Ostensibly non-linear carved designs, generally assumed to be Bronze Age in date, but many originate in the neolithic period (some may indeed date back to 5000 BCE). Their central features are small rounded cup-markings, circles, semi-circles, curved lines (short, mid-length, and long), straight-ish lines, double- and multiple-rings, all in usually abstract design-forms. Their almost complete non-linear nature relate to non-egoic structuralisms, making them difficult to ‘intellectually’ grasp. Added to this is that no two carvings are the same. Although no direct ‘meaning’ can be ascribed to the carvings, many of them have a relationship with ancient notions of death and/or burial. In animistic terms, they relate to the spirit of rocks and other features of the natural landscape. They have very little relationship with alignment features (though exceptions in some megalithic rings have been found). Some modern writers allege positive relationships with water, but this ingredient (if tenable) cannot yet be said with any certainty: the idea should be forged onto animistic relationships with the land itself.
From Ilkley, take the directions up to the Panorama Woods 232 carving. From here you can step from this rock over the stride onto the cup-marked carving 231b, and then go onto the next adjoining rock surface a little lower down. From here, you’ll see another mossy rock surface in front of you by a yard or two. That’s the one!
Archaeology & History
The three cup-markings
Here’s another simple cup-marked stone, probably only for the purists amongst you—although in visiting here please take into account the primary carving’s association with other more prominent designs that once existed only a few yards to the west where the houses now stand. There is also the cluster of other carvings right next to this stone. A prehistoric settlement was also in evidence adjacent to this carving which was destroyed in the latter half of the 19th century.
Close-up of the cupsJohn Hedges 1986 drawing
Described simply in John Hedge’s (1986) fine survey as a small “piece of rock with three clear cups and one depression.” Boughey & Vickerman’s (2003) survey added nothing more and merely copied the same words. For some reason or other (mebbe cos I’m simple!) I really like this otherwise innocuous design and its close simplistic relatives. It’s probably due to the trees amidst which the stones are found and the bright mosses on the rocks, giving the site a slightly extra sense of more living genius loci than others on the top of these moors, where the winds move the subtle spirits with greater ease.
19th century addition
If you step down and look at the vertical side of this stone, you’ll notice a more modern stylistic carving etched onto the surface. Not as deep as the prehistoric cups on the top, it seems probable that a local artist by the name of Ambrose Collins carved this on here (and other similar designs on other rocks nearby) in the late 19th century.
References:
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Although now seemingly lost, it’s location is damn close to this: Along the A657 between Greengates and Bradford, where the New Line meets Carr Road, the dirt-track takes you into Calverley Woods, down Eleanor Drive. About 250 yards along (just before you get to the field on the left), take the footpath down the embankment towards the stream where it bends to the left and where the land levels out (don’t cross the stream). It’s somewhere round there!
Archaeology & History
This was one of two previously unrecognised carvings we came across sometime in 1985 (see West Woods 1 stone), when we were seeking out another missing carving in the same woods. It was clear and well-defined as the faded photo here shows; but having been back to try find it twice in the last two years in the hope of getting better photos, I’ve been unable to locate it. The carving was described in an article I did in an old earth mysteries magazine. It comprises simply of a large ring surrounding and enclosing two deep cups, which were linked to each other by a connecting carved line. Parts of the stone had been chipped in parts—including a section of the large ring— due to some industrial workings that had happened here in the past. Thankfully I managed to find the old photo and hopefully, perhaps, some local explorer could try and seek out where it’s hiding beneath the trees and other vegetation.
References:
Bennett, Paul, “The Undiscovered Old Stones of Calverley Woods,” in Earth no.2, 1986.
From Balquhidder village, take the road east towards Auchtubh as if you’re heading to the Clach nan Sul or Wester Auchleskine cup-marked stones. Before reaching either of these sites, a few hundred yards on the road as you pass Tom na Cruich on the right-side of the road, you need to look in the next field past this house. About 40 yards past here in the field, and less than 10 yards from the wall, you can see the large rock from the roadside. If not, you’re damn close! Ask the owners of the adjacent house, who are very friendly and helpful.
Archaeology & History
This curious, large, man-made cup-marking or bowl was first described in J.M. Gow’s (1887) essay on Balquhidder antiquities. He wrote:
“Regaining the high road, and still going east, about 40 yards from the cottage of Mr Macdiarmid, there lies just inside the road dyke a large five-sided stone, about 8 feet long by 5 feet broad at the broadest part, and about 2 feet above ground. It is called “Basan an Sagairt” (the Priest’s Basin). When the present road and dyke were made, its name must have saved it. The hollow or basin is 18 inches in diameter and 6 inches deep, and is unmistakably artificial. The stone is the mica slate of the district, hard and granitic.”
Looking down on the basin
The large bowl here was also deemed to be artificial by members of Ordnance Survey and Royal Commission archaeologists who have inspected the site. It is thought to have been a healing stone of some sort, or at least possessed some religious function, but we have no records stating this with any certainty. In examples similar to this, the water which collects in the carved bowl is deemed to have curative properties. It may have been a christian attempt to take locals away from magickal healing stone practices enacted at the Clach nan Sul, or Stone of the Eyes, just a couple of hundred yards along the road east of here. Or it may have being a stone used by indigenous medicine men for other medicinal purposes.
Carved stone in one of the fields across the road
On the other side of the road from here, in the field immediately past Wester Auchleskine farm, as you go through the gate just ahead of you is a rounded earthfast stone with a similar man-made circular impression like the Priest’s Basin carved upon it. (NN 5451 2089) However, this carving doesn’t appear to have been finished. Whether it has any mythic relationship to the Priest’s stone or the cupmarked rocks at Wester Auchleskine in the same field, is not known.
References:
Gow, James M., “Notes in Balquhidder: Saint Angus, Curing Wells, Cup-Marked Stones, etc”, in Proceedings of the Society of Antiquaries Scotland, volume 21, 1887.
From Balquhidder village, walk eastwards along the road for a few hundred yards until you reach Auchleskine Farm on your left. A short distance past here there’s a gate taking you into the rough field on the left. Go through here and note a large clump of rocks diagonally up the slope about 100 yards away. That’s your spot!
Archaeology & History
Very little has been said of this large cup-marked stone, just up from the road near Balquhidder. It was first found and described in J.M. Gow’s (1887) fine essay on the local antiquities of the area, where he told:
“About 400 yards directly east from the farm-house there is a group of three large water-worn boulders of coarse mica-schist, with veins of quartz, the largest of which is about 15 feet long, 7 feet broad, and nearly 5 feet above ground. On the top of this stone there are seven cup-marks of various sizes. The largest are 5 inches in diameter and 2 inches deep; the smaller ones are shallower and from 1½ to 2½ inches in diameter. There may have been more marks on this stone, as a portion of the top near the marks has been broken off, and there are several other faint hollows, but, in my opinion, not sufficiently pronounced to indicate that they ever were cups.”
Cupmarks on top of the rockThe carving from above
Although his caution on the number of cups on the stone is to be commended, it was obvious during our visit to the site a few days ago that there are at least 18 cup-marks on the surface of this large rock. There may be more (the grey cloudy day and misty light wasn’t good in allowing us to see the carving clearly). The most pronounced of the cups are on the very top of the stone, whilst others were carved mainly on the eastern slope of the rock.
At least two other cup-marked stones occur at the farmhouse itself, whilst on the road immediately below was once the cup-marked healing stone known as Clach nan Sul. It’s likely that other carvings are hiding away in the hills hereby…
References:
Gow, James M., “Notes in Balquhidder: Saint Angus, Curing Wells, Cup-Marked Stones, etc”, in Proceedings of the Society of Antiquaries Scotland, volume 21, 1887.
Looking down Balquhidder Glen from Clach nan Sul’s old home
Apparently destroyed, although some remains of the stone were said to be seen in the walling by the roadside; but when visiting this spot a few days ago the summer vegetation had completely covered any potential finds here. The stone fell foul of the usual self-righteous industrialists when the track alongside which it had sat for countless centuries was turned into a road and the stone was “blasted”. It was found some 20 yards below the large cup-marked stone known as Wester Auchleskine, seen amidst the clump of rocks in the field above.
The stone was described in MacKinlay’s (1893) fine survey on Scottish holy wells due to the healing properties of the waters that collected into the rock basin here. The earliest record of the site that I’ve found comes from the hallowed papers of the Scottish Society of Antiquaries, where—in J.M. Gow’s (1887) rambles just east of Balquidder—he told us the following:
“Going still further east to the first turning of the road beyond the farmhouse of Wester Auchleskine, and on the left-hand side, there used to be a large boulder with a natural cavity in its side, famous as a curing well for sore eyes. This stone was called “Clach nan sul” (the Stone of the Eyes). In 1878 the road trustees caused it to be blasted, as it was supposed to be a danger in the dark to passing vehicles. Its fragments were broken up, and used as road metal.”
Whether or not the site known as the Priest’s Basin, or Basan an Sagairt—a couple of hundred yards west by the roadside—was of a similar nature, or an attempt by christians to draw people away from the old healing Clach nan Sul and use this other one instead, we do not know. There are numerous accounts of other stones in this mountainous region of Scotland where rocks-with-hollows filled with water were attributed with healing properties, like the Whooping Cough Stone at Struan, the Measles Stone at Fearnan, and many others.
Folklore
The folklore described by Mr Gow was reiterated in MacKinlay’s (1893) survey. He also told how,
“The hollow in the Clach-nan-Sul at Balquhidder…contained small coins placed there by those who sought a cure for their sore eyes. Mr J. Macintosh Gow was told by some one in the district that ‘people, when going to church, having forgotten their small change, used in passing to put their hands in the well and find a coin.’ Mr Gow’s informant mentioned that he had done so himself.”
References:
Gow, James M., “Notes in Balquhidder: Saint Angus, Curing Wells, Cup-Marked Stones, etc”, in Proceedings of the Society of Antiquaries Scotland, volume 21, 1887.
MacKinlay, James M., Folklore of Scottish Lochs and Springs, William Hodge: Glasgow 1893.
Follow the directions to reach Panorama Woods carving 232. Barely a yard or two southwest across the small gap where the kids have their little den or hideout, this long curvaceous rock is the fella in question.
Archaeology & History
Cup-markings on the rock
Curiously not included in the ‘official’ records, this large piece of rock, living right in between the Panorama Woods carvings 231 and 232, has at least two, possibly three faint cup-marks etched in the top northeastern portion of the rock. Of the same style and probably period as the basic designs on stones 230 and 231, this is one in a cluster of petroglyphs that used to live at the edge of a prehistoric enclosure, destroyed at the end of the 19th century.
References:
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Take the Wells Road from Ilkley centre up towards White Wells, bending to the right as you hit the edge of the moor. Keep along the road, past the old college building with its lake and turn right up Westwood Drive. Keep going all the way up till you hit the small woodland on your right. Where the woodland ends – stop! Walk into the trees about 10-15 yards and you’ll see the large rocks ahead of you. Amongst other petroglyphs hereby, you’ll find this carving is on one of them.
Archaeology & History
Close-up of deep cups & grooves
Although only given the usual dry description by our academic catalogue chaps, there’s something about this design that I’ve always liked. We first came across it ourselves in the late 1970s, in search of the legendary Panorama Stones, and found instead this large enclosure design with at least three cups inside it, still clearly visible. It is one of a cluster of carvings hereby, all of which were once adjacent to a prehistoric enclosure, described in the 1880s and destroyed soon after. This and the associated carvings very probably had some archaeocentric relevance to the lost enclosure.
Large carved ‘enclosure’, recently chalkedDrawing of the carving (after Hedges 1986)
The carving is sandwiched in between its petroglyphic companions, stone 231 and stone 233. As can be seen on some of the photos here, more recent vandalism has been inflicted on this carving and the recent chalk colouring is what local archaeologists Gavin Edwards and Alex Gibson have termed “social history”, implying fallaciously that cup-and-ring art could be seen as little more than neolithic and Bronze Age scribblings on rock, without any meaning other than it being comparable to “Leeds United Rules OK.” They may be right (highly unlikely) – but in reading copiously about prehistoric petroglyphs in cultures beyond the UK, we find that traditional societies tell such carvings relate to their creation myths, or river spirits, or rock spirits, and are intrinsically related to wider animistic cosmologies and social customs. This indicates, to me at least, that modern archaeologists who think of rock art as little more than childish scribblings still have a great deal to learn and we should beware their uneducated musings about our ancient carvings.
Although the complete carved ‘enclosure’ and its internal cups were mistakenly drawn in John Hedges (1986) survey, he described as being a,
“Roughly incised ‘enclosure’ with five cups in it, twenty eight shallow cups or depressions, one large oval marking, three irregular basins.”
In the later work of rock art students Boughey & Vickerman’s (2003), they simply said of the site:
“Large flat-topped, upstanding rectangular rock. Twenty-eight shallow cups, a few enclosed in two groups by grooves; irregular small basins.”
References:
Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
From Fortingall, get to the standing stone of Adamnan’s Cross a few miles down the stunning Glen Lyon. Barely 100 yards before you reach the stone, notice the overgrown gorse-covered rocky rise across the road, just past Craigianie Farm. As you climb to the top of this small rocky rise, you’ll see a cairn of stones on its top. Just below it, into the solid rock, you’ll see a footprint-shaped hollow etched into the stone. If it seems hidden, just keep looking – you’ll find it…
Archaeology & History
St. Palladius Stone, Glen Lyon
When Ratcliffe Barnatt (1944) visited Glen Lyon in the 1940s, this legendary rock was one of his stopping points. “When we have passed by Ruskich and Slatich,” he wrote, “we come to that sacred spot, Craig Dianaidh, the Rock of Safety, where, until about 1480, solemn and judicial meetings were held.” The old rock was known through recent ages, “as a preaching hill, a motehill and a justiciary court,” said Hilary Wheater (1981), and upon its top is the curious ‘footprint’ which Nature’s blood would fill on all but the hottest of summers. It is this geological feature that gave the stone is name, long ago.
Of known historical events here, Wheater further told:
“It was on this rock…that the Baron Courts of Glenlyon were held. Law and order was kept by regular courts held by the Chief or Landowner. The Baron-Bailiary of each area was appointed by Royal Charter. Fifteen men were chosen as a jury and the laird or his baile presided. To this court were brought all the problems and grievances of the people. Here the miller accused several men of refusing to take part in the compulsory ‘hamganging’ of a new millstone; here a man was fined for brewing ale without a license; here a neighbour was accused of putting the ‘evil eye’ on the cow of the croft next door so it produced no milk; and here a man was prosecuted for ‘taking of ane sore horse of his to Rannoch in the summer of 1629 and putting on him ane great burder of timber, and letting him go through the wood where he stuck between two trees all night and the timber on his back.’ However, he was acquitted when he was able to prove that the horse was fit enough after this for another man to be able to take it to Edinburgh soon after.”
St Palladius Footprint
As well as being a moot site, it is more than probable that this footprint, like the one near the top of Dunadd in Argyll—and others scattering the Highlands and beyond—was an initiation stone, perhaps for local tribal elders or ancient kings. Janet Bord (2004) writes about them as places of ritual inauguration in her survey of such places.
Folklore
The legendary site, looking south
This legendary rock would probably have had earlier mythic association than the one ascribing it to St. Palladius—but as yet I have found no written lore telling the nature of such a spirit, so would only perhaps discern the original genius loci by lengthy encounters with the rock in question, through mist and storm and wintry months, alone. It is known in local folklore that Palladius was in fact an urisk: a solitary spirit of steep streams that few humans encounter due to their lonely habits amidst hidden abodes in dark and ancient gorges. Such urisks dwelt in numbers amongst many of the steep falls in this landscape — and still do, if the words of old locals are to be believed. Here,
“St Palladius was a goblin saint, an urisk that dwelt in a mountain burn and was sanctified by the people.”
…and some rocks by the stream up the mountain immediately above this “footprint” was one of the places the urisk was known to dwell.
…to be continued…
References:
Barnatt, T. Ratcliffe, The Road to Rannoch and the Summer Isles, John Grant: Edinburgh 1944.
Bord, Janet, Footprints in Stone, Heart of Albion Press 2004.
Fraser, Duncan, Highland Perthshire, Standard Press: Montrose 1969.
Wheater, Hilary, Aberfeldy to Glenlyon, Appin Publications: Aberfeldy 1981.
Troublesome to get to unless you’re reasonably fit. Probably the easiest route is to get to the Duncroisk 3 cup-and-ring stone. Keep walking along the riverside, climb over the first tall wooden fence and onwards till you reach the rocky crag reaching into the river Lochay. By whichever means possible, get yourself up and round this crag, but keep by the riverside till you get to the easier walkable rocky outcrop protruding into the river on the other side of the drop. Hereby, on one of the stones, look and you’ll find these faint cup-and-ring symbols.
Archaeology & History
Although this carving was first described in Edward Cormack’s (1952) essay on the prehistoric carvings of the district, they have subsequently proved difficult to locate by the Royal Commission lads and other archaeologists. I’ve been here a few times looking for it and never managed to find it — until last week. When Mr Cormack first told of the design, he said:
“On a smooth rock surface just above the mouth of the small burn running into the Lochay, immediately west of the cup-marked ridge, are two cup-and-ring markings a yard apart. The rings are curiously rough edged, and do not give the same impression of weathering as those on the ridge; possibly they have been silted over shortly after being cut, and exposed again relatively recently.”
Flambeau the Cat uses the carving as his bed!
A few decades later, Ron Morris (1981) came across the carving, 10 yards “southeast of an elbow of River Lochay”, as he put it. Described as “hard to find”, he went on to give a basic outline of the design as he saw them, telling there to be “2 cups-and-one-ring, both probably complete, up to 16cm (6in) diameters, with radial grooves from cup to ring—up to 1cm deep.” Or more simply, two cup-and-rings, each with a line running from the centre to the surrounding ring.
After trying to find this carving on several occasions, without success (somehow!), it was brought to my attention under the brilliant guidance of a local cat called Flambeau only last week (no lies!). In a venture down to the riverside, the great cat (in tandem with Pip the dog, who also ventures out with me to find ancient sites in this region) got to the riverside on the rock in question and began rolling about in the dust on the stone, mewing and purring away merrily! It was really brilliant to watch. Sincerely heart-warming (soz…but I can’t help it!).
Primary cup-and-ring at Duncroisk (2)
I stepped over and complimented him as he looked superb (hence the photo, above) and he just kept purring. Then, curiously, he stood up and began scratching at the dried earth on the rock, mewing away whilst doing this. Twas very odd indeed. But there, exactly where Flambeau has been scratching and rolling about, it seemed a faint cup-mark was apparent. And such it was! So I got on my knees and began cleaning away the dirt from the rock — and there, right where he’d been purring and playing, was the lost cup-and-ring carving!
Its location would suggest that the carving had some relationship with water: be that the spirit of the place, or a good site where fish can be had, or a place where someone had drowned, etc. We’ll probably never know… But it’s a beautiful spot, with the impressive Stag Cottage carvings in the adjoining field, and the newly discovered Corrycharmaig East carvings on the other side of the river — plus many others in the area.
Folklore
The River Lochay where this carving is found is named after a dedication to the Black Goddess, according to Prof. W.J. Watson. (1926) The stream by the side of the carving which runs into the River Lochay has been the place where faerie music has been heard by local people in times past.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Watson, W.J., The History of the Celtic Place-names of Scotland, Edinburgh 1926.
Along the A827 Loch Tay road between Morenish and Lawers, take the track uphill where Carie farmhouse and Tombreck are either side of the road. Walk up this track 2-300 yards till you go through the gate just past the sheep-folds on your left. Ahead of you is a small grassy hillock on your right – go to the top of it, where you’ll find one of them has a row of cup-markings on its northern edge.
Archaeology & History
This is a reasonably large boulder near the top of the hillock above the trackside. Several rocks have what may be single cup-markings on them, but this roughly oblong-shaped block has four or five of them running along the more northern edge of the stone, in a rough line sloping gently down the surface of the rock. No carved rings or other lines were immediately notable here. It’s nothing special to look at and will probably be of interest only to the hardcore petroglyph enthusiasts amongst you. However, there are many more ornate cup-and-rings found further along the ridges close by (which we’ll add as the weeks and months go by); as well as the remains of a prehistoric enclosure about 200 yards southeast. The small standing stone of Carie is roughly the same distance to the south.
Cup-marks visible along the edge…and from above
(Note: although I’ve listed this as the ‘Tombreck 01’ carving, this is likely to be revised in the near future as there is a large gathering of carvings all around this area. The region is still being surveyed and the designations of the petroglyphs will be revised as and when they are recorded more fully, or if/when a detailed published account catalogues them satisfactorily.)
References:
Currie, George, “Kenmore: Tombreck (2-4), Cup-and-ring Marked Rocks,” in Discovery & Excavation in Scotland, New Series volume 10, 2009.
Currie, George, “Kenmore: Tombreck (5-7), Cup-Marked Rocks,” in Discovery & Excavation in Scotland, New Series volume 10, 2009.
