Excavation of Tregulland Burrow, Treneglos Parish, Cornwall,” in Antiquaries Journal, volume 38, 1958.
* the eyebrow motif description was used by a number of archaeo’s for sometime following publication of O.G.S. Crawford’s book, The Eye Goddess, to which the Antiquity Journal editor speculated some cup-and-rings may have owed their origin.
Although there are several routes to this site, for those who are not used to walking or find maps difficult to read [get a life!], it is best approached from the Ilkley side of the moor. Follow the old track that cuts the moor in half past the remains of Graining Head quarry where the moor begins to level out. Once here cut straight east until you find the footpath which, after a while, you will see leads to a wooden seat right in the middle of nowhere. Here is our Badger Stone.
Archaeology & History
An eroded but quite excellent cup-and-ring stone — one of the very best on Ilkley Moor — comprising nearly a hundred cups, ten rings, what seems to be a half-swastika design, plus a variety of other odd motifs. It’s one of the best carvings on the entire moor and has been written about by many folk over the years. First described in an early essay on cup-and-ring stones by J. Romilly Allen (1879) — who must have visited it in poor light, as some elements of the carving weren’t noticed — he described it as a “sculptured stone near Grainings Head”, saying:
“This stone…is a block of gritstone 12ft long by 7ft 6in broad, by 4ft high. The largest face slopes at an angle of about 40° to the horizon, and on it are carved nearly fifty cups, sixteen of which are surrounded with single concentric rings. At the west end of the stone are a group, three cups with double rings and radial grooves. At the other end, near the top, is a curious pattern formed of double grooves, and somewhat resembling the “swastika” emblem… At the highest part of the stone is a rock basin 8in deep and 9in wide. On the vertical end of the stone are five cut cups, three of which have single rings. This is one of the few instances of cup and ring marks occurring on a vertical face of rock.”
Badger Stone on 1910 map
The title “badger” dates back to at least medieval times when, as the Yorkshire historian Arthur Raistrick (1962) explained, the word represented “a corn dealer, corn miller or miller’s man.” It is likely that this traditional title goes much further back, probably into prehistory, as grain was one of the earliest forms of trade. Very close to this sacred old stone are place-names verifying this, like Grainings Head and Green Gates. A little higher upon the moor is the twelfth century Cowper’s Cross (which used to have cup-markings etched upon it) where, tradition tells, a market was held that replaced an older one close by.
The Badger Stone carvingClose-up of cup-and-rings
Our Badger Stone rests beside the prehistoric track which Eric Cowling termed “Rombald’s Way” (after the legendary giant, Rombald, who lived with his old wife upon these hills): an important prehistoric route running across the mid-Pennines. This ancient route runs east-west, traditionally the time of year when agricultural needs are greatest at the equinoxes. This may have been the time when any ancient grain traders met here. (In modern times a number of archaeologists have emphasized such routes as “trade routes”: a notion that derives from the modern religion of Free Market Economics in tandem with the rise of Industrialism and social Darwinism, much more than the actuality of them as simple pathways or means of accessible movement).
There are accounts from other places in Yorkshire about these badger men. We find a number of other “badger” stones, gates, ways, stoops and crosses on our Yorkshire hills. One of them in North Yorkshire, wrote Raistrick (1962), “is an ancient trade way.” In Richmond, North Yorkshire, around the time of the autumn equinox, Badger men from across the Dales followed the old routes over the hills into town, held annual festivities and sold their grain. (see Smith 1989; Speight 1897) It is perhaps possible that our old Badger Stone would have been a site where some form of indigenous British Demeter was revered.
Sketch of Badger Stone carving
Some elements of the Badger Stone carving have what could be deemed as primitive human images (anthropomorphic) mainly on the northwestern side of the rock, emerging from the Earth Herself. And certainly amidst the same portion we have a very distinct ‘solar’ symbol, very much like the ones found at Newgrange and, for that matter, many other parts of the world.
Some New Age folk have given the fertility element to the Badger Stone a deeper status, using imagination as an aid to decode these old carvings. When feminist New-Age writer Monica Sjoo visited Badger Stone she described it as “erotic”, with the carvings giving her a distinct impression of “vulvas” and she also thought orgies of sorts had been enacted here. (Billingsley & Sjoo, 1993) The vulva imagery is a well-known idea to explain cup-and-rings and in some cases this will be valid; but when I passed an illustration of this rock-art to a number of people (all women), there was not a vulva to be mentioned — merely the OM symbol, sperm entering the egg, a snail, a bicycle, a willy, a paw-print, eyes, a face, a tadpole, cartoon breasts, the rear end of a dog, grapes, letters, numbers, ears and a snake! Awesome stuff! Take a look at the design yourself and see what you can see in it. Answers on a postcard please! (The dilemma of making specific interpretations of these carvings is that we tend to approach them with dominant ego perspectives, many of them reflecting little more than our own beliefs or search for identity, imposing unresolved journeys and conflicts on that which we encounter, as with the above case.)
As with prehistoric rock-art in general, they are a number of things: functional, ritual, history, spirit; different at each and every site. As if to exemplify this at Badger Stone, note how the detailed carvings have been executed mainly on the southern face of the stone. The northern face has little if anything to show on it. It would suggest therefore, that this stone had some mythic relationship with events during daylight hours. But we have to be careful here…
At sunrise on a good morning, we note how the eastern edges of this stone show up very clearly indeed. If Nature’s conditions are damp and wet (as they tend to be each morning on the hills), the visible outline of these cup-and-rings show up very clearly indeed. Oddly, as the sun then passes through the daytime sky each and every day on its cyclical movement, the petroglyphic content becomes a little less visible unless the stone is wet. Indeed at sun-high (midday period) the carving doesn’t show up as well as it did in the morning light. And we find the same characteristic as the sun goes to set in the west: where that part of the carved stone shows up very clearly again — much clearer than during full daytime hours. If rain has fallen, the glyphs stand out very clearly indeed.
As all cultures imbued the natural world with animistic, living qualities, it seems probable that these periods of the day (sunrise and sunset) were significant at this particular carving. It may be, very simply, that the Badger Stone “came to life” with the sunrise and its mythic nature was alive during this period; whereas with many other carvings (both on these moors and elsewhere in Britain) their strong mythic associations related to the northern Land of the Dead. But then, I could be talking bullshit!
The Badger Stone is also a strong contender for it being a painted stone. Many petroglyphs like this in other cultures were ceremonially coloured-in using lichens and other plants dyes at certain times of the day or year, relating specifically to important mythic relationships between the people and the spirit of the rock at such places. This probably occurred here.
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Billingsley, John & Sjoo, Monica, “Monica Sjoo in West Yorkshire,” in Northern Earth Mysteries, no.53, 1993.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Raistrick, Arthur, Green Tracks on the Pennines, Dalesman: Clapham 1962.
Smith, Julia, Fairs, Feasts and Frolics: Customs and Traditions in Yorkshire, Smith Settle: Otley 1989.
Speight, Harry, Romantic Richmondshire, Elliot Stock: London 1897.
Take the road from Ilkley town centre up towards the White Wells and keep following it along until it curves up and onto the moor itself and becomes a rocky dirt-track. Go up here, past the old quarries (left) until you hit the footpath which runs east (left) onto the flat level of the moorland. Follow this footpath along for literally half-a-mile, where a footpath runs up onto the tops of the moorland. Go up here for 100 yards and you’ll see a small standing stone by the right-hand side of the footpath; on the left, into the moorland about 20 yards away, this carving is to be found!
Archaeology & History
This is an excellent, archetypal cup-and-ring stone carving and is in a very good state of preservation. Found just a few yards away from the aptly-named Pitchfork Stone, the carving here on a large single stone mainly comprises of a double cup-and-ring. A couple of other possible outlying cup-marks can be seen: one just below the double-ring, and the other towards the top-end of the rock. It was first reported by Stuart Feather in the Bradford Archaeology Group’s journal in 1961, then listed in the surveys of Hedges (1986) and his followers.
Carving 257, looking NE
When Michala Potts, Dave Hazell and I we visited this carving the other day, some halfwit had been up here in the not-too-distant past and, as with some of the carvings on the moors north of Ilkley, had daubed some paint or oily resin onto the carvings themselves to specifically highlight aspects of the carved rock (not one part of the uncarved stone had anything on it). We aint quite sure exactly what the substance is that’s been daubed onto the carvings (it aint ordinary paint), but seems like an oil or industrial substance. And, whoever’s done this, obviously seems to have some knowledge of the rock art they’re painting over: they certainly have good grid-references and enjoy walking the hills. This aint just some idiot/s into vandalizing the carvings for the sake of it, nor the whim of some airy-fairy New-Ager. Whoever’s done this (and it’s been done on other cup-and-rings around this locale) have deliberately set out to locate and paint over specific carvings — a number of them off-path — with the intention it would seem to highlight them for photographic enhancement. So — whichever retard has done this, might I suggest that you keep your industrial waste where it belongs: in your own house you fucking moron! If anyone knows who is doing this to the carvings round here, please email me (anonymously if necessary) with all relevant info. Any such communications regarding this matter will be kept strictly confidential.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Walk up from Ilkley to the White Wells and keep following the footpath upwards, up the steps and onto the moor itself. Once you’ve got to the top of the steps above the rocky valley, look straight up the slope in front of you and walk directly up the hill. As you near the top, there’s a large cairn sat on the brow of the hill (known as the Coronation Cairn). This ‘ere carving is just a few yards below it.
Archaeology & History
Very little has been written of this albeit innocuous carving — if indeed it is a carving! Found on the large (though overgrown) flat stone just a few yards below the Victorian cairn, all that we appear to have here is a large cup-marking with a small arc pecked around its southern side and a distinct straight line running outwards from the cup (though the line doesn’t actually touch the cup-mark and does give the distinct impression of being pretty recent). A sort of “cup-and-half-ring” with extended line is perhaps the best description!
Close-up of cup & linesCarved Stone 270
It was first reported by some English Heritage archaeologist — which, as is generally acknowledged, isn’t necessarily a good pointer for authenticity when it comes to identifying prehistoric rock art.* But it’s certainly got a bit more about it than some “carvings” they’ve reported in the past! Boughey & Vickerman (2003) made the following notes of this stone:
“”Low, flat gritstone rock quarried away on E side, fairly smooth but uneven. One large cup and deep groove slightly curving round edge of cup.”
Which is about right. I don’t really think too many of you will be into this unless you’re a real rock-art fanatic!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
* A number of cup-marked stones identified by English Heritage archaeologists have transpired to be nothing more than natural erosion.
