Almscliffe Crags, North Rigton, North Yorkshire

Legendary Rocks:  OS Grid Reference – SE 2681 4900

Also Known as:

  1. Ormscliffe Crags

Getting Here

This is an outstanding site visible for miles around in just about every direction – so getting here is easy! If you’re coming from Harrogate, south down the A658, turn right and go thru North Rigton.  Ask a local.  If you’re coming north up the A658 from the Leeds or Bradford area, do exactly the same! (either way, you’ll see the crags rising up from some distance away)

Archaeology & History

Almscliffe Crags – looking east

This giant outcrop of rock rises out from the meadowlands here like a miniature volcano, visible for many miles all round.  The history and legends surrounding the aged edifice are prodigious and the view from its tops on a fine day is one to be remembered.   It is likely, although there is little corroborative historical evidence, that is was an “omphalos”, or navel centre of the universe for the local people many centuries ago.  A great cutting runs through its centre and “runs from nearly north to south, and forms the boundary between the townships of Rigton and Stainburn, so that a portion of the rock is in each township.”  On the respective sides of this division are carved the letters “T.F.” and “E.L.”, being the initials of the families who owned the land here in olden days, Thomas Fawkes [of the legendary Guy Fawkes’ family] and Edwin Lascelles, of the ancient Harewood family.

Although Almscliffe Crags have been described in a great many local history books, it almost beggars belief to find it omitted from all the ancient mystery or “sacred sites” books ever written.  Curious…  Such lesser sites as Alderley Edge, the Cow and Calf rocks, Kilburn’s White Horse, Twelve Apostles stone circle, and many more, whilst having their respective virtues, don’t touch this place for ritual or sacred intent.

First described in the early 13th century records of Fountains Abbey, A.H. Smith (1961) thought the name of Almscliffe itself originally came from a hypothetical lady’s name, which seems an all-too-easy proclamation to make, instead of the humble option of  “I don’t know”!  But Smith wasn’t the only one to throw some curious ideas up about the etymology of Almscliffe.  Said by some local etymologists to derive from the Celtic Al-, a rock or cliff, and mias, an altar, there are other attempts to bring its rocky form into a consensus meaning.  The anglo-saxon Ael or El, being fire, and messe, or mass; and the Scandinavian Ormcliff, being the “cliff of the serpent”.  In Jones’ History of Harewood (1859), he tells

“it to have derived its name from the distribution of almes, at certain times, agreeably to the tenor of legacies left to the chapel which stood there in the sixteenth century, and was at that time dedicated to the Virgin Mary.”

It’s difficult to say which one tells its true title.  Many a druidic tale has also been carved into its form.  Such is the nature of this site that Grainge (1871) wrote how,

“it would not be difficult to show, with the exception of the artificial temple or circle of stones, this place possesses all the accessories of that ancient worship as…typical of the worship of the sun.”

Simpson’s 1879 drawing of the Almscliffe ‘cromlech’

A remark that was even echoed by one of Yorkshire’s finest and most sober historians, Harry Speight. (1903)  Grainge also pointed out that in his day there were three standing stones by the great Crags, one fallen, but “two of these rocks yet stand upright.”  A few years later we find that the ranting christian writer,  Henry T. Simpson (1879), described similar megalithic remains here, though his description was of a “cromlech.” (illustrated here)  I can find no trace, nor further references to these relics; but think it reasonable to suggest that, perhaps, Simpson’s cromlech and Grainge’s standing stones may have been one and the same monument.

In the field 100 yards immediately north of the Crags (the one with the two rocks in it) there used to be seen the remains of some primitive early walling, suggestive of a small, early settlement site.  Very little can be seen of these remains today and, as far as I’m aware, no archaeological survey was ever done of them. In all honesty, it’s highly probable that a number of other important prehistoric sites were once in evidence at varying distances around Almscliffe Crags…

Folklore

The creation myth of Almscliffe tells that, long long ago, the great giant Rombald — whose main place of residence tended to be Ilkley Moor — was having a fight with the devil upon his homeland heath.  As is common in the myths of giants, the ‘devil’ picked up a great boulder and threw it at Rombald, but it missed and fell just short of the village of North Rigton, creating Almscliffe Crags. A variation of this tale tells that it was Rombald and his wife having the argument and she threw the stones to create the place.  Several sites have been named as the place where the mythological argument occurred: the Cow and Calf rocks, the Great Skirtful and Little Skirtful of Stones all cited in the folktales of our Yorkshire peasants.  Another variation of the tale tells that the devil was simply carrying some stones (as devils and giants are renowned to do in the folk-tales of the world) and he accidentally dropped them where the Crags now stand.  Such rock-throwing tales are, once more, symptomatic of cailleach tales more commonly found in Ireland and Scotland.

There are a great many cup-markings on the top surface of these Crags, most of which seem natural, but it is not unreasonable to think that, perhaps, some may have been carved by human hands? (not sure misself)  Eric Cowling (1946) sincerely believed the antiquity of some carvings here.  One of them particularly, three feet across and eighteen inches deep, though seemingly natural, has for several centuries been known as  the “Wart Well.”  Its name is attributed to folklore that is more commonly found in Ireland and the Scottish highlands; that is, should you have a wart, prick it with a pin until a drop or two of blood drips into the water that gathers in the stone bowl, then dip your hand in afterwards.  The wart is sure to vanish.  Another method to achieve the same end is to merely wash the skin affliction in the water, and it will soon fade. (Interestingly, an old psychotherapist friend, afflicted with the damned things, did just this and they promptly vanished.)

A more minor creation myth tells that the stone bowls we see on top of the Crags here – including the Wart Well – was actually made when the giant Rombald stepped from his home onto the Crags and left his footprint embedded in the rock face.  He was said to have made it in just one step, from the Giant Skirtful of Stones prehistoric cairn [where one legend reputes him buried].

Faerie folk were also long held to live here.  On the northwest side of the Crags is the entrance to a small cave that was always known as the Faerie’s Parlour, as it was said to be an entrance to their supernatural world.  In times past, many people have scrambled down into the cave, but never reached their Otherworldly paradise.  William Grainge (1871) wrote how the little people “were all powerful on this hill and exchanged their imps for children of the farmers round about.”  This is typical of old changeling lore!  In outlying villages surrounding the Crags there is a particular excess of faerie and old heathen lore.

One very curious-sounding tale tells how a goose was sent down the hole and, after some considerable time, re-emerged 3½ miles away out from a well near Harewood Bridge.  The goose is one of the many symbols of the sun and one of its primary symbolic attributes is that of winter.  Interestingly perhaps, as the rock art writer Graeme Chappell has pointed out, the underground journey of the goose from Almscliffe to Harewood Bridge coincides closely with the rising of sun on morning of the winter solstice.  This tale may simply be a folk remnant — and an archaic one at that — of just that event: ritualising winter solstice from these Crags.  In Norse lore, shamans tell of geese carrying the great god Wotan across the skies at the coming of the Yule period.

Another ritual date that was celebrated here was Beltane, or May 1.  Not only do we find many of the outlying villages possessed their own maypoles, but in 1879 Mr Simpson of Adel reported seeing Beltane fires atop of these rocks.  Other meetings were made here as the Crags are spliced in half by the local boundary line, and perambulation records show that people came here during the ‘beating of the bounds’, as they used to be called.  This boundary perambulation moot ingredient is what strongly implies the site to have had ritual importance.  And the fact that a mass of folktales emerge from here adds to this.  Then of course we have the physical situation of the Crags at the heart of the mid-Wharfedale landscape.  All these ingredients combined, strongly suggest the site would have been, not just the ritual meeting place of tribal elders in pre-christian times, but an omphalos: it rises majestically from the land and all monuments gaze towards its giant form.  Important giant prehistoric monuments from the hills miles away tell of myths that come and go from this proud mass of stone.  Although we have other omphali just over the extended horizons from Almscliffe, this is where the World began in the creation myths of ancient times in mid-Wharfedale, at the heart of the ancient kingdom of Elmet.

But there is still more lore to be told of these rocks…

The centre piece of the Crags is known as the Altar Rocks.  Upon its western side is carved the “figure of a large tree, which we take to be the monogram of the Celtic Jupiter,” says Grainge.  This assumption is derived from an eighteenth century writer who, said Speight (1903), told that “Almnus and Alumnus are titles of Jupiter, to whom this high altar was dedicated.”

The highest part of the Crags, to the west, is known as Lover’s Leap where, in 1766, a daughter of a respectable Rigton farmer of the name Royston, having been disappointed in love, decided to kill herself.  She jumped, so legend reputes, from a point some sixty feet above ground, but a strong wind blowing at the time caught hold of her dress and carried her through the air until she landed safely in an adjoining field with naught but a sprained thumb!  The said lady realised the stupidity of her ways and was said to have lived out a long and fine life.

In recent years earthlights (UFOs) have been seen floating above and around the great outcrop.  It is likely that these were the same things which, in days of olde, the people would call the faerie.  I highly recommend visiting the place!

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds 1895.
  3. Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904
  4. Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
  5. Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
  6. Grainge, William, History & Topography of Harrogate and the Forest of Knaresborough, J.R. Smith: London 1871.
  7. Jones, John, The History and Antiquities of Harewood, Simpkin Marshall: London 1859.
  8. Simpson, William, Archaeologia Adelensis, W.H. Allen: London 1879.
  9. Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1961.
  10. Speight, Harry, Kirkby Overblow and District, Elliott Stock: London 1904.

© Paul Bennett, The Northern Antiquarian


Caspar Stone, Middleton Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10879 51405

Archaeology & History

Caspar Stone drawing © M.Short & R.Stroud
Caspar Stone unearthed © M.Short & R. Stroud

This carving was discovered very recently following an exploration of recognised sites on Middleton Moor by rock art student Mike Short on March 28, 2010.  Found amidst a cluster of other carved rocks, it was located after he noticed a small piece of stone poking out of the peat and — as happens to those folk obsessed by these ‘ere carvings — he decided to dig round the stone and cut the turf back to see if there was anything carved on the rock, as there are other cup-and-rings are close by.  Thankfully, after a bit of effort digging round the stone, Mike found the carving we see in the images here! (courtesy of Mike and Richard Stroud).   With a distinctly ‘facial’ appearance (hence the name), the following notes were written describing the new find:

“Small roughly oval dome-shaped medium grit rock approx. 49cm X 36cm, at and below soil level. Two cups, one of which is conical and deep (55mm deep and 65-75mm diameter) and of similar profile to one of the cups on No. 458; small shallow bowl-like depression with possible peck marks; curving groove on northern edge.”

When Mike finished with their drawings and measurements, the stone was covered back over and left in situ.  Although I aint seen the carving ‘in the flesh’ misself yet (we’re gonna have a look next week) it gives me the impression it had some association with burials.

References:

  1. Short, Mike & Stroud, Richard, “Report of New Carved Rock (‘Caspar’) on Middleton Moor,” April 2010.

© Paul Bennett, The Northern Antiquarian


Low Snaygill Stone, Skipton, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SD 9940 4973

Also Known as:

  1. Carving SK1 (Hedges)
  2. Carving no.16 (Boughey & Vickerman)
  3. Snaygill Farm Stone

Getting Here

Stone by the roadside

Not too far from the High Laithe cup-and-ring stone.  Along the A6131 out of Skipton, park up at the Rendezvous hotel and go up the road on your left, over the canal.  As you approach the second house up, note the rock on the right-hand side of the tiny road, perched on the edge above the stream, with ivy creeping up one side of it.  That’s it!

Archaeology & History

This stone was moved to its present position a few decades back, sometime before Hedges (1986) first recorded it in his Carved Rocks work.  It’s a reasonably large boulder, resting on the slope above the drop to the stream below, and will probably drop into the waters in the not-too-distant future.  Whether the stream had any initial relationship with the cup-markings etched on its surface, we’ll probably never know (a number of rock art students love the water-stone relationship — and this one is no doubt in their listings!).  Its first literary appearance by Hedges described it thus:

“Large fairly smooth grit rock sloping down to stream at E and into ground and grass at W.  Eleven cups, circle of nine very small cups at one end, groove from depression, one other groove and possible cup.”

Lower half of CR-016

Which just about does it justice.  When we visited the place yesterday, the cluster of small cups at the top of the rock were difficult to see clearly in the grey daylight; but what seems to be another 2 cups (not in Hedges, nor Boughey & Vickerman’s [1986] survey) may be on the lower-half of the stone, and can be seen in the photo here.  We need to go back again on a bright day and catch the stone in a different mood to suss out whether we were just seeing things.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Horse Close Hill, Skipton, North Yorkshire

Enclosure / Settlement:  OS Grid Reference – SD 9966 5046

Also Known as:

  1. Cawder Hall Enclosure
  2. MNY21002
  3. Scheduled Monument 29151

Getting Here

From Skipton town centre follow the A6131 road south, out of town, for less than a mile, and turn left up Cawder Lane. Avoid following the road into the housing, instead bearing up the country lane to your left.  Just before reaching the farmhouses 200 yards up, note the stony hilltop above you on your left (up behind Horse Close Farm).  Walk up there for 250 yards NE and you’ll find it!

Archaeology & History

Horse Hill enclosure, looking W

This is an impressive site.  I’d say very impressive! (but I’m easily pleased)  Oddly however, I can’t find a damn thing about this place in any of my archaeo-records and it appears (as far as I’m aware) that no survey has ever been made of it.  Which is bloody incredible!  Indeed, the only archaeological notes that appear to exist about this very impressive and well-preserved Iron Age enclosure, states, “Subcircular enclosed settlement on Horse Close Hill 250m north of Horse Close Farm.”  That’s it!  Nothing else!  So I’m afraid you’ve only got my crappy description of it to go on for the time being…

As the aerial image below shows, this is a large oval-shaped enclosure, defined primarily by an almost complete ring of double walling arranged around this hilltop site.  Measuring approximately 78 yards (71m) north-south, and nearly 75 yards (70m) along its longer east-west axis, with a circumference of about 235 yards (215m), many of the upright stones which define its edges stand between 1-3 feet in height.  Some of these stones have obviously been moved into position by the lads who built the structure, but the site has also taken advantage of a number of large earthfast boulders in its construction.

If you walk around the edges of the walled enclosure, almost every bit of it is clearly visible.  Between the defining inner and outer walling of the structure we find sections of the site packed with smaller stones, giving the impression that it may once have been filled all round, making the walls thick strong defensive ones.  But without a more detailed investigation, we’ll never really know…

Horse Close settlement, looking NE
Aerial view of enclosure

It is clearly very similar in structure, and probably date, to the well-known Brackenhall circle on Shipley Glen, near Baildon (though the nature of the Brackenhall site has long been a topic of controversy).  And, as with the Brackenhall site, a number of cup-and-ring stones are found close by — including the Great Wood Laithe carving in the field immediately below on the west side.  I’ve also found a similar structure to this on the hills above Steeton, a few miles to the south (though it’s not as well-defined as this one).

Although the site is mainly defined by its oval walling, we also find other stretches of walling that run outwards from the central site: one in particular running north-east for 35 yards out towards a small standing-stone further up the field.  Other curious earthworks and remains scatter the fields on the eastern sides of this main feature, which the helpful farmer here pointed out to us.

© Paul Bennett, The Northern Antiquarian


High Laithe Stone, Skipton, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SD 9952 4991

Also Known as:

  1. Carving SK2 (Hedges)
  2. Carving no.17 (Boughey & Vickerman)

Getting Here

High Laithe cup-and-ring stone

Worth the short trek if you like your cup&rings!  On the Aire Valley Keighley-to-Skipton road (A629), as you approach the southern outskirts of Skipton, take the turning at the roundabout as if you’re going into the town up the A6131. Go over the next roundabout a coupla hundred yards on, then 200 yards further on note the right-turn up over the canal (big hotel just here, where you could park up).  Walk over the canal up the tiny country lane. Ignore the first left turn and walk up, bearing next left uphill and onto the footpath. Walk up the hillocky quarried bit until you reach the stile in the wall.  Once on the other side, look in the walling 20 yards uphill.  You can’t miss it!

Archaeology & History

First described by Messrs Hartley and Radley in the Yorkshire Archaeological Register of 1968, this small “standing stone”, less than three-feet tall, has a distinct cup-and-double- ring carved onto its upright north-facing edge.  The outline of the carving is visible even in bad light, though you might wanna rest and gaze for a minute or two for yourself and the lighting to adjust if it’s a grey day.  There’s another cup-marking below the bottom right of the double-ring, with another ‘possible’ just above ground-level.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Thursday Market Cross, York, North Yorkshire

Cross (destroyed):  OS Grid Reference – SE 603 519

Archaeology & History

Early drawing of York’s Market Cross

This old cross was demolished long since, but I think it’s important to rejunevate a memory of its existence back into our times.  Little has been written about the site as it was destroyed more than 200 years ago and images of the edifice are rare indeed!  It was found near the modern centre of the city and although this ornate-looking thirty-foot tall cross was obviously impressive, an even earlier upright stone stood here in the 13th and 14th century.  But this new carved monument took precedence over its older and lesser upright.  First described — I think! — by Thomas Gent (1730), he told us that,

“The old cross stood towards the Kennel, against the middle of the market.  The lower part was an octagon, had an ascent of six high steps, covered with Tyles for Butchers, higher up with nitches, in which had been effigies and a small pillar above with four Dials and over them a Fane.”

A few years later when Francis Drake (1788) described the same monument, he added very few extra details; though told us it had five steps and not six — but this seems to have been an error on his behalf.  In C.B. Knight’s (1944) work we have what seems to be the most complete historical description of this lost stone edifice.  He wrote:

“In 1429 a new stone cross had been erected in Thursday Market in place of its predecessor by Marion Braythwayt, widow of John Braythwayt, who was Lord Mayor in 1394… This Cross was described by a writer in 1683 as “a fair Cross of stone, built upon the ascent of five steps, and hath neatly cut in stone a turret or battlement eight square, upon which is placed a round pillar with a four-square stone upon the top, which hath a sundial placed upon every square, and a vane above.  The Cross hath a penthouse round about it, covered over with tile, to shelter the market people in rainy weather, and is supported upon eight posts, upon one of which, on the south side, is fixed an iron yard-wand, the standard measure of the market.”  In 1705 the ancient Market Cross…was pulled down.”

References:

  1. Cobb, Gerald, “Note on a Drawing of Thursday Market Cross, York,” in The Antiquaries Journal, 43:1, 1963.
  2. Davies, Robert, Walks about the City of York, Nichols & Sons: Westminster 1880.
  3. Drake, Francis, Eboracum; or the History and Antiquities of the City of York, Wilson & Spence: York 1788.
  4. Gent, Thomas, The Antient and Modern History of the Famous City of York, Thomas Hammond: York 1730.
  5. Knight, Charles Bruton, A History of the City of York, Herald: York & London 1944.

© Paul Bennett, The Northern Antiquarian 


Studfold Ring, Ampleforth, North Yorkshire

Enclosure / Settlement:  OS Grid Reference — SE 58122 79855

Also Known as:

  1. Studford Ring

Getting Here

Studfold Ring from above

Pretty easy to find.  From Ampleforth town centre, go left at the T-junction and 100 yards on a footpath takes you up into the sloping fields above the town. Follow the footpath up (avoiding the fall into the small wooded valley on your left) and keep going across the fields. Follow the path towards the point of the woodland on the level, then walk along its edge until you see a rounded copse of trees on your left, with a surrounding ditch. You’ve found it! (if you hit the road, turn back & walk 100 yards)

Archaeology & History

Thought to have been first constructed in the late Bronze Age period, in 1963 R.H. Hayes described this site as being “the finest enclosure type of earthwork in the district,” telling:

“It is roughly quadrangular, some 54 yards across, rampart to rampart, with internal ditch 12ft wide and in places still 4ft in depth. The rampart is 24-26ft wide and 9-10ft high above the bottom of the ditch. It is of earth and rubble with an entrance 9ft wide on the ESE. One gets the impression that the central area is a araised platform above the level of the surrounding moor.”

Studfold Ring on 1856 OS-map

At the time of Hayes’ description, conclusions about the purpose of this site were difficult. He drew parallels between this and two other sites in northeast Yorkshire: one on Great Ayton Moor and another near Borrowby on Newton Mulgrave Moor.

On the outside of the ‘enclosure’ he described “a curious turf (?) bank 6ft wide and 2ft high which curves around the tumuli to the northeast, following the ditch of one of them, thence to another mound 32ft in diameter north of the Ring, whence it turns due west and runs towards a dewpond in the junction of three turf walls,” finally adding, “It could be connected with ancient cultivation.”

According to Eilert Ekwall (1922), the name Studfold probably derives from,

“‘Stodfalod’, which is a common name for old Roman (or other) enclosures. The name indicates that the Anglo-Saxons often used such old enclosures for horsefolds.”

Place-name master A.H. Smith (1956) reinforces this and tells us the dates of this name are even later; describing,

stod-fald OE, ‘a stud-fold, a horse enclosure’; the word is often applied to ancient enclosures which the Anglo-Saxons used for horse-folds.”

Modern archaeo’s have added the etymologist’s notion of a ‘horse enclosure’ onto their summaries of the site in recent years.

…to be continued…

References:

  1. Ekwall, Eilert, The Place-Names of Lancashire, Manchester University Press 1922.
  2. Hayes, R.H. ‘Archaeology: Dikes and Earthworks,’ in J. McDonnell’s A History of Helmsley, Rievaulx and District, Stonegate Press: York 1963.
  3. Smith, A.H. English Place-Name Elements, II, Cambridge University Press 1956.
  4. White, Stanhope, The North York Moors: An Introduction, Dalesman: Clapham 1979.

Acknowledgements:  Huge thanks to Martin Dawes for correcting my initial erroneous route to the site.

© Paul Bennett, The Northern Antiquarian 


Middleton Moor Carving (006), North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 12292 52144

Getting Here

Middleton Moor CR-006
Middleton Moor CR-006

Another off-the-beaten track site!  Follow the directions to reach the Middleton Moor 001 carving, then walk due east for about 500 yards until you reach the distinct footpath that’s the Roman Road.  Once here, zigzag along its edge on the western side, up and down hereabouts.  Keep looking around till you see the stone shown in Richard’s photo here!

Archaeology & History

First found in April 2005, this medium-sized flattish stone is just 10 yards west of the prehistoric trackway which cuts across the moors  — later used as a Roman road — on Middle Gill Bents.  A somewhat simplistic design, it was found by Richard Stroud when we were exploring some of the many other carvings up here, and looking for previously unrecorded ones hiding in the heather.  Carved onto this stone are eight, perhaps nine cup-markings, with grooved lines connecting at least two of them.  That’s it!

© Paul Bennett, The Northern Antiquarian


Middleton Moor Carving (441), North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 10887 51381

 

Getting Here

From the back of Moor End Farm on the south-side of Langbar village, follow the Long Ridge footpath up onto the moor. Walk along the path until its starts dipping down again, onto the moor proper and where another footpath crosses and goes down into the small valley of the Dryas Dike stream, follow it – though only for about 75 yards, heading diagonally into the heather slowly towards the stream.  You’re getting close!

Archaeology & History

Crude drawing of CR441

Yet another small carving found amidst a decent cluster of cup-and-rings and other archaeological remains near the top of Dryas Dike, this stone was first described in the Boughey & Vickerman (2003) survey.  It’s located about 10 yards below Middleton Moor CR-440, above the stream of Dryas Dike.  It’s a simple design, comprising of a central groove with a cup at either end and several other cups either side of this central line.  (cheers to Richard Stroud for use of his photo).

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul Bennett, The Northern Antiquarian


Spring Stone Carving, Middleton Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 11611 51610

Also Known as:

  1. Middleton Moor carving 483 (Boughey & Vickerman)

Getting Here

From Ilkley go up to Middleton and from there go up Harding Lane and, where the road bends left a track goes straight north onto the moors. Go up this until you’re onto the moor proper. Keep going until you’re following the line of walling, where a small stream is trickling right by your right-hand side. Follow this to its source a coupla hundred yards up. Stop!

Archaeology & History

Middleton Moor CR483: single cup-and-line

First mentioned by Stuart Feather in 1965, this simple cup-marking has a long line squirming away to the edge of the rock on which it’s carved.  The cup-marking is some 3 inches across and about ½-inch deep, with the long line about 24 inches long.  There’s really nowt much to look at here unless you’re a real cup-and-ring freak — though note that the carving occurs on a broken piece of stone just where a spring of water emerges from the ground.  Some archaeo’s have a notion that sometimes our cup-and-ring stones have some sorta relationship with water — though they’re not into sticking their necks out and saying anymore than that!  And of course, some carvings obviously relate to water. This one here is a strong contender, with the long wiggly line perhaps representative of the stream running from its source, which itself is the cup-mark.

However, we might just aswell surmise that the carving here was executed by some bored teenager, just testing out his first antler pick, or flintstone, telling his mates, “I woz ‘ere!”

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. ather, Stuart, ‘Cup and Ring Boulders,’ in the Cartwright Hall Archaeology group Bulletin, 10:7, July 1965.

© Paul Bennett, The Northern Antiquarian