Cold Stone, Burley Moor, West Yorkshire

Standing Stone:  OS Grid Reference – SE 14236 45433

Getting Here

Cold Stone, looking NW
Cold Stone, looking NW

From Burley-in-Wharfedale train station, take the road uphill to the moors, turning right at the top, until you hit the bend where the stream and rocky valley of Coldstone Beck appears. Walk up the right-hand (west) side of the beck until the moorland levels out.  Walk along the footpath above Stead Crag for a coupla hundred yards, keeping your eyes peeled for the largest upright stone in the heather about 50 yards into the moors. The other way is to get to Woofa Bank Enclosure and keep walking east through the heather for a coupla hundred yards till you see the tallest upright stone in the heather.

Archaeology & History

Apart from my own short entry about this site in The Old Stones of Elmet, we have no archaeological account of this standing stone, less than four feet tall and nearly as wide at its maximum, living in a landscape renowned for its excess of neolithic and Bronze Age remains.  For those of us who love our megaliths it’s nothing special — but at the same time it’s worth looking at, if only because of the other mass of prehistoric remains close by.  It received its name from the adjacent Coldstone Beck a short distance to the east, whose etymology isn’t clear.

Cold Stone, looking east
Cold Stone, looking east
Gazing into a hazy SW
Gazing into a hazy SW

Although we know that many of the sites on this ridge are prehistoric in origin (incredibly some of it still aint registered by those who get paid to do such things), we also need to take into consideration that this site may have been effected by the early industrialists who also made their mark on this section of the moor: they have scarred some cup-and-rings along here, destroyed other remains and left incisions on some rocks which could easily be mistaken as ancient.  There is also the possibility that this upright and its adjacent stones were once part of a cairn.   If evidence comes to light that the Cold Stone is more recent, we will of course amend this site entry.

Folklore

A number of Cold Stones are found scattered across upland Britain, in the form of crags or solitary stones.  In North Yorkshire and beyond, the name is sometimes a corruption of a Call Stone, i.e., a site where village matters were called out prior to the institution of a bell-man.  The old Market Cross in Kendal village, also known as the Cold Stone was where village notices were proclaimed.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.

© Paul Bennett, The Northern Antiquarian


Corrie (1), Gartmore, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NS 49502 95052

Also Known as:

  1. Canmore ID 43472

Getting Here

The cup-and-ring stone

On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore.  At the end of the village, turn right at the T-junction.  Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up.  A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it).  Keep walking on the track and where the field ends, a path to your left runs above a small burn.  Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!

Archaeology & History

Morris’ old photo (from PSAS 1967)

This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues.  It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it.  The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!

Faint CnR’s just visible

It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right).  It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups.  All rings are complete.  Greatest carving depth 2cm (¾in).”  There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed.  The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring.  At the top-right of the photo is where two cup-and-rings are conjoined.

Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out.  Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy firmament, so the design was even more difficult to see, as my photos illustrate.

Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.

References:

  1. Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
  2. MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
  3. Morris, Ronald W.B., “Stirlingshire: Corrie Farm (Gartnabrodnaig) – Cup Marks,” in Discovery & Excavation, Scotland, 1967.
  4. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1967.
  5. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  6. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

© Paul BennettThe Northern Antiquarian

Ball Cross Carving 02, Bakewell, Derbyshire

Cup-and-Ring Stone:  OS Grid Reference – SK 231 691

Archaeology & History

Ball Cross 2 Carving (after Beckensall)
Ball Cross 2 Carving (after Beckensall)

One of three carvings that were located inside the walling of the Ball Cross hillfort during excavations here in the early 1950s by J. Stanley. (1954)  Each carving is distinctly unlike the other in design (see Ball Cross 1 and Ball Cross 3) and it’s highly probable that they were incorporated into the Iron Age structure with their original mythic functions—of neolithic or Bronze Age origin—disused. It is not unlikely that this and its compatriots were originally found in association with the nearby prehistoric tombs.

Ball Cross 2 Carving (photo by Dean Thom)
Ball Cross 2 Carving (photo by Dean Thom)

The broken piece of rock consists of a broken section of an almost archetypal ‘cup-and-ring’—although with this design, no central ‘cup’ occurs: a pattern found at several other multiple-ring stones, like the Grey Stone near Leeds.  Although Stan Beckensall (1999) described this to have “8 concentric rings”, his drawing and the photo here by Dean Thom, clearly show only seven such ‘rings’.  The carving presently lives in a protective box in Sheffield Museum (though beware the listing they give of the designs, as some are incorrect).

References:

  1. Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
  2. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  3. Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
  4. Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
  5. Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
  6. Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.

Acknowledgements:  HUGE thanks to Dean Thom for the use of his photo, plus helpful references on this site.

© Paul Bennett, The Northern Antiquarian


Ball Cross Carving 01, Bakewell, Derbyshire

Cup-and-Ring Stone:  OS Grid Reference – SK 2310 6911

Archaeology & History

Ball Cross 01 Carving (photo © Dean Thom)
Ball Cross 01 Carving (photo © Dean Thom)

This is another carving (one of three here) that was removed from its landscape setting when found during excavations of the Iron Age hillfort of Ball Cross in the 1950s, and then placed into a box in Sheffield Museum, decontextualizing it and leaving future researchers slightly in the dark as to its possible nature.  In removing the carving from its site, the stone was left with additional scratches and grooves slightly damaging the stone.  Not good!

Ball Cross Carving (after Beckensall)
Ball Cross Carving (after Beckensall)
Ball Cross Carving (after A. Cooper)
Ball Cross Carving (after A. Cooper)

Although unlike the Ball Cross 2 and 3 carvings, the design here is structurally very similar to that found east of Gardoms Edge, with this one comprising of a large unbroken carved oval, with at least twelve cup-marks inside.  Or as Beckensall (1999) described, it “has 12 cups inside a flattened ring.”  Again, like the Gardoms Edge carving, a single cup-mark was etched outside of the enclosed ring. It was found with its companion carvings built into the main walled structure of the hillfort.  It’s unlikely that the stones date from the same age as the hillfort: more probable that they were re-used in the structure, with their mythic nature perhaps already long forgotten…

References:

  1. Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
  2. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  3. Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
  4. Cooper, Ali, Archaeology Walks in the Peak District, Sigma: Wilmslow 2010.
  5. Morgan, Victorian & Paul, Rock Around the Peak, Sigma: Wilmslow 2001.
  6. Stanley, J., “An Iron Age fort at Ball Cross Farm, Bakewell,” in Derbyshire Archaeological Journal, volume 74, 1954.

Acknowledgements:  HUGE thanks to Dean Thom for the use of his photo, plus helpful data on this site.

© Paul Bennett, The Northern Antiquarian


Gardoms Edge 02, Baslow, Derbyshire

Cup-and-Ring Stone:  OS Grid Reference – SK 2752 7328

Archaeology & History

Gardoms Edge 2 carving, in Sheffield Museum (photo - Dean Thom)
Gardoms Edge 2 carving, in Sheffield Museum (photo – Dean Thom)

This carving is one of two cup-and-ring stones that were removed from this area and transported to Sheffield Museum, decontextualizing them from their landscape presence (this should not be done unless very severe damage is happening, or their destruction is imminent).  It’s quite an intriguing carving, similar in design to one found not far away at Great Hucklow, the Middleton Moor 479 carving, etc.  Like many Pennine cup-and-ring stones, it was located in a prehistoric cairn field (or necropolis), with hut circles not far away too, and really should have remained in situ for the benefit of future researchers.

Gardoms Edge carving (after Beckensall 1999)
Gardoms Edge carving (after Beckensall 1999)

The carving was cut into one end of a small rock and comprises of a singular unbroken, large oval, within which are enclosed thirteen or fourteen cups, plus a single cup on the outside of the ring.  Lunar associations may be invoked by the 13 cups, enclosed within one cycle of the year.  But I’m speculating of course.  It’s probable that other carvings in the area remained undiscovered.

References:

  1. Barnatt, John & Reeder, Phil, “Prehistoric Rock Art in the Peak District,” in Derbyshire Archaeological Journal, 102, 1982.
  2. Barnatt, John & Robinson, F., “Prehistoric Rock Art in Ashover School and Further New Discoveries Elsewhere in the Peak District,” in Derbyshire Archaeological Journal, 123, 2003.
  3. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  4. Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.

Acknowledgements:  HUGE thanks to Dean Thom for the use of his photo here.

© Paul Bennett, The Northern Antiquarian


Calverley Woods Stone Circle, Leeds, West Yorkshire

Stone Circle:  OS Grid Reference — SE 20 37

Archaeology & History

Having lived close to these woods in the past, I have searched extensively for any remains of the stone circle described by a Miss Alice Wells in the very first issue of the Cartwright Hall Archaeology Group Bulletin, but to no avail.  A meeting to examine this site was supposed to have taken place in September 1953, “but as Miss Wells was unavoidably absent this was not seen.”  And still to this day it remains hidden [or non-existent, whatever the case may be].  There is ample evidence that prehistoric man roamed this region, as finds of cup-and-ring stones and iron age walling indicate.  A possible contender for this stone circle could be the small ring of rocks seen near the bottom of the wooded hill beneath the giant Hanging Stone, close to grid reference SE 2003 3748.  About 10 yards across, this looked like a smaller version of the Roms Law circle several miles west, but is much overgrown and not visible beneath the undergrowth of summer vegetation.

The presence of prehistoric cup-marked stones in this woodland clearly indicates Bronze Age activity here and—as such petroglyphs have a tendency in West Yorkshire to be associated with tombs and death in many cases—may indicate the lost site was indeed a cairn circle and not a true stone circle. Seems likely to me. If anyone has any photos of this site, or can ascertain its exact whereabouts, please let us know and all credits will be given for its rediscovery.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Jackson, Sidney (ed.), “Calverley Wood,”in Cartwright Hall Archaeology Group Bulletin, 1:1, July 1954.

© Paul Bennett, The Northern Antiquarian


Calverley Woods (03), Leeds, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 20370 37925

Getting Here

Cup-Marked Stone near centre (courtesy Mike Short)
Cup-Marked Stone near centre (photo, Mike Short)

Mike Short tells: Walk ENE along Thornhill Drive (no vehicular access) to gate across road at the last house on the Drive and continue on for approx 475m where road starts to narrow slightly, becomes a little steeper and gently turns to E.  Thornhill Drive is now cut into the hillside at this point with an upwards sloping bank on the S side of the path. After approx 25m further on at approx SE 20375 37950 look out on the S side of the path for a pile of boulders sitting on bedrock on top of the bank and a large rectangular tabular rock on the side of the bank.  Ascend the bank and from the boulder pile the panel is approx 22m 200º(T) in the middle of an ephemeral E-W path more defined to W.

Archaeology & History

The profile (and ‘How to Get There’) for this recently discovered cup-marked stone was forwarded to me by fellow rock art explorer, Mike Short.  The carving is another basic design found in Calverley Woods, between Leeds and Bradford, nearly halfway between the missing petroglyphs of West Woods 2 and Sidney Jackson’s Calverley Woods Stone.  Rediscovered by Lisa Volichenko some time ago, Mike described the new carving here as follows:

Sketch of the carving
(courtesy Mike Short)
Cup-Marked Stone nr centre (courtesy Mike Short)

“Panel is carved on W sloping face of a sub-triangular earthfast coarse-grained sandstone boulder 0.81m X 0.50m X 0.38m, the longest axis lying almost exactly N-S. Carving consists of 3 cups, the most N of which is elliptical approx 65mm X 55mm; the central cup is elliptical approx 50mm X 40mm and the most S is circular diameter approx 40mm. On the N edge of the W face is a shallow elliptical depression thought to be of natural origin. There is an area of damage along the ‘crest’ of the boulder close to its S end.

“Carved rock is the most E of five rocks, measuring between 0.70m and 1.15m in length, in very close proximity forming an arc, 3 of which are in the footpath and one of which is resting on a large slab of rock almost completely covered by soil and vegetation.”

And so the small number of cup-marked stones in this woodland slowly grows.  One wonders how many more are hidden beneath the roots of the trees—and are all of the lines and cups atop of the great Hanging Stone, a short distant away, all Nature’s handiwork…?

Acknowledgements:  Huge thanks for Mike Short for the data, photos and sketch of this carving.

© Paul Bennett, The Northern Antiquarian


Raven Stones (559), Thruscross, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 11835 58006

Getting Here

Heavily cup-marked Raven Stone (after QDanT)
Heavily cup-marked Raven Stone (after QDanT)

Take the A59 road from Harrogate and Skipton and at the very top of the moors near the Gill Head Enclosures, take the small Kex Ghyll road up past the disused quarry works north for a mile or so. At the junction go left, past the Outdoor Centre, thru West End up Whit Moor Road, then go left down to Brays Cross Farm and over the ford. Note the clump of trees on the moors to the west and take the path there. Once here, a large outcrop of rocks will be seen about 150 yards on the moor to the west. That’s the spot! Otherwise, follow the directions of the legendary wandering Teddy!

Archaeology & History

This dramatic looking outcrop of rocks rising out of the ground a half-mile due west of Bray farmhouse has long been known as the rocks of the ravens: oracular birds of ill-omen in all peasant traditions, yet carrier birds of shamans in their Underworld ventures, from accounts in Russia and Scandinavia, through the Scottish highlands and into Yorkshire’s northern hills, as folklore records show.  Whether such mythical figures used the Raven Stones here for such magick, we have no firm accounts; but the existence of the many cup-markings on this particular rock (and others in the outcrop) show that animistic traditions of some form or another occurred here in prehistoric times at the very least.

Looking across the stone
Looking across the stone
Looking down on the cups (after QDanT)
Looking down on the cups (after QDanT)

Records of this place as an archaeological spot are scant indeed.  It is passed with barely a mention by those Victorian antiquarian giants, Bogg, Grainge and Speight.  The rock art students Boughey & Vickerman (2003) give the wrong grid reference here, but added the site to their inventory, saying only that it is “long, low, exposed bedrock. 22-25 cups; some very weathered and smooth.”  A series of channels runs down the slope of the stone, but there are probably natural.  However, a cup-and-line does occur on the eastern side of the carving.

References:

  1. Armstrong, Edward A., The Folklore of Birds, Collins: London 1958.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

Links:  

  1. Teddy Tour Teas

Acknowledgements:  Huge thanks for QDanT & Teddy for the fine photos of the Raven Stone carving!

© Paul Bennett, The Northern Antiquarian 


High Green (407), Skyreholme, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07508 62599

Getting Here

Skyreholme Cup-marked rock 407
Skyreholme Cup-marked rock 407

Take the B6265 east out of Grassington, thru Hebden, for another 2 miles till you pass the tiny road down to Skyreholme on the right.  Another few hundred yards on, past Nussey Farm and Dry Gill house, park up and look for the track going south into the moors. Go down the track called Black Hill Road for a few hundred yards till y’ reach the gate on the right. A track bends downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards on, to the right-hand side of the track, we find this and its companions. Look around!

Archaeology & History

Quick sketch of design
Quick sketch of design

This medium-sized, recumbent standing-stone-shaped boulder has perhaps fifteen cup-markings on it.  It’s a plain carving with others of a similar ilk in the area.  First described by Stuart Feather in 1970 as one of “two cup-marked rocks” he found when ambling around; in Boughey & Vickerman’s (2003) survey they give it the wrong grid reference, though describe it correctly as a “long flat rock of irregular outline (with) fourteen to sixteen cups.” A cluster of other carvings are nearby, though some have been destroyed through mining operations.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Appletreewick, W.R.,” in Yorkshire Archaeological Register, 1969, Yorkshire Archaeological Journal, part 168, 1970.

© Paul Bennett, The Northern Antiquarian


Panorama Woods (230), Ilkley, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 10377 47027

Also Known as:

  1. Carving no.63 (Hedges)
Panorama Woods stone 230
Panorama Woods stone 230

Getting Here

From Ilkley, take the directions up to the Panorama Woods 232 carving.  From here you can step from this rock over the stride onto the cup-marked carving 231b, and then go onto the next adjoining rock surface a little lower down. From here, you’ll see another mossy rock surface in front of you by a yard or two. That’s the one!

Archaeology & History

The three cup-markings
The three cup-markings

Here’s another simple cup-marked stone, probably only for the purists amongst you—although in visiting here please take into account the primary carving’s association with other more prominent designs that once existed only a few yards to the west where the houses now stand.  There is also the cluster of other carvings right next to this stone.  A prehistoric settlement was also in evidence adjacent to this carving which was destroyed in the latter half of the 19th century.

Close-up of the cups
Close-up of the cups
John Hedges 1986 drawing
John Hedges 1986 drawing

Described simply in John Hedge’s (1986) fine survey as a small “piece of rock with three clear cups and one depression.”  Boughey & Vickerman’s (2003) survey added nothing more and merely copied the same words.  For some reason or other (mebbe cos I’m simple!) I really like this otherwise innocuous design and its close simplistic relatives. It’s probably due to the trees amidst which the stones are found and the bright mosses on the rocks, giving the site a slightly extra sense of more living genius loci than others on the top of these moors, where the winds move the subtle spirits with greater ease.

19th century addition
19th century addition

If you step down and look at the vertical side of this stone, you’ll notice a more modern stylistic carving etched onto the surface.  Not as deep as the prehistoric cups on the top, it seems probable that a local artist by the name of Ambrose Collins carved this on here (and other similar designs on other rocks nearby) in the late 19th century.

References:

  1. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian