Weston Moor (543), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 18521 49406

Getting Here

Weston Moor cup-and-rings (after ‘QDanT’)

Get yourself to the impressive multi-ringed Greystone Allotment carving, then walk to the copse of trees close by and bear left, following the edge of the fence along and following it when it turns down at right-angles, until you hit the bottom corner of the trees, where a path cuts in front of you.  From the bottom corner of the trees walk 25-30 yards diagonally away from the trees.  It’s under your nose somewhere damn close!

Archaeology & History

This is another archetypal cup-and-ring stone, similar in size and design to the recently discovered Slade (02) carving on Blubberhouses Moor, just over 4 miles (6.5 km) northwest (followers of Alexander Thom’s megalithic inch theory might be interested in assessing the measure of these two).   It is one of number clustered in and around this small grass ‘moorland’ region, where a number of carvings perished in the 19th century.  Thankfully this one survived.  Boughey & Vickerman’s (2003) brief notes on the stone tell:

“Small, rough grit rough of regular oblong shape set very low in turf.  Two cups, each with a ring, and connected by a groove.”

On a recent visit to see this carving, Danny Tiernan, Paul Hornby, James Elkington and I were unable to locate it.  The carving may well have been destroyed, or moved.  If anyone is aware of what has happened to this petroglyph, please let us know.  We will be contacting the local authorities to see if any explanation is forthcoming from them.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.

Links:

  1. Weston Moor Rock Art – more notes & images


© Paul Bennett, The Northern Antiquarian

St Winefride’s Well, Holywell, Flintshire

Holy Well:  OS Grid ReferenceSJ 1851 7627

Also Known as:

  1. Ffynnon Gwenfrewi
  2. St. Winifred’s Well

Getting Here

St.Winifred’s Well

From the Chester ring road head into north Wales along the coast road (A548) from Connah’s Quay for about 13 miles taking you through Flint. After 12 miles turn left into Holywell town (Treffynnon). At the western end of the town go down the Greenfield-Mostyn road back towards the A584 taking you down a hill.  After 500 hundred yards you arrive at the holy well/shrine and pilgrimage centre on the right-hand side; there is parking on the opposite side of the road. There is a small entrance fee, but as well as the famous healing well and bathing pool, they have a gift shop, toilet facilities and a late medieval/Gothic two-storey structure that is built over the polygonal, vaulted well chamber, whilst at the side (at the corner of the hill) stands another Gothic chapel from 1500.

History and Legend

According to the well known legend, a young Welsh girl called Winefride or Gwenfrewi, was the daughter of patrician parents, Thenith (Thewyth) and Gwenlo, who lived at Bryn-y-Castell (Treffynnon) at the beginning of the 7th century AD.  She was a very religious girl who was known for her kindness and charities to people in the area that was then called Tegeingl (after the Decengle tribe).  Winefride grew up to be a very beautiful young woman which troubled her because she had no wish to marry, only to live a life of chastity and serve God as only she knew how.

St. Winefrides Well 1742

One day a local chieftain from Hawarden (Penarlag) called Caradoc ap Alyn came hunting in the area. He became very thirsty so stopped off at the house where Winefride lived with her parents.  However, on this particular day her parents were attending the local church where St Beuno, her uncle, was conducting a service.  Prince Caradoc soon began to seduce her so she ran to the church but with the prince in hot pursuit.  When he caught up with poor Winefride, she again resisted him so he took his sword and beheaded her.  Her severed head fell to the ground and rolled down a hill and where it came to rest a spring of water gushed forth from the ground.  Her parents and uncle came rushing out of the church at which point St Beuno cursed the evil prince, who was calmly wiping blood from his sword, causing him to sink into the ground — never to be seen again.  St. Beuno then placed the severed head back into place, restoring Winifred to life again but leaving her with a thin scar round her neck.

Later, Winifred was entrusted for her education to St Beuno whom sent her to various holy men including St. Elerius at Gwytherin near Llanwrst.  Here she became abbess of a convent that had been founded by Elerius, with his mother St. Theonia as first abbess; and it was here for the next 40 years that Winifred lived out her life.  She was said to have died at Gwytherin in either 65o or 670 AD.  Her body was first interred in the churchyard there, however in 1138 her relics were transferred to Shrewsbury Abbey.  Sadly however, her shrine there was destroyed in the 16th century and now only a few relics remain with a finger-bone being housed at a convent in Holywell.

Mythology and Folklore

St. Winefrides Well 1750

The holy well and shrine of St. Winifred at Holywell became a place of pilgrimage during the middle-ages and many miracles of healing were wrought there.  The sick were cured of infirmities of the legs and body; crutches were left at the well and many were cured of leprosy, eye complaints, loss of hearing, being not able to bear a child, mental illness, palsy and lung disorders etc.  During the Reformation the holy well suffered much, but from the 17th century onwards pilgrims were returning to the holy place and, more recently it has become the Welsh Lourdes and still pilgrims come in droves from all over Wales and beyond.  The vaulted Gothic structure covering the well shrine is richly carved with bosses depicting various characters including St Beuno, Earl Stanley, Lady Margaret Beaufort, biblical characters, animals and an abbot of Basingwerk abbey, but there is also much recent graffiti too.  A tall statue of St Winefride looks down over the well while candles burn all around.  In the larger bathing pool outside, a stone lies at one side — this is claimed to be where St. Beuno sat whilst teaching his young niece.  Red stains on stones at the front of the well-basin were long taken to be the martyr’s bloodstains, but now these are thought to be iron oxide pigmentation on the lichens.  Today the people still come either to bathe in the special pool, throw coins in the well, or fill bottles with holy water from a tap on the wall.  Faith in miracles of healing is still much in evidence here and may it continue to be for many years to come.  Everyone is welcome here, you don’t have to be a Roman Catholic!

References:

  1. UneXplained - LiebreichBord, Janet & Colin, Sacred Waters, Paladin: London 1986.
  2. David, Christopher, Saint Winefride’s Well  – A History and Guide, Gomer Press: Llandysul 2002.
  3. Edwards-Charles, Thomas, Saint Winefride and Her Well – The Historical Background, Holywell 1962.
  4. Heath, Sidney, In the Steps of the Pilgrims, Rich & Cowan: London 1950.
  5. Jones, Francis, The Holy Wells of Wales, University of Wales Press: Cardiff 1992.
  6. Liebreich, Karen, UneXplained: Spine-tingling tales from Real Places in Great Britain and Ireland, Kindle 2012.
  7. Simcock, Richard, North Clwyd At Random, Countryside Publications Ltd: Chorley 1986.
  8. Spencer, Ray, A Guide to the Saints of Wales and the West Country, Llanerch: Felinfach 1991.

Copyright © Ray Spencer 2011


Green Plain, Blubberhouses Moor, North Yorkshire

Settlement:  OS Grid Reference – SE 1492 5378

Getting Here

Cowling’s 1946 ground-plan of a portion of the settlement

From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor.  Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor.  Go on here for nearly a mile until you hit the valley stream with its Eagle Stone down on your left.  Walk downstream, past the Eagle Stone, and cross over 100 yards down until you’re back on the level ground with the scatter of bracken and heather.  You’re here!

Archaeology & History

On the other side of the stream a short distance southeast of the large cup-marked Eagle Stone is a curious site, first described by Eric Cowling (1946) as “a series of enclosures of varying size and roughly circular shape” which he ascribed as a Bronze Age settlement.  Certainly we have a rather extensive scattered group of walled structures just as he described, but not all of the walling here seems typical of local Bronze Age constructions.  Cowling suggested the remains to be “useful for protection, herding and for shelter,” though admitted archaeological excavation would be the best way to ascertain their specific nature.  Such undertakings have yet to be done — and I wouldn’t hold your breath either.

Large section of walling
Walls of large circular structure

Although he described some of the walls here as nearly four-feet tall, when Graeme Chappell and I first ventured here in the winter of 1990, the walling wasn’t quite as high.  There are a number of individual tall stones sat in the walls that stand three-feet tall, with some that have been cut and dressed in more historic times.  Who did this and when is unknown.  However, if we visited this place when all the vegetation has been cut and burnt back at the end of winter and early months of Spring — a fact not lost on Cowling when he first found this place — we would gain a much clearer picture of things here.

Some sections of lower walling above the streamside appear to be prehistoric in nature, but many other parts of the walled structures across this flatland plain have a much later look and feel about them, illustrating that the site may have been used well into post-medieval periods.  This seems increasingly obvious where we find a number of the stones cut at sharp angles, with some having distinctive quarried grooves in them.  However, I can find no historical records to verify this at present.

Hut circle remains
Medieval cut upright stone?

If we walk up the slight slope westwards however (before bracken and heath grow) there are more distinct prehistoric remains in the form of typical hut circles with low walls emerging from deep peatlands — although even these have been cut in one or two places by metal tools.  My view of this little-known but large settlement arena is that we’re looking at a site initially built in the Bronze Age period, continuing to be used by local tribespeople throughout the Iron Age and, as the cut stones clearly show, was a village that was certainly made use of in the last millenium.  But until someone comes along here and gives the site the attention it deserves, we’re not gonna know…

On the southern fringe of the copious walled structures we also find a very curious medicinal chalybeate spring that may have been of some importance to those who once lived hereby.  A ‘standing stone’ and prehistoric cairn can also be seen close by.

References:

  1. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.

© Paul Bennett, The Northern Antiquarian


Slade Carving (02), Blubberhouses Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1411 5431

Also Known as:

  1. Owl Stone
  2. Sunset Stone

Getting Here

Cup-and-rings, looking NE

Same directions as the Slade 01 carving.  But once you reach the upstanding stone cairn on the rocky hill, walk 220 yards (less than 200m) WSW and look around.  You’re damn close!  If you find the large cup-marked Slade 03 carving,  walk back east about 10-20 yards and you can’t really miss it!

Archaeology & History

This is just one of at least seven previously undiscovered carvings on this section of moorland – and it’s worth looking for!  The two other names we gave it — ‘owl’ and ‘sunset’ — come from the very notable design: owl thanks to it having the appearance of large owl-like eyes, and sunset as the two cup-and-rings are etched on the western edge of the rock and, when we found it yesterday, the sun was setting (albeit to the NW) and the image prompted talks of setting suns, the land of the Dead and other such worldwide indigenous religious myths (Harvey 2000) — for without recourse to such ingredients, these carvings are vacuous archaeocentric museum pieces and nothing more.  And this carving at least deserves much more than mere cataloguing!  The internationally renowned archaeologist, O.G.S. Crawford (1957) would have entered this carving into his ‘eye’ and ‘owl’ motif, representative of goddesses or spirit-forms, as would Gimbutas. (1989)

…and from above

But this carving is archetypal, as we can see, though would appear to have no other etched features on the stone’s surface.  It is very close (if not within) the prehistoric graveyard that is plainly evident 30-40 yards south in the burnt heather and would very likely have had some mythic relationship with the dead (a symbiosis we have found in many cup-and-rings).  We plan further ventures here in the coming weeks in the hope that we can unearth other prehistoric remains.

References:

  1. Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
  2. Gimbutas, Marija, The Language of the Goddess, Harper Collins: New York 1989.
  3. Harvey, Graham (ed.), Indigenous Religions, Cassell: London 2000.

© Paul Bennett, The Northern Antiquarian


Slade Carving (01), Blubberhouses Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1421 5440

Getting Here

Simple cup-marked stone

From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor.  Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor.  Go on here for nearly a mile until you hit the stream and nearby Eagle Stone boulder.  Walk upstream from here, on its eastern (right-hand) side for 100 yards, then walk up onto the level moor, scattered with rushes.  Keep up here, heading towards the upright cairn open the skyline to the north.  Once here, walk 80 yards (73m) WNW and you’ll note a number of flat stones embedded in the heather around you.  You’re damn close!

Archaeology & History

Off-path and takes some finding and will all-but disappear when the heather grows back, so this one’s probably only for the purists amongst you.  But I like it anyway!  This is one of at least seven newly-discovered cup-marked stones hereby, including the nearby ‘Owl Stone’ with it’s big eyes!  There are just two cup-marks on the flat surface: one an archetypal large cup 3 inches across and a half-inch deep; the other, a small faint cup less than 2 inches wide and very shallow which is easily missed if you pay little attention.  On the photo here, the fainter cup is slightly above right of the centre.  The carving appears to be on the far eastern edges of the Slade Cairnfield.  Other undiscovered remains are likely to be found here.

© Paul Bennett, The Northern Antiquarian


Lippersley Pike, Denton Moor, North Yorkshire

Cairn:  OS Grid Reference – SE 14335 52478

Getting Here

Follow the directions to reach the Lippersley Pike cup-marked stone, then keep walking westwards, but go up the slope immediately on your right (north) and walk upwards along the path to the notable stone structure at the top-end of the ridge a coupla hundred yards ahead.  Once there, you’re standing on it!

Archaeology & History

Lippersley Pike & shooter’s butt

A little known site with some excellent 360° views all round, reaching as far west as Pendle Hill, north past Simon’s Seat, and east onto the far reaches of the North York Moors.  The landscape here is truly superb!  And humans have been here since, it would seem, mesolithic periods at least, if Cowling’s finds are owt to go by! For although he described the much denuded tomb that we can still see under the herbage and recently-built shelter, there was also, “on the northern slope…a small occupation immediately below the summit on the northern side.”  We found remains of it on our visit here the other day.  But of the tomb itself — which Mr Cowling thought was neolithic in age — he wrote:

“The highest point of Lippersley Pike, on Denton Moor, is crowned by a stone cairn 1083 feet above sea level, and overlooks, on the northern side, a small site which appears to have been occupied by the ‘Broad Blade’ people, for there occur several pieces of patinated flint, along with scrapers and worked blades.”

Aerial view of Lippersley Pike

Cowling then describes a number of flints and other prehistoric working utensils that he found all round here.  The remains of the cairn measure some 25 feet east-west and 23 feet north-south.  There has been no excavation here, although the fella’s who dug out much of the stone to build the shooter’s butt on its top may have found summat, but have kept it quiet!

The cairn is an ancient marker along the boundary line marking the townships of Denton and Great Timble and was visited in perambulation walks in previous centuries.  Grainge (1871) describes the extensive perambulation in his Knaresborough Forest work.  ‘Lippersley’ itself first appears in records from 1576, although A.H. Smith (1963:5) does not suggest an etymology.  The place is worth visiting as a good starting point to explore the other little-known prehistoric remains on these moors, including the Crow Well settlement, the Heligar Pike tomb, etc, etc.

References:

  1. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  2. Grainge, William, The History and Topography of Harrogate and the Forest of Knaresborough, John Russell Smith: London 1871.
  3. Grainge, William, The History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
  4. Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1963.

© Paul Bennett, The Northern Antiquarian


Snowden Carr (597), Askwith Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 17965 51158

Getting Here

Find your way to the excellent Tree of Life cup-and-ring stone, then walk about 10-15 yards west.  It’s under your nose!

Archaeology & History

Single cup-marked stone

Another stone for the rock art purists amongst us: a singular cup-marking near the edge of the rock.  Although the photo here seems to show three cup-markings close to each other, only one of the three is in fact real.  The other two are simple geological creations.  But this fact seemed to go over the heads of some English Heritage archaeologists who reported to Boughey & Vickerman (2003) that this was a stone “with three cup markings” on it.  I’m not sure who trains EH rock-art enthusiasts, but they seem to have a tendency to mistake natural features with artificial cup-markings and their evaluations should be treated with considerable caution (you’ve gotta wonder who the students are that are teaching them).

The rock itself is found in close association with other prehistoric remains and may have been a part of enclosure walling.  Very close by are numerous well-preserved settlement remains, cairns and other cup-and-ring stones.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul Bennett, The Northern Antiquarian


Eller Edge (426), Pock Stones Moor, Thruscross, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 08991 61486

Also Known as:

  1. Spiral Stone
Spiral Stone with cluster of cups (image © QDanT)

Getting Here

A slight walk to get here, but well worth it once you arrive!  From Appletreewick, take the road east through Skyreholme and up Skyreholme Bank track, bearing right at the fork in the tracks along the ancient Forest Road.  Keep going and after a couple of zigzags, you’ll cross the Larnshaw Beck.  Keep walking along the track until it runs wallside — and here, go straight down the field for 75 yards (best climbing over the rickety wooden bridge by the stream 50 yards back and walking up).  Although there are a number of other stones hereby, you can’t really miss this.

Archaeology & History

This carved stone and its close associates rest upon the green slopes overlooking the Blands Valley and further across upper Wharfedale and the lands beyond.  The majestic Simon’s Seat rises on the nearby western slope and there in the greater distance, once more reaches the sacred hill of Pendle, with whom so many other ancient sites commune within our northern lands.  It’s hard to say for sure that the Witch’s Hill was of little relevance to this and other stones, but only a fool would ignore the geomancer’s notes about this constant.

Eller Edge carving, looking south (image © QDanT)
Boughey & Vickerman’s drawing

The carving here doesn’t give much clues in any direct sense either.  We have an almost arrowhead-shaped rock with a dozen decent cup-marks or so cut along and near its western side; but the notable curiosity here is the small circular cluster of smaller cup-marks dotted in a near circular mass near the middle of the stone.

When Danny, Paul and I came here the other week, the initial impression of this cluster was one of a primitive solar symbol etched onto the rock; but the more we looked, the more it seemed that these small cups appeared to have been arranged in a very rough spiral lay-out.  Now I know that spirals are damn rare items in rock art (especially in this part of the world), but the more we looked and then subsequently checked Boughey & Vickerman’s (2003) illustration, the more evident it became.  Of course the ‘spiral’ could be merely fortuitous, but I’m not so sure misself.  In discussing this with our field archaeologist later, he suggested getting a rubbing of this part of the stone on his next visit.

The stone was first described by the petroglyph explorer Stuart Feather (1964) and later described by the rock art students Boughey & Vickerman (2004), simply as:

“Large, rough grit rock with face sloping SE down into grass at N.  About twenty cups to W, with three grooves at N corner and group of about twenty small cups at NE.”

A very intriguing carving.  And if you visit here, make sure you check out carving 424 and others in the same field.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Appletreewick, WR,” in ‘Archaeological Register, 1963’, Yorkshire Archaeological Journal, volume 41, 1964.

Links:

  1. Eller Edge Rock Art – more notes & images

© Paul Bennett, The Northern Antiquarian


Fair Oak Circle, Whitewell, Lancashire

Settlement:  OS Grid Reference – SD 6474 4584

Getting Here

Fair Oak rise

From the village of Chipping, go along Talbot Street until it meets Green Lane and there, on the left, there runs a country lane roughly northwards.  Go along this and after about 1½ mile, watch out for the track of Quiet Lane on your left.  Go all the way up this track for nearly 1½ mile, till you reach its end.  Diagonally across to your right, note the stile into the field.  Go over this and, some 50 yards across the field, look to your south where the field rises to its small peak.  This is the site.

Archaeology & History

Fair Oak enclosure

Although little can be seen of this site at ground level, aerial photography in the 1980s identified a large circular earthwork at Fair Oak Farm.  The circle has a surrounding ditch and bank enclosing a raised circular mound of approximately 100m in diameter.  It is thought that the feature may represent Bronze/Iron Age settlement in the area, and may possibly be a village site.   The site requires further survey.

Aerial photography has identified a number of possible settlement sites in the area between Dinkling Green and the River Hodder at Whitewell and in the area around Whitmore below Totridge Fell. The largest being that at Fair Oak.

Folklore

Jessica Lofthouse (1946) told of a number of places close by that were said by local people to be inhabited by faerie folk — Fair Oak itself being no exception.  Hinting of earlier heathen gatherings, she wrote:

“As for the farm of Fair Oak, where we take the path to Dinkling Green, nearby was the fairy oak, the scene of so much midsummer revelry.”

References:

  1. Dixon, John, The Forest of Bowland, Aussteiger Publications: Clitheroe 2004.
  2. Lofthouse, Jessica, Three Rivers, Robert Hale: London 1946.

© Paul Bennett & John Dixon, The Northern Antiquarian


Pillar of Eliseg, Pentrefelin, Llangollen, Denbighshire

Cross:  OS Grid Reference – SJ 20267 44522

Also Known as:

  1. Eliseg’s Pillar

Getting Here

The Eliseg Pillar

From Llangollen, take the A542 north for about three miles up along the famous Vale of Llangollen.  At the ruined abbey of Valley Crucis continue along the same road for another ½-mile whence, at the side of the road in a field and upon a small mound, stands the ancient monument: the Pillar of Eliseg.

Archaeology & History

The sandstone pillar or pillar-shaft stands upon a large square-shaped base stone which sits atop a tumulus — a Bronze Age burial mound (cairn) inside which were found, during excavations in 1803, the remains of a body, perhaps that of a Romano-British or Dark-Ages chieftain (possibly Eliseg?), with what were described as “blue stones” both beneath and on top; the cremated body lying within a stone-slab chamber along with a silver coin.  But the ancient pillar monument itself is much later in date — probably mid-9th century AD, though there has been speculation by some historians that the pillar was actually a tall cross, alas without its head, dating from a couple of centuries earlier, with the inscription being carved onto it sometime between 840-845 AD.  It was erected by Prince Cyngen fab Cadell (Concenn) about the year 844 in memory of his great-grandfather Eliseg or Elise.  Cyngen died in Rome in 854 AD.

Over the centuries the pillar has suffered from the ravages of time.  Its long Latin inscription was originally 31 lines divided into readable paragraphs running horizontally but now only 7 or 8 of these lines are visible.  But fortunately the writer and historian Edward Lhuyd made a drawing of the monument and its inscription back in 1696.  The inscription when translated reads as follows:

1. Concenn son of Cadell, Cadell son of Brochmail, Brochmail son of Eliseg, Eliseg son of Guoillauc

2. Concenn therefore being great-grandfather of Eliseg erected this stone to his great-grandfather Eliseg

3. It is Eliseg who annexed the inheritance of Powys…throughout nine (years) from the power of the English which he made into a sword-land by fire

4. Whosoever shall read this hand-inscribed inscription stone, let him give a blessing on the soul of Eliseg

5. It is Concenn Who…with his hand…to his own kingdom of Powys…and which…the mountain…the monarchy Maximus…of Britain…Concenn, Pascent…Maun, Annan.

6. Britu, moreover, (was) the son of Guorthigirn (Vortigern) Whom (St) Germanus blessed and whom Severa bore to him, the daughter of Maximus the king who slew the king of the Romans and

7. Convarch painted this writing at the command of his king Concenn

8. The blessing of the Lord (be) upon Concenn and all members of his family and upon all the land of Powys Until the day of judgement or doom. Amen.

The upper section of the pillar, which is broken at the top, was re-erected on top of the burial mound in 1779 which probably means that the monument is not in its original place.  The lower section was sadly broken away from the shaft during the English Civil war and has long since disappeared. However, this monument is still quite an impressive site and can be seen from a great distance around.

References:

  1. Bartrum, P.C.,  Early Welsh Genealogical Tracts, Cardiff: UWP, 1966.
  2. Barber, Chris, More Mysterious Wales, Paladin 1987.
  3. Houlder, Christopher, Wales: An Archaeological Guide – the prehistoric, Roman and early medieval field monuments, Faber and Faber, London 1974.
  4. Tyack, George S., The Cross in Ritual, Architecture and Art, William Andrews: London 1900.
  5. Westwood, J.O., Lapidarium Walliæ – The Early Incised and Sculptured Stones of Wales, Oxford University Press 1879.

Copyright © Ray Spencer 2011