From Feizor village, take the dirt-track south that cuts up between the two cottages and walk onto the level. From here, the walling bends round and a small cut runs up the slope on your left. Go up here and onto the top, bearing left again when you reach the footpath near the top of the slope. Walk along here until the hills open up before you and less than 100 yards along, just on the right-hand side of the path, you’ll notice the overgrown outline of a ring just by the side. Don’t miss it (like I did!).
Archaeology & History
Danny, Paul and I visited here a few weeks back on a fine sunny day and, my attention caught by some nearby rocks that got mi nose twitching, I just about walked past the place until Danny called me back and said, “Oy – ‘ave y’ not seen this?” Right under my nose no less!
Feizor Thwaite circle, looking northwest
The site’s a little known circular monument east of Feizor village, less than a mile northwest of the cairnfield above Stackhouse (where lives the Apronful of Stones and other prehistoric friends). Marked on modern OS-maps as an ‘enclosure,’ the site here is in fact an overgrown cairn circle, typical in size and form of the ones found at nearby Borrins Top, Burley Moor, Askwith Moor and elsewhere in the Pennines. Measuring (from outer edge to outer edge) 66 feet 6 inches east-west and 59 feet north-south, the remains here consist of a raised embankment of stones, encircling an inner flatter region consisting of many smaller stones beneath the overgrowth of grasses and vegetation. Locals told me that the some of the cairns up here were explored early in the 20th century by a local man called Tot Lord, but I’m unsure whether he looked at this one.
There are a couple of other smaller circular remains on the same grassland plain, clearly visible from aerial imagery, along with other crop-marks of human activity on this part of the Feizor Thwaite landscape. More antiquarian analysis could do with focussing here to see what can be found!
Standing Stone (destroyed): OS Grid Reference – SD 78570 67177
Archaeology & History
Feizor on 1851 map
There have been no previous archaeological reference to this site (until now), which was included in early place-names records (Smith 1961) and was also highlighted on the first Ordnance Survey map of the region around 1851. Probably as a result of the archaeological lacking, the upright stone has finally succumbed to the destructive actions of modern man. When we asked the farmer if he knew owt about any standing stone here, he said he knew “nowt abaat that.”
Feizor stone stumpand from another angle
All that can be seen today is the very small stump of stone, just visible above ground level, in the middle of the field. It’s not easy to spot either, as the grasses grow over what’s left. But we found the slim remnant of the stump embedded in exactly the spot marked on old and modern maps, measuring 24 inches in length and just 4 inches across at the widest, with what seemed like worn rounded edges at either end. We were unable to ascertain the depth of the remaining stone in the ground. The stone looks simply as if it’s been snapped at the base. We have no idea how tall this standing stone was.
If any local people know anything more about this stone, or have any old photos, we’d love to hear from you — and would obviously give due credit for any help on this matter.
References:
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 6, Cambridge University Press 1961.
Cup-and-Ring Stone (lost): OS Grid Reference – SE 1015 4702
Also Known as:
Panorama Rock 226
Archaeology & History
J.R. Allen’s 1879 drawing
It would seem that this excellent looking cup-and-ring stone may have been destroyed sometime around 1890 during the construction of the Panorama Reservoir and the building of the houses on the southwestern edge of Ilkley, right by the moorside. But this isn’t known for certain; and the carving could still exist beneath vegetation in the trees just north of the reservoir. In requesting to explore some National Archives data in which there may be information relating to this carving (and others nearby), I was directed to Bradford Council’s community archaeologist, Gavin Edwards (to whom requests should be made), but he denied access to look at the files, then completely ignored subsequent queries that might enable us to locate this and other important prehistoric carvings. So we did our best and this is what we’ve found so far (forgive any errors).
As there’s a slight ambiguity in the precise location of this lost carving, we cannot say for certain whether or not this site was included in the sale of Property Lots, numbers 7-34, “surrounding the far-famed Panorama Rocks,” which may have led to the site’s destruction and subsequent removal of the protected Panorama Stones to Saint Margaret’s Park on the other side of the road from the church, closer to Ilkley centre. The sale of this “building land” as it was called was advertised in the Leeds Mercury, Saturday September 4, 1880, with a brief description of the respective “lots” near this and the adjacent carvings. But this Panorama Stone 226 may have been left alone and be buried under the surface…
J.T. Dale’s 1880 sketch
Historical notes on this particular stone are scattered and sparse, but digging through old journals and texts has given us a reasonably good vision of the place. It was first described, albeit in passing, in A.W. Morant’s edited third edition of Whitaker’s History of Craven (1878: 289), where it was described in context with the other cup-and-ring east of here on the same ridge. All of them were described as being located within a now-destroyed prehistoric enclosure (precise nature unknown), with carving 226 at the westernmost end. However, the following year J. Romilly Allen (1879) gave more details of this, “the third stone” as he called it and furnished us with a damn good drawing to boot!
As we can see, there are four double-ringed cups and eight or nine archetypal cup-and-rings, with the usual scatter of cups falling across the design. The curious ‘ladder’ markings found on one of the other Panorama Stones, the Barmishaw Stone, Willy Hall’s Wood carving and at least one of the Baildon Moor carvings, were also quite prominent. Although when J. Thornton Dale visited here around the same time and did his own drawings, the ladders weren’t quite as pronounced. This would have been due to the simple factors of cloud cover, poorer sunlight and the time of day the drawings were done (the pseudoscientific proclamation of local archaeologist Gavin Edwards that such artistic difference is due to some Victorian chap adding, or removing sections of the carvings for his own pleasure, negates common sense and is strongly lacking in evidence). Romilly Allen’s own description of the site was as follows:
“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800 feet… About 100 yards to the west of this spot appears to be some kind of rough inclosure, formed of low walls of loose stones, and within it are the three finest sculptured stones near Ilkley. They lie almost in a straight line East to West… The third and most westerly stone of the group measures 10ft. by 9ft. and lies almost horizontally, having its face slightly inclined. On it are carved twenty-seven cups, fourteen of which have concentric rings round them. Some of the cups have connecting grooves, and three have the ladder-shaped pattern before referred to.”
Notes from a few years later told that this carving was still in situ when the companion carvings were moved and imprisoned behind railings across from St. Margaret’s Church in Ilkley. The carving was shown at the grid reference given above on the 1895 Ordnance Survey map of the region before the reservoir was built, correcting the coordinates given in Boughey & Vickerman’s (2003) otherwise fine survey. They described this very ornate carving thus:
“According to Thornton Dale (1880), this was a large rock with 27 cup, eighteen of which had single rings. Some of the cups had connecting grooves and three had the same ladder motif as the Panorama Stone.”
…to be continued…
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, “Notice of Sculptured Rocks near Ilkley,” in Journal of the British Archaeological Association, volume 38, 1882.
Allen, J. Romilly, “Cup and Ring Sculptures on Ilkley Moor,” in The Reliquary, volume 2, 1896.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith, “The Panorama Stones,” in Prehistory Research Section Bulletin, no.40, Yorkshire Archaeological Society: Leeds 2003.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Jennings, Hargrove, Archaic Rock Inscriptions, A.Reader: London 1891.
Turner, J. Horsfall, “British or Prehistoric Remains,” in Collyer & Turner, Otley 1885.
Whitaker, Thomas Dunham, The History and Antiquities of the Deanery of Craven in the County of York, (3rd edition) Joseph Dodgson: Leeds 1878.
Walk from Ilkley up the Wells Roads as if you’re going to the White Wells, but keep following the road along, keeping to the moorside (don’t go up Panorama Drive). A few hundred yards up, crossing the small bridge over the gorse-scattered stream, take the footpath to your right and walk along the moor-bottom, parallel to the rich houses. Keep walking, past the reservoir (don’t go up the slope on the newly created path) and cross the small wooden bridge. Once over the other side, head through the gate and walk along the rocky footpath into the woods. Less than 100 yards down where the first seat is, there’s a slow-running blood of water oozing out from the rocks.
Archaeology & History
At the top of this bit of old woodland, out of rocks near the top of the trees, emerges another of Yorkshire thousands of chalybeates, or iron-bearing springs of water, on the very edge of Ilkley Moor. Collyer and Turner (1885) mentioned its discovery in 1883, but gave no further details. Searching for this place on one of my countless moorland ambles as a child, I found its waters oozing slowly from betwixt moss-enriched rocks on the west side of the stream. If you look for it in the dry season though, there is little to see. It is best seen later in the year, after heavy rains, although the waters are pretty slow running and have that distinct “off” taste (an attribute well-known of chalybeates —taste ‘em and see!). The only real account of this little-known healing well was told in an early edition of the Leeds Mercury (1883), shortly after its rediscovery, in which we were told:
“Our Ilkley correspondent says the existence of a chalybeate spring has lately been discovered there, and from its valuable medicinal properties will prove a valuable adjunct in the future development of this health resort. The water from the spring (which is situated near to the Panorama Rocks, in what is known as Hebers Gill, or Briery Wood) has been submitted to Mr F.M. Rimmington…of Bradford for analysis and his report is of a most favourable character. The data shows that the water is remarkable for the smallness of the amount of its saline constituents, and (so far as the analyst has been able to discover by reference to published analysis of either English or Continental chalybeate springs), there is not one comparable to it: whilst its ferruginous element is equal to the majority of such waters and, in Mr Remmington’s opinion, as large as is desirable for medicinal effect. The spa that most resembles the one under notice is that of Tunbridge Wells in Kent, which is derived from exactly the same geological formation (millstone grit), the total solid constituents of this water being 13½ grains to the gallon. The report adds that, “The use of this class of waters as medical agents has, from remote periods, been found efficacious in those states of debility denominated anemia,” and “the value of this class of spa water as a safe and natural remedy can scarcely be overestimated.” From the foregoing it will be seen that an important discovery has been made…”
This once important spring of water — that would have been known and used by our prehistoric ancestors living on the moors above — is nowadays but a shadow of its former self. The water tables drop annually as a result of moorland drainage and other poor land management and we only see a small trickle of water emerging from the mossy rocks these days…
…to be continued…
References:
Anonymous, “Important Discovery at Ilkley,” in Leeds Mercury, August 18, 1883.
Bennett, Paul, Healing Wells and Springs of Ilkley Moor, unpublished: Hebden Bridge 1995.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
A slight walk to get here. Follow the same directions as if you’re going to the Eller Edge 431 carving. Once here, walk west as if you’re going into the middle of the field, keeping your eyes peeled about 20 yards along for a small-ish rounded stone with nice colours of lichen amidst the grasses. If you’re patient, you’ll find it soon enough!
Archaeology & History
This is another simple cup-marked stone on the grassland ridge overlooking higher Wharfedale. The carving here is a little clearer and more well-defined than that of its close neighbours, with a number of simple cups visible on its rounded surface. We counted seven such cups on our cloudy-day visit, but Boughey & Vickerman (2003) thought there might be a little more, describing the stone simply:
from another angleB & V’s drawing
“Small lichen-covered rough grit rock. About eight cups and two depressions.”
A rubbing of this small stone (as practiced by English Heritage and rock art students alike) would prove useful in bringing out any other ingredients in the ancient design. And whilst you’re in this field, have a look at the curious Spiral Stone and some of the other cup-markings close by.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here, but well worth it once you arrive! Follow the same directions as if you’re going to the Eller Edge 426 carving. Once you reach this stone, notice the larger rounded rock about 20 yards to your west, a bit further down the field. You can’t really miss it!
Archaeology & History
A large rounded stone just on the meadows before it begins to slope more steeply downhill, there are several of those large natural ‘bowls’ that we see on a lot of cup-marked and not-so-cup-marked stones in our northern hills. These basins or bowls may, at times, may have had significance for our ancestors, but it’s the cluster of cup-markings on this stone which are of importance to us here. There are perhaps as many as a dozen cup-marks here, all very well worn, and mostly to be seen on the eastern sides of the rock. When I came here with Paul Hornby and QDanT a few months back, the cloud cover stayed with us all day, so I didn’t get any decent images of the carving. Ne’er mind…
Close-up of faint cups
The stone was described by Boughey & Vickerman (2003) simply as:
“Very large, uneven, rough grit rock with face with scooped-out areas sloping down to grass. Eleven possible cups and six basins.”
A plain carving, perhaps only of interest to the fanatics amongst you. But if you do visit here, check out carving 432, 431, and others in the same field.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here. Follow the same directions as if you’re going to the Eller Edge 426 carving, but as you reach the field edge, walk up the slope (in the field itself) along the side of the wall. You’ll pass rudimentary Carving 431 and about 30 yards further uphill this little fella will catch your eye! You can’t really miss it.
Archaeology & History
Another basic cup-marked stone that’s probably only gonna be of interest to the purists amongst you. A single cup-marking sits on the edge of a small patch of old dark lichen, although the rock art students Boughey & Vickerman (2003) reckon there could be another two on here—but I aint so sure misself. The stone was described by them simply as:
“Medium-sized rectanguar rock of medium gritstone, with vertical edges except for finely striated sloping W side. One cup near possibly quarried edge and perhaps two more.”
Single faint cup-mark
Another single cup-marked stone of the same size, type and quality as this one can be found on another stone not far from this stone, which aint in the Boughey & Vickerman survey. There’s also evidence of ancient lines of walling close by, but with little surface clues as to its age.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Take the B6246 road northwest out of Whalley, or else east from Hurst Green, until you hit the little village of Great Mitton, with its churchyard in the middle. Go into the churchyard and you’ll find this weird-looking cross!
Archaeology & History
The curious-looking upright in the churchyard here has a mixed history by all accounts. The oldest portion of the cross is universally ascribed to be the top section, rediscovered when it was dug up “shortly before 1801.” (Ackerley 1947) It possesses a carving of the crucifixion on one side, and some curious figures carved on the other, which some ascribe to being Jesus, but could well be the triple female element which would still have been prevalent in peasant culture at the time it’s thought to have been carved. The original shaft carrying the ‘cross’ had long since been destroyed and so, according to Jessica Lofthouse (1946),
“In 1897 it was ‘re-erected to commemorate the 1300th anniversary of the reintroduction of christianity into Britain,’ with the new shaft we see today. This is the oldest relic in Mitton.”
In J. Buckler’s early 1841 drawing of both sides of the carved cross-head we can see in greater detail the nature of the medieval rock art and this was described in Aymer Vallance’s (1920) decorative analysis of carved crosses in England. He told that
“the cross-head at Mitton, Yorkshire…is peculiar inasmuch as the crucifixion is sculptured on both faces, but in totally different fashions. That on the west face has the arms stretched horizontally, within a sexfoil frame, and might well be of the thirteenth century. Whereas the sculpture on the east face, though much more weatherworn, is of a style that could not have been designed before the fourteenth, or perhaps even the fifteenth century. The arms of the Christ in this instance are drawn upwards in an unusually oblique direction. It is impossible that these two representations could have been executed at one and the same date. The circular outline of the head, too, is peculiar, and suggestive rather of a gable-cross than of a standing cross. Possibly the west face only was sculptured in the first instance, for a gable-cross, the sculpture on the east face being added later in order to adapt the stone for the head of a churchyard cross.”
Although I’ve gotta say that the three carved figures with the upright arms strikes me more as three females than any crucified character and may be an early depiction of the three Mary’s.
One of the early ministers at Mitton church was none other than John Webster, who wrote the highly influential work, Displaying of Supposed Witchcraft, which denounced much of the Church’s obsession and murder of countless people under the auspice of some spurious devil and demonological bollocks which, even today, some still suffer to endure. Webster was only at Mitton for a few years, before moving into deeper Yorkshire and setting up at Kildwick.
References:
Ackerley, Frederick George, A History of the Parish of Mitton, Aberdeen University Press 1947.
Lofthouse, Jessica, Three Rivers, Robert Hale: London 1946.
Vallance, Aymer, Old Crosses and Lychgates, Batsford: London 1920.
From Great Mitton village, go up (north) the slightly winding B6243 road for a mile, then take the left turn up the minor country lane, for about 300 yards, till you reach a tiny crossroad of tracks, one leading down to Scott House and the other up to Withgill Farm. Stop here! You’re damn close. From what our man ‘QDanT’ says, this is now to be found behind the hedge by the roadside, on the side of the road where the track runs up to Withgill Farm, tucked low and overgrown close to the ground. Good luck!
Archaeology & History
Described by Mr Ackerley (1947) as being found
“in the coppice beside the gate to Withgill is the base of another road-side cross,”
Cross-base (after QDanT)
all but overgrown by ivy and lost to the causal eye. Thankfully our man Danny got on his bike and found the remains of the little fella, all-but invisible beneath the vegetative growth! Beneath the vegetation, John Dixon told there to be “some interesting 17th century graffiti,” but there’s not much that remains of the old cross.
Folklore
There is a curious story about a legendary church that was once supposed to have been up the track on the hill just above here at the farm. The story goes,
“that when Mitton church was built, it ought to have been built on Withgill Knowle: that there was a church somewhere about there, and that the stones from it were carted down to Mitton in one night and used in building the present church.”
This bitta folklore is a motif found commonly at prehistoric sites, where stones from our ancient places were uprooted and moved (destroyed) to give way to the new christian mythos. To my knowledge, no such prehistoric sites are known hereby. Mr Dixon – over to you dear sir!
References:
Ackerley, Frederick George, A History of the Parish of Mitton in the West Riding of Yorkshire, Aberdeen University Press 1947.
Highlighted on the 1909 OS-map of the area, on the top of the hill a short distance from the roadside, about 250 yards northwest of the Acrehowe Hill site (now at the edge of the golf course) could once be seen another prehistoric burial mound. The rediscovery of this tumulus was first announced briefly in the January 1905 edition of the Bradford Scientific Journal (issue no.3). A few months later the local writer and historian William Preston (1905) wrote a more detailed article on the site, telling the following information:
“A discovery of considerable interest to local archaeologists was made early in December, 1904, on the summit of the spur of moorland on the northwest of Baildon Moor, known as Pennythorn Hill.
“A workman engaged in removing stones from an extension of the golf course, unearthed an ancient cinerary urn containing calcined human bones, a flake of flint which may have served the purpose of an arrow point, a bronze instrument, and a perforated piece of bone, unfortunately broken during calcination. An examination of the site of the discovery revealed the remains of a tumulus, the upper part at some time removed, with a diameter as near as it was possible to tell, of about fifteen feet. In point of construction it differed little from others which are to be found in the locality. The vessel had been placed in an inverted position over the calcined bones, in a hole made in the sandy subsoil. There was no indication of the urn having rested in a cist.
“The earth beneath the urn bore no evidences of fire, and it is likely that the funeral pyre on which the corpse was reduced to ashes was not erected on the spot. It may be assumed from the association of the weapons named that the bones are those of a male person.
“The height of the urn is twelve and a half inches, it is eight and a quarter inches in diameter, and taper in the lowest third of its height to a base of about three inches in diameter. In the course of its excavation it was broken by the workmen, but it has been excellently restored in the laboratory of the Hull Museum…
“The urn belongs to the early British type and its date is, probably, well before the Roman invasion of the island. The general outline of the urn is very similar to that of some urns found by Canon Greenwell in the course of his exploration of the barrows of the north of England… The surface of the urn is divided into three zones. The upper part of the vessel consists of a raised border, about four inches wide, decorated with horizontal and vertical lines alternately arranged, and produced by pressing a twisted thong up0n the clay of which it was composed… Beneath the border and upon the central part of the body, a different form of decoration has been carried out. A zig-zag line scratched in the clay has been carried around the body, forming a number of triangular compartments, which were filled in with diagonal lines, giving he appearance of a herring-bone pattern. The counterpart this design does not appear on any of the urns figured by Canon Greenwell in his records of digging in British barrows.”
References:
Greenwell, William, British Barrows, Clarendon Press: Oxford 1877.
Preston, William E., “The Discovery of a Cinerary Urn on Baildon Moor,” in Bradford Scientific Journal, no.4, April 1905.
Wardell, James, Historical Notes of Ilkley, Rombald’s Moor, Baildon Common, and other Matters of the British and Roman Periods, Joseph Dodgson: Leeds 1869. (2nd edition 1881)
