William Walker Stone, Keighley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SD 99904 40659 

Getting Here

William Walker's Cup-and-Ring
William Walker’s Cup-and-Ring

You need to get to the eastern edge of Keighley Moor by taking the country road northwest out of Oakworth (one of two roads) and head to the end of Newsholme Dean Valley at Slippery Ford.  You can park up at Slippery Ford at Morkin Bridge, then walk up the road for 250 yards, turning sharp left up the dirt-track.  Walk along its wibbly route for another 250 yards and watch out for the large boulder in one of the fields on the left.  That’s it!

Archaeology & History

Sketching the design

I came across this previously unrecorded carving in August 2006 after returning from an amble over the moors in the pouring rain and was fortunate to be able to make out the faint design, for, as with most cup-and-ring carvings, depending on the daylight conditions determines whether the carving is visible or not.  Although some of the cup-marks on here are quite distinct, several are very faded and — as usual! — there are a number of dubious ones to work out!

Central design of cups & ring
Main design of cups & ring

The carving gets its name due to the rock having a carved epitaph for an old local farmer — called William Walker — on its eastern face.  There are also the letters “I.W.” carved on its sloping upper face, which looks typical of boundary mark notation, though this stone aint been on any boundary for at least 160 years (I aint checked earlier records).  But much older on top of the rock we find perhaps as many as 20 cup-markings, which at first I first thought might be natural, but this was suddenly halted when I noticed in the bad light a large circle with several cups along it, inside of which were two other cups.  On the southern edge of the rock it seems there may be another 3 or 4 cup-marks, one with a line running down (possibly natural).  I took a couple of pictures when I first found it but they weren’t too well-defined.  The ones here are a little better.

Artist's impression - by Angela Hainsworth
Artist’s impression by Angela Hainsworth
Close-up of ring, cups & lines

The main feature here is obviously the curious ‘ring’ above a small eroded basin, consisting of several cups, with two in the centre.  On closer examination it appears that the ‘ring’ is in fact an unfinished circle with the two central cups having lines running from them to the incomplete ring, leaving a gap or opening at the bottom.  The lack of other cup-and-ring carvings in the vicinity (apart from the simple Cob Stone, 750 yards away below Grey Stones Hill) is an oddity.  A few more ventures onto the local hills are definitely required to see if anything else can be found!

AcknowledgementsWith thanks to Angela Hainsworth for her assistance and sketch of the design.

© Paul Bennett, The Northern Antiquarian


Warley Edge, Halifax, West Yorkshire

Cup-and-Ring Stone (lost):  OS Grid Reference – SE 062 253

Archaeology & History

Warley Edge Cup-and-ring stone

A rare find in Calderdale, as it’s only one of a very small number of full cup-and-ring designs — though its exact whereabouts remains elusive.  From Heginbottom’s (1979) OS-reference, it’s close to a pretty built-up area, so may be destroyed.

He described it as a “large block with cup and ring markings, built into a dry stone wall,” 900ft above sea level. So where eactly is it…?

References:

  1. Heginbottom, J.A., The Prehistoric Rock Art of Upper Calderdale and the Surrounding Area, YAS: Leeds 1979.

© Paul Bennett, The Northern Antiquarian


Snowden Carr Carving (594), Timble, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 17903 51266

Also Known as:

  1. Fence Stone

Getting Here

Carving 594 (after James Elkington)
Carving 594 (after James Elkington)

Follow the same directions to reach the Tree of Life Stone, then walk up the well-worn footpath up the slope for about 100 yards and, as you get to near the top of the hill, just watch out for a large-ish stone on the right.  That’s it!

Archaeology & History

First described by Eric Cowling 1937, here we have what here looks like a faded cup-and-ring plus at least eight other cup-markings near Snowden Crags (though Boughey & Vickerman [2003] counted only 6 cups here).  In more recent years it has become known as the “Fence Stone” due to its proximity the straight line of fencing which ran across the moor hereby.  Cowling’s description of the site told:

Faded cup-and-ring
Cowling’s 1937 drawing

“The spur of hill separating Snowden Carr from Snowden Craggs is surmounted by a D-shaped enclosure which has a small level area in the highest corner.  Here, on a triangular table stone amongst the heather, is a well-cut cup, ring and radial groove running to the margin of the surface.  Four other cups appear to have no definite arrangement.”

He went onto say that “many of the boulders which surround this table are marked with cups.”  They are indeed!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
  3. Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.

Acknowledgements:  A huge thanks to James Elkington for use of his photo for this site profile.

© Paul Bennett, The Northern Antiquarian


Ox-Foot Stone, South Lopham, Norfolk

Standing Stone (destroyed):  OS Grid Reference – TM 052 809

Folklore

This slab of sandstone apparently used to stand upright in one of the fields of Oxfootstone Farm and on its surface is supposed to be the burnt impression of a cow’s hoof-print. Legend tells that there was a fairy cow which would come into the area when times of hardship occurred. During such periods she would freely give her milk to the people, but when the drought was over she stamped down on the stone upon which she stood, burning the imprint of her hoof onto it and magically vanished back from whence she came. A variation of the tale tells of a normal cow whose milk normally supplied the local villagers. But one night a drunken man (in another tale it is a witch) milked the cow dry through a sieve, until only blood came from her udders. At this point, the cow cried out in pain and kicked the stone so hard that she left the mark of her hoof-print on it.

Another tale tells that an ox got a large thorn stuck in its foot and rampaged through the local village, eventually stamping its hoof onto the stone so hard that it left the imprint of its foot here.

Now this might sound presumptious of me — but this tale has all the hallmarks of it being an old folk-remnant telling the origin of some cup-and-ring marked stone.  We find a number of cup-and-rings with creation tales similar to this.  Are there any local archaeologists or enthusiasts in Norfolk who might be able to locate any remains of this possible carved stone?

References:

  1. Burgess, Michael W., The Standing Stones of Norfolk and Suffolk, ESNA 1: Lowestoft 1978.
  2. Dutt, W.A., The Ancient Mark-Stones of East Anglia, Flood & Sons: Lowestoft, 1926.

© Paul Bennett, The Northern Antiquarian


Morphing Stone, Dacre, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 18559 61795

Also known as:

  1. Snoopy Stone
  2. Eastwoods Rough Carving
  3. IAG 638a (Boughey)

Getting Here

Mr Stroud's drawing of the stone
Mr Stroud’s drawing of the stone

Various ways to get here.  I s’ppose the easiest is from Dacre village.  If you go just past Sunny House, take the footpath on your right & walk along it, roughly straight across a number of fields, until you hit the footpath known as the Nidderdale Way.  The field you’re now in should be scattered with numerous rocks all over the place (if it aint, you’re in the wrong place), reaching down towards the trees.  Walk straight towards the trees for another 100 yards and the carving is somewhere hereabouts under your nose!  You’re very close! If, however, you decide to walk up the Nidderdale Way from Dacre Banks, the field you need is the one immediately to your right just before you reach the Monk Ing Road trackway.  The Tadpole Stone (or Eastwoods Rough II carving) is in the same field, close to the Nidderdale Way path — check that out aswell!

Archaeology & History

This is a large carving I found in April, 2006, in the company of rock-art student Richard Stroud (who sent us the pictures).  Twas in the midst of a fine day wandering about checking some of the ‘known’ sites in the area, when we happened across two or three previously unknown sites — and as the day wore on, just before we were gonna head for home, this little beauty poked the edge of its head out of the turf!  It had the pair of us in near rapture, with numerous “Wow’s” and excitable expletives coming from our mouths! We’re easily pleased us rock-art doods — but then it is a beauty when you first see it.

Morphing Stone carving (photo © Richard Stroud)
Morphing Stone carving (photo © Richard Stroud)
Morphing Stone, Dacre (photo © Richard Stroud)
Morphing Stone, Dacre (photo © Richard Stroud)

We came here several times in the weeks following its initial discovery, and it seemed that on each visit, we found an additional aspect to the carving.  It seemed to keep changing each time we came here — hence the name ‘Morphing Stone’!

The prime feature in the carving is the very large oval-shaped ‘ring’ with huge carved bowl in the middle and several outlying cups-markings around it.  Although it’s not plain to see in the photos, there’s a large tongue-shaped protuberance jutting out from one side of the main ringed feature.  You can also see a small cluster of cup-marks on the top-right of the rock: from here — though it isn’t easy to see in the photo — a long straight line links up with the edge of the major central ring.  Other lines run off on the top of the main feature and there are several other cup-markings on different parts of the stone.  It’s obviously best to see the carving “in the flesh”, so to speak, to get a good impression of what it actually looks like.  And, to those of you who might wanna venture up here, there are several others nearby.

A year or two after rediscovering the carving, rock art student Keith Boughey (2007) described the stone, saying:

“Measuring 2.61m from N-S and 1.88m from W-E at its greatest extent, the carved surface carries quite a complex design… At its N end is a large cup/basin with an approximate diameter of 25-30cm, surrounded by a ring that may or may not be complete: 2 cups have been incorporated into the ring on its N and W side. W of this ring a groove leads off S to a further possible cup. On the E side of the large central cup are 3 further cups of varying size. These motifs are all enclosed within a wide groove, which forms almost a dome pattern. Out of the ring, a further groove runs NW out of the design, bisecting the enclosing groove, curving round to form a handle shape before running back in towards the large central cup. The groove shows signs of continuing E towards the edge of the stone. Just outside the W edge of the enclosing dome is one well-defined cup. S of this, in a slight depression, are 2 further cups of differing size. A straight groove appears to run SW out of the enclosing dome shape on its E side towards further motifs on the stone’s S side. The groove may run into an area of cup marks, but there appears to be a break before it continues. When exposed, the carvings looked quite fresh and sharp, suggesting that they had remained covered for some considerable time – possible since antiquity or at least from a time in the prehistoric past when cup-and-ring-markings had begun to lose their significance and were no longer required to be visible in the landscape.”

To those of you who like the new computer images of cup-and-rings, the three below are samples from a number of such images done after the stone had been discovered.  Intriguingly, the long line running between the cluster of cups to the large cup-and-ring doesn’t show up too well; but the barely perceptible line running out, zigzag-fashion, from the large central cup-and-ring, shows up much clearer than when looking with the naked eye.

                          Morphing Stone Nikon Morphing4
References:

  1. Boughey, K., “Prehistoric Rock Art: Four New Discoveries in Nidderdale,” in Prehistoric Research Section Bulletin, no.44, Yorkshire Archaeological Society 2007.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (454), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10980 51284

Archaeology & History

Carving no. 454

About 10 yards north of the old boundary stone on the Middle Ridge heading to the western end of Dryas Dike and about 10-15 yards east of the Middleton 453 carving, is this small rounded rock with between 12 and 15 cup-markings on its north and north-eastern sides.  Several curious deep ridges run down across the rock which some ascribe as being man-made – but to me they’re Nature’s fine handiwork, although I may be wrong…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul BennettThe Northern Antiquarian

Middleton Moor Carving (453), North Yorkshire

Cup-and-Line Stone:  OS Grid Reference – SE 10968 51279

Archaeology & History

Carving no. 453

Named boringly after the catalogue number given it in Boughey & Vickerman’s (2003) survey, this is another of the many small cup-marked stones clustered at the western end of the ridge between Delves Beck and Dryas Dike, below the moorland slope up to the Old Pike and Beamsley Beacon.  It’s one of the more impressive of the carvings in this locale, albeit when it’s highlighted, as in the photos shown here (apparently done by one of the photographers in the Ilkley rock art group, I was told).  It’s perhaps better seen when the sun is low and the stone’s been wet, which shows the shallow undulations of the cup-marks and wavy line that seems to split the main group of twelve cup-marks  at the top northern side of the stone, from the two on its south side.  There seems to be another wavy line carved above the main cluster, but this is difficult to make out.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul BennettThe Northern Antiquarian

Middleton Moor Carving (440), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10875 51390

Getting Here

Middleton Moor CR-440

From the old T-junction in the hamlet of Langbar (where some doods have stuck up one of those ‘Private Road’ signs, typical of those Southern-types who bring their weird private land notions up here), go along the ‘private road’, keeping to the left until the road runs out. Then follow the small footpath above the house onto the moor, following the lines of walling along, crossing boggy streams, up the small hill and, once over the top and dropping down, keep your eyes peeled for the large boulder to the left of footpath, and a small scattered cairn on your right.  It just a few yards past the cairn material!

Archaeology & History

Just 20-30 yards up the slope on the north side of Dryas Dike stream, to the left of the footpath, is a small, rounded flat stone with perhaps as many as eight cup-markings on it.   Six seems more believable — though some of ’em on here (if not all) don’t look to have the air of authenticity that some of the other carvings hereabouts possess.  One of the cups has a small ‘tail’ protruding from it.  It’s a rather cute little thing!  A small, unexcavated cairn lies in ruin about 10 yards east of the crude carving.

…and from another angle

On the other side of the footpath from here is that “large boulder” I mentioned above, which is reported by Boughey & Vickerman (2003) to have “one clear cup” marking etched upon it.  They also report that archaeologists from “English Heritage report two cups and a possible short groove” on this rock. However none of the carvings reported here by either authority are man-made.  All marks on the rock are completely natural and it needs omitting from any future archaeological survey.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (003), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11288 51542

Getting Here

In the middle of the moors, with no footpaths close by.  Unless you’re a rock-art freak I guess there aint gonna be too many people searching for it!  From the Ilkley-to-Langbar road, take the track (Parks Lane) onto the moor where the road bends right.  Follow it up for about a mile (though it doesn’t seem that far) and where the cup-marked stone at the edge of the wall where the spring appears (Middleton Moor carving 483), walk west (left) into the heather for a coupla hundred yards below Foldshaw Ridge.  Look around!

Archaeology & History

Little-known cup-marked stone on Middleton Moor (photo courtesy Richard Stroud)
Cup-marked stone, Middleton Moor (photo © Richard Stroud)

This is one of a small cluster of carvings Richard Stroud found on a few average-sized stones prettty close to each other in April 2005 — and one which the West Yorkshire Archaeology Service told him couldn’t be there cos the region had already been surveyed.  Hmmm…

Crap drawing!

Well, my first impression of this when I saw it was a absolute thumbs-up! Simple to look at, I know – but a bloody good little carving.  It’s primary characteristic is that most of the ten or eleven cups occur on the vertical and near-vertical face, which aint too common.  In traditional societies (though not all) where carvings occur on vertical faces, they’re deemed to be ‘male’ in nature (those on rounded smooth surfaces, female).  The carving is well worth checking out — especially as there’s probably more to be found up here, hiding beneath ages of peat and heather.

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving 002, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 1154 5202

 

Photo by Richard Stroud

Getting Here

To find this, follow exactly the same directions as that of the Middleton Moor Carving 001, which is just a few yards away. Both of these stones may take some finding when the heather’s deep — but when we first discovered them, the heather had recently been burnt back.

Archaeology & History

This small rounded stone had a covering of vegetation on it when Richard Stroud and I first discovered it in April 2005, with just a couple of cups visible, but once the heather’d been carefully rolled back, another fine carving greeted our keen-eyed petroglyphic senses!

Drawing of the carving
Drawing of the carving
…and again!

At least eight cups seem apparent here, though once Richard had the photos processed there appeared to be a couple of things on the stone which we hadn’t noticed when in the field (a common cup&ring dilemma). One of the most curious parts of the stone seems to be the winding line near the bottom of the stone. Make of it what you will!

Just a couple of yards east of this carving we find the rounded remains of a single burial cairn, probably for just one person, just like as with Middleton Moor 001.  This site could do with excavating, as we may have a small neolithic or Bronze-Age cemetery hiding under the heath.

© Paul Bennett, The Northern Antiquarian