Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the Pancake Stone. Then walk eastwards along the footpath on the moorland edge. After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller. That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.
Archaeology & History
Four of the cups on this lichen-rich surfaceLittle Haystack (after Hedges 1986)
Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out. It sits amidst a cairn-field with other neolithic remains nearby. The carving itself aint that impressive, and some parts of it seem almost dubious. But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface. It’s nowt special to be honest. You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.
The stone’s worth looking at though. It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the directions to reach the Snowden Moor settlement and, from the Upper D-shaped enclosure (at SE 1782 5131) walk west up the sloped hillock 30 yards west and, on its top, head to its northern edge where a small cairn can be found. The carving is next to it.
Archaeology & History
Very close to what seems to be the boundary between the Snowden Moor Settlement and its adjacent Cemetery is this small earthfast rock with three cup-markings on it, two of which may be linked by a small line. I have to say that we have to be cautious about the veracity of this carving. By the side of this stone is what seems to be the remains of a cairn.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
From Threshfield, go up Skirethorns Lane for about 1/2 mile, where the lane takes a sharp right. Continue uphill for nearly 2 miles to a metal gate. Go through the gate, where you’ll see a pair of curious standing stones ahead of you, but instead walk about 250 yards along the line of the old field wall running to the west. You’ll see on the modern OS-map that a ‘cairn’ is shown: this is where you’re heading!
Archaeology & History
First highlighted on the 1852 OS-map of Bordley and district, this is a lovely site in a beautiful setting, surrounded by a veritable mass of other prehistoric remains at all quarters, including the large settlement of Hammond Close immediately south, the little-known settlement at Kealcup to the west, the Lantern Holes settlement up the hill immediately north, some standing stones due east, and much more. Although it was described in Aubrey Burl’s Four Posters (1988) as just such a type of megalithic relic (a “four-poster stone circle”), an earlier description of the site from the mighty pen of Harry Speight (1892) told of a much more complete ring of stones, with trilithon to boot. He wrote:
“This prehistoric relic consists of a round stone and earthen mound, about 150 feet in circumference and 3 feet high, and was formerly surrounded by a circle of upright stones, only three of which are now left standing. On one side was a large flat stone resting upon two others, and known as the Druid’s Altar. On the adjoining land an ancient iron spear-head was found some years ago, and fragments of rudely-fashioned pottery have also from time to time turned up in the same neighbourhood.”
Edmund Bogg’s (1904) description following his own visit a few years later described this “remains of Druidical sacrifice” as consisting of,
“a mound some four feet high, and fifty yards round the outer rim. In the centre are two upright stones about four feet in length; and others nearly buried in the mound. Numerous stones from this circle have been used in building the adjoining walls.”
Bordley Circle, looking SEBordley Hill, looking south to Pendle Hill
A decade later another writer (Lewis 1914) merely copied what Speight and Bogg had recited previously. And whatever the modern books might tell of its status, I think we can safely assert that this was originally a much more substantial monument than the humble four-poster stone circle that meets our eye nowadays. Our megalithic magus, Aubrey Burl (1988), wrote the following on Bordley’s druidical stones:
“On a circular mound 41ft (12.5m) across and 3ft (1m) high, three stones of local limestone form the corners of a rectangle 11ft 6in (3.5m) square, from which the SW stone is missing. At its corner is ‘a stump, possibly the base of a prostrate stone,’ 5ft 10in (1.8m) long, now lying near the centre. The tallest stone, 3ft 7in (1.1m) high is at the south-east. The sides of the square are close to the cardinal points. Between the SW and SE stones is a scatter of round cairnstones… Characteristically, the 4-Poster stands at the edge of a terrace from which the lands falls steeply to the west.”
Plan of the Druid’s Altar (after Burl, 1988)
The Druid’s Altar seems to have originally been a large prehistoric tomb, perhaps even a chambered cairn. Its situation in the landscape where it holds a circle of many outlying hills to attention, almost in the centre of them all, was evidently of some importance. The only geographical ‘opening’ from here is to the south, where a long open valley widens to capture the grandeur of Pendle Hill, many miles away. This would not have been insignificant.
We must also draw attention to what may be a secondary tumulus of similar size and form to the mound that the Druid’s Altar sits upon only some 25 yards to the west of the “circle”. The shape and form of this second mound is similar to that of our Druid’s Circle — though to date, it seems that no archaeologist has paid attention to this secondary feature. It measures some 21 yards (east-west) x 19 yards (north-south) in diameter and has the appearance of a tumulus or buried cairn. The mound may be of a purely geological nature, but this cannot safely be asserted until the attention of the spade has been brought here.
Druid’s Altar, Bordley (drawing by Neil Wingate, 1976)
Folklore
Although we have nothing directly associated with the circle, the surrounding hills here have long been known as the abode of faerie-folk. Threshfield — in whose parish this circle lies — is renowned for it. There have been accounts of curious light phenomena here too. Modern alignment lore tells the site to be related to the peaked tomb above Seaty Hill, equinox west of here.
References:
Bogg, Edmund, Higher Wharfeland, James Miles: Otley 1904.
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR 195: Oxford 1988.
Feather, S.W. & Manby, T.G., ‘Prehistoric Chambered Tombs of the Pennines,’ in Yorkshire Archaeological Journal, Vol 42, 1970.
Lewis, A.L., ‘Standing Stones and Stone Circles in Yorkshire,’ in Man, no.83, 1914.
Raistrick, Arthur, ‘The Bronze Age in West Yorkshire,’ in Yorkshire Archaeological Journal, Vol 29, 1929.
Speight, Harry, The Craven and Northwest Yorkshire Highlands, Elliott Stock: London 1892.
Wingate, Neil, Grassington and Wharfedale, Grassington 1977.
Follow the same directions as to reach the Tree of Life Stone carving. From here walk 7 or 8 yards east. You can’t miss it!
Archaeology & History
Coped Stone carving (after Boughey & Vickerman)
About 20 feet away from the more renowned Tree of Life Stone — and seemingly linked to it by a small stretch of ancient walling that runs between the respective stones — is this rather large boulder close to the walling with at least seven cup-marks on it. A number of vague lines run down and around the edges of some of the cups, but they can be somewhat hard to see if the light conditions aint right (I don’t recommend trying to suss it out on dark grey overcast days — unless you’ve got awesome eyes!). Immediately next to this rock is a large collection of small stones, looking to be the remains of some man-made construction from time past. The nature of this pile of rocks has yet to be ascertained, but it would be reasonable to assume that it was at one point earlier a much larger pile that has been plundered for use to make the drystone walls hereby. Less than 10 yards below this and the Tree of Life Stone carving is a line of ancient walling, at least Iron Age in nature, possibly earlier, running for some distance east-west up and across the moorland.
Cup-marks near top of the stone
The carving was described for the first time, albeit very briefly, by Eric Cowling (1937) in his lengthier description of the Tree of Life Stone, saying how “a small coped stone to the east has several scattered cups” on its surface — meaning this old thing! Boughey & Vickerman’s (2003) survey (2003) describe it as a “medium-sized, upstanding, worn rock. Seven or eight possible cups, mostly at the top of S face, but one at its bottom of E face.”
…And the poor old fella has had nowt else said of it until now! I reckon this carving will only be of interest to the most serious of meditators or hardened rock-art freaks!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Takes a bitta getting to this one, right at the far end of the road, leading to nowhere – so those of us who like Scotland for its vast expanses of ‘middle o’ nowhere’ should like it! From Port Ellen, travel along the A846 eastwards, all the way to the where it ends in Ardbeg. But the smaller track road continues up the coast. Keep going – and keep going all the way up; past the ‘stone circle’ of Ardilistry, past the standing stone of Trudernish, right to the very end where the track leads you to the farmhouse of Ardtalla. Once here, you’ll see the stone about 20 yards west of the farm.
Archaeology & History
This old stone is only 4-foot-tall, leaning slightly, but—as I recall from many years back—”it’s cute!” (sad aren’t I?!) All the way up here to see a small monolith! Even the Royal Commission (1984) lads didn’t have much to say about it, merely:
“This standing stone is situated 18m NW of the SW gable of Ardtalla farmhouse. Leaning slightly to the SSE, it measures 0.48m by 0.48m at the base and 1.25m in height.”
But if you like walking, the rest of the route up the coast is excellent. Stick yer tent in the small woodland by the fort a mile or two further north, then bring your attention to the legendary Beinn na Cailleach, if the heathen within you stirs…
References:
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – volume 5: Islay, Jura, Colonsay and Oronsay, HMSO: Edinburgh 1984.
From Lochgilphead go north up the A816 for just over a mile, turning left going through Cairnbaan to Bellanoch, where the road bends left up the B8025 into the trees. Keep along here for a mile and when the small road appears on your left, follow it for just over a mile till you see the cottage on the roadside with the loch at tha far end of the garden. There’s a small path besides the cottage. Walk along here for 100 yards until you see the small cairn on your left.
Archaeology & History
This is a beautiful quite place with only a small pile of stones here, about 100 yards west of Gariob Cottage on the ridge overlooking Loch Sween. The remains of the cairn here are about 20 feet across (or were when I last came here nearly 20 years ago!). Excavations here in 1977 and 1978 found a small cist split into 2 sections, just off-centre, aligned northwest. The lower part of the cist was filled with small stones and charcoal; whlst the larger section had the same with additional quartz stones in it.
References:
Royal Commission on the Ancient & Historic Monuments of Scotland, Argyll – volume 6, HMSO: Edinburgh 1988.
In James Simpson’s precursory essay (1866) to his monumental Archaic Sculpturings (1867), he details the former existence of a decent piece of prehistoric rock art, lost to us until very recently by the intrusive diggings of one Thomas Kendall of Pickering. Simpson wrote:
“A large mass of sandstone in the moor above Robin Hood’s Bay, near Whitby, had some sculpturings upon it, part of which were split off by Mr Kendall of Pickering, in whose garden I have seen the slab of carvings which he thus procured. Mr Kendall’s slab is about five feet long and two and a-half broad. Upon its surface are three or four isolated cups about an inch and a-half in breadth, and five or six others surrounded by ring-cuttings… Two or three of the ring-cuttings consist of single circles. One consists of a triple circle and straight radial groove. The ends of the circles, as they reach the traversing groove, turn round and unite together, as in the horse-shoe pattern… The two remaining circles, which are respectively five inches and eight inches in breadth, and consist of cups surrounded by two and by three circles, are conjoined together by a long gutter. The upper circle shows a single-and the lower a double horse-shoe pattern. In the uppermost or double circle the rounded ends of the rings are united and bestridden by a shallow right-angled line; and the ends of the lowest or triple circle are in part also conjoined by the gutter which runs from the double circle above, and by a cross straight line which runs off from it. The circles are more imperfectly finished than usual, and at some parts present almost an appearance of being punched out rather than cut out.”
Cup-and-Ring Stone, once near Robin Hood’s Bay
In recent years, thanks to the cup-and-ring huntings of Chris Evans and Graeme Chappell, the carving has re-emerged from its lost position and, it would seem, is located in someone’s garden in Pickering. The carving is catalogued as Stone REM 1/P1 in Brown & Chappell’s (2005: 257) work on North Yorkshire rock art. Hopefully, in the months to come, we’ll have a decent photograph and description of its present condition. Fingers crossed!
References:
Brown, P.M. & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Simpson, J.Y., ‘On Ancient Sculpturings of Cups and Concentric Rings’, in PSAS volume 6, 1866.
Simpson, James Y., Archaic Sculpturings of Cups, Circles, etc., upon Stones and Rocks in Scotland, England and Other Countries, Edmonston and Douglas: Oxford 1867.
Follow directions to get to the Pancake Stone. From here walk SE on the footpath that runs on the edge of the moor. After about 200 yards you’ll hit a small footpath which heads into the moor (south). Walk on here for about 200 yards and notice the small rise in the land to your right (if you cross the small stream where the land dips into a very small valley, you’ve gone past). That’s it! The Little Haystack Rock is less than 100 yards away down the slope from here.
Archaeology & History
Of approximately eighty prehistoric cairns that have been alleged to exist along the Green Crag Slack ridge on Ilkley Moor, this site in particular is worthy of note, due mainly to its size. As independent archaeological researcher Paul Bowers said of it when he first saw this cairn-spoil, “it seemed too big to have not been discovered in the past.” Too right!
Mini-Skirtful, looking west
When we tracked across Green Crag Plain a few days ago, it was Michala Potts that called our attention to it. Half-covered in full heather growth, only the eastern edge was exposed. At first it seemed that it was loose prehistoric walling, but then I realised it was on the edge of small knoll and the stone work was deeper and wider than walling. As we explored through the heather atop of the knoll, it was obvious that there was a more extensive gathering of stones scattered all over the top of this small rise, and it seemed that we were looking at the remains of a reasonable sized cairn. Its extent carries about ten yards down the slope from the small hillock, but only a few yards either side of it. It seems likely that the extended loose stones have, over the centuries, simply slipped further down the slope. However, not until a decent excavation occurs will we know anything certain. It is possibile that this is simply the scattered remains of damaged neolithic or Bronze Age walling, but only a more detailed exploration of the site will tell us for sure.
Cowling (1946) mentioned the numerous cairns and scattered walling reaching across this part of Ilkley Moor, but gave no specific information relating to this mini-skirt full of stones! (blame Mikki for the title!)
References:
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
The same directions as for the Eastwoods Farm Cup: from Summerbridge, go west on the B6541 towards Dacre Banks, where there’s the signpost for the Nidderdale Way footpath. Follow this past the disused quarry and into the meadows. When you hit the Monk Ing road, bear right (north) and keep going till you’re 100 yards from Eastwoods Farm. Go right, down into the field for about 30 yards or so. Look around!
Archaeology & History
Described in Boughey & Vickerman’s (2003) survey as a “low, medium-sized, quadrant-shaped rock standing up from surroundings, with hollowed out central area.” This hollowed-out central area is, in all likelihood, the remains of a previously unrecognized old cross-base, although investigating archaeologists have somehow missed this. The stone’s proximity to the old Monk’s Way — a medieval trade route used by the local monastic Order — would give added weight to this assertion. A perusal of field-name records here may prove fruitful.
Our authors counted “eight possible small, badly worn cups, (with) three grooves running from central basin, all possibly natural.” The grooves may well be natural, but I’d say that one or two of the cups appear to be genuine. The large hollow in the middle of the stone may originally have been a cup-marking (or maybe even a cup-and-ring — but we’ll never know), before it became used as a site to erect a primitive cross.
Several other cup-and-ring carvings can be found around here — the Eastwoods Farm Cup is in the same field nearby— with the great likelihood of there being others hidden amidst trees or grasses, waiting to be re-awakened! The hugely impressive Morphing Stone and a prehistoric lightning-carving can be found in the next field, full of rocks, on the other side of the stream.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
