Although cited as being on Weston Moor, it is closer to Askwith village. From the village, take the north road and shortly before reaching the T-junction, park-up (somewhere!). There’s a small copse of trees on your right and fields above them – that’s where you’re heading. You might have to bimble about a bit before the rock catches your attention, but it’s worth the wandering. Look around!
Archaeology & History
Sketch of the design c.1985
This is an excellent, archetypal cup-and-ring stone that’ll be loved by any real rock art student! Cups-and-multiple rings are the main visual feature to this stone, along with another 20 single cups and another primary cup-and-ring, all on a medium-sized sloping rock face. The carving was first described by Cowling & Hartley (1937). Since their initial discovery, several other writers have mentioned it with little further comment. The smaller but impressive double cup-and-ring carving 543 can be seen at the bottom left of the woodland in front of you – well worth seeing if you’re visiting here!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, ‘Cup-and-Ring Markings to the North of Otley,’ in Yorkshire Archaeological Journal, 33, 1937.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Ellers Wood is at the very northern edge of the beautiful parish of Askwith and has a very particular ambience of its own. The small cluster of at least 5 cup-and-ring stones in this lovely little woodland gives you the impression that they stood out on their own, living here representing the genius loci of this luscious watery vale, all-but-hidden from all but the lucky few. It’s very likely that there are still more carvings hidden away nearby.
The best way to check them out is simply to walk down past the haunted Dobpark Lodge, where it turns into a footpath and where it crosses the lovely old packhorse bridge at the valley bottom, walk a few hundred yards up the river-side (at the bottom of the fields) until you reach Ellers Wood. Once there, look around. This one’s on the west side of the main stream, close by where it meets up with another small burn coming down from the western wooded slopes.
Archaeology & History
First sketch of the carving, c.1994
In the same region as the Ellers Wood 618 and other carvings and very close to the river, somehow this heavily cup-marked stone evaded the prying eyes of such notaries as Cowling, Stuart Feather and Sidney Jackson – all of whom ventured to look at the other petroglyphs in Ellers Wood. But with good fortune, Graeme Chappell and I re-discovered this fine-looking carving in our explorations in 1993-94 and gave it back the attention it truly deserves.
The main feature here is the clustering of cups into sections, as the drawing indicates. It is listed as “stone 614” in Boughey & Vickerman’s (2003) survey.
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Follow the same directions for the Ellers Wood 614 and 618 carvings, as it’s nearby. The best way to check them out is simply to walk down past the haunted Dobpark Lodge, where it turns into a footpath and then when you reach the lovely old packhorse bridge at the valley bottom, walk upstream for 3-400 yards until you reach the next small wooded region. Once there, look around…..
Archaeology & History
Ellers Wood is at the very northern edge of the beautiful parish of Askwith and has a very particular ambience of its own. The small cluster of at least 5 cup-and-ring stones in this lovely little woodland gives you the impression that they stood out on their own, living here respresenting the genius loci of this luscious watery vale, all-but-hidden from all but the lucky few.
Cowling’s 1937 sketch1991 sketch of CR-619
Beautifully preserved, this carving was first described in an article by Cowling & Hartley (1937), then included in Cowling’s Rombald’s Way (1946). As with the other cup-and-rings close by, the characteristic grouping of certain cups is here focused into three sections by enclosing rings. This was something I used to call ‘central design’ features, which occur in different locales with their own individual geographical patterns/structures. These central designs are non-numeric in nature, though have a tendency to cluster in patterns of 2, 3 and 4. (I need to write a decent essay on this to outline what I’m on about with greater clarity!)
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Follow the same directions to reach the other Ellers Woods carvings, staying on the western-side of the river close to where it meets with Snowden Beck, just north of the footpath. Check it out in winter and early Spring — any later in the year and it might be a little overgrown.
Archaeology & History
A truly lovely, lichen enriched carved rock in a lovely little part of the Fewston valley. The place has a distinct genius loci that’s very different from its carved rock companions on the moorland hills a short distance away. As I’ve said elsewhere: the surroundings of trees and richer fertile growth is something we must remember to ascribe to these carvings when we encounter them, as the landscape in places such as Ellers Wood is much closer to the scattered forested landscape that profused when first these stones were inscribed.
Section of CR-618
First described by Cowling & Hartley in 1937, it was later included in Cowling’s (1946) more extensive prehistoric survey of mid-Wharfedale. There may be as many as 38 cup-markings cut onto the rock here, along with several lines and grooves. A meditative dreaming site indeed…
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895
Using the OS-map as a guide, from Denton village head up the road northwest, past Moorside Farm and onto the moor. Before you reach the rise of Lippersley Pike you’ll reach the Crow Well itself (completely covered over by Yorkshire Water’s handiwork, stopping anyone from drinking the previously fresh waters here). In the middle of nowhere, just above the completely ruined well, is the old shooter’s cottage and from here, Eric Cowling (1946) told us to look in the heather immediately east. When Richard Stroud and I ventured here a few years back (2.8.5) we couldn’t find a thing — though a vaguely reminiscent structure seemed possible 300 yards away.
Archaeology & History
If the heather’s deep, you’ll have little chance of seeing the site as Eric Cowling (1946) obviously did! He described and illustrated this place — so was fortunate enough to have ventured here following the heather-burning.
The site is not a stone circle, but what Cowling thought to be an Iron Age settlement: ellipsoid in shape and nearly 400 feet across; it’s obviously an impressive archaeological site when visible (akin to the Snowden Carr settlement a couple of miles east). In all probability the site is much earlier than Iron Age.
An aerial image of the site indicates its size to be very close to Cowling’s initial measurements. The ‘settlement’ is quite huge, with the walling or defining edges being between 4 and 6 yards across in places, with double-walled sections akin to that found at the Brackenhall circle on Shipley Glen, just over 8 miles (13km) to the south. However, it’s probably much older than its Brackenhall compatriot. Its maximum diameters measure 130.5 yards (119.3m) roughly east-west and 98.5 yards (90m) roughly north-south, with an external circumference of about 345 yards (315m). This is a big fella! Near its centre is a well-defined ring, or ellipse, measuring approximately 20 yards (18.3m) north-south and 18 yards (17.5m) east-west.
It’s difficult to say what this might be without a site analysis, and we need the heather burning back at this site to enable a good inspection of the place! We may be looking at Denton Moor’s equivalent of the Woofa Bank Enclosure just over 4 miles (6.5km) to the south, above Ilkley, with its host of cup-and-rings and surrounding cairns. A good inspection of this site is long long overdue…
Hereabouts Cowling also found other remains dating from the neolithic period, including walling, cairns, hut circles and cup-and-ring stones. He thought that “the name Crow-well appears to be the modern equivalent of ‘the circle of the well'” — and although I doubted this in my Old Stones of Elmet, I have since come to realise the truth of his words!
Legendary Rocks (destroyed): OS Grid Reference – SE 187 545
Archaeology & History
The original position and nature of this site was difficult to ascertain and left us wondering whether the place was once a monolith, stone circle or legendary rock outcrop, as seemed that there were no remains left of the place. Aswell as that, the only reference we had that describing this place is from William Grainge’s History of Knaresborough (1871), where he wrote:
“At Busky Dike, a place between Cragg Hall and Fewston, according to the report of tradition, there once existed a Druidical altar; and that same venerable authority declares that the same place is the haunt of a Bharguest; and many of the country people yet tremble as they pass that place in the dark, for fear they should meet that strange and terrible beast.”
The latter remark would indicate that something decidely pre-christian was once of renown here. But it seems that an old rock outcrop was the place in question here, found in the now wooded area on the south side of the Busky Dike Road, just northwest a half-mile outside of Fewston itself. It would be good to hear more about this place…if anyone knows owt…
References:
Grainge, William, The History of Harrogate and the Forest of Knaresborough, 1871.
Grainge, William, The History and Topography of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
From Otley go north straight over the river and upwards into the countryside for nearly two miles (past the TV mast on the right). As you reach near the top of the hill, there’s a turn to your right. Go on here for a hundred yards or so, then walk along the footpath to your right. After a few hundred yards, keep your eyes out for the stone just through the gate, in the walling on your left.
Archaeology & History
Although we see named on the 1853 Ordnance Survey map the respective place-names of Bride Cross House and Bride Cross Allotment, the first literary reference to any site here as a standing stone appears to be Eric Cowling (1946) who, when commenting on the pagan tradition and folklore of ancient sites, told that
“The name of Bride Cross Farm, Dob Park, is very significant, for at the meeting place of several tracks to the south-east is a squat standing stone built into a wall and marked as a boundary stone, which was probably Brides Cross.”
Bride Stone, Farnley MoorBoundary markers on top
Although I’d read about this place as a kid, it was Graeme Chappell who first brought me here some twenty years back, in one of our many exploratory forays into the prehistory of this area. It’s a nice fat squat standing stone, similar in stature to the more famous Bull Stone near Otley Chevin, a few miles to the south — though our Bride Stone here is about half as high. Only about three-feet tall, it stands by the gate at the wall-side about 200 yards down the footpath from the Dob Park Lodge road and does seems to have been used as a boundary marker, as the letters “F.F.” are carved deeply on top of the upright (possibly denoting the Fawkes family of Farnley).
Cowling’s assertion that this old stone accounts for the ‘Bride Cross’ place-name is probably right, as the site is roughly midway between the respective place-names of the House and Allotment. There is an old field-name of Crosse Close in the vicinity, from 1692, but I haven’t located it. If such a cross ever existed nearby (most likely, it’s gotta be said), it’s obviously the relic which left the place-names — though the standing stone was certainly here first! As yet, we’ve found no references to this place before 1853…which can’t be right…
Folklore
Seems to be a petrification legend in here somewhere. Although the short tale doesn’t say as much, it is supposed to have got its name through “the murder of a bride, rejected by a suitor, on her return from a wedding.” Indeed, I’d go so far as to say ‘fertility’ as well!
Eric Cowling (1946) really stuck his neck out and reckoned sacrifices occurred here in the not too distant past. This may relate to the nearby Haddock Stones, a few hundred yards south, thought to derive its name from a cairn and ‘altar stones.’
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Phillips, Guy Ragland, Brigantia — A Mysteriography, RKP: London 1976.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1961.
From Askwith village, at the T-junction, go up Moor Lane, taking the left turn up Moorside Lane about half-a-mile up and on the track to Moorside Farm and then onto Top Moorside Farm. Take the path past the farm up onto the moor, then bear right up the small track that heads up onto the small Hollin Tree Hill. As you go up the track, watch out for the small grassy depression to the right; and hereby head into the grasses on your right. You’re close!
Graeme Chappell was the first to rediscover this carving in the early 1990s when we were up pottering about on these and the adjacent moors, looking for any previously undiscovered prehistoric relics. We found quite a lot! The carving here is nowt special to look at really, but the cups can be seen quite clearly. It’s a rather large stone on the western edge of the hill with at least seven or eight cup-marks carved across its upper surface. Boughey & Vickerman (2003) later described it as “large, fine quartz sandstone rock with surface sloping slightly down into (the) hillside. Seven or eight cups, two particularly sharp.” There’s a possible line running between two of the cups, visible when lighting conditions are right — though we aint sure whether it’s artificial or not.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Truly takes a bit of finding this one! I s’ppose the easiest way to locate it is by approaching it from the south, from Askwith village, up Hall Lane. Keep walking up the footpath to Top Moorside Farm; then past it, sticking to the same path. A hundred yard or so past here we get onto the moor itself. As you hit the moor, you’ll see that the land rises slowly ahead of you: this is Hollin Tree Hill and you need to walk up here (don’t do this in the summer as it’ll be covered in bracken and you’ll not find a damn thing!). Just before the land starts to levels-out at the top of this small rise, you’ll come across some hut circles. You’re here!
image courtesy of Graeme Chappell
You can also come to this carving via the Askwith Moor parking-bit, then walk along the well-trod footpath, past the triangulation pillar of Shooting House Hill for a coupla hundred yards, then walk straight south into the moor. But to those of you who aint got the nose for it, there’s no footpaths here and some folk might easily lose their way. However, if you reach the rise of Hollin Tree Hill a few hundred yards down the moor, watch out for those same hut circles mentioned elsewhere atop of the rising land. You’re damn close!
Archaeology & History
One of my very favourite cup-and-ring carvings this one! It was discovered about 1991 when Graeme Chappell and I were on one of our many archaeology wanderings, seeking out prehistoric remains on the moors north of Ilkley. First described and illustrated in Bob Trubshaw’s (1996) archaeomythics journal, it was later included in The Old Stones of Elmet (2001: 149-152). But when we first found it, this carving – on the vertical face of a small stone, beside an unexcavated hut circle – sent me a bit crazy, as the ‘human’ image in the carving struck me immediately. Needless to say, Graeme was all calm about it while I jumped around like an excited tit! As far as we’re aware, this is the earliest representation of a human figure in the British Isles. There are several other contenders in cup-and-ring design, but this seems the most probable of the lot. Graeme Chappell took a rubbing of the stone several years after we’d found it and the outline clearly shows the image of a human figure. The carving was later catalogued by rock art students Boughey & Vickerman (2003) in their Yorkshire survey as ‘stone 516.’ A female compatriot, the Woman Stone, can be found a few hundred yards east of here, at the bottom of the slope by the near horizon.
The fact that the carving occurs on the southern vertical face of a prehistoric hut circle may have had some significance about the structure itself. Petroglyphs on hut circles are rare—and this one occurs right at the entrance to the structure, the door into the circle. It may represent an image of the person who lived in this hut circle, or perhaps symbolized the nature of the character living there. The carving shows that the person was wearing a head-dress, akin to a horned-man figure – but much much earlier than anything previously recognised in British iconography. The figure may well be a shaman who, perhaps, lived at this circle. The carving was probably painted in lichens and other dyes
The Man Stone carvingBoughey & Vickerman sketch
Be careful not to wander around looking for this when there’s fog on the hills. You’re unlikely to find it! On an excursion up here several years back with Prof. Thomas Dowson and students from the Southampton University Rock Art course, we wandered about all over the place in the dense fog but were unable to find the damn thing! Twas a bittova freaky day, as half the students started crying (they thought I’d got them truly lost in the middle of nowhere as I didn’t have a map, a compass, walking boots, etc – which is how I usually do my wanderings, but they weren’t to know that!) and we must have walked within 10 yards of the carving, but it remained hidden from our prying eyes. But if you like your rock art, check this one out!
To find this, head for the line of old grouse-butts which run north-south, a few hundred yards west of the Askwith Moor Road. Just before y’ get to the one nearest the bottom of the line, frobble about a bit. If by any chance you end up at the Woman Stone carving, walk back up the slope until you’re on the level. Not far ahead of you are the upright stone remains of a grouse-butt. This carving is just a few yards away. You’ll find it.
This was another carving found on one of the many forays of Mr Chappell and I when we were young, sometime in 1993. A short while after, Graeme wrote to Edward Vickerman to inform him of the find, which ended up in their rock art survey a decade later.
It’s another one of those simple designs: what seems like at least 5 cup-markings on a small rounded rock, with two of them linked together by a groove — possibly natural, possibly man-made — though there may in fact be seven or more cups etched onto its upper surface. It’s difficult to tell. It gives you the impression that its present position isn’t its original one and is suggested by Boughey & Vickerman (2003) to have been “moved from pipeline?” close by. It may even have been dug out and cast here, possibly once being a part of a cairn. In the Boughey & Vickerman survey they give its OS-coordinate as SE 17163 50527 – and describe it as a “medium-sized, free-standing rock of fine grit. Five cups, some perhaps natural.” When Richard Stroud and I visited the site, he found the GPS coordinate was SE 17162 50530; and we have to say that instead of describing it as a free-standing rock, it’s a movable stone (though it’d take a bit of effort), that may once have been part of a larger monument.
References:
Bennett, Paul & Chappell, Graeme, Personal Communication, 1993.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
