symbolism – Page 9

Allt a’ Choire Chireinich (03), Kenmore, Perthshire

11/12/201824/09/2025 megalithix

Cup-Marked Stone: OS Grid Reference – NN 65249 39579

Getting Here

Allt a’ Choire Chireinich 03 Stone

Take the same directions to reach the large rounded Allt a’ Choire Chireinich 02 carving. Walk 65 yards (60m) northwest diagonally uphill to another large rounded stone of similar size. That’s the one!

Archaeology & History

A large cup-marked boulder, not previously recognised, was rediscovered on the afternoon of May 15, 2015. The great majority of the rock surface is covered in aged lichens, but at least three well-defined cup-markings were noted on the upper rounded surface of the stone: one near the middle of the stone; one near the centre-north; and another towards the top northwest section of the stone. The cups are more than an inch in diameter and eighth-of-an-inch deep. Others may be in evidence beneath the vegetation.

Allt a’ Choire Chireinich (02), Kenmore, Perthshire

11/12/201824/09/2025 megalithix

Cup-Marked Stone: OS Grid Reference – NN 65218 39525

Also Known as:

Canmore ID 291477

Getting Here

Allt a’ Choire Chireinich 2 stone

Along the A827 road between Killin and Kenmore, park-up at the Tombreck entrance and cross the road, taking the long track which eventually zigzags up the slope of Ben Lawers. Keep your eyes on the copse of trees a few hundred yards east that runs up the slopes and when you are level with the top of it, walk along the line of walling that heads to it. Go past the top of the trees and the first big boulder you reach is the fella in question.

Archaeology & History

Adjacent to an ancient trackway that runs across the slopes of the mountain, this large glacial boulder sits proudly on the slopes calling out for attention — and attention it certainly received countless centuries ago, when local people (perhaps) decided to cut at least nine cup-markings onto the top of the rock.

Lichen-encrusted cups

The surface today is encrusted with olde lichens of colourful hues, beneath which may be other cup and ring carvings; but as I’m a great lover of such forgotten medicinal primers, I wasn’t about to scratch beneath their bodies to find out. This petroglyph is worth looking at when you’re exploring the other, more impressive carvings in this Allt a’ Choire Chireinich cluster.

Allt a’ Choire Chireinich, Kenmore, Perthshire

11/12/201822/08/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – NN 65096 39442

Getting Here

The stone, uncovered

Take the A827 road between Killin and Kenmore and park-up at the entrance to Tombreck. Cross the road and walk up the track that goes up Ben Lawers. As it zigzags uphill, watch out for you being level with the top of the copse of trees several hundred yards west, where a straight long overgrown line of walling runs all the way to the top of the copse. Go along here, and just as you reach the trees, walk uphill for about 50 yards. You’re damn close!

Archaeology & History

Whether you’re into prehistoric carvings or not, this is impressive! It’s one of several with a very similar multiple-ring design to be found along the southern mountain slopes of Ben Lawers. Rediscovered on May 13, 2015, several of us were in search of a known cup-and-ring stone just 260 yards (238m) to the northwest in this Allt a’ Choire Chireinich cluster, but one stone amongst many called my nose to have a closer sniff—and as you can see, the results were damn good!

Looking from above

Etched onto a large flat rock perhaps 5-6000 years ago, probably over at least two different seasons, the primary design here is of two sets of multiple-rings: in one case, seven concentric ones emerging from, or surrounding a central cup-marking (more than an inch across); and the other is of at least eight concentric rings emerging from a cup-marking, about half-an-inch across. The largest cup-and-seven-rings is the one near the centre of the stone. Initially I thought this was simply two concentric seven-rings; but the more that I looked through the many photos we’d taken, the more obvious it became that the residue of an eighth ring (possibly more) exist in the smaller-sized concentric system. It must however be pointed out that neither of the concentric carved rings seem to be complete – i.e., they were never finished, either purposefully or otherwise. The largest cup-and-seven-rings is the one near the centre of the stone; with the outer smaller example being half the size of the one in the middle. At first glance, neither of the concentric rings seem complete – and so it turned out when it was enhanced by rain and sun.

First photo of the double-rings

The large central cup-and-seven-rings has two additional cup-marks within it: one on the outer fifth ring to the southeast, and the other in the outer sixth ring to the west. This western cup-mark is also crossed by a carved line that runs from the first ring outwards to the west and to the edge of the rock, crossing another cup-mark along the way. This particular carved line might be the same one that integrates itself into the first ring, and then re-emerges on is northeastern side, to continue out of the multiple-rings themselves and curve over to the eastern side of the rock. Running roughly north-south through the middle of this larger seven-ring element, a line scarred by Nature is visible which has been pecked by humans on its northern end, only slightly, and running into the covering soil eventually, with no additional features apparent. Another possible carved line seems in evidence running from the centre to the southeastern edge – but this is by no means certain.

The carving, looking north

This large central seven-ringed symbol has been greatly eroded, mainly on its southern sides, where the rings are incomplete, as illustrated in the photos. Yet when the light is right, we can see almost a complete concentric system, with perhaps only the second ring from the centre being incomplete on its eastern side. On the southern sides, the visibility factor is equally troublesome unless lighting conditions are damn good. The northernmost curves, from west to east, are the deepest and clearest of what remains, due to that section of the stone being covered in soil when it was first discovered, lessening the erosion.

Smallest 7-ring section, with cups

Multiple-ring complex & cups

Moving onto the second, smaller concentric set of rings: this is roughly half the size of its counterpart in the middle of the stone. Upon initial investigation you can clearly make out the seven rings, which have faded considerably due to weathering. It seems that this section was never fully completed. And the weathering on this smaller concentric system implies one of two things: either that it was left open to the elements much much longer than its larger seven-ring system, or it was carved much earlier than it. In truth, my feeling on this, is the latter of the two reasons. Adding to this probability is the fact that even more rings—or at least successive concentric carved ‘arcs’—are faintly visible around this more faint system: at least eight are evident, with perhaps as many as thirteen in all (which I think would put it in the record-books!). But we need to visit it again under ideal lighting conditions to see whether there are any more than the definite eight. It is also very obvious that the very edge of the rock here has been broken off at some time, and a section of the carving went with it—probably into the ancient walling below or the derelict village shielings on the mountains slopes above.

Just above the eroded eight-ring section are three archetypal cup-marks close to the very edge of the rock, one above each other in an arc. Of these, the cup that is closest to the eight-rings possesses the faint remains of at least two other partial rings above it, elements of which may actually extend and move into the concentric rings themselves—but this is difficult to say with any certainty. However, if this is the case, we can surmise that this small cup-and-two-rings was carved before its larger tree-ring-looking companion.

Below the smaller seven-ringer is the possibility of a wide cup-and-two-rings: very faint and incomplete. This only seems visible in certain conditions and I’m not 100% convinced of its veracity as yet.

Curious ‘eye’-like symbol

‘Eye’ to the bottom-left

We also found several other singular cup marks inscribed on the rock, all of them beneath the two concentrics, moving closer to the edge of the rock. But a more curious puzzle is an eye-like symbol, or geological feature, on the more eastern side of the stone. It gives the impression of being worked very slightly by humans, but as I’m not a geologist, I’ve gotta say that until it is looked at by someone more competent than me, I aint gonna commit myself to its precise nature. What seems to be a carved line to the left (west) of this geological ‘eye’ may have possible interference patterns pecked towards it. Tis hard to say with any certainty.

So – what is this complex double-seven-ringer?! What does it represent? Sadly we have no ethnological or folklore narratives that can be attributed to the stone since The Clearances occurred. We only have the very similar concentric six- and seven-ringed petroglyphs further down the mountainside to draw comparisons with. We could guess that the position of the stone halfway up Ben Lawers, giving us a superb view of the mountains all around Loch Tay might have some relevance to the carving; but this area was probably forested when these carvings were etched—which throws that one out of the window! We could speculate that the two multiple rings represent the Moon and Sun, with the smaller one being the Moon. They could represent a mythic map of Ben Lawers itself, with the central cup being its peak and outer rings coming down the levels of the mountain. Mountains are renowned in many old cultures as, literally, cosmic centres, from whence gods and supernal deities emerge and reside; and mountains in some parts of the world have been represented by cup-and-ring designs, so we may have a correlate here at Ben Lawers. O.G.S. Crawford (1957) and Julian Cope (1998) would be bedfellows together in their view of it being their Eye Goddess. But it’s all just guesswork. We do know that people were living up here and were carving other petroglyphs along this ridge, some of which occur inside ancient settlements; but the traditions of the people who lived here were finally destroyed by the English in the 19th century, and so any real hope of hearing any old myths, or possible rites that our peasant ancestors with their animistic worldview possessed, has died with them.

Tis a fascinating carving nonetheless—and one worthy of seeking out amongst the many others all along this beautiful mountainside…

References:

Bernbaum, Edwin, Sacred Mountains of the World, Sierra Club: San Francisco 1990.
Cope, Julian, The Modern Antiquarian, Thorsons 1998.
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Eliade, Mircea & Sullivan, Lawrence E., “Center of the World,” in Encyclopedia of Religion – volume 3 (edited by M. Eliade), MacMillan: Farmington Hills 1987.
Evans-Wentz, W.Y., Cuchuma and Sacred Mountains, Ohio University Press 1980.
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Michell, John, At the Centre of the World, Thames & Hudson: London 1994.
Yellowlees, Sonia, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.

Acknowledgements: Huge thanks to Paul Hornby for the use of his photos in this site profile; to Lisa Samson, for her landscape detective work at the site; and to Fraser Harrick, for getting us there again.

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

05/02/201827/12/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay on the validity of so-called “amateurs”who research and discover petroglyphs (Boughey’s essay is scattered with mistakes). But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey (“I’m a professional”) & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming… (how very amateur of me! 🙂 )

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Gatepost Stone, Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 09497 46961

Getting Here

Cup-and-rings on gatepost (photo credit, Dave Whittaker)

From Ilkley, follow the same directions as if you’re going up to the superb Swastika Stone. Keep walking on the footpath, west, for 65 yards (59m), then walk into the heather on your left. Barely 5 yards in, you’ll see this fallen standing stone or gatepost.

Archaeology & History

First described in one of Stuart Feather’s (1964) old rambles, I first saw this stone in my late-teens and was as puzzled by it then as I am today. Upon an obviously worked stone that may once have stood upright (or was intended to do), two faint and incomplete cup-and-rings were carved – but when exactly? If this stone was cut from a larger rock into its present shape, were the petroglyphs already on it, or were they done when the ‘gatepost’ was created?

It was first described in one of Stuart Feather’s (1964) rambles up here and later included in Hedges’ (1986) survey, where he told it to be a, “recumbent gatepost with one cup with almost complete ring and one cup with vestigial ring.” Boughey & Vickerman’s (2003) survey added little more. And when a group calling itself Carved Stones Investigation got itself about £250,000 to “investigate” the Ilkley petroglyphs, I was hoping that they could have at least turned this stone over to see if other carvings were on the stone – but they just revisited all those found by others, made a new list, and took the money to be honest (no website and no book – as they should’ve done). Thankfully, local folk are having a look at this and others and doing the work they should have. Check it out when you’re next up at the Swastika.

References:

Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.26, 27, 28 – Black Pots, High Moor, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:10, 1964.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Acknowledgements: Huge thanks to Dave Whittaker for the photo. Good luck with the plans fellas.

Over Glenny (05), Port of Menteith, Stirlingshire

16/09/201706/09/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference — NN 56991 02834

Getting Here

Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left. Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) are several open flat rock surfaces. This is the most westerly of them.

Archaeology & History

On this small smooth rock surface we find an almost archetypal cup-and-ring stone, whose design consists of a double cup-and-ring and a faint cup-and-ring. The double-ring has several seemingly natural small fissures in the rock running at various angles into the central cup from the outside; and there are two faint ones running from the double-rings outwards to the cup-mark in the single-ring, framing the central cupmark in the middle. It may have been that these scratches on the rock gave rise to the position of the cupmark in this petroglyph. It’s difficult to see whether or not the single cup-and-ring was ever completed.

Canmore’s description of this petroglyph tells simply: “The larger of the two is 180mm in diameter and has two rings around a cup that is 70mm in diameter and 15mm deep. The smaller has one ring around a cup.”

Once you’ve seen this, have a look at the Over Glenny (6) carving, about 10 yards east of here.

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.
Sorowka, P., Davenport, C., & Fairclough, J., “Stirling, Over Glenny,” in Discovery & Excavation, Scotland, vol. 15, 2014.

Acknowledgements: Massive thanks to Paul Hornby, Lisa Samson & Fraser Harrick for all their help on the day of this visit.

Over Glenny (06), Port of Menteith, Stirlingshire

06/09/201725/07/2025 megalithix

Cup-and-Ring Stone: OS Grid Reference — NN 56993 02835

Getting Here

Along the A81 road from Port of Menteith to Aberfoyle, watch out for the small road in the trees running at an angle sharply uphill, nearly opposite Portend, up to Coldon and higher. Keep going, bearing right past Mondowie and stopping at the dirt-track 100 yards or so further up on the left (and ignore the english fuckers up here who might say “you’re not allowed to park here”, as Scottish government regulation allows you to do so unless you block the road). Walk up this dirt-track for ⅔ mile, and just before reaching the planted forestry, turn right along another dirt-track. Less than 200 yards along there’s a large sycamore tree, and about 20 yards below it (south) is the carving you’re looking for.

Archaeology & History

It’s difficult keeping up with the carvings in this region to the north of the Lake of Menteith, as we find new unrecorded ones on every visit, maintaining the tradition of fellow rock art students Maarten van Hoek, Kaledon Naddair, George Currie, Jan Broewer and the rest—and we know that there’s more of them hidden away. This one doesn’t seem to be in the Canmore listings, but I put that down to the fact that they’ve got a grid-reference wrong somewhere, as it’s pretty plain to see. Although, to be honest, in the rather vague descriptions of other adjacent carvings (Over Glenny 5 and 7), this carving is in-between them, so you’d expect it to be listed. Anyway, that aside…

This long flat exposed rock surface has two primary cup-and-rings upon it: one cup with a double-ring, and the other standard cup-and-ring; there are also two single cup-markings on the stone: one near the middle of the rock and the other on its lower-right side. The main element is the double-cup-and-ring, which appears to be incomplete—not only in terms of its design, but also, as you can see in the photos, seems unfinished. From the central double-ring, a faint carved line runs out from the centre and into the other faint, incomplete, single cup-and-ring.

At the bottom of the stone (as with several others hereby) a curious set of deep scars have been cut into the edge of the rock. They’re unmistakable when you see them. They have probably been created by metal artifacts being sharpened along the bottom of the rock—many many times by the look of it. These deep cuts reminded me of the more famous Polisher Stone, down Avebury-way. They may be explained by the fact that, several centuries ago, a battle occurred here and some of the men gathered in the area before the attack. It would seem as if this and the other cup-and-ring stones were used to sharpen their blades before going into battle. Whether this was done because of some local lore which imbued these stones with some sort of magick, we do not know. Folklore here seems curiously scarce (english incomers destroyed local traditions, as writers were telling us in the 19th century), apart from the well-known one of the area being rife with fairies: Robert Kirk’s famous The Secret Commonwealth of Elves, Fauns and Faeries (1691) was written three miles west of here, at Aberfoyle.

References:

Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.

Acknowledgements: Massive thanks to the rest of the crew: Paul Hornby, Lisa Samson & Fraser Harrick.

Leckie Broch Carving (02), Gargunnock, Stirlingshire

07/02/201719/07/2019 megalithix

Cup-and-Ring Stone: OS Grid Reference – NS 6926 9399

Getting Here

Ornate face of Leckie-2 carving — Ornate face of Leckie-2 stone

Take the A811 road between Stirling and Kippen and go up into Gargunnock, From the village centre, go along the Leckie Road (not the Main Street!) for half-a-mile, then turn left up the tiny road. ¾-mile (1.15km) along, a small bridge crosses the Leckie Burn (a.k.a. St Colm’s Burn). From here, walk up the footpath into the woods for 100 yards or so and cross the waters. When you see the large overgrown rocky rise of the Leckie Broch covered in pesky rhododendrons, walk up its left-side where (presently) a clearing has been made and the carved rocks stand out.

Archaeology & History

A very curious design here! Possibly carved at the same time as the Leckie broch to which it is attached—possibly not—we have here a curious amalgam of Nature’s incisions and human design, culminating in cup-and-rings and cups-and-squares no less! When we came to visit it a few days ago, Lisa Samsonowicz found the stone hiding away, buried beneath a thin layer of natural cover. The rest of the team thereafter enabled a much clearer pictures of the carving.

Allison McLaren sitting on the new find — Young Allison on the new find (photo courtesy John McLaren)

We’re not quite sure who first rediscovered the carving. In an early photo of the site taken in the late ’70s or early ’80s, a young Allison McLaren sits highlighting the design. But she wasn’t the fortunate lass who discovered it! One account describes a local woman, Lady Younger of Leckie House, who was out walking her dog, accidentally dislodging some of the rocky debris of the Iron Age broch and unearthing the petroglyphs, thereafter taking Allison along to see it. The other account tells of it being noticed for the first time during an excavation of the broch by Euan MacKie and his team. Whichever it was, Prof Mackie (1970) was certainly the first person to write about it. He told:

“Part of the sandstone face of the northern end of the promontory on which stands the Leckie dun is covered with well preserved cup-marks, presumably much older than the dun. They were discovered when rubble and soil fallen from the dun was removed. Some of the cup-marks stand alone and some are surrounded by what appear to be incised rectangles in a ladder pattern. There are other, less clear markings.”

Ron Morris' 1981 sketch — Ron Morris’ 1981 sketch

There then followed a series of written accounts, small and large, about the Leckie broch—but little else was said of the carvings. It wasn’t until Ronald Morris (1981) came to see them a few years later that they gained a slightly lengthier description. He described how the petroglyph was,

“carved over about 3m (yds) at heights of 1-2m (yds) on faces now sloping mostly 0-90º NW, with 3 cups-and-one-near-hexagonal-ring up to 12cm (4½in) diameter, a ‘sun-burst’ and other grooves, and at least 40 cups up to 12cm (4½in) diameter and up to 8cm (3in) deep. On a vertical E-facing slab there are also many grooves, some of which connect lines of cups. Some grooves resemble a ‘sea-horse’, an ‘axe’, etc. All except the cups are probably incised, but some may be natural.”

The entire design in fact covers two separate sections of rock. On the vertical face of one stone is a curious conjoined cup-and-rectangle, attached to a cup-and-square, attached to a traditional cup-and-ring. A cluster of other cups, large and small, are immediately left of this odd geometric pattern. The ‘cups’ within this section of the petroglyph are quite deep and, it would seem, were geological in nature but have been touched-up by human hands. Immediately below this rectangle-square-circle sequence, faint carved lines run a little further down the face of the rock. They were difficult to see clearly and require subsequent visits to enable a more complete picture. Along the top of this section of rock are several cups, one or two of them seeming to have faint rings around them. (at the very bottom of this vertical carved face, at ground level, a small section of man-made walling is visible, which was no doubt a section of the huge broch)

Above the top of this vertical carved face is a gap between this and a second, larger earthfast stone. This has a series of cups, some with faint rings around them, but most of them are just cups, both shallow and deep, running down the slope of the rock. A notable ‘star’ of five cups surrounding a single-cup stands out on this section. Some of them seem to have been geophysical in nature, but again have been touched-up and added to.

Slightly higher still, on another third section of rock, a curious cluster of weird ‘pecks’, almost in a square pattern, with a possible cup-mark close to the edge of the stone is clearly visible. The edge of this rock seems to have been quarried and the markings here may just be mason marks preceding the breaking of the stone in the Iron Age.

Walk around to the south-side of the broch and there, in the walling, on a vertical stone face, is the small cup-marked Leckie 1 carving.

One final note of concern: the carving (and the broch) have become overrun with rhododendrons, to the point where they are severely damaging the monuments here. They need to be curtailed before further archaeological destruction occurs. Help!

References:

MacKie, Euan, “Leckie, Cup-Marked Rock,” in Discovery & Excavation Scotland, 1980.
MacKie, Euan, “The Leckie Broch, Stirlingshire,”, in Glasgow Archaeological Journal, volume 9, 1982.
McLaren, John, Personal Communications, 7.2.17 & 16.2.17.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

Links:

Gargunnock Village History

Acknowledgements: Immense thanks to Lisa Samsonowicz, Fraser Harrick, Nina Harris, Frank Mercer and Paul Hornby for all their work, enabling a clear picture of the site. And a huge thanks to John McLaren of the Gargunnock Village History site for allowing us to include the early photo of the carving here – thanks John! 🙂

Balgair Muir Woods, Balfron, Stirlingshire

25/12/201624/03/2026 megalithix

Cup-and-Ring Stone: OS Grid Reference – NS 58763 90113

Getting Here

Take the B822 Fintry to Kippen road and just over 2 miles (3.3km) north of Kippen, take the small country lane on your left. Parking is truly troublesome along here, so: nearly half-a-mile along, a road/track on your right takes you into the huge forestry plantation (or ‘tree farm’ as Nina Harris calls them). Go up here and, when you reach the tree-line, walk along the outer perimeter fence to your left. Keep walking – and walking – through bog and over fence – keeping all along to the outside of the forest for more than a mile. You eventually reach a rise on the Balfron side with huge views to the west – and just here is an opening into the trees on your right where a long ridge of rock is obvious. You’re here!

Archaeology & History

Not far from the recently rediscovered Footsteps Stone (coming soon…), this large cup-and-ring carving was found by Paul Hornby on an antiquarian rock art venture in November 2016 on a journey to the petroglyphs upon Balgair Muir, between Balfron and Fintry. It was a damn good day indeed! We’d been up here the previous week, but then the grey daylight gave little away. Upon revisiting the place on a brighter day, after a short while Paul called us over to where he’d been rummaging and, beneath a mass of fallen tree foliage, the long raised rock gave up some of its ancient symbols once again.

Very faint partial rings? — Very faint partial cup&rings?

Main feature, looking ENE (photo by Nina Harris)

Along the main face of the stone are a variety of geophysical undulations and small natural hollows—lots of them!—some of which give the impression of being primitive cup-markings, but they’re more the result of erosion. However, amidst these are several very possible cup-markings, and some photo-images show that at least one of them has portions of a distinct faint ring around it, possibly two of them. On the whole however, we’d need a geological specialist to tell us with certainty about the other doubtful ‘cups’ here (TNA neeeeds an in-house crazy geologist into petroglyphs and things!).

The Balguir Moor Woods design — Balgair Muir Woods design

As the rock face slopes down on its northern edges, away from the many natural pits and nodules, Paul uncovered two large incomplete ‘rings’, each with short outer ‘lines’, distinctly carved. The ‘rings’ are somewhat larger than the average cup-and-ring motifs — but it also appears that at least one of the ‘rings’ may be lacking an internal cup-mark.

Large semi-carved 'bowl' (photo by Nina Harris) — Large semi-carved ‘bowl’ (photo by Nina Harris)

On the same piece of rock, several feet to the east and almost covered by an adjacent tree, we also found a large half-natural half-carved ‘bowl’ more than 12 inches (30cm) across with a possible cup-marking near its centre. Whoever carved this section of the petroglyph has definitely utilised the natural features in the rock and, it seems, may never have finished the work.

We need more visits to this area to find what more lies beneath the fallen forest debris.

Acknowledgements: Massive thanks to Paul Hornby for uncovering this carving. Huge thanks also to Nina Harris for her help and some of the photos; and also to Ann Rankin and Mick for all their relative help too. Until next time…

Stanbury Hill North, Bingley Moor, West Yorkshire

04/10/201625/10/2025 megalithix

Cup-Marked Stone: OS Grid Reference – SE 1097 4339

Getting Here

Take the directions as if you’re visiting the ornate petroglyphs known as the Lunar Stone and the Spotted Stone. Walk past them and down the slope, NW, as if you’re heading to the small valley a few hundred yards away. As you reach the bottom of the slope, closer to the stream, a large boulder catches your attention. This carved stone is just a few yards before you reach it.

Archaeology & History

This simple cup-marked design below the northern slope of Stanbury Hill has, on its northeastern sloping face, a single cup-mark; then, past a curiously-etched line (probably more recent) is a larger circular feature, like a very shallow ‘bowl’ as in the one found in the superb Stag Cottage petroglyph complex 300 miles north (and several other carvings). A few yards away, a large single cup-mark has been etched onto another stone. As with quite a few carvings in this region, they have been missed in the standard archaeocentric surveys.