There are numerous ways to get here from all directions: i) from the west-side of Wimbledon Common, on the Robin Hood’s Way A3 road, keep your eyes peeled for the small crossroad of Robin Hood Lane and Road, obivously taking the one into the park. Keep on the dead straight Robin Hood Ride path until your hit the carpark ¾-mile on; and from here, bear sharp left (NW) for 250 yards or so, where a small slope down on your left takes you there; or, ii) from Wimbledon village side on the A219 Parkside A219 road, where the War Memorial stands, head onto the Common along The Causeway, past the Fox & Grapes going on Camp Road, then up the Sunset Road towards the carpark. And then, once again go NW for 250 yards or so, where the small slope on your left takes you there. You’ll find it.
Archaeology & History
Described by William Bartlett (1865) as “the never-failing spring of water, improperly called the Roman Well”, its constant flow was severely tested in the great drought of 1976—and it kept on flowing. Only just though! It was highlighted on the early Ordnance Survey map with the plain name of the Springpond Well. The great historian and folklorist Walter Johnson (1912) gave us the best historical resumé of the site, telling that,
Caesar’s Well around 1900Caesar’s Well around 1911
“Caesar’s Well, formerly known as Robin Hood or Roman Well—the Springpond Well on the Ordnance Map—issues on the other side of the little watershed above mentioned, at a height of 149 feet O.D. The well lies in a little hollow, now ringed with Scottish pines. The gathering ground is the land to the east, rising to 198 feet O.D. This area is not large, but quite sufficient to maintain a permanent rill of pure water. The well, the waters of which once were deemed of special medicinal merit, was enclosed with brick in 1829, and, as the inscription tells us, refaced with granite blocks by Sir Henry W. Peek, M.P., in 1872. The outflowing waters descend to Brickfield Cottage, where they expand into a turbid duckpond; thence the course is through the yard behind the house, and along the north side of Robin Hood Road to Brook Cottage. During 1911 the “Well” proper altogether dried up, but water still issued from the stand spout a few yards below, which is supplied by an artificial boring and pipe that tap the spring at a depth of 18 feet.”
Site shown on the 1874 map
The proximity of this never-failing spring to the huge prehistoric enclosure of Caesar’s Camp just a few hundred yards to the south would indicate it was an important water source in Bronze Age times and, I’d hazard, would have been bestowed with some sanctity, as many such wells tended to be.
Folklore
James Rattue (2008) informed us that the name Robin Hood’s Well was known here in the 18th century prior to it being known as Caesar’s Well, but there seems to be no known relationship between Robin Hood and this site. However, a piece written in 1922 told that there was a lingering tradition that Julius Caesar encamped on Wimbledon Common in 51 BCE and that this folk memory was kept alive in the lore of local children who devoutly believed that the great Roman Emperor drank from the cool depths of this well.
References:
Bartlett, William A., The History and Antiquities of the Parish of Wimbledon, Simpkin Marsall: London 1865.
Hughes, John L., “Caesar’s Well, Wimbledon Common,” in Source magazine, no.9, Spring 1989.
Johnson, Walter, Wimbledon Common – Its Geology, Antiquities and Natural History, T.Fisher Unwin: London 1912.
Rattue, James, Holy Wells of Surrey, Umbra: Weybridge 2008.
Cup-Marked Stone (lost): OS Grid Reference – SO 1491 0045
Archaeology & History
Sometime in the 1940s, a certain Lady A. Fox recorded a cup-marked stone “in the vicinity of Pen-twyn” near Bargoed. Its position in the landscape is a good one: on a geological promontory and overlooking the valley below. The find was indexed by the Ordnance Survey, but apart from it’s grid-reference, all attempts to locate the design have so far proved unsuccessful.
It was mentioned briefly in the Royal Commission (1976) survey of Glamorgan, then subsequently listed in the surveys of Sharkey (2004) and Nash (2007), but none of them were able to locate it. And hence, I post it here, in the hope that some local hunter will be able to recover it from its hiding place!
References:
Mazel, A., Nash, G. & Waddington, C. (eds.), Art as Metaphor: The Prehistoric Rock Art of Britain, ArchaeoPress: Oxford 2007.
Nash, George, “A Scattering of Images: the Rock Art of Southern Britain,” in Art as Metaphor, ArchaeoPress: Oxford 2007.
Royal Commission on the Ancient & Historical Monuments, Wales, An Inventory of the Ancient Monuments in Glamorgan – Volume 1: Pre-Norman, Part 1: The Stone and Bronze Ages, HMSO: Cardiff 1976.
Sharkey, John, The Meeting of the Tracks: Rock Art in Ancient Wales, Gwasg Carreg Gwalch: Llanrwst 2004.
An interesting new cup-marked stone found by Paul Blades is this smooth rounded (female) stone that may originally have had some relationship with the tall standing stone of Careg Bica 160 yards to the south. Around ten cup-marks are etched onto its surface, in a seemingly random arrangement (as usual!). Although it seems to be an isolated carving, it’s likely that others will exist in the area.
Carving & outlying monolithCareg Bica petroglyph
The direction and proximity of the standing stone may have had some relationship with the carving. In traditional northern hemisphere societies, the cardinal direction North is generally associated with darkness and death, primarily due to the fact that this is the area in the heavens where neither sun or moon ever appear; whilst South relates to life and positive natural associations due to it being the high point of the sun during the day. This animistic attribute existed till recently in the water-lore of northern England and Scotland where “south-running streams bore a high repute.” Whilst such mythic attributes are well established, any cardinal relationship here is purely speculative.
Acknowledgements: Huge thanks to Paul Blades for use of his photos in this site profile – and of course for finding the stone!
If you’re coming via the Keighley-Bingley (Airedale) road, go up to Riddlesden and then up the winding Banks Lane until it meets the edge of the moors. At the T-junction, turn left and about 330 yards along on your right there’s a dirt-track. Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area. About 450 yards on from the gate on your right-hand side you’ll see the long straight length of walling that runs uphill—and about 60 yards up here, on the left-hand side of the wall you’ll see a very large boulder. Y’ can’t really miss it!
Archaeology & History
2 of the several cups here
This large natural block, embedded into the hillside about 80 yards below the Wondjina Stone and its companions, is nothing much in the petroglyphic visual scale of things, but is worth checking out for a break if you’re checking out the other good designs in the Rivock cluster. Upon its sloping flat two-tiered surface there are just a small number of randomly spaced cup-marks of varying sizes: six at least, but perhaps as many as nine altogether. In times gone by (many years ago) we thought one of them might have had a very faint ring around it, but on my last couple of visits here I couldn’t see anything.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Cup-Marked Stone: OS Grid Reference – SE 0745 4470
Getting Here
Rivock Top stone
Best approached via the Wondjina Stone, then over the wall and follow the geological ridge that bends into the trees. It’s difficult to find amidst the dense forest and is another one of those carvings that’s probably only for the purists amongst you.
Archaeology & History
If you’re doing the Rivock rock art tour, you might as well give this a go once you’ve checked ou the decent ones nearby. Here, on a rather large stone we find, on its uppermost ridge, three faint cup-marks next to each other in a very slight curve. The cup-mark in the middle is slightly larger than its two compatriots and might be natural. If you were to wet the rock when the sunlight is just right, you’ll probably get a better idea of its real appearance—otherwise we’ll have to let the computer-gadget lads suss it out!
Follow the directions to reach the Ancestors’ Stone and the Sunrise Stone; and there, roughly halfway between them, right by the edge of the old collapsed walling, you’ll see this rise of a stone with a large ‘bowl’ on top. That’s it!
Archaeology & History
Mixing Stone, looking E
Laid upon the same geological ridge as our Ancestors’ and Sunrise carvings, there are one, possibly two faint cup-marks visible on the low flat surface near the edge of this rock, barely visible unless the light’s right. But the important element here, perhaps regardless of the cup-marks, is the ‘bowl’ or rock basin on top of the stone. Internally, it’s smoothed equally on all sides and, due to being in-between the two impressive petroglyphs, may well have had a practical function to it. Bear with me on this one…
The Mixing Stone’s bowl
Stone ‘bowls’ or cavities—natural and otherwise—have been made use of in many cultures for simple functional purposes, such as grinding flour, herbal mixes, etc. We find such traditions in some of the bullauns of Ireland and Scotland; whereas in similar stone bowls known as cat troughs in nearby Haworth, milk was poured to appease the spirits of the land (this tradition was still being maintained in 2001!). Folklore and traditions of such rock basins spread far and wide beyond the UK: one of the German terms for rock basins is Opferkessel, meaning ‘sacrificial basin’ and suggests ritualistic usage by early societies. Elsewhere on Earth there are numerous accounts of the ritual use of petroglyphs in which indigenous peoples tell of their use of plant- or rock-based paints (in many cases red ochre) to decorate the carvings. And it’s this element that I’m interested in here.
Water-painted cupmarks
The Sunrise and Ancestors’ Stones 10-15 yards either side of this Mixing Stone are ideal candidates for such petroglyphic paintings using early ochre and other stone or plant-based agents. Such activities would always have been ritualised, either in honour of ancestors, genius loci, calendrical rites, or whatever the pertinent ingredient was at that place and time. I’m suggesting simply that the rock basin on the Mixing Stone was used for just such purposes. This is no spurious suggestion, but at the same time it’s important to recognise that my thoughts here represent merely an idea, nothing more—not a fact. Whilst we know full well that these carvings were imbued fundamentally with animistic properties—a simple ‘fact’—this functional idea is just that—an idea. Students and petroglyph-nuts need to understand this. And the faded cup-marks at its edge are perhaps merely incidental…. though I don’t buy that misself!
If you’re coming up from Otley or Askwith, take the same directions as if you’re going to visit the impressive Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up to the small outcrop of rocks that bends above you. There’s a small collapsed line of walling just behind the outcrop. Walk along this up the slope as if you’re heading for the Sunrise Stone carving, but only 30 yards along, low down and right into the edge of the wall itself, you’ll see this elongated piece of stone. That’s the spot!
Archaeology & History
If you’ve caught the petroglyph-bug, you’ll like this one! It received its name from the curious fusion of natural cracks with the man-made pecked lines that shows, quite distinctly when the light is right and the stone is wet, the outline of two humanesque forms joined to each other. Figurative rock engravings of ancestors in the UK are extremely rare and when we came across this example, we noticed how the design could be interpreted as two Askwith Moor ancestor figures. Figurative rock art images elsewhere in the world such as the magnificent Wandjina paintings and the extensive galleries of figures engraved at Murujuga (Burrup Peninsula) in Western Australia, might provide an initial comparison, though more specific work needs to be done to better understand this unique petroglyph.
Sketch of the carving
You can almost make out the figures in the above photo: the upper torsos of two beings on the right-hand side of the rock, almost fused together. And the carved shapes of these “ancestral beings” are morphically similar to some elements in the Sunrise Stone just 50 yards away – which themselves remind me of a Northumbrian carving near Doddington known as West Horton 1a. (Beckensall 1991) But we should’t get too carried away by the idea because—as we can see here in the sketch of the carving—when looked at from a different angle above, we could infer the right-hand carved elements to be representative of an animal: a deer, perhaps. Rorscharch’s once more tickle the exploring mind….
The rock has been quarried into at same time in the past (just like the nearby Sunrise Stone), leaving us to wonder what the complete carving might have looked like. No doubt some pieces of it will be in the collapsed walling either side of the stone. All we have left to see are the two unfinished cup-and-rings above the natural cracks that give rise to the “ancestral being” appearance. The faint double cup-and-ring has curious linear arcs to its side, with two well-defined cups enclosed by two of them. It’s a nice-looking carving when the light is good. The petroglyph was carved over a long period of time, as evidenced by the differing levels of erosion in different sections of the design. It’s a common attribute. The oldest section is the faint double cup-and-ring, whose mythic nature was added to / developed at a much later date, perhaps even centuries later.
In the always-expressive archaeocentric description of Boughey & Vickerman’s (2003) otherwise valuable tome, they told this carving to be,
“Long, narrow, thick rock of medium grit. Six cups, one with a double ring with a tab out and two with at least partial single rings, grooves.”
Evocative stuff!
It’s very likely that this carving had some mythic relationship with its close neighbours either side of it, probably over a very long time period and I’m inclined to think it somehow related to the rising of the sun, just like its solar companion further up the slope. Please note how I emphasize this ingredient in the site profile of its neighbour, the Mixing Stone 10-15 yards away—roughly halfway between this and the Sunrise Stone. A distinct place of ritual was happening in this close-knit cluster of carvings…
References:
Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, 1991.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Sacred Well (lost): OS Grid reference – SW 4614 3259
Archaeology & History
It’s difficult to know what to make of this site: whether it was merely a healing well or whether it possessed greater esoteric functions. In all likelihood it was the latter as many so-called “wishing wells” in earlier centuries possessed oracular attributes. It’s also difficult to work out precisely where this well happened to be, as we know little about it apart from the singular reference of Quiller-Couch (1894), who told simply that,
“There was also a wishing-well in the Bone Valley; it is now only a small stream, and is not used for purposes of divination.”
Hidden spring on 1878 map
Line of wells on 1908 map
There were a number of wells along the Bone Valley road highlighted on the early OS-map, all of which may have been known to Quiller-Couch at the time, three of which appeared to have streams emerging from them back then: one just above Bosoljack (SW 4556 3319) and one below it (SW 4571 3292), each just off the roadside; but then a slightly more enticing one is hidden a little further down the lane and up the tinier lane to Higher Boskinning, in the trees on the right (east). Shown on the first OS-map as a simple “spring”, a small stream runs from it and then into the larger Bone Valley Brook which runs towards Penzance. The solace and quietude of this spot would seem much more favourable than the other two…. but my impressions may be wrong. It would be good if someone could find this old place…
References:
Quiller-Couch, M. & L., The Holy Wells of Cornwall, C.J. Clark: London 1894.
Russell, Vivien, West Penwith Survey, Cornwall Archaeological Society 1971.
Acknowledgements: Big thanks for use of the early edition OS-map in this site profile, Reproduced with the kind permission of the National Library of Scotland.
Holy Well (lost): OS Grid reference – SW 4025 3062
Archaeology & History
Just over a mile northwest of the superb Sancreed Well, we find documentary evidence from 1778 recording the field-name of Chapel Well Close here, although there seems to be no remaining spring or well and nothing is shown on the early OS-maps. Official records define it as a “medieval well” and speculate that it may have been associated with the nearby Boscence Chapel and possibly dedicated to St. Winwaloe.
References:
Anon., The Church and Parish of Sancreed in the County of Cornwall, Brewer: Sancreed c.1960.
Healing Well (destroyed): OS Grid reference – TQ 330 827
Also Known as:
Balsamick Well
Archaeology & History
In that typically rambling style beloved of early writers on medicinal springs, Timothy Byfield (1687) narrated the tale of uncovering this well in an almost alchemical discourse. It was located when digging out the cellar of a house near Charles Square in the 1680s. Upon investigation, the waters were found to possess a good quantity of sulphur and a small amount of iron, leading Byfield to proclaim it could cure a whole army of medical disorders, from cleaning out blockages in the alimentary canal, to treating kidney stones, scurvy, ulcers, headaches, migraines and more. If used correctly and in the right amount,
” There is,” he says, “no unwholesome glebe (concretion) or any dangerous mineral or metal (in them) that casts one unhappy ray into this healing fountain.” On the contrary, they set up ‘* such a pretty bustle or ferment in nature that makes gay a well-temper’d Healthy Body.”
In the early days when Spa Wells were in vogue, the Balsamic Well became a competitor to the nearby St Agnes le Clear Well, which is probably the reason why one doctor dissuaded the toffs of the time to avoid it!
The waters possessed a slight vinegar-esque flavour—hence the name. In John MacPherson’s (1871) work, he described it as a “chalybeate well” and despite it having that typical “bituminous scum on it, strange to say,” it yielded “a pleasant aromatic flavour.” The site has long since been covered over.
References:
Byfield, Timothy, A Short and Plain Account of the late-found Balsamick Wells at Hoxdon, London 1687.
Foord, Alfred Stanley, Springs, Streams and Spas of London: History and Association, T. Fisher Unwin: London 1910.
Hembry, Phyllis, The English Spa 1560-1815, Athlone Press: London 1990.
MacPherson, John, Our Baths and Wells, MacMillan: London 1871.
Sunderland, Septimus, Old London Spas, Baths and Wells, John Bale: London 1915.
