Cup-and-Ring Stones

Glesart Stanes, Glassford, Lanarkshire

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Standing Stones: OS Grid Reference – NS 73609 46916

Also Known as:

Avonholm
Canmore ID 45595
Glesart Stones
Struthers Burial Ground
Three Stones

Getting Here

Glesart Stones on 1864 map

From the roundabout in Glassford village, head west down Jackson Street along the country lane of Hunterlees Road. About 600 yards on, turn right at the small crossroads (passing the cemetery on yer left) for about half-a-mile, before turning left along a small track that head to some trees 400 yards along. Once you’ve reached the trees, walk uphill and follow the footpath to the right, keeping to the tree-line. It eventually runs to a small private graveyard. You’re there!

Archaeology & History

Glesart Stones,
looking west

In the little-known private graveyard of the Struthers family on the crest of the ridge overlooking the River Avon and gazing across landscape stretching for miles into the distance, nearly a mile east of Glassford village, several hundred yards away from the Commonwealth graveyard, a cluster of yew trees hides, not only the 19^th century tombstones, but remnants of some thing much more archaic. Three small standing stones, between 2½ and 4 feet in height, hide unseen under cover of the yews, at the end of a much overgrown ancient trackway which terminates at the site. They’re odd, inasmuch as they don’t seem to be in their original position. Yet some form of archaic veracity seems confirmed by the weathered fluting: eroded lines stretching down the faces of two of the taller stones and, more importantly, what seem to be cup-markings on each of the monoliths.

Cup-mark atop of east stone

Easternmost stone

The tallest stone at the eastern end of the graveyard has a deep cup on its crown. This may be the result of weathering; but we must exercise caution with our scepticism here. Certainly the eroded lines that run down this stone are due to weathering – and many centuries of it; but the peculiarity is that the weathering occurs only on one side. This implies that only one side of the stone was open to the elements.

Central cup-marked stone

‘X’ carved atop of central stone

The second, central stone of the three, is slightly smaller than the first. Unlike the eastern stone, its crown has been snapped off at some time in the past century or so, as evidenced in the flat smooth top. But along the top are a series of small incised marks, one of which includes a notable ‘X’, which may have been surrounded by a circle. A second fainter ‘X’ can be seen to its side, and small metal-cut lines are at each side of these figures. Another small section of this stone on its southern edge has also been snapped off at some time in the past. The most notable element on this monolith is the reasonably large cup-mark on its central west-face. It is distinctly eroded, measuring 2-3 inches across and an inch or more deep. Its nature and form is just like the one in the middle of the tallest of the standing stones at Tuilyies, nearly 31 miles to the northeast.

Western smallest stone

The Three Stones

The smallest of the three stones is just a few feet away from the central stone. To me, it seemed oddly-placed (not sure why) and had seen the attention of a fire at its base not too long ago. On its vertical face near the top-centre of the stone, another cup-marking seems in evidence, some 2 inches across and half-an-inch deep—but this may be natural. The Glasgow archaeologist Kenneth Brophy reported that on a recent visit, computer photogrammetry was undertaken here, so we’ll hopefully see what they found soon enough.

There is some degree of caution amongst some archaeologists regarding the prehistoric authenticity of the Glesart Stanes – and not without good cause. Yet despite this, the seeming cup-marks and, particularly, the positioning of the stones in the landscape suggest something ancient this way stood. The stones here are more likely to be the remains of a once-larger monument: perhaps a cairn; perhaps a ring of stones; or perhaps even an early christian site. At the bottom of the hill for example, just 350 yards below, is a large curve in the River Avon on the other side of which we find the remains of an early church dedicated to that heathen figure of St. Ninian (his holy well close by); and 300 yards north is the wooded Priest’s Burn, whose history and folklore seem lost.

The Glesart Stanes were the subject of an extended article by M.T. M’Whirter in the Hamilton Advertiser in 1929 (for which I must thank Ewan Allinson for putting it on-line). He wrote:

“Situated on the highest hill-top on the estate of Avonholm, north to the house of that name, is the private burial ground of James Young Struthers… Situated within the burial ground are three upright flagstones of a dark brown colour, rough and unhewn, Each stone is facing the east, and placed one behind the other, though not in a straight line, and the space between the eastern and the middle stone is eight feet, and the space between the middle and the western stone is seven feet. The stone flags vary in measurement, the eastern stone being the greater, standing four feet three inches high, three feet eight inches broad, and one foot thick. The middle stone is three feet high, three feet ten inches broad, and nine inches thick; and the western stone is three feet high, four feet broad and ten inches thick. The two outer stones bear no letters, figures or marks, but the centre stone has rudely sculptured on the top-edge the Roman numerals IX, and on the western side of the stone there is a cup-shaped indentation about two inches in diameter. A groove 26 inches in length extends from the top of the stone to below the level of the cup indentation. The groove is deeper at the top, but gradually loses in depth towards the bottom end. I have seen grooves similar to above by the friction of a wire rope passing over a rocky surface. The numerals, cup indentation and groove do not appear to be part of the original placing of the stones and, if a cromlech, then in the centuries that have gone, the stones becoming exposed to view by the removal of the mound, would invariably have led to a search for stone coffins or urns, yet no discovery of either has ever been recorded.”

Indeed, Mr M’Whirter was sceptical of them being part of a prehistoric burial site, preferring instead to think that a megalithic ring once stood here. He continued:

“From an examination of the three stones, I am convinced that they form a segment of a circle, and assuming that nine additional stones complete the circle, it would enclose a space of roughly one hundred feet in circumference, with each stone facing an easterly direction.”

But we might never know for certain…. The only other literary source I have come across which describes the site is that by the local vicar, William Stewart (1988), who told us that:

“The stones stand erect, six feet apart, three rough slabs of coarse-grained sandstone, three feet high, three feet broad and six inches thick, free of any chisel marks. Two have their back to the east, the third, oblique to the others, has its back to the south-east, thus there is no suggestion of a stone circle. There are vertical grooves on two of the stones, while the centre stone has a cupmark, below which is a faint circle, one foot in diameter. They stand at the end of a long narrow strip of land with low earthen walls on either side, perhaps an old agricultural field division, and they gave their name ‘Three Stanes’, to a now partly-lost road which eventually reached The Craggs and ended as Threestanes Road in Strathaven…”

The Three Stones

The “faint circle” described by Mr Stewart is barely visible now. And the idea that these “three stones” gave their name to the farmhouse and road of the same name at the other side of Strathaven, three miles west, seems to be stretching credulity to the limits. Surely?

Folklore

In 1845, Gavin Laing in the New Statistical Account for Lanarkshire told that:

“These stones are known simply as the “Three Stones”. There is a tradition in the neighbourhood that three Lords were buried here, after being killed while looking on at a Battle. The stones are about 3½ feet high and about as thick as flag stones. They stand upright being firmly fixed in the ground.”

The stones and their traditional origin were also mentioned in Francis Groome’s Ordnance Gazetteer (1884), where he echoed the 1845 NSA account, but also added:

“Three tall upright stones are here, and have been variously regarded as Caledonian remains, as monuments of ancient noblemen, and as monuments of martyrs.”

Then at the end of the 1850s, when the Ordnance Survey lads came here, they reported,

“Three high stones stand upright on a small eminence upon the lands of Avonholm, respecting their origin there are various opinions. They are probably the remnants of Druidical superstition.”

References:

Groome, Francis H., Ordnance Gazetteer of Scotland – volume 1, Thomas C. Jack: Edinburgh 1884.
M’Whirter, M.T., “The Standing Stones at Glassford,” in Hamilton Advertiser, 1929.
Stewart, William T., Glasford – The Kirk and the Kingdom, Mainsprint: Hamilton 1988.
Wilson, James Alexander, A Contribution to the History of Lanarkshire – volume 2, J. Wylie: Glasgow 1937.

High Banks (03), Kirkcudbright, Kirkcudbrightshire

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Cup-and-Ring Stone (lost): OS Grid Reference – NX 709 489

Archaeology & History

One of the lost High Banks carvings

The drawing here is another by the legendary Fred Coles, previously unpublished until Maarten van Hoek (1990) brought it out of the dusty archives of the Stewartry Museum, Kirkcudbright, and described it in his article on prehistoric rosette motifs. As with its fellow carving of High Banks 2, the location of the site remains unknown; and van Hoek wondered whether these two lost carvings “could have been located at the spot where now the little quarry at High Banks site is found.” Let’s hope not!

References:

Morris, Ronald W.B., The Prehistoric Rock Art of Galloway and the Isle of Man, Blandford: Poole 1979.
van Hoek, M.A.M., “The Rosette in British and Irish Rock Art,” in Glasgow Archaeological Journal, volume 16, 1990.

High Banks (02), Kirkcudbright, Kirkcudbrightshire

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Cup-and-Ring Stone (lost): OS Grid Reference – NX 709 489

Archaeology & History

One of the lost High Banks carvings

This impressive carving was found somewhere in the vicinity of the well-known High Banks (01) cup-and-ring menagerie, with its clustered mass of cups and multiple rings. And the carving we see here possesses something of a similarity with its complex neighbour—but it remains lost.

The drawing was done by our old Scottish megalithomaniac Fred Coles, who discovered the carving when he visited the area around the beginning of the 20th century. It remained unpublished until fellow rock art student Maarten van Hoek (1990) explored the region and found it hiding away in the archives at the Stewartry Museum, Kirkcudbright. The multiple rings of cups surrounding central cups and cup-and-rings are very rare things indeed and this carving is utterly unique in the British Isles.

In Coles’ drawing, as well as the large carving, we have two other elements below, boxed. These are taken from a notebook found in the same Stewartry Museum and thought to have been done by a Mr G. Hamilton around 1866. In the lower-box, the double-ringed cup with its surround of two more rings of cup-marks was suggested at first by van Hoek (1990) to possibly be the same carving as that found by Coles. But he questioned this, sensibly, as the carved design ‘B’,

“comprises 35 cups (its diameter stated to be 21 inches / 51cm), whereas Coles’ diagram of ‘A’ shows only 24 outer cups. The unknown artist moreover says that, ‘The above (B) is one of a splendid group on Banks Farm.’ So this rosette (B) might be a completely different specimen altogether.”

I have to agree with him. In the second smaller box, ‘C’, the drawing of the cluster of cup-marks is taken from the same 19th century notebook in which the author said there was a cluster of

“70 to 100 small cups without any apparent system, except being in a group of 7 with cup in the centre—also 3 or 4 circles.”

No other details were given. Petroglyph explorers in the area should keep their senses peeled when meandering about here, for this and other missing carvings (High Banks 3).

References:

Morris, Ronald W.B., The Prehistoric Rock Art of Galloway and the Isle of Man, Blandford: Poole 1979.
van Hoek, M.A.M., “The Rosette in British and Irish Rock Art,” in Glasgow Archaeological Journal, volume 16, 1990.

West Strathan, Melness, Sutherland

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Cup-and-Ring Stone: OS Grid Reference – NC 56428 64071

Getting Here

Along the A836 road between Durness and Tongue, take the minor road north to Melness. Keeping to the right all the way along, drive almost to the very end, shortly before which is a double right-hand bend uphill. Park here and walk back along the road, north, past the cottage of Dun Bhuidhe for about 100 yards until you see the large sloping rock face with the telegraph post sticking out of it. That’s the place!

Archaeology & History

Not previously recorded, this cup-and-ring stone is right by the roadside up the far, lonely but beautiful glen west of Melness, which runs to a dead-end and into the heart of the silent moors high up in Sutherland’s remote landscape — and it’s a damn good one! It’s also the most northern example known of a Neolithic or Bronze Age petroglyph on the British mainland. The carving has been etched onto a large easterly sloping rock, fractured into several sections, with the decayed broch of Dun Bhuidhe rising to its immediate southwest. The setting alone is outstanding!

It was rediscovered on 25 August, 2015, after Prof Hornby and I had analysed the chambered tomb south of Dalvaid about half-a-mile away. In walking back to explore the aforementioned broch, I cut across the bottom of a nearby rock and found three distinct cup-markings etched near the bottom of its sloping face. Calling out to Prof Hornby, he retreated in his direction to the broch and came back to look at the top of this very large rock surface.

“There are some more cups on this section of the stone!” he called – and began to count them. “At least ten in this little section,” he said. There were indeed!

Carving, looking west

Carving, looking south

By the time we’d finished counting, drawing and assessing the design etched onto the rock surface, amongst at least two cup-and-ring elements we found at least 67 cup-markings, mainly carved onto the northwest portion of the stone. The first three that I’d seen were on the much lower eastern part and were etched in deliberate isolation from the primary design. However, of these three isolated cups, it looks as if one of them may have a spiral element curving out of it. This needs assessing in much better lighting conditions, because when we found it the skies were very grey and overcast, making an accurate survey very difficult (cup-marks on rocks can be hard to see unless daylight conditions are just right) – and, after a short while, the legendary Scottish midges appeared and began to feast on us, which stopped us in our work. The little buggers!

On a subsequent visit here with Sarah MacLean of Borgie in the summer of 2018, she found several more cup-marks beneath the lower arc shown in the above drawing (which I need to update, obviously).

Central features of the carving

Scatter of central cups

The most notable feature to this carving is the arrangement of the great majority of the cup markings. They were quite deliberately carved along the very top of the stone, close to its edge, in two contiguous lines of nine with a small gap separating them. At the northwestern end of this, a very notable feature occurs: a natural crack in the rock runs down the stone and, almost all the way down, we find a line of cups have been pecked onto the stone along the natural crack, with some of them near the top that are unfinished. These cup-marks are more elongated in form than the usual circular status; but this is due to them being etched into the cleft itself. From top to bottom there are 13 such cups. At the bottom of this line, another linear stretch of cups change direction and move back onto the main rock surface, just above another large long natural crack cutting across the rock. This gentle arc of cups (with two other possible cups beneath these) ends at a cup-and-ring, above which are two extra cups next to each other. Above these are a number of other cups of roughly similar size and depth, with a notably large one that gives the impression that the smaller cups around its edges are satellites to its larger parent body.

Line of cups on western edge

Row of cups etched into natural crack

Without any doubt there are other faint features that have been carved onto the stone, but due to the poor visibility factor at the time of its discovery we could not see anything other than the elements highlighted in the rough sketch. In looking through the many photos we took of this carving, there seem to be other faint lines, rings and cups within the overall design, but until we revisit the site (or someone else does!) such further features cannot be added to the drawing.

As the images of this petroglyph clearly shows, the primary feature defining it is the extensive line of continuous cup-markings running along the edges and enclosing a smaller number of internal cups. It’s an unusual element. Sequential line features such as these, defined by cups, are not common. My impression of this feature is that it was a pictorial representation of the horizons, inside which is played the story of….. something… But horizons they seem. Of course, this is a simplistic interpretation and is open to criticisms of any form. I care not! Much more importantly as far as I’m concerned is the fact that we’ve uncovered yet another unrecorded carving – and according to the official records, no such carvings exist here; but where one such carving exists, others are close by!

Watch this space…..

Acknowledgements: Considerable thanks must be given to Prof Paul Hornby, for use of his photos and without whose help this carving might never have been located. Cheers dood!

Cochno (05), Duntocher, Dumbartonshire

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Cup-Marked Stone: OS Grid Reference – NS 50301 73655

Also Known as:

Auchnacraig
Canmore ID 44536

Getting Here

Along the A810 Bearsden to Dunochter road, 100 yards past the Faifley roundabout, turn right up Cochno Road. Go up for literally 1 mile and hit the car-park. Go back onto the road and walk uphill. Barely 50 yards up, turn right and walk down the track. About 350 yards along its bendy route, some grasslands appear on your right and there, about 40 yards away, is the large Cochno-5 carving.

Archaeology & History

First described by James Harvey (1889) in association with adjacent carvings, he told that “there are eight isolated cups, two of which have a diameter of 2½ inches” on this stone. Harvey was one of those who loved the idea that our ancestors were etching cup-marks as receptacles for collecting blood and similar christian fantasies. It was a bittova fad at the time.

As we can see, the kids have sprayed their own ID onto the stone. It’s highly unlikely that they were even aware of this being a prehistoric site as there’s nothing to indicate it as such, and I know of archaeologists who wouldn’t have even seen the cup-marks on the stone, so we can’t really apportion blame. (We must recall that businessman Tom Lonsdale and Ilkley Council branded such things as “twenty-first century informal unauthorised carvings” when they sought and succeeded to get large amounts of cash to justify their own ‘brand’ of vandalism and called it ‘art’. Very common amongst those social types.)

References:

Harvey, James, “Notes on Some Undescribed Cup-Marked Rocks at Duntocher, Dumbartonshire”, in Proceedings Society Antiquaries, Scotland, volume 23, 1889.

Acknowledgements: Huge thanks to the awesome Aisha Domleo and her little dynamic duo for helping us get to this site.

Coilsfield, Tarbolton, Ayrshire

18/11/201828/05/2025 megalithix

Cup-and-Ring Stone (lost): OS Grid Reference – NS 4469 2624

Also Known as:

Canmore ID 42713
King Coil’s Grave Stone
Old King Cole’s Stone (Morris 1981)

Archaeology & History

This fascinating and very ornate prehistoric carving was found on the underside of a grave-slab beneath Old King Coil’s Grave, or an adjacent prehistoric burial feature (we don’t know for sure). In Daniel Wilson’s (1851) superb early work on prehistoric Scotland is a detailed drawing of this ornate petroglyph—similar in design and form to those found across the waters in Ireland—copied “from a drawing presented to the Royal Society of Edinburgh by Colonel Hugh Montgomery of Shielmorly, in 1785.” Mr Wilson informed us that,

“It formed the cover of a cist, discovered in digging a gravel-pit at Coilsfield, in Ayrshire, and underneath it was found an urn filled with incinerated bones. The dimensions of the stone were about five feet in length by two and a half feet in breadth”

A few years later Sir James Simpson (1866; 1867) wrote and published the earliest (and still one of the finest) books on aboriginal rock carvings in the British Isles, and all but echoed what Wilson had described. He added a further description of the designs that were carved onto the stone, telling us that,

“it had cut upon it a series of concentric circles, consisting of six rings placed around a central cup, the rings traversed by a straight radial groove. On the drawing are marks of other cups and rings, or rather volutes, and a number of angular lines… This sculptured stone covered an urn…”

Following the descriptions of our early authors, many archaeologists and antiquarians explored the site but could find little else about the carving. In Ron Morris’ (1981) most recent survey, he told us that it was,

“a gritstone slab, 1½m by ¾m (5ft x 2½ft), possibly broken after carving, had on one side (not now known if this was the inner of outer face); a cup-and-six-complete-rings with radial groove from the cup – diameter 50cm (20in) – 5 other cups-and-rings, mostly partly broken off or incomplete, an irregular ‘reversed-S-shaped’ single spiral with 3 convolutions at each end, other irregular grooved figures, 4 cups and about 7 ‘dots’ (6 of these are in the cup-and-six-rings).”

The Royal Commission at Canmore tell us that “the present location of the food vessel and cist cover is unknown”; yet the rock art researcher Ronald W.B. Morris (1981) reported the petroglyph was “said to have been given to the Society of Antiquaries of Scotland but (is) now missing”; whilst the local writer E.H. Letham (1900) told us “the urns were conveyed to Eglintoun Castle.” This aint good. Has anyone subsequently found out what became of it?

Folklore

The tumulus of King Coil’s Grave was the legendary resting place of the “Old King Cole” of popular rhymes. There were two such northern kings in ancient times and, as William Robertson (1889) said, “the only difficulty is to say which of the King Coils he was, whether the Coilu who lived three hundred and thirty years before Christ; or Coel, King of the Roman districts, who must have lived in the third century.”

References:

Letham, E.H., Burns and Tarbolton, D.Brown: Kilmarnock 1900.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
Morrison, Alex, The Bronze Age in Ayrshire, Ayrshire Natural History & Archaeology Society 1978.
Robertson, William, Historical Tales and Legends of Ayrshire, Thomas D. Morrison: Glasgow 1889.
Paterson, James, History of the County of Ayr – volume 2, Thomas Stevenson: Edinburgh 1852.
Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Smith, John, Prehistoric Man in Ayrshire, Elliot Stock: London 1895.
Wilson, Daniel, The Archaeology and Prehistoric Annals of Scotland, Sutherland & Knox: Edinburgh 1851.
Young, Alison, “Cup-and-Ring Markings on Creag Ruenshin, with Some Comparative Notes,” in Proceedings of the Society of Antiquaries, Scotland, volume 72, 1937.

White Caterthun Carving, Menmuir, Angus

17/11/201809/06/2025 megalithix

Cup-Marked Stone: OS Grid Reference – NO 54671 66022

Also Known as:

Canmore ID 35007

Getting Here

The carving below the walling

Many ways here, but from the nearest town of Brechin, take the minor north road out of town (not the B966) to Little Brechin, heading roughly north to the renowned hillforts of White and Brown Cathertun (ask a local if needs be). Park up and walk up the slope to White Cathertun, following the immense walling around to the right. Near where you reach the opposite side of the hillfort, look down the rocky slopes for a large boulder, just on the edge of the walling. You’ll find it!

Archaeology & History

Although Canmore include this cup-marked stone in the site-profile of the incredible White Caterthun hillfort, it should really have an entry of its own, as it’s age and nature very probably pre-date the construction of the giant fortress. But, this aside, if you’re visiting the hillfort (an incredible place!), at least give this heavily cup-marked stone your attention too.

Looking across the carving

Close-up of the main cups

Probably neolithic in origin, there was a small portable cup-marked companion found 30 yards away, suggesting perhaps that a cairn might once have stood on this hilltop—but tradition is silent on the matter. No other petroglyphs of any note have been located nearby, which is unusual. In all probability other carvings remain undiscovered, particularly in the hills immediately to the north.

Consisting of around 80 cup-marks, several of which appear linked by carved lines, the stone has been bound together with concrete and metal bolts after some idiot damaged it in the 19th century. It was first described by Miss Christian Maclagan (1875) in her stunning megalithic survey of the period. She wrote:

“To Sir James Simpson’s list of cup-markings we are able to add the one at the Caterthun, on a large block 6 feet long, which is quite covered with very distinctly cut cup-markings. It is a block of basalt…and the cups are so very clear and sharp in their lines that their freshness can only be accounted for by the stone having lain with the markings buried in the ground. This curious stone has been quite recently broken in two. It is a pity to see it so destroyed, because it is valuable to the antiquary in helping to establish a very remote antiquity for the fortification. It lies on the north side of the fort, among a chaos of stones, having probably once formed the side of a gateway.”

A few years later the late great J. Romilly Allen (1882) visited the site and gave us his description, telling:

“On the west side (of the hillfort), 10 yards north of the boundary of the fir plantation that covers one-half of the hill is a cup-marked boulder… The stone has been broken in two, and one portion of it lies at the foot of the stone rampart just above the first outer ditch, whilst the other half has been rolled down the hill by some mischievous person with more muscles than brains, and is to be found immediately below, where its further progress was arrested by coming in contact with the outermost wall. The two fragments when placed together measure 6 feet 9 inches long by 3 feet wide, and 1 foot 9 inches thick. The stone is greenish quartzose slate, and on its upper surface are carved eighty cups, varying from 1½ to 2½ inches diameter. In two cases two cups are united into one by a connecting groove.”

J. Sherriff’s 1995 drawing

J.R. Allen’s 1882 drawing

The most recent description and illustration of the stone is in John Sherriff’s (1995) survey. When we visited the carving recently we noticed three cup-marks etched onto the side of the stone, with a possible carved line running above one of them—but due to the bright sunlight on of the day of our visit, it was difficult to say whether this was a geological in nature or not (bright daylight can hamper good visibility of many carvings). Check it out!

References:

Allen, J. Romilly, “Notes on some Undescribed Stones with Cup Markings in Scotland,” in Proceedings of the Society of Antiquaries Scotland, volume 16, 1882.
Kenworthy, J., “White Caterthun: Cup-Marked Stone”, in Discovery & Excavation, Scotland, 1980.
MacLagan, Christian, The Hill Forts, Stone Circles and other Structural Remains of Ancient Scotland, Edmonston & Douglas: Edinburgh 1875.
Sherriff, John, “Prehistoric Rock-Carvings in Angus,” in Tayside & Fife Archaeological Journal, volume 1, 1995.

Witches Stones, Kirkton of Auchterhouse, Angus

17/11/201808/06/2025 megalithix

Cup-and-Ring Stones (lost): OS Grid Reference – NO 345 392

Also Known as:

Canmore ID 31908
Greenfield Knowe
Greenford Knowe
Sidlaw Hospital
Spittal Stones

Archaeology & History

1843 map showing the ‘Stone’

We have no precise location for this carving, nor several of its petroglyphic relatives who lived within this arena for countless centuries until (you guessed it!) the advance of the Industrialists brought their profane ways to the region, with the usual disregard for local people and their unwritten traditions. Which is a great pity, for there were obviously some old stories and important archaeology hereby. Aubrey Burl (1988) for one, thought this cup-and-ring carving may have played its part in being one of the stones in a larger “four-poster” stone circle, although local history accounts tell that it was part of an impressive prehistoric tomb.

One of the Witches Stones

The Witches’ Stone we see illustrated here was one of at least two carvings in a cluster of stones. The great J. Romilly Allen (1881) wrote about the it, although it seems he never visited the site himself. Instead, his description came from that of a colleague, a Mr W. McNicoll, who told him that at the position marked on the early OS-map as a single “Stone” that was “Remains of a Druidical Altar” there were in fact

“two in number: one, an upright pointed stone, 5ft by 2ft by 3ft 6in high; ans the other lying 3ft 6in to the southwest, 7ft 6in by 5ft by 2ft 6in thick. The latter has fifteen cups, varying from 2 to 3in in diameter; one with a single ring carved on the sloping face at the south end of the stone. It lies horizontally and has two hollows, worn at the ends where the cups are, by the toes of persons climbing onto the top. The ground under this stone has been partly removed and it appears to rest on two others; but the whole appears to be natural and not a cromlech or rocking stone.”

Folklore

One of the Witches Stones

Reference was made to this “Witches Stone” in the 1860 Object Name Book of the region, where it was said to have been part of a larger group, “considered to have been used by the Druids as a place of worship.” This catch-all phrase of druidic relevance should be translated as “local traditional importance” where animistic rites of some sort would have occurred. Certainly we find the usual reverence or fear in the local tale told by Mr Hutcheson (1905) which he thankfully recorded following his visit to the site:

“Here…occupying a small knoll known locally as Greenfield Knowe, towards the western end of the plateau…two upright standing stones of boulder character formed a conspicuous feature. They were, if tradition be accepted, the survivors of a larger group. The same tradition records that the farmer of Greenfield Farm, requiring stones for the erection of dykes, removed some of the standing stones from Greenfield Knowe. He, however, speedily found unexpected difficulty in carrying out his intentions. The dykers whom he had employed absolutely refused to use the stones, alleging they would thereby bring misfortune upon themselves and families, , and threatened, rather than risk such calamities, to throw up the job.

“While in this quandry the farmer, it is said, had a vision: a ghostly figure appeared to him, and in a hollow voice warned him against interference with he stones on Greenfield Knowe, and concluded by the adjuration, “Gang ower the howe t’ anither knowe.” Needless to say, the farmer lost no time in obeying his ghostly visitor. Next morning he carted back the stones he had removed and sought material for his dykes elsewhere.”

This is probably the same tale, slightly reformed, which the local historian W.M. Inglis (1888) described, when he told that,

“About the beginning of the present century, when a worthy old parishioner was having some repairs carried out upon his house, he removed a few of the large stones with the intention of having them built into the walls. Throughout the night, however, an eerie feeling came over him, his conscience was on fire, he could get no rest. Accordingly he got out of bed, yoked his horse into the cart, and like a sensible man replaced yjr sacred stones where he found them, went home, and thereafter slept the sleep of the righteous.”

References:

Allen, J. Romilly, “Notice of Prehistoric Remains near Tealing, in Forfarshire” in Journal of British Archaeological Association, volume 37, 1881.
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR 195: Oxford 1988.
Hutcheson, Alexander, “Notice of the Discovery of Stone Coffins at Auchterhouse,” in Proceedings of the Society of Antiquaries, Scotland, volume 39, 1905.
Inglis, W. Mason, Annals of an Angus Parish, John Leng: Dundee 1888.

Old Lane Carving, Cowling, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SD 97300 42625

Getting Here

Old Lane Cup-and-Ring

This Stone is situated on Old Lane, Cowling, North Yorkshire. To get here coming from Crosshills, you come straight through the village and past the shops. About 250 yards after the shops you will come to a sharp left hand bend, and once you have gone round this corner you will see a sign pointing to Oakworth (Old Lane). You need to turn left here (up by the cemetery) and continue for about half a mile up that lane until you come to a sharp left-hand bend. Once you have gone round that left-hand bend you will see a driveway on the right, the stone is situated opposite, in the gateway. Hope you can find it and enjoy it like I do every time I pass it.

Archaeology & History

…and from another angle

I’ve driven past this stone many times, almost every day and never previously noticed any markings. Then, one particular day, the weather was a bit miserable but the lighting was just right to illuminate this little gem. Was this lump of rock a standing stone, or have modern day folk took advantage and moved it here to be used as a gatepost? I don’t think we ever will know.

(Editor’s Note – When Chris first informed us of this carving, I wondered whether or not it had anything to do with a cup-and-ring found on a gatepost in the 1950s or ’60s by Stuart Feather or Sidney Jackson, but this was not the case. This petroglyph therefore, is yet another one that our users have discovered and it has to be classified as a new find. Keep up the good work sir! PB)

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.