Craigenfeoch, Johnstone, Renfrewshire

Cup-and-Ring Stone:  OS Grid Reference – NS 4361 6173

Also Known as:

  1. Canmore ID 43233
  2. Craigton Woods Carving

Getting Here

The TNA Rock Art Team on site
The TNA Rock Art Team on site – Fraser, Frank, Lisa, Leo & Aish

Get yourselves to Johnstone or Elderslie (which just about fuse into each other) and off the B789 road, make your way to Johnstone Castle football ground on Auchenlodment Road and go uphill, past the housing estate, until the fields open up on either side. 350 yards further, woodland appears.  Go past the hair-pin kink in the road and, 50 yards or so past this, walk into the trees on your right.  About 20 yards in, a large sloping rock face is what you’re looking for… (there’s a decent car-park on the left-hand side of the road 400 yards further along if you’re driving here)

Archaeology & History

4 cup-and-rings in poor light
4 cup-and-rings in poor light

A seemingly solitary but vandalised petroglyph at the top of the Craigton Woods above Johnstone Castle estate: vandalized by the industrialists, whose quarry cut into a once larger rock, at whose edges cup-markings exist and whose design extended much further onto the now-vanished rock.  The carving was also painted onto by some ignorant bastard many years ago (as the photos show); and one of the cup-and-rings here has either been damaged or isn’t prehistoric.  The paint was daubed onto the stone in the 1960s and is shown in one of Ron Morris’ (1981) several descriptions of the site; and whilst it interferes with the design, it hasn’t damaged it anything like as badly as the industrialists have done.

Craigenfeoch cup-and-rings
Craigenfeoch cup-and-rings

Vandalism aside: it’s still quite an impressive carving, albeit hidden in the shadows of the surrounding trees. The design has been etched onto a large rock, some 35 feet long and perhaps up to 10 feet across, sloping at an angle of about 30-35° down (slippery when wet, as we all found out!).  When we visited the site a few days ago, low cloud and mist didn’t really allow us a decent inspection of the site.  But what we did find was more than our predecessors….

James Kirkwood (1938) gave the first literary account of the site—and in some detail. When he found the place it was “mostly covered with vegetation”, much like we found it on our visit.  He wrote:

“The group of markings comprises five cups, each surrounded by a single encircling ring, whole lay-out being contained in an area of about 9 square feet.  The setting corresponds almost exactly with the four cardinal points of the magnetic compass.  The cup and ring to the north is the best preserved, the cup being 2½ inches in diameter and cut to a depth of 1 inch; the ring is somewhat elliptical, measuring 8½ and 7½ inches on its major and minor axes.  A channel or gutter connects this cup with that within the eastern ring.  The remaining cups vary from 2 inches to 2½ inches in diameter, and the rings from 6½ to 7 inches diameter.  It is significant that the east and west cups are equidistant from the north one at about 15¼ inches; they are also equally spaced from the southeast cup at 19½ inches, and this latter dimension measures the distance from the west to the southwest cup. The four cups and rings on the main cardinal points are all moderately distinct, but the southwest sculpturing can only be very faintly discerned.”

James Kirkwood's drawing
James Kirkwood’s drawing
Ron Morris' sketch
Ron Morris’ sketch

Kirkwood’s fascination with the alignments and measurements betwixt certain elements on the petroglyph was something of a fad at the time (resurfacing with some vigour in some quarters today), but is likely to have little if any authentic relevance with the animistic dynamics implicit in the function of the design.

When Ronald Morris (1981) entered the carving into his Southern Scotland survey, he made the now standard bland description of the carved elements:

“At least 5 cups-and-one-complete-ring (some ovoid), at least one with a long wavy groove downhill from the ring, and at least 5 cups, some of which may have been ringed.  The ring marked ‘F’ in the (black-and-white photo, below) has been ‘improved’ since 1934 — the author has an older photograph showing it similar to the others.  The 2 upper rings can only be seen just after sunrise, when wet—they are much weathered.  Greatest ring diameter – 17cm (7in) and carving depths up to 2cm (1in).”

Fraser, Frank & Lisa at work
Fraser, Frank & Lisa at work

A good drawing of the carving would be worthwhile (are there any rock art-ists out there wanna join us on our next visit?), as the archaeological blandness never does petroglyphs descriptive justice.  Ostensibly, from the bottom slope of the elongated stone—below where Fraser, Frank and Lisa are standing, right—a number of geophysical marks run across the stone.  You can see in the photo how several geophysical ‘lines’ cut across the rock at an angle, roughly parallel, marked by the green vegetation.  One of these is a small natural tunnel hole running through the stone, possibly made by the softer rock of a fossilized tree root or branch which has since disintegrated over time.  Just above this ‘hole’ the carvings begin.

Cup-and-ring & carved line
Cup-and-ring & carved line
Outer cup, 'fan' & CnRs
Outer cup, ‘fan’ & CnRs

A number of possible cup-marks are overshadowed by the definite series of well eroded cup-and-rings (at least four of them) all close to each other, with lines connecting some to the others, including one which runs down to the tunnel hole.  Some other lines on this part of the rock may or may not be geophysical (is there a geologist in the house!?).  Close to the edge of the stone (where Fraser stands in the photo above) a singular cup-mark has been etched within a series of five lines, like an open fan, that all run to a point at the entrance of the natural tunnel in the stone.  We were unsure as to whether these lines were natural or man-made (we need that geologist!); but it should be noted that an element very similar to this ‘fan’ of lines occurs in a carving near Killin, Perthshire, which we have yet to fully excavate—and in the Killin example the lines reach out from a central point like spokes on a bike wheel to an entire surrounding ring of cup-and-rings!  Intriguing…

R.W.B. Morris early photo
R.W.B. Morris early photo

One of the cup-and-rings in this cluster has clearly been either vandalized or else carved within the last century, as the erosion on it is wholly different to the rest, and the angle of the cuts into the stone shows clearly that a metal tool has made it.  However, as Ron Morris stated above, this was apparently not the case with this ‘ring’ when he visited it in 1934 (it would be good to see the photo which he says shows its original state).

Faint cup-marks halfway up
Faint cup-marks halfway up

Further up the slope of the rock we reach a near-parallel row of natural cracks across the stone.  Inside this, about halfway along, a cluster of well eroded cup-marks exist—at least four of them.  One of them has either a curved line arching out of it, or a semi-circular arc.  Above the parallel cracks there is a large and very well eroded cup which, from differing angles, appeared to have faint sections of a ring around it, but we all agreed this was more a Rorschach response in our respective feeble minds!

We need to visit the site again in much better weather to gain a more accurate picture of the entire design.  It appeared there were other elements to be seen here, but the lighting conditions were working against us that day…. That’s our excuse anyway!

References:

  1. Kirkwood, James, “Notes on Cup and Ring Markings at Craigenfeoch, Renfrewshire”, in Transactions of Glasgow Archaeological Society, 9:2 (New Series), 1938.
  2. Morris, Ronald W.B. & Bailey, Douglas C., “The Cup-and-Ring Marks and Similar Sculptures of Southwestern Scotland: A Survey,” in Proceedings of the Society of Antiquaries, Scotland, volume 98, 1966.
  3. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
  4. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

Acknowlegdments:  With huge thanks to what Nina Harris called “the TNA rock art team” – Aisha Domleo (and Leo), Nina Harris, Frank Mercer, Lisa Samsonowicz & Fraser Harrick.

© Paul Bennett, The Northern Antiquarian 


Dunadd Basin, Kilmichael Glassary, Argyll

Cup-and-Ring Stone:  OS Grid Reference – NR 83667 93576

Also Known as:

  1. Canmore ID 212008
  2. Dunadd 2a (Morris)

Getting Here

First sight of Dunadd's basin
First sight of Dunadd’s basin

From Lochgilphead, take the A816 road north for several miles (towards the megalithic paradise of Kilmartin), keeping your eyes peeled for the road-signs saying “Dunadd.”  Turn left and park-up a few hundred yards down. Go through the gate and walk up Dunadd.  Just before the flattened plateau at the top you’ll come across a length of smooth stone, adjacent to the Dunnad Footprint Stone, with a deep large circular ‘bowl’ cut deep into the rock.   That’s the spot!

Archaeology & History

Basin with surrounding faint ring
Basin with encircling faint ring

This large ‘bowl’ or basin just below the top of Dunadd—next to the other carvings of footprint, Ogham and boar—is speculated by many to have been a part of the kingship rituals that were alleged to have occurred up here, going way back.  But please remember that ‘kingship’ as it was in ages past has nothing to do with the touristy nonsense that prevails in the UK today.  Kingship in its early forms relates to rituals for the benefit of the tribe/society, in many cases resulting in sacrifices. (see Frazer 1972; Hocart 1927; Quigley 2005, etc)  This is quite probably what occurred at Dunadd.  But whether this curious deep bowl with its semi-circular carved ring had anything to do with the kingship rites, we simply don’t know.

An early description of the Dunadd Basin is in Mr Thomas’ (1879) essay on the hill itself.  It was a brief note:

“About four yards southwards from the (Dunadd) footmark is a smooth-polished and circular rock basin cut in the living rock; it is 11 inches in diameter and 8 inches deep.”

There is no mention of the incomplete ring which, though faded, can be seen to surround two-thirds of the hollow.  And as Dunadd was used by people until medieval times (Lane & Campbell 2000) it not only begs the question: when was it carved; but also: was the myth behind this petroglyph still alive?  We’ll probably never know.

The Royal Commission lads (1988) said the following:

“The rock-cut basin measures 0.25m in diameter by 0.14m in depth, and is bisected by a crack.  It is surrounded by a shallow pecked ring about 40mm in width, but parts of this have been worn away, especially to the S where the path from (the) enclosure passes the basin.”

Folklore

...and from another angle
…and from another angle

The basin here was said by the incoming priest R.J. Mapleton (1860) to be entirely natural in origin; though he also noted how Dunadd was known by local people to be the meeting place of witches and the hill of the fairies, whose amblings in this wondrous landscape are legion. Legends and history intermingle upon and around Dunadd.  Separating one from the others can be troublesome as Irish and Scottish Kings, their families and the druids were here.  One such character was the ever-present Ossian.  Mapleton told:

“From these ancient tales we turn to a much later period of romance, when Finn and his companions had developed into extraordinary and magical proportions; a story is current that when Ossian abode at Dunadd, he was on a day hunting by Lochfyneside; a stag, which his dogs had brought to bay, charged him; Ossian turned and fled. On coming to the hill above Kilmichael village, he leapt clean across the valley to the top of Rudal hill, and a second spring brought him to the top of Dunadd.  But on landing on Dunadd he fell on his knee, and stretched out his hands to prevent himself from falling backwards.  ‘The mark of a right foot is still pointed out on Rudal hill, and that of the left is quite visible on Dunadd, with impressions of the knee and fingers.'”

As Mr Thomas clarifies: “The footmark is that of the right foot, and the adjacent rock-basin is the fabulous impression of a knee.”

References:

  1. Bord, Janet, Footprints in Stone, Heart of Albion Press 2004.
  2. Campbell, Marion, Mid-Argyll: An Archaeological Guide, Dolphin Press: Glenrothes 1984.
  3. Campbell, M. & Sanderman, M., “Mid-Argyll: An Archaeological Survey,”  in Proceedings of the Society Antiquaries, Scotland, volume 95, 1962.
  4. Craw, J.H. “Excavations at Dunadd and other Sites,” in Proceedings of the Society Antiquaries, Scotland, volume 64, 1930.
  5. Lane, Alan & Campbell, Ewan, Dunadd: An Early Dalriadic Capital, Oxbow: Oxford 2000.
  6. Mapleton, R.J., Handbook for Ardrishaig Crinan Loch Awe and Pass of Brandir, n.p. 1860.
  7. Morris, Ronald W.B., The Prehistoric Rock Art of Argyll, Dolphin Press: Poole 1977.
  8. Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – Volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1988.
  9. Thomas, F.W.K., “Dunadd, Glassary, Argyleshire: The Place of Inauguaration of the Dalriadic Kings,” in Proceedings of the Society Antiquaries, Scotland, volume 13, 1879.

© Paul Bennett, The Northern Antiquarian 


Grey Stone, Newsholme Dean, Oakworth, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 00621 40841

Also Known as:

  1. Carving no.2 (Boughey & Vickerman)

Getting Here

Grey Stone, Newsholme Dean
Grey Stone, Newsholme Dean

Take the same directions as if you’re visiting the Cob Stone Field carving; but instead of going into the field on your right, walk down the track about 100 yards towards the large barn below.  As you walk down keep your eyes peeled to the field on your left and, right up against the wall of the barn, you’ll see a large boulder resting quietly. That’s what yer after!

Archaeology & History

This large faded cup-marked rock whose western side has been split off in recent years, has a scatter of “up to 21 small shallow worn cups” on its upper surface.  They can be difficult to see in some light, but they’re definitely there (as Ray Spencer’s photos clearly show), fading slowly into Nature’s winds and storms.  A couple of ‘lines’ running down the edge of the stone are  due to modern farm-workings.

Close-up of the cups
Close-up of the cups
Sketch of the design
Sketch of the design

Several other rocks in this and adjacent fields have what may be faded remains of other cup-markings, but without guidance from a geologist or a stone-mason, we can’t know for sure whether they’re authentic or not.  It’s likely that there are other authentic carvings hiding in this area—they just need sniffing out!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.

Acknowledgements:  Huge thanks to Ray Spencer for us of his photos in this site profile. Thanks Ray.

© Paul Bennett, The Northern Antiquarian 


Picketts Beck East, Askwith Moor, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 1708 5054 —  NEW FIND

Getting Here

Cup-and-ring stone in situ
Cup-and-ring stone in situ

From the Askwith Moor Road parking spot, head across the road and take the directions to the Woman Stone carving about 510 yards (467m) across the moors to the west.  From here, look straight down the slope and head towards the largest boulder at the bottom, 20-30 yards away.  About 10-20 yards to the right of this, zigzag about in the vegetation until you find the small stone amidst the bracken.  You’ll find it!

Archaeology & History

This small stone, whose natural contours and cracks have been utilised in the design of the petroglyph, may once have been part of a prehistoric tomb, perhaps rolled or thrown downhill from the nearby Askwith Moor Cairnfield.  I say this due to the size and portability of the stone, i.e., it’s small and barely earthfast, giving an increased likelihood that its present position was not its original one.  But we might never know…

Rough sketch of the design
Rough sketch of the design
Close-up of the carving
Close-up of the carving

It’s almost archetypal in design, being a primary cup-and-ring, with what appears to be a faint inner ring etched marginally within the larger notable incomplete circle, just an inch beyond the inner central cup.  From this same cup runs a carved line, out to the near edge of the small stone.  Single cup-marks occur on the edges of the rock, as can be seen in the photos: three, possibly four of them.  One of the cups, where the stone narrows to a rounded point, may also have had a partial ring around it.  When we found this stone a few weeks ago, the day was grey and overcast and the light was poor, so our photos do not highlight the carving too well.

(Note: the OS grid-reference for this stone is an approximation: pretty damn close, but not close enough. If someone ventures here and can get the exact grid-ref, we’d be most grateful.)

© Paul Bennett, The Northern Antiquarian 


Wester Cairnfield (02), Askwith Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1698 5070

Getting Here

Faint cupmarks clearly visible
Faint cupmarks clearly visible

From the Askwith Moor Road parking spot, head west to the Askwith Moor cairnfield. Keep walking west, going downhill past the main cluster of rocks.  If you begin zigzagging amidst the heather hereby, you’ll eventually come across this relatively small stone which, even when the heather is deep, thankfully rises to the surface.  The Wester Cairnfield 1 carving is close by.

Archaeology & History

Although I presumed that Graeme Chappell and I found this petroglyph when we surveyed the area in the 1990s, I cannot find an early account of it in my files, so must presume that when James Elkington, James Turner and I came across it a few weeks ago, it was the first view of the stone in many a century… It’s another simple carving, only of interest to the mad rock art hunters out there.

...and from another angle
…and from another angle

When we first found it, it seemed to me (with the sunlight effects on the stone) that two cup-marks had been etched here; but as Mr Elkington pointed out, from the angle he was looking at the stone, there were another two.  He was right.  But it’s nothing special to look at, sadly, and is probably only of interest to the real hardcore petroglyph nutters amongst you. (please note that the grid-ref for this carving needs revising and may be 50 yards either side of the one given)

© Paul Bennett, The Northern Antiquarian 


Wester Cairnfield (01), Askwith Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 16966 50674

Getting Here

Cup-mark near top-right
Cup-mark near top-right

From the Askwith Moor Lane parking site, take the directions to the Askwith Moor Cairnfield.  Walk westwards for about 100 yards down the gradual slope, towards the boggy land below, but before reaching the reeds, still in the moorland heather, there are a scatter of rocks.  Just keep zigzagging about until you find it. It’s a reasonably large stone.

Archaeology & History

'Cup mark' on vertical face
‘Cup mark’ on vertical face

This is one of several simple cup-marked stones found down the slopes about 100 yards west of the Askwith Moor Cairnfield.  When James Elkington, James Turner and I re-surveyed this area again recently, I wondered whether it was a newbie or had already been located when Graeme Chappell and I did our tedious surveying of this region in the 1990s—and it turned out that we did!  The carving is nothing special to look at, even if you’re a petroglyph zealot.  Comprising of a distinct single cup-mark on the top nose of the rock, another is visible on the vertical south face, and another possible is on its eastern face.

1894 map of shooting target
1894 map of shooting target

When we look at the early maps of this area, we find that to the north and south of this stone once existed ‘Shooting Houses’.  As we can see on the attached map, the position of one of the shooting targets is very close to the location of this stone and so we must conclude that the cups on the vertical face were done by gunshot and are not prehistoric. However, the distinct cup on top of the stone retains its prehistoric link.

© Paul Bennett, The Northern Antiquarian 


Lower Lanshaw Stone (02), Askwith Moor, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 16059 50875

Getting Here

Lanshaw cup-and-ring nearby
Lanshaw cup-and-ring stone

Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast.  Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence.  Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself.  Now, walk up the slope to your right and, near the top of this rise 250 yards away, past Lower Lanshaw 01 carving, in some ancient walling, you’ll find it!

Archaeology & History

A very faded cup-and-ring carving can be found about 30 yards northeast of the Lower Lanshaw cup-marked stone, just as the hill slopes down to the overgrown stream.  It rests on the lower edges of the prehistoric (probably Bronze Age) enclosure in which other archaeological remains can be found.  Although the photo here highlights what seems to be 3 cups on the south-face of the rock, only one of them seems authentic.  A pecked “line” also seemed evident, but the light conditions were poor when we were here.  It does seem that there’s a faded ring around one of the cups, as you can see in the photo.

© Paul Bennett, The Northern Antiquarian 


Stanbury Hill North, Bingley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1097 4339

Getting Here

Stanbury HIll cup-marked rock
Stanbury HIll cup-marked rock

Take the directions as if you’re visiting the ornate petroglyphs known as the Lunar Stone and the Spotted Stone. Walk past them and down the slope, NW, as if you’re heading to the small valley a few hundred yards away. As you reach the bottom of the slope, closer to the stream, a large boulder catches your attention. This carved stone is just a few yards before you reach it.

Archaeology & History

This simple cup-marked design below the northern slope of Stanbury Hill has, on its northeastern sloping face, a single cup-mark; then, past a curiously-etched line (probably more recent) is a larger circular feature, like a very shallow ‘bowl’ as in the one found in the superb Stag Cottage petroglyph complex 300 miles north (and several other carvings). A few yards away, a large single cup-mark has been etched onto another stone.  As with quite a few carvings in this region, they have been missed in the standard archaeocentric surveys.

© Paul Bennett, The Northern Antiquarian


Black Burn (3), Aberfeldy, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 83318 46049

Getting Here

Black Burn (3) carving

Follow the same directions as if you’re going to the Black Burn (2) carving (which you’ll obviously be looking at if you’re checking this one out!); and from there, walk two or three steps southwards down the slope – and you’re just about stood on it!

Archaeology & History

This, at first sight, seems little more than two cup-marks: one rather small, and the other somewhat larger than usual.  I walked round it, crouched down and fondled it, poured water on it and heightened the carving… and noticed what seemed to be a carved arc around the western side of the large cup.  But I couldn’t make my mind up whether this was natural or not.  And then as laid down and looked across the stone, it seemed as if a very faint triangle completely enclosed the large cup!  I crawled round it at ground level and the shape appeared and disappeared as the light altered.  So I took a few more photos and wondered whether or not the shape would become obvious in them.  And it did!

An eye in the triangle?
Cup and faint triangle, or a trick of the mind?

It’s unusual – and I’m still not sure whether it’s natural or not.  The carving needs more attention, in better daylight.  Or perhaps the computer-tech kids might have a look at it and see if this really is an eye-in-the-triangle style design we’ve got here.  It would be damn good!  Anyhow, the carving was first mentioned by George Currie (2005), who told of it being two metres south of the Black Burn (2) cup-and-ring and, plainly, that it “has two cups: 60 x 15mm and 25 x 8mm.”  It overlooks the urisk-haunted Urlar Burn, a creature known in some places for having milk and other offerings poured into cup-marks to appease it and gain good fortune.

References:

  1. Currie, George, “Perthshire: Black Burn (Dull Parish) – Cup and Ring Marked Rocks”, in Discovery & Excavation Scotland, volume 6 (new series), 2005.

© Paul BennettThe Northern Antiquarian

Black Burn (2), Aberfeldy, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 83318 46055

Getting Here

Black Burn (2) carving

Take the A826 Crieff Road uphill for 275 yards then turn right up the Urlar Road.  It’s a long uphill walk from here, up the private road, through and past Urlar Farm and along the track, making sure to go right where the track splits, keeping to the west-side of the burn. (don’t cross over it!)  From here, the fields open up ahead of you into the distant hills.  Keep along the track until, after a few hundred yards a small copse of trees is on your right.  Walk past the bottom of this and then walk immediately up to the top of the large rounded knoll, or Tom, on your right.  Once at the top, look for the triangular stone on its southwestern edge.

Archaeology & History

Upon this rounded tom, beloved of faerie folk and overlooking the urisk-haunted Urlar Burn, is this small flat triangular-shaped stone, embedded in the ground, possessing an unusual set of seven, possibly eight cup-markings (not five as Currie [2005] initially described) of varying depths and age, carved into straight geological fissures in the rock which, I hasten to add, were probably intended as part of the original design.  Such elements are not unusual in carvings in other parts of the world, tending to relate to some spirit or ancestral ingredient.  Whether that was important here, we might never know.

Black Burn (2) carving
Black Burn (2) carving

But in addition to the cups on their geological cracks, a large faint wonky incomplete ring has been carved around the centre-most cup-mark, seemingly stopping where it meets the natural crack.  You can just make it out in the photos. One side of this ring may continue onto the top of the longer crack, but it was difficult to see in the cloudy daylight and another visit is necessary.

The carving was first described by George Currie (2005), who told, in his usual minimalist manner:

“On W side of large knoll, triangular-shaped rock, 0.7 x 0.7m, flush with ground; five cups, largest being 50 x 20mm and smallest, 25 x 8mm.”

Two or three yards away, just slightly down the slope to your south, is another cup-marked stone: the Black Burn (3) carving.

References:

  1. Currie, George, “Perthshire: Black Burn (Dull Parish) – Cup and Ring Marked Rocks”, in Discovery & Excavation Scotland, volume 6 (new series), 2005.

Acknowledgements:  Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland

© Paul BennettThe Northern Antiquarian