Follow the directions as if you’re visiting the impressive multi-ringed design of the Castleton (10) carving. Once there, walk south-east along the geological ridge for 45 yards where the small cliff drops down to the field. Just where this drop occurs, on a lower horizontal level of the rock face (only a small section) you’ll notice two distinct “cups”. You can’t really miss it!
Archaeology & History
This very basic cup-marked stone was, until recently, covered in dense gorse, making access to the site almost impossible. But following a fire that happened here not too long ago, the smoldering remains needed to be cleared and, once the job was done, we were able to see the two distinct ‘cups’ that were first described in Maarten van Hoek’s (1996) survey. But the cups that he described are, most likely, little more than Nature’s handiwork. I’m somewhat skeptical of them as being the real deal. In the same survey, he added another site, which are just natural bowls in the rock just over 100 yards southwest of here as being cup-marks — which they’re not!
References:
van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.
Roughly halfway between Blair Atholl and Pitlochry on the B8079 road is the village of Killiecrankie where, at the junction, you should take the road which leads you over the River Garry. Crossing the river, follow the minor road swerving to the right and after nearly 200 yards bear left up the very minor road. 200 yards up there’s a hairpin bend; keep going up for about another 150 yards then walk into the overgrown grassland on your right where, just above an old hawthorn, a single notable rock protrudes. Y’ can’t really miss it!
Archaeology & History
Some of the cups visible in poor light
On my visit here recently, the day was grey and overcast which, in tandem with there being a reasonably decent cover of mosses living on the stone, prevented me from seeing the complete design of this petroglyph. I was thankful that it’s not an overly impressive one, so couldn’t be too disappointed. It was was rediscovered in recent years by George Currie (2005) on one of his many forays, which, in his typically evocative language, he described as: “Rock, 1.5 x 0.9 x 0.7m, a few metres W of the Tenandry road; 24 cups, largest 50 x 18mm.” Most of the cup-marks are a good depth and easy to see when you’re stood next to it. Sadly my photos didn’t manage to capture them too well.
A notable hut circle can be seen a short distance away up the slope, barely visible in the summertime. The carving may have been executed by the people living there. This is the only recorded cup-marked stone anywhere near here which, as rock art junkies will tell you, is unusual. Where there’s one, others tend to be living close by. Happy hunting!
References:
Currie, George, “Perth and Kinross: Balrobbie,” in Discovery & Excavation Scotland, volume 6 (New Series) 2005.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
In Miss Maitland’s (1935) article on the Ledard Stone carving, she also made a brief mention of “another cup-marked stone (that) lies on the edge of the burn, beyond the one described, above Loch Ard.” She gave no further information about this second stone. It remains lost and sounds to be only a short distance further uphill and on the west-side of the burn. If any local explorers are able to find this carving please let us know and, if possible, add some info and photos of it on our Facebook page. (the grid-reference for this site profile is an approximation)
References:
Maitland, Mrs, “Cup Marked Stones”, in The Scottish Country Woman, 1935.
This carving hasn’t seen the light of day, seemingly, since it was first reported by a local lady, a Miss Maitland in the 1930s—and who, it transpires, uncovered a number of petroglyphs in this neck of the woods. She found it on one of her many forays in the mountains hereby and took some old photos of it—although they’ve not reproduced too well for the sake of the site profile. (apologies)
Since Miss Maitland’s days, the hillside has been covered in forestry plantation, making it extremely difficult to locate the carving. However, due to the reasonably large size of the stone, it should still be there (smaller cup-and-ring stones have been damaged and destroyed by forestry over the years); and as we can see in the middle photo, a long thick vein of quartz runs roughly along the middle of the stone—an ingredient which may have been significant for the people who carved the stone. In her article in the Scottish Country Woman magazine, Miss Maitland told:
cup-marks, bottom left
Ledard Stone
“On the hill directly behind Ledard, on the north side of Loch Ard, a little to the west of the burn and a little to the east of the first grouse-butt, exactly 700 feet above sea level, lies a large boulder. Ice has smoothed and fashioned it and on the worn surface may be seen twenty-one, or so, small round hollows, varying in size and depth. The pattern made is roughly diamond-shaped, pointing directly east and west. I saw them for the first time as the sun was setting on New Year’s Eve, 1932. It was a solemn moment, for as far as I know no one else had looked upon them with such joy, and even awe, for perhaps a thousand years!”
She may have been right. And by the sound of her words, she’d certainly caught the petroglyph bug!
Anyhow, the carving doesn’t appear to have been seen since then. A “cup-marked boulder” was noted in the Royal Commission’s (1979) listings, but with no further details. We assume it must be the same carving, although they never visited it. It’s also possible that they were referring to another lost cup-marked stone a short distance further up the hill from here. If any local explorers are able to re-locate the carving, please let us know, and maybe add some info and photos of it on our Facebook page.
References:
Maitland, Mrs, “Cup Marked Stones”, in The Scottish Country Woman, 1935.
Royal Commission Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Go along the minor single-track road on the south-side of Loch Earn (between Edinample and the ugly Lochearn Leisure Park) and roughly halfway along the loch, there’s rough parking near Ardvorlich House (the starting spot for walking up Ben Vorlich). Walk east past the track to Ardvorlich, staying on the lochside road, for about 400 yards and then go up the dirt-track on your right. Walk up here for about 200 yards and, before you reach the trees, notice a small gate in the walling above you on your right, about 70 yards up the slope. Go through here and bear immediately left, up to the large oak on the large dome of rock. From the oak, with your back to the wall, take about 10 steps forward. You’re here!
Archaeology & History
Deep cups & faint rings
The singular short reference to this impressive design was by George Currie (2011) who told us that it “bears at least 17 cup marks, three of which have single rings.” But there are in fact six of them with rings, possibly seven—with a few additional cup-marks scattered across the wider rock surface. It’s quite impressive, although on our visit here the daylight was gray and so the photos I have of the site do not do it justice. The sun popped out a couple of times, but only for a few minutes and we weren’t able to take advantage of it quickly enough.
The distinctive section of this petroglyph are the deep cup-marks on its northern side: fourteen of them, three of which have faded shallow rings around them—or rather, uneven oval-shaped surroundings. The cup-marks have obviously been worked and re-worked over the centuries, whereas the rings were given less repetitive attention, for whatever reason. This is a pattern found at a great number of cup-and-ring stones across the country.
Shallow cups, faint ringsAnother angle of deep cups
From this cluster of deep cups, walk two or three yards south onto the slightly lower smooth rock surface, where we find a much less pronounced scatter of several shallow cup-marks—may be five, may be six—but three of them have faint rings around them. They were difficult to see on our visit here due to the poor light. There’s what may be another incomplete cup-and-ring another two or three yards further along on the same rock face: a cup, certainly; the faint ring, perhaps. We need to revisit this in better light.
The rock surface continues for quite some distance all round here in the shape of a large dome, much of it covered in vegetation of varying depths. There are openings showing the bare rock and, at several other spots there are several other cup-marks, although none are as deep as the ones we’ve just described. On the edge of one piece, about three yards north of the deep cups, a couple of worn cup-marks are near the edge of one rise; two others are clearly notable a yard or so WNW of the deep cups; whilst there are several other single cups near and not-so-near of the main design. It all requires a lot more work before we see the entire picture.
It’s a gorgeous site: silent with the feel of winds and waters and the scree of buzzards touching the senses: elements that, at some petroglyphs, had mythic relevance…
References:
Currie, George, “Comrie: Balimeanach (BC 2), Cup-marked Rock”, in Discovery & Excavation Scotland, New series – volume 12, 2011.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Along the A822 road from the Gilmerton junction on the outskirts of Crieff, heading up towards the Sma’ Glen, after literally 1¾ miles (2.8km) on the right-side of the road you need to follow the route to reach the Connachan rock art cluster by walking up the dirt-track leading up past Connachan Farm. Walk past the carving of Connachan (2) and up the track past Connachan (4), then onto the level ground and walk right to the low-lying ruined Connachan cairn. From here, look up the gentle slope to the fence. A small-ish stone protrudes out 40 yards away. Head straight for it!
Archaeology & History
Close-up of line of cups
You’ll check this out when you’re doing your tour of this petroglyph cluster and sit here to admire the view. It’s the last of the small bunch of carvings, on level ground, close to the denuded cairns. It consists of just eight cup-marks, all of which are carved close to the edge of the stone on its upper sloping surface; although this doesn’t tally with Margaret Stewart’s (1967) description of any of the carvings hereby. There’s nowt much more to be said about it to be honest; apart from saying how it’s highly likely that other carvings remain hidden, undiscovered, not far from this stone along the edge of these hills.
References:
Stewart, Margaret E.C., “Connachan, Crieff – Cup Marks and Hut Circle,” in Discovery & Excavation, Scotland, 1967.
On the A816 road, a mile-and-a-bit north of Kilmartin, take the small road (east) to Ford—passing the Creagantairbh stone on your right, then a bit further on the Auchinellan stone on your left. Go through Ford village, making sure to stick to the road that goes along the north side of Loch Awe — as if you’re heading to Dalavich. Just fractionally over a mile out of Ford village, just where the road begins to swerve into a large bend, there’s a small left-turn that takes you to some houses. Just 60-70 yards along this little road, take the trivial little path on your right that takes you straight to a piece of manicured scrubland. If you walk into it, and bear left, you’ll see what you’re looking for. It’s unmissable!
Archaeology & History
When I first visited here in the 1990s, a farm building stood by this huge standing stone and there were no other houses nearby. How things change—but thankfully our old sentinel stone is still living here.
Site shown on 1875 map
Romilly Allen’s 1880 sketch
It was highlighted by the Ordnance Survey lads on their early map of the area, and visited a few years later by the great petroglyphic pioneer J. Romilly Allen. (1880) Standing eleven feet tall and more than four feet across at the base, Allen noticed that, about four feet above ground-level, someone had carved an old cross onto the northeast face of the stone (you can just make it out in the attached photos). It had obviously been carved many centuries ago, by a wandering christian no doubt—although it was incomplete and never finished. Perhaps the person who carved it was chased away by local folk, who would have obviously and rightly seen such an act as outright vandalism. The cross was deemed by Ian Fisher (2001) and the Royal Commission (1992) to be medieval in nature. Apparently there’s another, much fainter cross that was first mentioned by Marion Campbell etched on the other side of the stone, but in all the times I came here I was never able to make it out.
Old faint cross carving
Small person, big stone!
But even further back in time someone had carved a cup-marking on the stone—and the cross was etched onto the same spot, enclosing the cup-mark. When I lived nearby, I made a sketch (long since lost) of what seemed to be two other faint cup-marks at one end of the extended arms of the cross, but on our recent visit here these were very hard to make out. When Ron Morris (1981) mentioned the stone in his survey, he mentioned its proximity to other cup-and-ring carvings immediately to the southeast and a hillock thereby, wondering whether there was “an astronomical complex” going on here. I doubt it—but I like the idea!
But it’s the size of the stone that’s most impressive here and keeps up with the tradition of similar megaliths in and around the Kilmartin area. Check the place out when you’re hunting the other stones nearby. You won’t be disappointed!
Folklore
Local tradition ascribed this great stone as marking the grave of an ancient warrior. The full folk tale seems to have been lost.
Fisher, Ian, Early Medieval Sculpture in the West Highlands and Islands, RCAHMS: Edinburgh 2001.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – Volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1988.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – Volume 7: Mid-Argyll and Cowal: Medieval and Later Monuments, HMSO: Edinburgh 1992.
Ruggles, Clive, Megalithic Astronomy, BAR: Oxford 1984.
Swarbrick, Olaf, A Gazetteer of Prehistoric Standing Stones in Great Britain, BAR: Oxford 2012.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
This is a relatively new find that was uncovered in 2019 by members of the Association of Certified Field Archaeologists, on the western edge of a small bowl of blackthorn trees, just past one of the Corrycharmaig East carvings — and it’s a bit of a beauty!
Topmost part of carving
Corrycharmaig (9) stone
Described, albeit briefly, in the superb survey by Gardiner, King & MacInnes (2024), the carving here has been cut into a sloping straight line of rock along the ridge of a very tiny cliff and consists of cups, single rings and multiple rings. At its crown, so to speak, where the rock surface levels out and is flat, a very well-preserved multiple cup-and-ring greets our senses: a cup-and-four rings to be precise. The outermost edge of the rings cuts into a natural crack that runs to the edge of the stone; and close to where this crack reaches the edge, another standard cup-and-ring rests against it. On this same section you’ll see a single cup which, by the look of it, was intended to have a much wider ring surrounding it—but for some reason it was never executed.
Second multiple-ringer
Second multiple-ring
From the topmost section, the rock then slopes gradually downward and the design is broken by several natural splits in the stone before we reach a single unfinished cup-and-ring and a solitary cup-mark. These occur shortly before we reach a near-duplicate of the multiple-ringer that we’ve just seen on the flat top of the stone. The outer ring of this is broken and the edges of it are intruded (again) by natural cracks in the stone (a not uncommon feature). The erosion level of this and its fellow four-ringed compatriot at the top are much the same, suggesting that the two were executed at around the same time.
Lower-half with cup&rings
Close-up of cup&rings
As we move down the slope of the rock with its veritable scattering of geological splits, the rest of the design consists of several single cup-and-rings—at least three of them—over its lower-half, almost in a gentle arc over the surface. The one closest to the four-rings has a single cup-mark attached to its outer edge and another single one just a few inches away from it. The others don’t seem to have any additional carved features attached to them; although one or two other singular cup-marks can be seen on this, the lowest section of the carving.
Looking to the hills
From the bottom up
An interesting feature noted here is the direction that this line of rock points to: a dip between two distinct rocky peaks on the horizon and which is close to the winter solstice sunset. I should point out however, that the relationship between open air petroglyphs and astronomical alignments (in Britain at least) is very debatable. Even alignments from one carving to another are pretty meaningless, despite the attempts of some modern archaeologist to show otherwise. In my younger days when I raced into rock art studies, I threw everything I had to show astronomical and other alignments were involved in these carvings—but it turned out not to be…. Instead, it turns out that some of these seeming ‘alignments’ (and only a few) relate to pathways and ancient routes: pointers, if you like, to the way ahead. Makes sense…
References:
Gardiner, M., King, L. & MacInnes, Dugald, In the Glen of the Dark Goddess, Bell & Bain: Glasgow 2024.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 1347 3882
Also Known as:
Carving no.143 (Boughey & Vickerman)
Archaeology & History
In Johnnie Gray’s (aka Harry Speight) early work on Airedale (1891), he described a number of the prehistoric sites on and around Baildon Moor and Shipley Glen. Almost all of the things he wrote about have been identified, but a cup-and-ring stone at “Glen gate” (as he called it) remains elusive. He wrote:
“After crossing the stream from the Glen gate, and going about thirty paces, we come upon…an incised stone, whereon are a number of circling lines and cup-like cavities — one at each corner, with a long line branching off to the north-east; but this stone unfortunately has got broken, and lying on the main path is much defaced.”
Prod Gate on 1852 map
The exact location of this has proven difficult as the name ‘Glen gate’ was obviously a local one as it wasn’t included on the Ordnance Surveys of the period. There are two named “gates” hereby: one is Prod Gate at the east end of Prod Lane, and the other is Trench Gate a few hundred yards west at the other end of Prod Lane. But the most likely gate of the two would be Prod Gate. When Speight wrote his words, a stream existed that crossed the track about 70 yards west of Prod Gate, whereas no such water-course existed anywhere close to Trench Gate. And so we assume that he was writing about “the stream from the Glen (Prod) Gate.”
Having said all that, there are no known petroglyphs like the one that Speight described anywhere hereby. There are a couple of so-called “carvings” that have been included in so-called official surveys (Boughey & Vickerman 141 and 142; aka ERA- 2445 and ERA-2446) another 150 yards or so on the left-side of the road that could have been regarded as contenders, but these stones have just a mix of modern and natural markings and can be discounted. In all likelihood, this impressive-sounding petroglyph was broken up and destroyed when the proper road was laid in the middle of the 20th century; or perhaps broken up and stuck into one of the garden walls along the roadside. Either way, the carving seems long lost.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Gray, Johnnie, Through Airedale from Goole to Malham, Walker & Laycock: Leeds 1891.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Along the B6265 old road between Keighley and Bingley, at Riddlesden go up Granby Lane, bending left into Banks Lane. About a mile up you’ll reach the moorland road. Turn left at the junction and nearly half-a-mile along there’s a layby on y’ right. From here walk along the footpath on the edge of the ridge, half-mile along bending slightly above Rough Holden Farm until, a coupla hundred yards on, you hit the dirt-track. There’s a long straight stretch of walling on your left: follow this for a few hundred yards, go through the gate and here walk on the other (left) side of the wall (if you’ve reach a derelict farm, you’ve gone too far). Some 60 yards or so down here, keep your eyes peeled on the long earthfast stone right near the walling. An alternative is to start at the steep hairpin bend up Holden Lane and follow the footpath into the woods. Walk along here (parallel with the stream below) for about 600 yards until you hit the bridge crossing the stream. Don’t cross over: instead double-back up the field on your right, go diagonally across and through the gate into the next field, and walk up along the walling to your right. 160 yards up, go through the gate and walk about 30 yards along the side of the walling again. Tis there!
Archaeology & History
Unveiling the Sunset Stone
This is a fascinating carved stone on the western edge of Rombald’s Moor that I was fortunate to find in 2008. It’s found in association with two other cup-marked stones, north and south of it. I first noticed it when I was walking along the footpath by the side of the wall and saw that on a small exposed part of the rock a single cup-marking carved close to the vertical edge of the stone—and I’m glad that I stopped to give it more attention. The stone was very deeply embedded and the covering soil so tightly packed that I could only shift a small part of it—but the section that I managed to uncover and, importantly, the time of day when I did this, brought about an intriguing visage with subtle mythic overtones.
Carved arc on edge
Early photo in low light
The carving was found near the end of the day just as the sun was setting and touching the far horizon. I noticed there was a cup-and-half-ring to the side of where I’d sat for a rest, near the northern edge of the stone, and the clear but soft light of the evening caught this element and almost brought it to life! As I gazed down at the half-ring, the sun highlighted it even more and I saw that some extended carved lines continued and dropped over the near vertical edge of the stone, becoming an unbroken elongated ‘ring’ that stretched twice the length of the half-ring on the flat surface. Not only that, but a faint cup-mark seemed to be inside this extended vertical ring and, as I saw this, a dreaming epiphany hit me that the symbolism behind this was a representation of the setting sun that I was watching at that very moment. It was quite beautiful and the carving seemed to come to life. The thought, nay feeling, that this part of the carving symbolized a setting sun not only slotted easily into a common animistic ingredient, but hit me as common sense too! However, as my ego and rational sense rose back to the fore (I had to get mi shit together and walk a few miles home before night fell), I saw that this impression may be a completely spurious one; but, as the rock-face inclines west, towards the setting sun, the name of Sunset Stone stuck. As I carefully fondled beneath the heavy overgrowth of vegetation covering the stone, I realised that I needed to come here again and uncover more of it, as additional cups and lines seemed to be reaching out from the mass of soil.
Cups near the S edge
Close-up of ring-edge
I returned to the stone a few times, but it was several years that I revisited the site with the intention of uncovering more of the design in the company of Richard Hirst and Paul Hornby on August 4, 2013—and it took considerable effort to roll back the turf that covered the stone. But it was worth it! For it soon became obvious that much of the stone that was covered over had been unexposed for many centuries: as Richard pointed out, the edge of the rock was very smoothed by weathering, whilst the covered section of the stone that we were revealing was still quite rough and misshapen all across the surface, lacking weather and water erosion. Much of this design therefore, highlighted itself to us as it was when the mason first carved the stone. And it turned out to be a pretty curious design!
Faded photo of the carving
Faint proto-ring nr centre
Our first impression was that the design comprised of two cup-and-rings near the middle of the rock, with another cup-and-drooping-ring near the northern edge of the stone, and between ten and twelve typical cup-markings, many on the western exposed side. But curiously near the middle were also a couple of rings whose edges had been defined, but the hollowed-out ‘cup’ in the middle remained uncut or unfinished, being a proto-ring, so to speak. Also, lines leading from these unfinished ‘cups’ were also pecked and laid out, but they were also unfinished. Some sections of the unfinished lines ran onto the western edge of the stone and were very faint, but they were undeniably there. Unfinished cups is an unusual feature for carvings on Rombald’s Moor.
Mr Hirst’s clearance
Cups & curves on edge
But the most interesting element in the fainter, seemingly unfinished carved lines, was what may be a small spiral that started above the two faint cup-and-rings. This then continued in a sharp arc which doubled-back on itself. In the other direction, the lines curve round and go down to the vertical face of the rock, before bending back up onto the level surface again, then disappearing. The topmost cup-and-half-ring is also a curious feature. When you visit here you’ll see how this aspect of the design looks for all the world like a simply cup-and-half-ring near the edge of the stone. But, as I’ve already mentioned, closer examination shows that this “half-ring” has a larger oval body beneath it on the vertical face of the stone, very worn due to its exposure to the elements and very much in the shape of a bell—and within this large cup-and-ring ‘bell’ is a much fainter complete cup-and-ring, just below the topmost cup-marking. I know that I’ve already mentioned this, but I’m giving it added emphasis as it’s a unique design element for carvings on these moors.
Early photo of the carving
Edge of the carving
The Sunset Stone really requires more attention, when the daylight conditions are just right, so that all of these intriguing aspects can be highlighted with greater lucidity. There is also the potential that more carved ingredients remains hidden beneath the compacted soil.
What seems to be a more trivial single cup-marked stone can be seen roughly 20 yards to the north.
Acknowledgements: Massive thanks to Richard Hirst of Hebden Bridge, and Prof. Paul Hornby, for their help in bringing this carving to light.
