Duncroisk (2), Glen Lochay, Killin, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 53134 35850

Also Known as:

  1. Canmore ID 24169
  2. Duncroisk 3 (Canmore)

Getting Here

Cup-and-rings by the River Lochay
Cup-and-rings by the River Lochay

Troublesome to get to unless you’re reasonably fit.  Probably the easiest route is to get to the Duncroisk 3 cup-and-ring stone. Keep walking along the riverside, climb over the first tall wooden fence and onwards till you reach the rocky crag reaching into the river Lochay. By whichever means possible, get yourself up and round this crag, but keep by the riverside till you get to the easier walkable rocky outcrop protruding into the river on the other side of the drop.  Hereby, on one of the stones, look and you’ll find these faint cup-and-ring symbols.

Archaeology & History

Although this carving was first described in Edward Cormack’s (1952) essay on the prehistoric carvings of the district, they have subsequently proved difficult to locate by the Royal Commission lads and other archaeologists.  I’ve been here a few times looking for it and never managed to find it — until last week.  When Mr Cormack first told of the design, he said:

“On a smooth rock surface just above the mouth of the small burn running into the Lochay, immediately west of the cup-marked ridge, are two cup-and-ring markings a yard apart. The rings are curiously rough edged, and do not give the same impression of weathering as those on the ridge; possibly they have been silted over shortly after being cut, and exposed again relatively recently.”

Flambeau the Cat uses the carving as his bed!
Flambeau the Cat uses the carving as his bed!

A few decades later, Ron Morris (1981) came across the carving, 10 yards “southeast of an elbow of River Lochay”, as he put it. Described as “hard to find”, he went on to give a basic outline of the design as he saw them, telling there to be “2 cups-and-one-ring, both probably complete, up to 16cm (6in) diameters, with radial grooves from cup to ring—up to 1cm deep.” Or more simply, two cup-and-rings, each with a line running from the centre to the surrounding ring.

After trying to find this carving on several occasions, without success (somehow!), it was brought to my attention under the brilliant guidance of a local cat called Flambeau only last week (no lies!).  In a venture down to the riverside, the great cat (in tandem with Pip the dog, who also ventures out with me to find ancient sites in this region) got to the riverside on the rock in question and began rolling about in the dust on the stone, mewing and purring away merrily!  It was really brilliant to watch. Sincerely heart-warming (soz…but I can’t help it!).

Primary cup-and-ring at Duncroisk-2
Primary cup-and-ring at Duncroisk (2)

I stepped over and complimented him as he looked superb (hence the photo, above) and he just kept purring. Then, curiously, he stood up and began scratching at the dried earth on the rock, mewing away whilst doing this.  Twas very odd indeed.  But there,  exactly where Flambeau has been scratching and rolling about, it seemed a faint cup-mark was apparent.  And such it was!  So I got on my knees and began cleaning away the dirt from the rock — and there, right where he’d been purring and playing, was the lost cup-and-ring carving!

Its location would suggest that the carving had some relationship with water: be that the spirit of the place, or a good site where fish can be had, or a place where someone had drowned, etc.  We’ll probably never know… But it’s a beautiful spot, with the impressive Stag Cottage carvings in the adjoining field, and the newly discovered Corrycharmaig East carvings on the other side of the river — plus many others in the area.

Folklore

The River Lochay where this carving is found is named after a dedication to the Black Goddess, according to Prof. W.J. Watson. (1926)  The stream by the side of the carving which runs into the River Lochay has been the place where faerie music has been heard by local people in times past.

References:

  1. Cormack, E.A., “Cross-Markings and Cup-Markings at Duncroisk, Glen Lochay,” in Proceedings of the Society of Antiquaries, Scotland, volume 84, 1952.
  2. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  3. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
  4. Watson, W.J., The History of the Celtic Place-names of Scotland, Edinburgh 1926.

© Paul BennettThe Northern Antiquarian


St. Fillan’s Chair, Dundurn, Comrie, Perthshire

Legendary Rock:  OS Grid Reference – NN 7081 2325

Also Known as:

  1. Canmore ID 24876
  2. Dundurn
  3. Fillan’s Chair
  4. St. Fillan’s Bed

Getting Here

Dundurn, near St. Fillans
Dundurn, near St. Fillans

Not hard to find. Between the small towns of Comrie and St. Fillans along the A85 road, keep your eyes peeled for the small but rocky crags that rise in front of the background of dramatic mountains not far from the roadside to the south. It looks truly majestic even on a dull day. Just as you reach the eastern edge of St. Fillans village, take the small road over the river-bridge and go to the golf club. Walk past the golf club itself, keeping along the track that leads you to Dundurn hill.  It’s easy enough. Then climb to the very top of the hill where you’ll find this curious, large, flat bed-like rock right in front of you!

Archaeology & History

The rocky bed or 'chair' of St Fillan
St Fillan’s rocky bed or ‘chair’

The archaeological data for St. Fillan’s Chair relates more to the folklore practices of the people upon Dundurn hill than anything else and ostensibly little can be said by such students. The place is more satisfying for geologists than archaeologists, who would adore the rocky fluctuations and geophysical propensities with greater verve than any archaeologist could muster! For this rocky bed-shaped feature is a fascinating structure whose only potential interest to archaeologists are what may be a couple of reduced cup-marks on the top of the stone (and even then, such potential rock art is more the province of religious historians and anthropologists than archaeologists).

Small quartz offerings left on St Fillan's Chair at Beltane
Small quartz offerings left on St Fillan’s Chair at Beltane
The view of the Chair from below
View of the Chair from below

But this ‘bed’ or ‘chair’, as it was locally known, was – and it seems, still is – important in the social history of the area, as its folklore clearly tells.  The ‘chair’ plays an important part in the holistic role of Dundurn as a hill, a fort, a healing centre, an inauguration site, and very probably an omphalos: a sacred centre whereupon the ordination of shamans, kings and the cosmos as a whole was brought to bear here… (these features will be explored in greater depth when I write a singular profile of Dundurn as a ‘fort’).

Folklore

Looking west over St Fillan's Chair
Looking west over St Fillan’s Chair

The character of St. Fillan was described by James Cockburn (1954) as “an Irish Pict” and the “son of a King – his father being Angus mac Nadfraich who died in battle in 490 AD.”  Quite an important dood in his day! The relationship this early christian figure had with this Chair was in its supposedly curative properties.  Yeah…you read it right: curative properties!  As with countless rocks all over the world, some of Nature’s outcrop boulders were imbued with a spirit of their own and, when conditions and/or the cycle of the spirit ‘awoke’, healing attributes could be gained from the place. And such was the case at St. Fillan’s Chair, especially on Beltane morning (May 1).  And some element of this traditional pilgrimage is still done; for when the author Marion Woolley and I visited the site on Mayday 2013, it was obvious that some people had been up earlier that Beltane morning and left some offerings of quartz stones on the top end of the bed.

The earliest written reference of this medicinal virtue was told in the Old Statistical Account of Perthshire (1791):

The rock on the summit of the hill, formed, of itself, a chair for the saint, which still remains. Those who complain of rheumatism in the back, must ascend the hill, sit in this chair, then lie down on their back, and be pulled by the legs to the bottom of the hill. This operation is still performed, and reckoned very efficacious.

More than a hundred years later, the sites was still being used and was described in similar vein in MacKinlay’s (1893) excellent study:

“On the top of green Dunfillan, in the parish of Comrie, is a rocky seat known in the district as Fillan’s Chair. Here, according to tradition, the saint sat and gave his blessing to the country around. Towards the end of last century, and doubtless even later, this chair was associated with a superstitious remedy for rheumatism in the back. The person to be cured sat in the chair, and then, lying on his back, was dragged down the hill by the legs. The influence of the saint lingering about the spot was believed to ensure recovery.”

The origins of this dramatic rite were probably pre-christian in nature and we should have little doubt that St. Fillan replaced the figure of a shaman or local medicine woman of some sort. The ritual “dragging down the hill” may be some faint remnant of initiation rites…

References:

  1. Cockburn, James H., The Celtic Church in Dunblane, Friends of Dunblane Cathedral 1954.
  2. Eliade, Mircea, Rites and Symbols of Initiation, Spring: Woodstock 1995.
  3. Finlayson, Andrew, The Stones of Strathearn, One Tree Island: Comrie 2010.
  4. Hunter, John, Chronicles of Strathearn, David Philips: Crieff 1896.
  5. MacKinlay, James M., Folklore of Scottish Lochs and Springs, William Hodge: Glasgow 1893.
  6. Shearer, John, Antiquities of Strathearn, David Philips: Crieff, 1883.
  7. Skene, William F., Celtic Scotland (3 volumes), Edmonston & Douglas: Edinburgh 1876-1880.
  8. Toulson, Shirley, Celtic Journeys in Scotland and the North of England, Fount: London 1995.

Links:

  1. Nataraja’s Foot: The Curious Incident of Dundurn

© Pual BennettThe Northern Antiquarian


Tombreck 01, Kenmore, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 64798 38284

Also Known as:

  1. Canmore ID 289069

Getting Here

Cup-marked stone, with Ben Lawers to the rear
Cup-marked stone, with Ben Lawers to the rear

Along the A827 Loch Tay road between Morenish and Lawers, take the track uphill where Carie farmhouse and Tombreck are either side of the road. Walk up this track 2-300 yards till you go through the gate just past the sheep-folds on your left.  Ahead of you is a small grassy hillock on your right – go to the top of it, where you’ll find one of them has a row of cup-markings on its northern edge.

Archaeology & History

This is a reasonably large boulder near the top of the hillock above the trackside.  Several rocks have what may be single cup-markings on them, but this roughly oblong-shaped block has four or five of them running along the more northern edge of the stone, in a rough line sloping gently down the surface of the rock.  No carved rings or other lines were immediately notable here.  It’s nothing special to look at and will probably be of interest only to the hardcore petroglyph enthusiasts amongst you. However, there are many more ornate cup-and-rings found further along the ridges close by (which we’ll add as the weeks and months go by); as well as the remains of a prehistoric enclosure about 200 yards southeast.  The small standing stone of Carie is roughly the same distance to the south.

Cup-marks visible along the edge
Cup-marks visible along the edge
...and from above
…and from above

(Note: although I’ve listed this as the ‘Tombreck 01’ carving, this is likely to be revised in the near future as there is a large gathering of carvings all around this area. The region is still being surveyed and the designations of the petroglyphs will be revised as and when they are recorded more fully, or if/when a detailed published account catalogues them satisfactorily.)

References:

  1. Currie, George, “Kenmore: Tombreck (2-4), Cup-and-ring Marked Rocks,” in Discovery & Excavation in Scotland, New Series volume 10, 2009.
  2. Currie, George, “Kenmore: Tombreck (5-7), Cup-Marked Rocks,” in Discovery & Excavation in Scotland, New Series volume 10, 2009.

© Paul Bennett, The Northern Antiquarian


Leaston House, Humbie, East Lothian

Cup-and-Ring Stone (lost):  OS Grid Reference – NT 483 634

Also Known as:

  1. Canmore ID 54771

Archaeology & History

The lost Leaston carving
The lost Leaston carving

The concentric ring carving shown here was found on the north side of the large gardens at Leaston House early in the 20th century.  It was first reported by the Royal Commission (1924) boys, who told us that the small free standing stone measured 2½ feet long and was 1¾ feet wide, consisting of 5 concentric rings about 15 inches across.  No central cup-marking existed in the middle of this carving — like the Grey Stone at Harewood and a small number of other multiple-ringed petroglyphs. No other notes were made about any other associated monuments.  The carving was included in Ron Morris’ (1981) survey, with no real additional material.   Although the Canmore report told that the carving could be found “in a rockery bordering the lawn north of Leaston House,” its present whereabouts remains a mystery.

Only known photo of the stone
Only known photo of the stone

This is one of a number of cup-and-ring stones that have been ‘lost’, either through destruction or through some dood simply taking it for their own private collection (a practice even the modern rock art student, Paul Brown, has openly admitted in one of his books).  Not good.  This lost Leaston Hall carving was probably “acquired” by some local and probably rests either in their garden or hall somewhere.  If anyone knows where it hides, please tell us — as this is an important carving.

References:

  1. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  2. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  3. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  4. Royal Commission on the Ancient & Historical Monuments of Scotland, Inventory of Monuments and Constructions in East Lothian, HMSO: Edinburgh 1924.

Acknowledgements:

With thanks to Janet Donaldson-Elder for the place-name correction!

© Paul Bennett, The Northern Antiquarian


Fraggle Rock, Hawksworth Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference — SE 15094 43502

Getting Here

Fraggle Rock, Reva Hill

Probably the easiest (direction wise) is if you’re coming from Dick Hudson’s public house on the southern road surrounding Rombalds Moor. From the pub, head left (east) along Otley Road (passing Weecher reservoir) for 1.9 miles (3.1km) until you reach Reva reservoir where a track leads you to the waters.  A small parking spot is on the left-side of the road. From here, go through the gate and along the footpath across the field for nearly 300 yards to the next gate; go through here and walk to your right for about 60 yards where uyou’ll reach a small straight dyke (keep your eyes peeled!) running NW (to your left): walk along here for nearly 200 yards until it hits another shallow dyke bearing right; follow this dead straight for 35 yards after which it changes direction, but you need to keep walking straight on forward for another 60 yards or so.  Look around!

Archaeology & History

Early photo of the carving
First photo of the carving

This carving is one in a cluster of previously unrecorded petroglyphs, uncovered in the summer of 2011 during a Northern Antiquarian bimble on the northern edge of Rombald’s Moor.  The carvings were found as a bi-product of uncovering a previously undiscovered cairn circle, close to the Twelve Apostles stone circle.  In assessing and exploring the newly-found circle, it was noticed that a small opening in the near horizon highlighted a rise in the landscape barely a mile away.  This ‘opening’ in the land was not visible if you walked 25 yards either side of the cairn circle – but was very notable at the circle itself.

“We need to have a look at that site,” I said.  “It’s position looks to have been relevant to this circle.” (or words to that effect) And a couple of weeks later we met up and walked to the place in question.

Fraggle Rock carving, looking west
Fraggle Rock carving, looking west
Fraggle Rock carving, looking south
Fraggle Rock carving, looking south

Within five minutes we came across a couple of previously unrecorded cup-marked stones, of simple design, right in line with the cairn circle.  As we walked around this spot, then headed back in the direction of the circle, a cluster of small stones were noticed on the slope.  One had what looked like a single cup-marking near its edge, but the rest of the rock was completely covered in vegetation.  Paul Hornby and Michala Potts had, by now, already found several other previously unrecorded cup-marked stones close by; but as I carefully rolled back the vegetation at the edge of this particular rock, cups-and-rings and carved lines seemed to be covering most of its surface.  It was a good one!

Face on the Fraggle Rock
Face on the Fraggle Rock

We called it the Fraggle Rock after noticing that when you look at the stone from one end, the two main cup-and-rings are likes two large eyes carved above a large natural down-turning ‘mouth’ feature, similar to some of the creatures’ faces on the muppets or the similar kid’s TV show, Fraggle Rock! (sad aren’t we!?)  The photo here shows you what we mean.

The primary design consists of at least 3 cup-and-rings, 2 partial cup-and-rings, 28 cups and several carved lines along which some cup-markings are linked to others.  The most notable of the carved lines is the longest (barely visible in the photos), running from a single cup-mark at the southernmost rounded end of the stone, almost straight and parallel with a natural ridge or dip along the rock, until it meets the largest of the cup-and-rings (one of the eyes on the Fraggle’s face!).  Don’t ask me why, but for some reason this long faint line seemed the most perplexing element of the carving.

Eastern edge, with cups at ground level
Eastern edge with low cups
Cup-marks on rock edge

Most of the design is carved on the upper face of the stone, but a small part of the rock dips into the ground on its eastern side and a small group of cups and a single carved line, in a very good state of preservation, are etched right at the edge of the stone.  Unusual.  Another faint cup-and-ring is less than 100 yards west; and a fascinating cup-and-lines stone, with at least four long carved ridges running like hair from the top of the stone into the Earth, is a short distance to the north.  A number of others are in this and adjacent fields.

References:

  1. Jack, Jim, “Old Fraggle Rock is Found on Burley Moor,” in Ilkley Gazette, March 4, 2013.

© Paul Bennett, The Northern Antiquarian 


Tree Stone, Ilkley, West Yorkshire

Cup-Marked Stone:  OS Grid-Reference – SE 1043 4702  

Archaeology & History

One of the first photos, just as the mud had been cleared
One of the first photos, just as the mud had been cleared

This carved stone was rediscovered by Michala Potts on the rainy afternoon of August 26, 2011, on a Northern Antiquarian excursion to explore some of the cup-and-rings on Ilkley Moor.  The entire stone was totally covered in soil and leaves, and Michala spent some considerable time carefully clearing the dead vegetation to unveil the carvings beneath.

Close-up of cups & scars
Close-up of cups & scars

This carving has at least 12 cup-marks on its slightly inclined surface, with several artificial carved lines and some that are obviously geophysical in origin. (we really could do with a geologist with a cup-and-ring fetish to accompany us on some of our outings!)  But the main feature of this carving — as the photos here illustrate — appears to be the natural crack that runs up through the middle of the stone, either side of which have been etched a number of cup-markings attached by small lines or ‘branches’, giving the distinct impression of a tree.  Whether this was a deliberate artistic feature (a tree), or just another Rorscharch response to non-linear systems on our behalf (more probable), we’ll never know.  On the moors northeast of here on the other side of the Wharfe valley, the Tree of Life Stone acquired a similar association due to its design; but this Ilkley design, sadly, aint quite as good as the one on Askwith Moor.

Tree Stone, showing modern industrial scars
Tree Stone, showing modern industrial scars

There are some puzzles on this stone aswell.  Other lines scar the rock which are definitely man-made, but they are of a different nature and age.  The marks have been scarred by more modern metal tools, or were caused by heavy metal machinery that have rested on the rock at some time in the not-too-distant past.  You can see the curved deep scratches in the photo here to the right.  It seems likely that when the modern houses were built straight across and above here, this cup-marking was damaged by the workers — although they didn’t know it was here as the stone had not been catalogued by the Ilkley archaeologists.  But there’s also another peculiar feature on this stone.  Someone a century or two ago also carved other fainter features into the stone, seemingly lettering, on the northeast edge of the rock.  They can be seen faintly on the second photo, above.

© Paul BennettThe Northern Antiquarian 


Robin Hood’s Stone, Allerton, Liverpool, Lancashire

Standing Stone:  OS Grid Reference – SJ 3997 8638

Archaeology & History

Robin Hood's Stone (after Alfred Watkins)
Robin Hood’s Stone (after Alfred Watkins)

Similar in size and appearance to one of the cup-marked Tuilyies standing stones in Fife, Scotland, it was our old ley-hunter, Alfred Watkins, who described this stone in his Ley Hunter’s Manual (1927), along with giving us the old photograph taken by one of his mates here, which also showed the cup-and-ring carvings near the base of the stone. Are they still visible? (I’ve not been here, hence mi ignorance!) Watkins thought the cup-markings at the bottom represented some of the local leys—but unfortunately they don’t.

Folklore

Legend says that the deep grooves running down the stone were made by men sharpening arrow-heads on it (like a whetstone).  There was also the usual christian Victorian fable that the stone was used by the druids and that the grooves on the stone were where the blood of their human sacrifices was channelled to the ground!  The stone was also said to have some relationship with the nearby Calder Stones (which seems probable).

References:

  1. Cowell, Ron, The Calderstones – A Prehistoric Tomb in Liverpool, Merseyside Archaeological Trust 1984.
  2. Watkins, Alfred, The Ley Hunter’s Manual, London 1927.

Links:

  1. Mike Royden’s Local History Pages – Robin Hood’s Stone

© Paul Bennett, The Northern Antiquarian


Tuilyies, Torryburn, Fife

Standing Stones:  OS Grid Reference – NT 0291 8660

The Tuilyies standing stones on 1854 OS-map
The Tuilyies standing stones on 1854 OS-map

Also Known as:

  1. Canmore ID 49451
  2. The Tuilyies

Getting Here

Go west out of Dunfermline on the A994 till you hit the Torryburn roundabout, taking the A985 Kincardine road. Barely a half-mile along, stop at the first parking lay-by at the roadside – and there, over the barbed wire fence, you’ll see your standing stones right in front of you.

Archaeology & History

The Tuilyies standing stones
The Tuilyies standing stones

Overlooking the northern shores of the Firth of Forth is this fascinating group of standing stones which, old lore told, was once an old stone circle.  You can see what they meant.  The Tuilyies consists of a small group of three stones, between 3 and 7 feet tall, arranged in the form of a scalene triangle; and about 20 yards away stands the more impressive outlying 8 foot tall upright stone, somewhat akin to a petrified ancestor, with both natural and man-made cup-markings on at least two sides of its slim body.  This outlying stone is of a very different character to that of its close neighbours—and a different type of stone as well—and is very similar in both size and appearance to the Robin Hood Stone at Allerton, near Liverpool.  Curious…

The east-facing cup-marked Tuilyies stone
The east-facing cup-marked Tuilyies stone
Natural ridges on its west-face
Natural ridges on its west-face

Whether the stones here were part of a stone circle we don’t know for sure.  It was suggested as such in 1793 and Aubrey Burl (2000) includes them in his primary survey, but we have little evidence to prove as such nowadays. The parish of Torryburn not only had to contend with industrial agriculture knocking down any stones that may once have stood here, but in the 17th century the village also had to tolerate the psychiatric delusions of one reverend Allan Logan: one of the many deranged priests who saw witchcraft and demons in everything natural or animistic, persecuting local people for their old traditions, herbalism and peasant-lore. (Beveridge 1885; Cunningham 1902; Webster 1820, etc) These old stones were unlikely not to have received his depraved attention.  But thankfully, some remain standing…

The Tuilyies seem to have been described first of all in the 1793 Old Statistical Account of Scotland—and in that narrative we find one of the earliest descriptions of cup-markings.  It told that,

“In a pretty extensive plain field NE of the village of Torryburn, there is a flat stone, raised upon one end, of a shape nearly oblong  and measuring, from the surface to the top, about 8 feet, and about 4½ in breadth, Round the edge of it there is a deep circle, and on each of the sides a number of ridges, all of which wear the appearance of art and antiquity.  At about 18 or 20 paces from this stone, there is a number of smaller ones, which, from their present position, seemed to have formed part of a circle.”

Many years were to pass before these old stones heard from the men of words again.  This time it was the renaissance of cup-and-ring designs that brought them back to light, when Sir James Simpson (1866), in his massive precursory essay to British Archaic Sculpturings (1867) talked about them:

“The stone at Torrie, Fifeshire…is a flattened sandstone flag, deeply guttered in longitudinal lines, and presenting cup- markings on its eastern side. It has been attempted to be made “a holed stone,” like (the) this block at Ballymeanoch (Argyll), but the artificially splayed perforations from the opposite sides do not meet in the middle. About fifty paces from it are the remains of a small circle of stones.”

The triangle of standing stones
The triangle of standing stones

Unusually, J. Romilly Allen only mentioned the stones in passing, simply repeating Simpson’s earlier words. Even local historians gave the site scant attention.  In David Beveridge’s (1885) magnum opus he gave only a brief mention of the stones; and A.S. Cunningham (1902) did likewise.  Thankfully after a visit to the stones by the Royal Commission lads in May 1925, a more detailed description was given. They wrote:

“The site of the cup-marked standing stone…is a plateau, 150 feet above sea level, in a field on Torrie Estate about half a mile to the northeast of the village of Torryburn, and on the north side of the drive to Torrie House.  At a distance of 60 feet from it are three huge boulders, and the four are said to be the remains of a circle, although that idea is not borne out by their present disposition.

“The cup-marked stone rises to a height of 8 feet above the ground and has its narrow faces to the north-east and south-west. It is of irregular form, narrowing somewhat at 7 inches from the base, expanding outwards at the middle, and contracting again to a roughly convex top.  On the east face the lower portion is covered with cup-marks. which vary from 1½ to 5 inches in diameter and from 1½ to 2 inches in depth.  At a height of 6 feet from ground level, in the south-west angle of the stone, is a cavity 7 inches in depth, while there is a similar cavity of like depth opposite to it on the west face.  The stone is also marked on the east and west faces, as well as on the top and down the narrow sides, with a series of perpendicular grooves of varying depth, but all these channels are due to weathering. Its measurements are: north face, 1 foot 3 inches; south face, 1 foot 4 inches; east face, 4 feet 4 inches; west face, 4 feet 3 inches; girth at base, 10 feet 8 inches; at 7 inches up, 8 feet 10 inches; at middle, 10 feet 5 inches.

“The three other boulders are set in the form of a triangle immediately to the south of this cup-marked stone, at intervals of 12, 15 and 16 feet apart.  One has evidently fallen from an upright position and now lies with its major axis north and south. None of the three shows any markings. They are of whinstone, while the cup-marked standing stone is of grey sandstone.”

But as for the lack of cup-markings on the outlying smaller stones, when Ron Morris (1973) examined the site in the ’70s, he found what seemed to be some cup-marks on the largest of the group of three stones, as shown in the photos.  On this he reported,

“25yds S of the well-known cup-marked standing stone are 3 large boulders. The W of these, measuring 7′ x 4½’ x 3½’ high, bears on its slightly W-sloping top surface 7 cups cup to 2″ diameter and ½” deep.”

When I visited the site the other day, these were difficult to see—cos as the photos here show, Nature gave us a bittova dark grey day and such carvings are notoriously temperamental when weather conditions aren’t to the stone’s liking!

Folklore

The Old Statistical Account of 1793 told that the stones were supposed to have “been the scene of a battle in some former period, and these stones…mark the graves of some of the chiefs, who had fallen in the engagement.”  The lore was echoed in David Beveridge’s (1885) huge local history work, where he informed the reader that many standing stones along the Forth,

“are all connected with the Danish incursions. One specially may be mentioned, standing near Torryburn, the parish adjoining Culross, in a field which is still known by the name of the Tuilzie, or Battle Park.”

References:

  1. Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” inProceedings of the Society of Antiquaries Scotland, volume 16, 1882.
  2. Beveridge, David, Culross and Tulliallan: Its History and Antiquities – volume 1, William Blackwood: Edinburgh 1885.
  3. Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
  4. Cunningham, A.S., Romantic Culross, Torryburn, Carnock, Cairneyhill, Saline and Pitfirrane, W. Clarke: Dunfermline 1902.
  5. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  6. Morris, Ronald W.B., “Torryburn, Torry – Cup-Marked Rock’, in Discovery & Excavation in Scotland, 1973.
  7. Royal Commission on the Ancient & Historical Monuments, Scotland, Inventory of Monuments and Constructions in the Counties of Fife, Kinross and Clackmannan, HMSO: Edinburgh 1933.
  8. Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
  9. Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
  10. Webster, David, A Collection of Rare and Curious Tracts on Witchcraft and Second Sight, D. Webster: Edinburgh 1820.

© Paul Bennett, The Northern Antiquarian


Tir Artair (01), Killin, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 59063 34807

Also Known as:

  1. Canmore ID 289905

Getting Here

Single cup-marked stone
Solitary cup-mark

Take the A827 road out of Killin to Fearnan and Kenmore.  A mile or so out of Killin, keep going go past the entrance to the Finlarig Power Station for just another 2-300 yards, keeping your eyes peeled for the small track on your right.  Go down here.   About 100 yards down the track bends, then another 50 yards it bends again – and just here there’s a small clump of trees, right by the bend.  You’re looking for the large flat rock therein.  You’ll see it!

Archaeology & History

Tir ArtairCR1b sm
Close-up of cupmark

Although listed by the lads at Canmore, I can find no previous literary reference to this stone — which is a simple thing to be honest: probably of little value to anyone unless you’re a real petroglyph fanatic!  The large flat rock has a single large cup-marking on its northern edge, 3 inches across and nearly an inch deep.  If you’re gonna visit here, you may as well check out the standing stone further down, in the trees on your right.

© Paul Bennett, The Northern Antiquarian


Corrycharmaig East (4), Glen Lochay, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 5311 3582  —  NEW FIND

Getting Here

Cup-markings to top & bottom of stone
Cup-markings to top & bottom of stone

Follow the same directions as if you’re going to the Corrycharmaig East 3 carving.  Walk off the rocky outcrop here, below the tree, and head diagonally across the boggy grasses back towards the River Lochay.  After about 50 yards you’ll see a rocky promontory ahead of you that overlooks the very edge of the river, with trees around it.  That’s the spot – right on the edge above the river!

Archaeology & History

Cup-markings on the Corrycharmaig East 4 stone
Cup-markings on the Corrycharmaig East 4 stone

For me, this was the most intriguing of the newly-found Corrycharmaig East carvings.  Intriguing because this is on the same geological ridge as that on which the brilliant Stag Cottage carvings are found, right across on the other side of the river.  That singular rise of rock emerging from the field, heading to the river, continues on this side — though is much less conspicuous here, and is much smaller and covered with olde trees and Nature’s marshy greenery.  It was this fact which led me to look at these rocks in the first place…wondering if our neolithic ancestors had continued etching their mythographies on the other side of the living waters.  And so it turned out.

But don’t expect anything like as impressive as the Stag Cottage carvings.  Here instead, as the photos show, are just five distinct cup-markings: three running along one line near the SE side of the stone, with another two on its NW side.  The cups are all roughly the same size, being a couple of inches across; one is an inch deep.  There may be more beneath the excess of mosses along this and the adjacent rocks, but I didn’t look.

© Paul Bennett, The Northern Antiquarian