Tag: cup-and-rings

Two Eggs, Morton Moor, West Yorkshire

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Legendary Rocks:  OS Grid Reference – SE 1058 4490

Getting Here

Two Eggs on 1851 map

By whichever route you wanna take, get y’self to the prominent cup-and-ring marked rocks known as the Thimble Stones near the very top of these moors. From here, walk roughly 400 yards southwest onto the bare open moors (there are no footpaths here) and you’ll see these two isolated prominent boulders living quietly on their own.  You can’t really miss ’em!  You’re there.

Archaeology & History

Of the two giant boulders here, both are included in the petroglyph surveys of Hedges (1986) and Boughey & Vickerman’s (2003) as possessing “all natural” cup-marks on their top and vertical surfaces.  Those on top of the rocks certainly seem to be Nature’s handiwork, whilst many of the seeming ‘cups’ on the vertical face of one (not the one pictured here) are due to gunshots.  I’m not quite sure when they were done, but they certainly didn’t exist during the many visits I made here in the in the 1970s and ’80s.

They stones included in most of the standard antiquarian surveys of the 19th century, with the earliest being Forrest & Grainge (1869) who described them as,

“two detached masses of rock, standing alone upon the moor.  The first is 14ft in length by 8ft in height, tapering to the ground; a set of cups and channels occupy the highest point.  The other, distant 13 yards, is of an irregular square form, 45 yards in circumference and 7ft high.  This stone appears to be tilted on its edge, presenting its cleavage upwards, and has hollows containing water, but is so much wasted above that if it has ever borne the cups and channels, they are now obliterated.”

On top of an Egg, c.1986

Collyer & Turner (1885) described “a number of cups” on the edge of the northern rock; and Romilly Allen (1896) likewise.  Even that historical literary giant, Harry Speight (1900), added his own tuppence here, telling folks how both Eggs “are channelled and bear cups.”

It’s very possible that these isolated stones did have some sort of significance to our prehistoric ancestors.  There are innumerable examples worldwide of rocks like this possessing ritual and mythic lore—and many in the British Isles too.  And the cupmarks on the stones may have been enhanced by those same prehistoric ancestors.  But we’ll never know for sure…

Folklore

The creation myth behind the Two Eggs is one echoed in traditions across the world.  Folklore tells that the Eggs were said to have been laid here by a great dragon who lived within a hill some distance to the south.  All other aspects of the tale have sadly long since been forgotten…

References:

  1. Allen, J. Romilly, “Cup and Ring Sculptures on Ilkley Moor,” in The Reliquary, volume 2, 1896.
  2. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  3. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  4. Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
  5. Forrest, Charles & Grainge, William, A Ramble on Rombald’s Moor, Northern Antiquarian: Bradford 2012 (1st published 1867-69).
  6. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  7. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

© Paul Bennett, The Northern Antiquarian


Deer Track Stone, Ilkley Moor, West Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 13858 45562

Also Known as:

  1. Carving no.190 (Hedges)
  2. Carving no.367 (Boughey & Vickerman)
Carving with Woofa Bank enclosure to rear

Getting Here

The easiest way to find this is to take the same directions to reach the Woofa Bank settlement.  Get your compass out and make sure that you’re at the northern edge of the settlement walling.  From here, walk about 60 yards northwest and keep your eyes peeled for a rock about 2 feet high, curved and elongated with its top surface above the heather.  You’ll find it.

Archaeology & History 

The name I’ve given to this stone is a conjectural one based entirely on comparative petroglyph designs elsewhere in the world.  Or to put it more simply: elsewhere in the world we find examples of prehistoric rock art showing animal tracks and rituals relating to hunting animals, and in the design of this petroglyph on Ilkley Moor I wondered if we might be looking at something similar.  Internationally respected anthropologists, archaeologists, geologists and rock art specialists such as Lawrence Loendorf (2008), Polly Schaafsma (1980), Dennis Slifer (1998) and many others show examples of animal tracks in the US and Mexico (examples exist throughout the world), and it’s not unlikely that some of the petroglyphs in the UK represent such things.  But, like I say, this particular carving may have nowt to do with such a thing and the idea is entirely conjectural on my part and is probably way off the mark.

Deer-print motif & cup

Located less than 60 yards (54m) northwest of the impressive Woof Bank enclosure, it’s possible that the first literary note of this was by Stuart Feather (1968) when he made note of five cup-and-ring marked rocks (which) have been revealed by erosion in 1968,” telling us that some of the motifs on the rocks included cups with and without rings, channels and eye-shaped marks (occuli)— the latter of which may relate to this stone.

A more definite description of the stone was made in John Hedges (1986) survey where he described it in that usual simplistic form, telling us: “Long rock, its surface on two levels, sloping N to S in heather.  Two large oval cups and one cup at N end.  One clear cup at S end.”

Hedges’ 1986 sketch

It is these two elongated cups that have the distinct appearance of deer tracks. (another animal with a similar footprint is the goat)  The cup-mark in front of them and the one at the back of the rock may be something relative to the animal.  But more important than this is to recognise that, in lots of cultures, animal tracks are represented in some petroglyphs.  That’s more important to think about when you look at British rock art, than the improbability of this design being such a thing…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “West Yorkshire Archaeological Register – Ilkley (WR) Green Crag Slack,” in Yorkshire Archaeology Journal, volume 42, 1968.
  3. Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  4. Loendorf, Lawrence L., Thunder and Herds – Rock Art of the High Plains, Left Coast: Walnut Creek 2008.
  5. Schaafsma, Polly, Indian Rock Art of the Southwest, University of New Mexico Press 1980.
  6. Slifer, Dennis, Signs of Life – Rock Art of the Upper Rio Grande, Ancient City: New Mexico 1998.

© Paul Bennett, The Northern Antiquarian

Devil’s Stone, Winceby, Lincolnshire

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Legendary Rock:  OS Grid Reference – TF 3127 6901

Also Known as:

  1. Big Stone of Slash Lane

Archaeology & History

Stone shown on 1887 map

There is no specific archaeological information about this stone.  However, we must take note of the so-called “devil’s footprint” that was on the boulder.  In some parts of the UK, some devilish and other mythic footprints on stone are prehistoric cup-markings; but we have no idea whether this impression was such a carving or—more probably in this case—Nature’s handiwork.  The field in which the stone existed was said to be the place where the so-called Battle of Winceby occurred.

Folklore

The stone was mentioned in several old tomes, with each one generally repeating the same familiar story, and with motifs that will be familiar to antiquarians and folklorists alike.  In an early edition of Notes & Queries we were told of,

“the large stone in Winceby field, where soldiers had sharpened their swords before the battle. This was a stone of fearful interest, for much treasure was supposed to have been buried under it. Numerous attempts have been made to get at this treasure, but they were always defeated by some accident or piece of bad luck. On the last occasion, by ‘yokkin’ several horses to chains fastened round the stone, they nearly succeeded in pulling it over, when, in his excitement, one of the men uttered an oath, and the devil instantly appeared, and stamped on it with his foot.  “Tha cheans all brok, tha osses fell, an’ tha stoan went back t’ its owd place solidder nur ivver; an’ if ya doan’t believe ya ma goa an’ look fur yer sen, an’ ya’ll see tha divvill’s fut mark like three kraws’ claws, a-top o’ tha stoan.’  It was firmly believed the lane was haunted, and that loud groans were often heard there.”

The tale was retold in Grange & Hudson’s (1891) essay on regional folklore.  In Mr Walter’s (1904) excellent local history survey, there was an additional shape-shifting element to the story which, in more northern climes, is usually attributed to hare; but this was slightly different.  The stone, as we’ve heard,

“was supposed to cover hidden treasure, and various attempts were made at different times to remove it, sometimes with six or even eight horses. At one of these attempts, his Satanic Majesty, having been invoked by the local title of ‘Old Lad’ appeared, it is said, in person, where upon the stone fell back, upsetting the horses.  On another occasion a black mouse, probably the same Being incarnate in another form…ran over the gearing of the horses, with a similar result.  Eventually, as a last resort, to break the spell, the boulder was buried, and now no trace of the boulder, black mouse, or Satan’s foot-print remains.”

Sadly we have no sketches of the devil’s ‘footprint’; and if local lore is right, we’ll never know.  For tis said that a local farmer in the 1970s dug down and removed the stone completely.  All that he found were numerous broken ploughshares around the rock, indicating that many tools had been used to shift the stone.  In much more recent times however, a fellow antiquarian has said that it can still be found: so, if you can get a good photo of it, stick it on our Facebook group.

References:

  1. Grange, Ernest L. & Hudson, J.C. (eds.), Lincolnshire Notes and Queries – volume 2, W.K. Morton: Horncastle 1891.
  2. Gutch, Mrs & Peacock, Mabel, Examples of Printed Folklore Concerning Lincolnshire, David Nutt: London 1908.
  3. Walter, J. Conway, Records, Historical and Antiquarian of Parishes around Horncastle, W.K. Morton: Horncastle 1904.

© Paul Bennett, The Northern Antiquarian

Acknowledgements:  Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland. 

West Dron Hill, Bridge of Earn, Perthshire

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Cup-and-Ring Stone:  OS Grid Reference – NO 11845 15169

Getting Here

West Dron’s petroglyph

In the middle of Bridge of Earn village, take the Heughfield Road until, ⅓-mile on you hit the T-junction.  Turn left along Forgandenny Road and go along the curvaceous road for just over a mile where you need to keep your eyes peeled for the small left turn that takes you up the dead straight road.  At the top, turn left at the junction and go ⅔-mile, turning right at the next junction until after 400 yards you reach the houses on your right.  Go up the footpath opposite the houses (south) until, after nearly 400 yards, it splits.  Bear right and zigzag up the track for nearly a mile till you reach a large opening in the forest.  40 yards up the slope to your left is the stone—at last!

Archaeology & History

After the trail to get here, you might not be overly impressed by what you see – and it’s nothing special to look at to be honest.  But its location is a good one: reasonably high up on a sloping plateau which would have given good views were it not for the surrounding forestry plantations.  The only literary description of the site was the brief one in Discovery & Excavation Scotland, shortly after being rediscovered.  Mrs Johnson (1960) wrote:

Close-up of the carving

“A cup-marked stone was found by Mr. J. R. Morrison on the N side of West Dron hill.  The stone measures approx. 4ft long by 1ft 9in broad.

There are 17 cup-marks: five of which have channels, and two of which are joined in the form of a dumb-bell.  The stone lies with its longer axis NE-SW, and its broad face uppermost.”

Its seeming isolation is a peculiarity that I don’t buy.  Other carvings are going to be in the locale, probably on the same north- or north-east facing ridges – but due to the dense forestry, any other petroglyphs will remain hidden for quite some time…

References:

  1. Johnson, M., “Dron, Perthshire,” in Discovery & Excavation Scotland, SRG 1960.

Acknowledgements:  Huge thanks to Theresa Hughes for the use of her photos of this carving.

© Paul Bennett, The Northern Antiquarian


Watcher Stone, Ilkley Moor, West Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 11816 46563

Also Known as:

  1. Carving no.109 (Hedges)
  2. Carving no.263 (Boughey & Vickerman)
  3. White Wells 05

Getting Here

Watcher Stone by the path

From Ilkley, go up to White Wells (ask a local if y’ get stuck) and walk round the back of the building. Walk to the trees and then follow the footpath up onto the moors; but after 70 yards a small footpath on your right goes up the slope.  Take this and after about 90 yards it veers round to your left, following the contours up towards the copse of trees.  Another 100 yards up it meets with another path and once here, just yards in front of you, right by the side of the footpath, is the stone in question.

Archaeology & History

First described in John Hedges (1986) survey, this simple cup-marked stone typifies many petroglyphs on these moors: a barely visible design much eroded by centuries of wind and water, with markings perhaps only of interest to the devoted student and explorer.  But at least it’s a good place to sit, rest and watch the valley below.

Looking down at the cups
Hedges 1986 sketch

This old fella looks to have only five cupmarks on its supper surface, one of which is elongated, as shown in Hedge’s drawing.  However, when he saw this, he thought the elongated ‘cup’ consisted of three of them in a line, all linked up.  He saw a “medium sized smooth grit rock standing in grass, its surface triangular in shape, with flat top sloping slightly N to S.  Three cups connected by a groove, c. four other cups, all shallow and worn.”

This description was echoed in Boughey & Vickerman’s survey (2003), where they thought that the “triangular top surface has about seven worn cups, three connected by a short groove.”  But if the light isn’t quite right, this can be very difficult to see.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Links: 

  1. The Watcher Stone on The Megalithic Portal


Castleton (7c), Cowie, Stirlingshire

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Cup-Marked Stone:  OS Grid Reference – NS  8551 8819

Archaeology & History

Looking down on C-7c

Near the northwestern end of the small geological ridge that runs to the west of Castleton farmhouse, close to an awesome nine-ringed carving, we find this more simplified triple-ringed petroglyph.  And although the carving is easy enough to describe, its labelling (as ‘Castleton 7c’) is rather troublesome.  As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek in the mid-1990s.  But van Hoek’s sketch of Castleton 7c and the one shown in our photos, whilst very similar, possess attributes that aren’t on van Hoek’s drawing.  Now this isn’t too odd, as many petroglyphs look different when lighting conditions change; to the point where some features you can see one day are almost invisible the next.  But this carving has attributes that are very difficult to miss – and van Hoek’s detailing tended to be good.  But, all this aside: until we can verify with certainty one way or the other and despite my suspicions that this isn’t what van Hoek described, I’m still entering this carving as Castleton 7c. So – now that bit’s out of the way…!

When we visited the site two years ago the day was dark and overcast, so we didn’t really have good conditions for seeing any faint carvings.  But this wasn’t faint, thankfully.  It was completely buried beneath soil and gorse bushes, but thankfully Paul Hornby managed to unearth the one you can see in the photos.  If it is the Castleton 7c petroglyph, it was rediscovered by van Hoek on one of his ventures here in 1985.

Carving showing wavy lines on right
…and from another angle

When we visited the site we only managed to uncover a small section of the stone, as the roots of the surrounding gorse prevented us from seeing more. (it’s tough stuff unless you’ve got the right gardening equipment!)  The section we uncovered consisted of a cup-and-triple-ring.  This is consistent with van Hoek’s sketch and description; but we also found there were two very notable ‘arcs’ on the outer edge of the rings—nearly opposite each other—as if another, fourth ring had been started.  You can’t really miss these elements – and even in the poor lighting conditions we had, these outer arcs are very evident on a number of photos – especially when they are expanded to full-scale.  However, as I mentioned, we were unable to uncover all the rock; but when van Hoek was here there was far less herbage.  What he saw on this carving was as follows:

“Deturfing part of this ridge revealed a fine cup with three rings with a broadly pecked tail; one solo cup; one large oval ring with small central cup; and a faint cup with two rings, the outer one incomplete.  The rock slopes 12º ENE.”

Crap drawing done in crap lighting
van Hoek’s 1996 sketch

The “broadly pecked tail” he mentions is also not really clear in any of the 60 photos we took.  There is a faint line that runs through the three rings, into the central cup and out the other side: a single curving line no less.  It’s certainly visible, but it’s far from broad.  But there are a number of other lines coming out of the rings.  These maybe just natural scratch marks, or even scratches acquired from farming activity.  It’s difficult to say.  In the poor light that we had, there as looked to be a single cupmark a few inches away from the rings, but this isn’t consistent with the position of the cupmark on van Hoek’s sketch.

There’s a simple solution to all this: we need to revisit the site and expose more of the rock.  At least that will tell us once and for all whether this is the same as van Hoek’s stone, or whether we’ve found yet another new carving. Watch this space, as they say! 😉

References:

  1. van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.

© Paul Bennett, The Northern Antiquarian


Allt a’ Choire Chireinich (06), Ben Lawers, Kenmore, Perthshire

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Cup-Marked Stone:  OS Grid Reference – NN 65309 39553

Getting Here

Allt a’ Choire Chireinich 6

Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph.  Standing here, you’ll notice the large boulder that looks as if it’s fallen down the slope immediately to your left.  You can’t really miss it.

Archaeology & History

Beneath the gorgeous excess of ancient lichens you can make out at least three cup-marks on the south-facing sloping rock-face in the top-half of the boulder.  There may be some other faint cups on here, but due to the lichens they are very difficult to see, so I’m erring on the side of caution regarding their veracity.  This is another one of those carvings likely to be interest only to the most ardent petroglyphic nuts amongst you.

© Paul Bennett, The Northern Antiquarian

Allt a’ Choire Chireinich (05), Ben Lawers, Kenmore, Perthshire

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Cup- Marked Stone:  OS Grid Reference – NN 65305 39555

Getting Here

Allt a’ Choire Chireinich 5

Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph.  Standing here, look straight down at the dried-up burn barely ten feet below you, where you’ll see a small sloping rock.  That’s it!

Archaeology & History

Nothing much to see here apart from a single shallow cup-marking.  Most likely of interest only to the most ardent petroglyphic explorer, but worth looking at when you’re visiting the more impressive carvings nearby.

© Paul Bennett, The Northern Antiquarian

Table Stone, Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 12233 46342

Also Known as:

  1. Carving no.114 (Hedges)
  2. Carving no.267 (Boughey & Vickerman)

Getting Here

Table Stone carving (photo by Jonathan Warrenberg)

From Ilkley walk up to the White Wells and follow the footpath behind it up to the cliffs, up the stone steps and onto the moor itself.  Once you’ve climbed the steps, walk uphill onto the moor for 100 yards, then turn right up a small path for another 80 yards until you reach the large Coronation Cairn with its faint cup-and-ring stone.  From here there are two paths heading west: take the higher of the two for just 30 yards where a small group of rocks are by the path-side on your right.  The curiously-shaped ‘upright’ one is the stone in question.  You’ll see it.

Archaeology & History

Found high up on top of an oddly-shaped stone, somewhat like an anvil or small table (hence the name, courtesy of Jonathan Warrenberg), is carved a slightly worn, incomplete cup-and-double-ring.  This aspect of the design is the one that stands out the most; but you’ll also see a cup-and-half-ring there too.

The carving seems to have been described for the first time in John Hedges (1986) survey (though I may be wrong), who described an additional feature to the design, saying:

“Small grit rock in possible cairn material, cut all round as if one pedestal, top surface triangular, sloping slightly SW to NE, overlooking Wharfe Valley, in grass and crowberry.  Large cup with two vestigial rings, second large cup with vestigial ring.  Possible third ring of corner edge (hewn off).  Recent carving of initials spoils original carving.”

John Hedges 1986 sketch
Looking from above (photo – Jonathan Warrenberg)

His description of the stone being “in possible cairn material” doesn’t seem true – although a number of petroglyphs are associated with cairns of varying sizes.  Several other carvings can be found close to this one.

In Boughey & Vickerman’s (2003) later survey, they copy Mr Hedges earlier description, but with less detail.

The view from this stone is quite impressive.  Even with the minor tree cover that would have existed when this carving was done, you’d still have clear views up and down the winding wooded valley that was carved by the River Wharfe.  The moors to the north at Denton and Middleton with their own petroglyphic abundance could be chanted at with ease from here when the winds sleep.  Tis a good spot to sit… if you’re lucky enough to get some silence…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

Links:  The Table Stone carving on The Megalithic Portal

Acknowledgments:  Huge thanks to Jonathan Warrenberg for the use of his photos in this site profile – and also due credit for giving the stone its modern title. 🙂

© Paul Bennett, The Northern Antiquarian


Castleton (5f), Airth, Stirlingshire

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Cup-Marked Stone:  OS Grid Reference – NS 85584 88087

Archaeology & History

As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek. (1996)  It’s a pretty simplistic design within the impressive Castleton complex, found at the southeastern end of the gorse-covered rocky ridge, about 70-80 yards west of the farmhouse.  It was uncovered on a visit here by Nina Harris, Paul Hornby, Frank Mercer and Lisa Samson on Sunday 19 November, 2018.

The cup-marked stone
Large cup & arc of 3

Unlike the others in the Castleton complex, this carving is probably of interest only to the hardcore petroglyph hunters.  The design consists of at least ten cup-marks on the uncovered section of the rock, one of which appears to have a broken circle with two ‘entrances’ either side of it, so to speak.  The most notable element in the design is close to the edge, where an arc of three cups almost corners a larger cup right at the edge.   There may be more carved elements to be found on the westerly side of the stone, which was covered in deep vegetation when we came here.

References:

  1. van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.

© Paul Bennett, The Northern Antiquarian