Cross (destroyed): OS Grid Reference – TQ 3180 8181
Archaeology & History
Site of Cow Cross on 1896 map
Not far from the long lost Fag Well could once be seen this old stone monument. Although not illustrated on the first Ordnance Survey maps of the inner city, it is highlighted on the 1896 edition (as shown here), just where Cow Cross Street meets Charterhouse Street—right by the boundary line—and is marked as ‘Site of Cow Cross’.
The cross gained its named from the cattle market that was held here from very early times, on the boundary of the lands of the Knights Hospitallers in the 12th century. Cattle itself–both horses and cows—were actually slaughtered at the market by the cross: a practice that has thankfully stopped (in public at least). Despite the place-name being referenced in many early accounts, actual descriptions of the cross are few and far between due to it being destroyed at quite an early date. When John Stow came to write his history of London in 1603, he told that it was no longer standing. Whether the cross replaced an earlier standing stone, we simply do not know…
References:
Gover, J.E.B., Mawer, Allen & Stenton, F.M., The Place-Names of Middlesex, Cambridge University Press 1942.
In truly that most unholy of places in England—Westminster, London—there was, in bygone times, a slightly more sacred site which, earlier still, might have been where a standing stone stood…. Might…. But such days are long gone down there. A gathering place of local people in very early times, the Broken Cross was, according to Vallance (1920),
“erected by the Earl of Gloucester in the reign of Henry III (1216-1272), but it did not stand very long. Its site is said to have been ‘the place of the meeting of the Folkmote…near St. Martin’s-le-Grand, about midway between the Northgate of the precinct (of St. Paul’s) and the church of St. Vedast.’ On 5th September 1379, agreements were drawn up for letting the stations about the Broken Cross to five divers persons. The cross was bodily taken down in 1390.”
Yet its name was maintained in street-names for many years later, simply as ‘Broken Cross’. Its position would have been very close to Cheapside.
George Gomme (1880) pointed out that such early folk moots were the development of tribal gatherings grafted from megalithic meetings onto early christian assemblies, pointing out how such assemblies for laws and councils were made at nearby St. Paul’s as early as 973 AD.
From Hebden Bridge go up the Heptonstall road, going round the village and onto and through Slack, keeping straight on the road until it goes uphill for a short distance, then levels out; then watch out for the small right-turn at Colden and the single-track road heading to a dead-end. Go right to the end, the very end, and go through the gate and walk up the track onto the moor. As you reach the ridge and the moorlands open up before you, note the small ‘standing stone’ on your right, about 10 yards off-path— and there, 100 yards the opposite direction to your west, the tall upright Reaps Cross is sat on the moortop. Y’ can’t miss it!
Archaeology & History
Found in the middle of a beautiful nowhere not far from the prehistoric standing stone on Standing Stone Hill, this old tall monolith was said to have stood as a marker beside the old road which ran from Halifax over the moors to Colne, until the more recent Widdop Road became the more preferred route. Known locally as the Long Stoop, in 1900 George Tyack said of it,
“This stone, which is composed of millstone grit, lay for a long tine broken and overthrown, but has in recent years been replaced on its original site and restored. It is a simple Latin cross standing twelve feet high amidst the heather of the Yorkshire moors.”
Longbottom’s 1897 sketch
Waddington’s 1884 sketch
Shortly before Tyack’s description, the local historian John Longbottom (1897) wrote a series of articles on the old stone crosses of the region and gave us this old sketch of the site (right). Even in his day the cross had been “wilfully thrown down” (probably by the screwy Puritans at that time), but a short time later it had been “repaired and restored to its original position.” In Longbottom’s day there were short ‘arms’ extending outwards from near the top of the obelisk, defining it as a distinct ‘cross’, but these have subsequently been lost following further local demolition attempts. He told how,
“Reaps Cross is known locally to shepherds, gamekeepers and farmers at ‘T’ Long Stoop’, and…apart from its religious associations, it forms an important landmark, now as in ancient times, to many a poor weary traveller crossing the dreary and lonesome hills between Lancashire and Yorkshire.”
The cross keeps getting knocked over, by both lightning and idiots of various persuasions; but thankfully the old fella keeps getting resurrected and put back in its place. It’s history is a curious one. When Clifford Byrne (1974) wrote about the site in his unpublished survey, he told how
“This cross appears to be of medieval origin and…in 1973 the monolith lay broken, one section lying in the grass, whilst the other section still stood in the pedestal. It is seen to have been broken once before, for the remains of iron clamps are seen on both sections. The arms have been broken off in some age… A local farmer insisted that the correct name was Ralphs Cross not Reaps Cross, and it should be noted that a section of moor at Widdop (the valley with the high cliffs) is named after a Ralph.”
Standing some 12 feet tall, this is the highest of all the crosses in West Yorkshire and obviously some considerable work went into its creation all those centuries ago. Nobody is sure when it was first made, but the educated guess is 12th century. Why it was erected here, way off from anywhere in the middle of the wild moors, is equally puzzling. It may have had something to do with the nearby medicinal springs; it may have been as a guide-post to travellers—”to Rastric Greave”, according to Waddington (1884); it may have marked an ancient religious route; or it may have distracted people away from the prehistoric upright that gave its name to Standing Stone Hill, a short distance to the west We simply don’t know. It’s well worth visiting though, as the moorland landscape up here is truly expansive and civilization seems thankfully centuries away…
Folklore
Local tradition told that the cross marked an old corpse route, along which the dead were carried before being buried at Heptonstall. Here at Reaps Cross, the bodies were rested by the weary travellers. If this is true, it is probable that the ancient standing stone more than half-a-mile to the west once had something to do with such old rites and routes.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Byrne, Clifford, A Survey of the Ancient Wayside Crosses in North-East Lancashire, unpublished MS, 1974.
Longbottom, John, “Ancient Crosses in Halifax Parish – Part 2,” in Halifax Naturalist, 2:8, June 1897.
Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes: Manchester 1906.
Tyack, George, The Cross in Ritual, Architecture and Art, William Andrews: London 1900.
Waddington, J. Arthur, “The Crosses in and Around Burnley,” in Transactions of the Burnley Literary & Scientific Club, volume 1, 1884.
Maypole (destroyed): OS Grid Reference – TQ 3073 8092
Archaeology & History
This huge traditional monument was once a sight to behold! It stood close to where an ancient stone ‘cross’ once lived. But—alas!, with the intrusion of the incoming christians bringing a profane ‘religion’ that belongs to countries far from here, its destruction was imposed. They destroyed so many of our ancient monuments with their hatred and ignorance… But thankfully we have some good accounts of this long-forgotten relic of London’s real history.
In A.R. Wright’s (1938) account of it, he called this “the most famous maypole in England” and it stood taller than even the great maypole that’s still raised at Barwick-in-Elmet, in Yorkshire.
There seems to have been three maypoles on this same site – the first of which was standing before the destruction of Strand’s ancient cross, where local jurisdictions and early village meetings took place. We don’t know the date when the first maypole was erected, but it was shown on a local plan of the area “which Anthony van den Wyngaerde issued in 1543…in front of the old church of St. Mary le Strand, which was demolished in 1549.” According to Mr Hone (1826), it could be found a door or two westward beyond “where Catherine Street descends into the Strand.”
In Edward Walford’s (1878) massive tome, he gave us perhaps the best and most extensive account of the site, telling:
“The Maypole, to which we have already referred as formerly standing on the site of the church of St. Mary-le-Strand, was called by the Puritans one of the “last remnants of vile heathenism, round which people in holiday times used to dance, quite ignorant of its original intent and meaning.” Each May morning, as our readers are doubtless aware, it was customary to deck these poles with wreaths of flowers, round which the people danced pretty nearly the whole day. A severe blow was given to these merry-makings by the Puritans, and in 1644 a Parliamentary ordinance swept them all away, including this very famous one, which, according to old Stow, stood 100 feet high.
On the Restoration, however, a new and loftier one was set up amid much ceremony and rejoicing. From a tract printed at the time, entitled ‘The Citie’s Loyaltie Displayed,’ we learn that this Maypole was 134 feet high, and was erected upon the cost of the parishioners there adjacent, and the gracious consent of his sacred Majesty, with the illustrious Prince the Duke of York:
“This tree was a most choice and remarkable piece; ’twas made below bridge and brought in two parts up to Scotland Yard, near the king’s palace, and from thence it was conveyed, April 14, 1661, to the Strand, to be erected. It was brought with a streamer flourishing before it, drums beating all the way, and other sorts of musick. It was supposed to be so long that landsmen could not possibly raise it. Prince James, Duke of York, Lord High Admiral of England, commanded twelve seamen off aboard ship to come and officiate the business; whereupon they came, and brought their cables, pullies, and other tackling, and six great anchors. After these were brought three crowns, borne by three men bareheaded, and a streamer displaying all the way before them, drums beating and other musick playing, numerous multitudes of people thronging the streets, with great shouts and acclamations, all day long. The Maypole then being joined together and looped about with bands of iron, the crown and cane, with the king’s arms richly gilded, was placed on the head of it; a large hoop, like a balcony, was about the middle of it. Then, amid sounds of trumpets and drums, and loud cheerings, and the shouts of the people, the Maypole, ‘far more glorious, bigger, and higher than ever any one that stood before it,’ was raised upright, which highly did please the Merrie Monarch and the illustrious Prince, Duke of York; and the little children did much rejoice, and ancient people did clap their hands, saying golden days began to appear.”
A party of morris-dancers now came forward, “finely decked with purple scarfs, in their half-shirts, with a tabor and a pipe, the ancient music, and danced round about the Maypole.”
The setting up of this Maypole is said to have been the deed of a blacksmith, John Clarges, who lived hard by, and whose daughter Anne had been so fortunate in her matrimonial career as to secure for her husband no less a celebrated person than General Monk, Duke of Albemarle, in the reign of Charles II., when courtiers and princes did not always look to the highest rank for their wives.
…Newcastle Street, at the north-east corner of the church of St. Mary-le-Strand, was formerly called Maypole Alley, but early in the last century was changed to its present name, after John Holles, Duke of Newcastle, the then owner of the property, and the name has been transferred to another place not far off. At the junction of Drury Lane and Wych Street, on the north side, close to the Olympic Theatre, is a narrow court, which is now known as Maypole Alley, near which stood the forge of John Clarges, the blacksmith, alluded to above as having set up the Maypole at the time of the Restoration.
As all earthly glories are doomed in time to fade, so this gaily-bedecked Maypole, after standing for upwards of fifty years, had become so decayed in the ground, that it was deemed necessary to replace it by a new one. Accordingly, it was removed in 1713, and a new one erected in its place a little further to the west, nearly opposite to Somerset House, where now stands a drinking fountain. It was set up on the 4th of July in that year, with great joy and festivity, but it was destined to be short-lived. When this latter Maypole was taken down in its turn, Sir Isaac Newton, who lived near Leicester Fields, bought it from the parishioners, and sent it as a present to his friend, the Rev. Mr. Pound, at Wanstead in Essex, who obtained leave from his squire, Lord Castlemaine, to erect it in Wanstead Park, for the support of what then was the largest telescope in Europe, being 125 feet in length. It was constructed by Huygens, and presented by him to the Royal Society, of which he was a member. It had not long stood in the park, when one morning some amusing verses were found affixed to the Maypole, alluding to its change of position and employment. They are given by Pennant as follows:
“Once I adorned the Strand,
But now have found
My way to Pound
On Baron Newton’s land;
Where my aspiring head aloft is reared,
T’ observe the motions of th’ ethereal Lord.
Here sometimes raised a machine by my side,
Through which is seen the sparkling milky tide;
Here oft I’m scented with a balmy dew,
A pleasant blessing which the Strand ne’er knew.
There stood I only to receive abuse,
But here converted to a nobler use;
So that with me all passengers will say,
‘I’m better far than when the Pole of May.'”
Along with the Strand Cross, this old maypole would have been on the ancient ley (not one of those ‘energy lines’ invented by New Age fantasists) that was first described first by Alfred Watkins (1925)—running from St. Martins-in-the-Field to St. Dunstan’s in Fleet Street. The alignment and maypole was subsequently described in greater detail in Devereux & Thomson’s (1979) work on the same subject, and again by Chris Street. (2010)
The nature of the maypole (and the nearby cross, it has to be said), may have been representative of an omphalos in early popular culture (before the christians of course)—which would put the original ritual function of the place far far earlier than is generally considered. This is something that Laurence Gomme (1912) propounded in one of his London works and cannot be discounted.
The cross is situated in a small railed enclosure adjoining the pavement on the North side of Church Road on the west side of Lytham, opposite Lowther Gardens.
Archaeology & History
Henry Taylor (1906), author of The Ancient Crosses And Holy Wells Of Lancashire, writes:
“The old market place of Lytham is triangular in shape…Church Road leads out of it, and not far from the church the pedestal of an ancient cross was at one time to be seen. The words ‘Site of Benedictine Priory’ occur on the map close to Lytham Hall, indicating the position of this small religious house, dedicated to SS Mary and Cuthbert, and subject to Durham.”
The mediaeval base set into the pavement in 2009
Lieutenant-Colonel Fishwick writes in his History of the Parish of Lytham:
“Not far from the Parish church on the road to Blackpool is still to be seen the stone socket of a cross, and tradition says that it marks one of the resting places of the body of St. Cuthbert when carried to Durham”
All that survives of the mediaeval original is the socketed base, into which a modern carved stone cross has been inserted. A bronze plaque attached to the cross reads: “According to ancient tradition the body of St Cuthbert about the year 882AD once rested here.”
The modern cross with its bronze plaque.
It is not known whether the destruction of the original cross was the handywork of the local ‘Cross Smasher’ Rev. Richard Wilkinson.
According to an online source, The Very Reverend Monsignor Gradley commissioned a painting by Charles E. Turner entitled: ‘The Monks of Lindisfarne arriving at Lytham with the body of St. Cuthbert, A.D. 878’, intended to be hung in St Joseph’s Seminary, Upholland. Gradley wrote in the October 1889 edition of MerryEngland magazine:-
” In 875 Halfdene invaded Bernicia, the northern portion of Northumbria, . . . Lindisfarne was no longer a safe place for the monks, and they dared no longer expose their great treasure, the relics of St. Cuthbert, to the ruthless impiety of the northern hordes, With their Bishop Eardulf they set out on a weary pilgrimage of seven years.… From Yorkshire they proceeded to Lancashire, and as we find that the holy relics rested at Mellor, near Blackburn, we may suppose they would journey through Ribblesdale, passing on their way the ruined city of Bolmetonacae, the modern Ribchester. They were a numerous company, for besides the venerable Bishop Eardulf there were the Abbot of Carlisle, the monks of Lindisfarne, and many of the natives of that island. In going to Lytham it is probable the party would pass through Preston, where a few houses had gathered about the church built in honour of St. Wilfrid, the great contemporary of St. Cuthbert.
‘The Monks of Lindisfarne arriving at Lytham with the body of St. Cuthbert, A.D. 878’, by Charles E. Turner.
Their way from Preston to Lytham lay through a country abounding in forest and fen. But they would have the advantage of the old Roman road as far as Kirkham. However, the pilgrims met with a hospitable reception, and to this day Lytham is the seaside home of St. Cuthbert on our western coast.”
A small plaque on an adjacent bench records that the cross was re-dedicated by the Very Reverend Michael Sadgrove, M.A., Dean of Durham on Sunday 6th September 2009.
References:
Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Manchester, Sherratt and Hughes, 1906.
Fishwick, Lieutenant-Colonel, The History of the Parish of Lytham in the County ofLancaster, Manchester, The Chetham Society, 1907.
Gradley, Most Reverend Monsignor, Article in the October 1889 edition of MerryEngland magazine, abstracted by www.amounderness.co.uk
Acknowledgements: With thanks to Sue Ybarras for directing me to this site.
Musselburgh has had an ancient fair—held upon St. James’ Day (July 25)—for many centuries. It was held along the old High Street by a more ancient Market Cross than the one seen there today. R.M. Stirling (1894) told us that, “The cross is erected over a draw-well, and in local parlance is known as the Cross Well.”
On the 1853 township map, a water ‘pump’ is shown at the very spot, with the ‘cross’ and water trough shown on subsequent maps. The Well isn’t mentioned in John Small’s (1900) description of the cross and its authenticity as a ‘holy’ well is questionable.
Access to these stones has, over recent years been pretty dreadful by all accounts. It’s easy enough to locate. Go into Calderstones Park and head for the large old vestibule or large greenhouse. If you’re fortunate enough to get one of the keepers, you may or may not get in. If anyone has clearer info on how to breach this situation and allow access as and when, please let us know.
Archaeology & History
Earliest known drawing from 1825, showing the carvings
Marked on the 1846 Ordnance Survey map in a position by the road junctions at the meeting of township boundaries, where the aptly-named Calderstones Road and Druids Cross Road meet, several hundred yards north of its present site in Harthill Greenhouses in Calderstones Park, this is a completely fascinating site whose modern history is probably as much of a jigsaw puzzle as its previous 5000 years have been!
Thought to have originally have been a chambered tomb of some sort, akin to the usual fairy hill mound of earth, either surrounded by a ring of stones, or the stones were covered by earth. The earliest known literary reference to the Calderstones dates from 1568, where it is referenced in a boundary dispute, typical of the period when the land-grabbers were in full swing. The dispute was over a section of land between Allerton and Wavertree and in it the stones were called “the dojer, rojer or Caldwaye stones.” At that time it is known that the place was a roughly oval mound. But even then, we find that at least one of the stones had been taken away, in 1550.
Little was written about the place from then until the early 19th century, when descriptions and drawings began emerging. The earliest image was by one Captain William Latham in 1825. On this (top-right) we have the first hint of carvings on some of the stones, particularly the upright one to the right showing some of the known cup-markings that still survive. By the year 1833 however, the ‘mound’ that either surrounded or covered the stones was destroyed. Victorian & Paul Morgan (2004) told us,
“The destruction first began in the late 18th or early 19th century when the mound was largely removed to provide sand for making mortar for a Mr Bragg’s House on Woolton Road. It was at this time that a ‘fine sepulchral urn rudely ornamented outside’ was found inside.”
The Calderstones in 1840
The same authors narrated the account of the mound’s final destruction, as remembered by a local man called John Peers—a gardener to some dood called Edward Cox—who was there when it met its final demise. Mr Cox later wrote a letter explaining what his gardener had told him and sent it to The Daily Post in 1896, which lamented,
“When the stones were dug down to, they seemed rather tumbled about in the mound. They looked as if they had been a little hut or cellar. Below the stones was found a large quantity of burnt bones, white and in small pieces. He thought there must have been a cartload or two. He helped to wheel them out and spread them on the field. He saw no metal of any sort nor any flint implements, nor any pottery, either whole or broken; nor did he hear of any. He was quite sure the bones were in large quantity, but he saw no urn with them. Possibly the quantity was enhanced by mixture with the soil. No one made such of old things of that sort in his time, nor cared to keep them up…”
But thankfully the upright stones remained—and on them were found a most curious plethora of neolithic carvings. After the covering cairn had been moved, the six remaining stones were set into a ring and, thankfully, looked after. These stones were later removed from their original spot and, after a bit of messing about, came to reside eventually in the curious greenhouse in Calderstones Park.
Simpson’s “Stone 1” outer faceSimpson’s “Stone 1” inner face
The carvings on the stones were first described in detail by the pioneering James Simpson. (1865) I hope you’ll forgive me citing his full description of them—on one of which he could find no carvings at the time, but he did state that his assessment may be incomplete as the light conditions weren’t too good. Some things never change! Sir James wrote:
“The Calder circle is about six yards in diameter. It consists of five stones which are still upright, and one that is fallen. The stones consist of slabs and blocks of red sandstone, all different in size and shape.
“The fallen stone is small, and shews nothing on its exposed side; but possibly, if turned over, some markings might be discovered on its other surface.
“Of the five standing stones, the largest of the set (No. I) is a sandstone slab, between five and six feet in height and in breadth. On its outer surface—or the surface turned to the exterior of the circle— there is a flaw above from disintegration and splintering of the stone; but the remaining portion of the surface presents between thirty and forty cup depressions, varying from two to three and a half inches in diameter; and at its lowest and left-hand corner is a concentric circle about a foot in diameter, consisting of four enlarging rings, but apparently without any central depression.
“The opposite surface of this stone, No. 1, or that directed to the interior of the circle, has near its centre a cup cut upon it, with the remains of one surrounding ring. On the right side of this single-ringed cup are the faded remains of a concentric circle of three rings. To the left of it there is another three-ringed circle, with a central depression, but the upper portions of the rings are broken off. Above it is a double-ringed cup, with this peculiarity, that the external ring is a volute leading from the central cup, and between the outer and inner ring is a fragmentary line of apparently another volute, making a double-ringed spiral which is common on some Irish stones, as on those of the great archaic mausoleum at New Grange, but extremely rare in Great Britain. At the very base of this stone, and towards the left, are two small volutes, one with a central depression or cup, the other seemingly without it. One of these small volutes consists of three turns, the other of two.
“The next stone, No. 2 in the series, is about six feet high and somewhat quadrangular. On one of its sides, half-way up, is a single cup cutting; on a second side, and near its base, a volute consisting of five rings or turns, and seven inches and a half in breadth ; and on a third side (that pointing to the interior of the circle), a concentric circle of three rings placed half-way or more up the stone.
“The stone No. 3, placed next to it in the circle, is between three and four feet in height; thick and somewhat quadrangular, but with the angles much rounded off. On its outermost side is apparently a triple circle cut around a central cup; but more minute examination and fingering of the lines shews that this figure is produced by a spiral line or volute starting from the central cup, and does not consist of separate rings. The diameter of the outermost circle of the volute is nearly ten inches. Below this figure, and on the rounded edge between it and the next surface of the stone to the left, are the imperfect and faded remains of a larger quadruple circle. On one of the two remaining sides of this stone is a double concentric circle with a radial groove or gutter uniting them. This is the only instance of the radial groove which I observed on the Calder Stones, though such radial direct lines or ducts are extremely common elsewhere in the lapidary concentric circles.
“The stone No. 4 is too much weathered and disintegrated on the sides to present any distinct sculpturings. On its flat top are nine or ten cups ; one large and deep (being nearly five inches in diameter). Seven or eight of these cups are irregularly tied or connected together by linear channels or cuttings…
“The fifth stone is too much disfigured by modern apocryphal cuttings and chisellings to deserve archaeological notice.
“The day on which I visited these stones was dark and wet. On a brighter and more favourable occasion perhaps some additional markings may be discovered.”
It wasn’t long, of course, before J. Romilly Allen (1888) visited the Calderstones and examined the carvings; but unusually he gave them only scant attention and added little new information. Apart from reporting that another of the monoliths had carvings on it, amidst a seven-page article the only real thing of relevance was that,
“Five of the Calderstones show traces, more or less distinct, of this kind of carving, the outer surface of the largest stone having about thirty-six cups upon it, and a set of four concentric rings near the bottom at one corner. One of the stones has several cups and grooves on its upper surface.”
Carvings on Stone A (after Forde-Johnson)Carvings on Stone B (after Forde-Johnson)
Unusual for him! The major survey of the Calderstone carvings took place in the 1950s when J.L. Forde-Johnson (1956; 1957) examined them in great detail. His findings were little short of incredible and, it has to be said, way ahead of his time (most archaeo’s of his period were simply lazy when it came to researching British petroglyphs). Not only were the early findings of Sir James Simpson confirmed, but some fascinating rare mythic symbols were uncovered that had only previously been located at Dunadd in Argyll, Cochno near Glasgow, and Priddy in Somerset: human feet – some with additional toes! Images of feet were found to be carved on Stones A, B and E. A carved element on Stone C may even represent a human figurine—rare things indeed in the British Isles!
Carvings on Stone DCarvings on Stone E
The detailed sketches here are all from Forde-Johnson’s 1957 article, where five of the six stones were found to bear petroglyphs (the sixth stone has, more recently, also been found to also possess faint carvings of a simple cup-mark and five radiating lines).
Elements on Stone C (after Forde-Johnson)More elements on Stone C (after Forde-Johnson)
The date of the site is obviously difficult to assess with accuracy; but I think it is safe to say that the earlier archaeological assumptions of the Calderstones being Bronze Age are probably wrong, and the site is more likely to have been constructed in the neolithic period. It’s similarity in structure and form to other chambered tombs—mentioned by a number of established students from Glyn Daniel (1950) to Frances Lynch—would indicate an earlier period. The fact that no metals of any form have ever been recovered or reported in any of the early accounts add to this neolithic origin probability.
There is still a lot more to be said about this place, but time and sleep are catching me at the mo, so pray forgive my brevity on this profile, until a later date…
Folklore
Curiously, for such an impressive site with a considerable corpus of literary references behind it, folklore accounts are scant. The best that Leslie Grinsell (1976) could find in his survey was from the earlier student C.R. Hand (1912), who simply said that,
“They were looked upon with awe by the people about as having some religious significance quite beyond their comprehension.”
There is however, additional Fortean lore that has been written about these stones and its locale by John Reppion (2011).
Ashbee, Paul, The Bronze Age Round Barrow in Britain, Phoenix House: London 1960.
Baines, Thomas, Lancashire and Cheshire, Past and Present – volume 2, William MacKenzie: London 1870.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cowell, Ron, The Calderstones – A Prehistoric Tomb in Liverpool, Merseyside Archaeological Trust 1984.
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Daniel, Glyn E., The Prehistoric Chamber Tombs of England and Wales, Cambridge University Press 1950.
Faulkner, B.M., “An Analysis of Three 19th-century Pictures of the Calderstones,” in Merseyside Archaeological Journal, volume 13, 2010.
Forde-Johnson, J.L., “The Calderstones, Liverpool,” in Powell & Daniel, Barclodiad y Gawres: The excavation of a Megalithic Chambered Tomb in Anglesey, Liverpool University Press 1956.
Forde-Johnson, J.L., “Megalithic Art in the North West of Britain: The Calderstones, Liverpool,” in Proceedings of the Prehistoric Society, volume 23, 1957.
Grinsell, Leslie, Folklore of Prehistoric Sites in Britain, David & Charles: Newton Abbot 1976.
Hand, Charles R., The Story of the Calderstones, Hand & Co.: Liverpool 1912.
Herdman, W.A., “A Contribution to the History of the Calderstones, near Liverpool,” in Proceedings & Transactions of the Liverpool Biological Society, volume 11, 1896.
Morgan, Victoria & Paul, Prehistoric Cheshire, Landmark: Ashbourne 2004.
Nash, George & Stanford, Adam, “Recording Images Old and New on the Calderstones in Liverpool,” in Merseyside Archaeological Journal, volume 13, 2010.
Picton, James A., Memorials of Liverpool – 2 volumes, Longmans Gree: London 1875.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Taylor, Isaac, Words and Places, MacMillam: London 1885.
Stewart-Brown, Ronald, A History of the Manor and Township of Allerton, Liverpool 1911.
Acknowledgements: With huge thanks to the staff at Calderstones Park; thanks also to the very helpful staff at Liverpool Central Library.
This long-lost medieval ornamented cross, found not far from the legendary Grope Cunt Lane (I kid you not) was located close to the middle of old Shrewsbury town, “at the junction of Pride Hill, Castle St and St. Mary’s St,” according to the 1902 OS-map of the region.
Although Shrewsbury’s High Cross is believed to have been built in the 12th or 13th century, we don’t know for sure when it was first erected — and indeed, written records of the place don’t appear to begin until the year 1557, where it was described as the ‘Hye Crosse.’ A few years later in the Parish Registers for the Lichfield diocese, dated 1590, the monument was mentioned again as ‘the Highe Crosse’; and subsequent accounts of it are found in various local history accounts from 1695 to 1799.
The site was named as the Butter Cross in street-name listings of 1804, telling it as a site where this food was sold and we know that the High Cross was the centre of a local market and social gathering place in previous centuries. Gelling (2004) told that “the medieval cross was taken down in 1705, but the name continued to be applied to structures which replaced it, and which were used as a market place for dairy produce.”
In earlier times, the High Cross is said in legend to have been where executions were enacted. Alfred Rimmer (1875) narrates the oft-told tale of those who died here, saying:
“The High Cross of Shrewsbury has long been destroyed, but its place is pointed out in old documents. Unhappily, it is not connected with pleasant associations, for before it the last of the British princes, David, a brother of Llewellyn, was cruelly put to death by Edward I; and at a later period many of the nobility who were taken at the battle of Shrewsbury were there executed, the High Cross being considered the most appropriate place for such a spectacle.”
The prince that Rimmer mentions was Dafydd III, the last prince of Wales, executed in the year 1283.
References:
Gelling, Margaret, The Place-Names of Shropshire – volume 4, EPNS: Nottingham 2004.
Hobbs, J.L., Shrewsbury Street Names, Wilding & Son: Shrewsbury 1954.
Rimmer, Alfred, Ancient Stone Crosses of England, Virtue: London 1875.
As with many old churches, St. James’ at the northern side of the village has remains of old cross fragments that can be seen inside. They were described at some length in W.S. Calverley’s (1899) excellent work on such monuments. Mr Langham (1972) also gave a good account of the respective cross fragments in his short work on this history of the church, listing the sections as a, b, c, d and e. He wrote:
“a) the greater part of a wheel-head, the reverse side of which has a sunk centre instead of a raised boss, making it a five hole cross. Calverley remarks, “a rarity in the district.”
“b) probably the top of a shaft having on its face a panel with a defaced figure, and conventional ornaments on the side.
“c) probably the lower part of a shaft with figures in two panels, and with incised interlacing designs on the reverse side “of late Scandinavian type, resembling fibulae of the Viking Age.” On the face, the lower panel is Christ risen or rising from the tomb. He is trampling on a serpent and carries a palm of victory in his left hand. The panel above has two figures, suggested by Calverley to be “either John or Mary, or two angels.”
“d) the neck of a cross. Calverley notes that the execution of the wheel-head and the shaft-fragments was by a hacking not a chiselling method, and he makes the comment: “The shafts and head at Burton are similar in workmanship to those at Halton. The Halton crosses and not Norse in style, but are like late pre-Norman work in Yorkshire, where the Danes lived.”
“e) a part of a second shaft with a zigzag pattern. Calverley says that “it is neatly chiselled, and the designs suggests a Norman date, although it seems to belong to a cross of Saxon type.” The Royal Commission volume dates it as the 10th or 11th century.”
St James church cross (by M.D.S. Brown-Smith)
The Royal Commission volume dates the cross shafts as “probably late 10th century.” Sir Nikolaus Pevsner in a recent book, Guide to Cumberland and Westmorland states specifically that, “Christ, the Virgin and St. John are on the Burton-in-Kendale cross.” This is too explicit a statement in view of the deterioration in the detail.
Nearby to the northeast used found to be the remains of a holy well dedicated to St. Helen. Does anyone have further information about it?
References:
Calverley, W.S., Notes on the Early Sculptured Crosses, Shrines and Monuments in the Early in the Present Diocese of Carlisle, T. Wilson: Kendal 1899.
Langham, John G., Parish Church of St. James, Burton-in-Kendal, Mayoh Press: Carnforth 1972.
The village of Eyam is located some 9 miles south-east of Chapel-en-le-Frith and about the same from Sheffield, which lies to the north-east. Go to the centre of the village and find the church of St Lawrence standing beside the road to Foolow close to Eyam Hall and just west of the B6521 road to Sheffield. The Saxon cross stands in the churchyard.
History and Folklore
Eyam Cross, east face (from Wikipedia)
This very fine Anglo-Saxon (Mercian) cross stands 8 foot tall and dates from the 8th-9th centuries. It was apparently set up by missionaries from the north at Cross Low on the moors to the west of Eyam. Originally it was a wayside preaching cross that was 10 feet high and certainly must have looked very spectacular, but now it is only 8 feet high due to it being knocked about a bit in more recent times and losing one of its shaft sections. In the 18th century the cross was discovered beside a trackway on the moors, from whence it was brought to the churchyard of St Lawrence’s church; but then for a long time it stood abandoned and uncared for in the corner of the churchyard. Eventually it was restored and placed in the churchyard where it now stands proudly.
The cross is said to be the only one of its type in the Midlands that retains its cross-head. It has some very rich decoration on the west face with fabulous interlacing scroll-work running up the shaft that is typically Mercian in origins. On the west-face, especially the upper section, there are human figures probably St Mary the Virgin with the baby Jesus, angels and Christ in glory, each in their own sections or panels. The cross is grade 1 listed. St Lawrence’s church houses a Saxon font.
References:
Rev. Arthur, C., Illustrated Notes on English Church History, Society for Promoting Christian Knowledge: London 1901.
Rodgers, Frank, Curiosities of Derbyshire and the Peak District, Derbyshire Countryside Ltd 2000.
