Wondjina Stone, Rivock, Keighley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 07366 44628

Also Known as:

  1. Carving no.10 (Hedges)
  2. Carving no.49 (Boughey & Vickerman)

Getting Here

Wondjina Stone, Rivock
Wondjina Stone, Rivock

A wonderful site, though a bittova walk for city-minded folk.  Head up the road from Riddlesden, Keighley, towards the southern edge of Rombalds Moor and keep going till you reach the road which surrounds the moor (called Silsden Road).  At the T-junction in front of you is a path which takes you onto the fields and moor.  Go over the stile and walk straight up the steepish field that follows the straight line of the forest, all the way to the top.  Climb over the wall on your left when you reach the top of the tree-line, walk past the triangulation pillar for 100 yards or so till you hit the end of the walling before it drops back into the trees.  The carving’s under your nose!

Archaeology & History

Wondjina Stone01
Rivock Edge’s ‘Wondjina’ carving

The name of this carving is based on a first impression I got of it when I came here as a young lad, still in my teens.  The ‘Wondjina’ is a name given to primal aboriginal spirits whose images are etched and painted on rock surfaces in various parts of Australia (usually rock overhangs or in caves).  Don’t ask me why, but that was the impression I first got of this stone — and it’s something that stays with me.  Some archaeo’s won’t like the association such mythic ancestral beings may have upon people’s notions of cup-and-ring art, but they tend to be the ones who have little educational background regarding the animistic nature of rocks in traditional and peasant societies: ingredients that are integral to these ancient carvings, as research worldwide clearly shows.

The carving was first described by our old Yorkshire historian Arthur Raistrick (1936) in an early essay on Yorkshire rock carvings; and then again in a later article by Stuart Feather. (1961)  The primary design is of a large single cup-and-ring at one end of the rock, with a series of seemingly unbroken lines reaching up (or perhaps moving away) from the cup-and-ring.  A long central line runs through the middle of the Wondjina ‘being’, which initially seems to have been a series of cups linked by this line; though these cups (at least four of them) have eroded over time and are difficult to see without good sunlight.  What seem to be several other very eroded cup-marks are also found on two of the other long lines.  These can be made out in the photograph here.

Close-up of lines & cup-marks
Close-up of lines & cup-marks

Another carving is on the stone right next to this one (2ft away) and there are several other cup-marked stones to be found along the same ridge (carving numbers 058, 059, 060, etc).  And for those of you into landscape archaeology, take the position of this carving into consideration.  The view from here is  quite superb and on clear days a number of prominent hills and important mythological landscape features stand out.  To those of you who think such things unimportant or of little relevance in the mythography of our ancestors — you’ve a lot to learn!  Otherwise, a visit to this carving and its associates is well worth a trek!

References:

  1. Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
  4. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  5. Raistrick, Arthur, “‘Cup-and-Ring’ Marked Rocks of West Yorkshire,’ in Yorkshire Archaeology Journal, 32, 1936.

© Paul Bennett, The Northern Antiquarian


Baldwin Stone, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 06453 44658

Getting Here

Baldwin Stone - with its happy discoverer!
Baldwin Stone with its finder

From East Riddlesden, go up the road (over the swing-bridge) that takes you onto the moor-edge (ask a local if you have trouble).  Go all the way up till you hit the road which encircles the moor (it’s called the Silsden Road where you hit it).  Turn left for several hundred yards till you see the microwave tower just on the hillock to your right on Pinfold Hill (not the larger TV towers just below the forest).  Walk up there, then follow the edge of the walling till you hit the old Pinus sylvestris trees of Robin Hood’s Wood where 2 walls meet.  Go over the gate and walk to your right for about 200 yards, following the line of the walling.  You’re there!

Archaeology & History

Cluster of cups on southern edge
Cluster of cups on W edge

A newly-discovered cup-marked stone, located for the first time on Tuesday, June 9, 2009, by Michala Potts, who was out on an amble with some long-haired halfwit whizzing about getting excited about stupid cup-markings on stones, dragging her back and forth and leaving her in the middle of a bog!  On one occasion when this ‘ere fruitbat wandered off (again!), leaving her alone in the middle of the hills, she decided to check out some rocks a bit further up the slope where she’d been left alone.  And there, along the edge of some walling, right on the edge of the much-denuded Robin Hood’s Wood, a short distance west of Rivock, a curious stone popped out and caught her attention!

Was this a cup-marking she saw before her!?  It certainly was!  But she didn’t call out to this halfwit who’d left her to her own devices.  She let him just wander off to his sad heart’s content, whilst she got into the nitty-gritty of checking the stone out, uncovering the essentials of the carving while he bimbled off like a freak!  And what a nice carving it was she found…

Baldwin Stone - looking south
Baldwin Stone – looking west
First sketch of the stone

Although no accurate measurements were made of the stone (it was bigger than 10-inch!), at least 17 cup-markings were counted here: one singular and very well-preserved cup, alone on its southern edge, right by the walling.  But the main feature of the design is a cluster of cup-marks (at least 11) on the western side of the rock — one part of this cluster having the appearance of the figure 5 on a dice!  Several other well-defined cups occur on the central and more northern end of the rock.

Eventually, her sad stone-wandering fella returned, forlorn, having found no new carvings of his own (poor soul!).  And so she took his poor little hand, and took him to see the little prehistoric treasure she’s uncovered — and her sad little man got all smiley and … well, you know what they’re like!

Additionally however, for the archaeo’s amongst you: if you come wandering up here to check this carving out, you’ll notice the remains of many large upright stones in a lot of the old stone walls round here.  Many of these are the remains of Iron Age walling.

© Paul Bennett, The Northern Antiquarian 


Enclosure Carving, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 12836 46147

Also Known as:

  1. Carving no.129 (Hedges)
  2. Carving no.288 (Boughey & Vickerman)

Getting Here

Enclosure Stone design (after Hedges 1986)
Enclosure Stone design (after Hedges 1986)

Nice n’ easy.  Get to the Haystack Rock and walk on the path west (past the Three Cups Stone) and where the path swings round following the edge of the small Backstone valley, keep going for 150 yards or so.  Keep your eyes out for the remains of walling in the Green Crag Settlement on your left.  This flat stone is amidst the heather in and amongst the enclosure (hence the name).  If you walk back and forth hereabouts for a short period, checking for flat stones amidst the heather about 20 yards off the path, you’ll find it!

Archaeology & History

Top-left section of CR-288 - note the carved line 'enclosing' the cups which aint on the archaeo-drawings
Top-left section of CR-288

This is another one of those carvings which had been seen by a number of people, bimbling about across this part of the moor, before it saw the literary light of day in Hedges Carved Rocks book (1986).  It’s a nicely-preserved design, usually covered over by much heather growth, but is worth the exploration if you like your cup&rings.  The drawing of this stone however (in both Hedges and Boughey & Vickerman) does not convey the actuality of the carving, as we can see here.  But that’s the case with many cup-and-rings: linear precision and the artisty of the carving are two very different things.  As we can see here, one section of the stone has a defined ‘enclosure’ of cups etched upon the rock surface: something that is clearly missed in the archaeologist’s drawing.  Check it out y’self and see what you think!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


St. Thomas’ Well, Cambusbarron, Stirlingshire

Holy Well: OS Grid Reference – NS 7790 9304

Archaeology & History

St.Thomas Well pond – on a freezing grey day!

Very close to the edge of the M9, this old water source is thankfully still visible, though not in its original state.  At the bottom of the ridge, loosely enclosed in the grounds of St. Thomas Well House, we find that the original well has been submerged into the pond which covers it.

Folklore

I’ve not yet found the mythic origins behind the dedication to this site, though St. Thomas’ Day is the winter solstice on December 21, and his mythic status was that of didymus, or twin.  In Yorkshire, folk customs surrounding this figure have been found to be inextricably intertwined with death rites, Robin Hood and shamanism!  But this Stirlingshire site is as yet silent.  The presence of numerous prehistoric burials very close by may have something to do with its dedication, as such sites would heighten the likelihood of there being ‘heathen’ practices close by, to which the said ‘St Thomas’—or one of his emissaries—could subdue with their christian figure.  But that’s pure speculation on my part…

References:

  1. Attwater, Donald, The Penguin Dictionary of Saints, Penguin: Harmondsworth 1965.
    Morris, Ruth & Frank, Scottish Healing Wells, Alethea: Sandy 1982.
  2. Fleming, J.S., Old Nooks of Stirling, Delineated and Described, Munro & Jamieson: Stirling 1898.
  3. Royal Commission on the Ancient & Historical Monuments, Scotland, Stirlingshire – volume 2, HMSO: Edinburgh 1963.

© Paul Bennett, The Northern Antiquarian


Miller’s Grave, Midgley Moor, West Yorkshire

Cairn:  OS Grid Reference – SE 01912 28366

Getting Here

Millers Grave cairn

From the village of Midgley, high above the A646 Halifax-to-Todmorden road, travel west along the moorland road until you reach the sharp-ish bend in the road, with steep wooded waterfall to your left.  From here, across the road (roughly) there’s a track onto the moor.  Go up this, keeping to the line of the straight walling uphill by the stream-side (instead of following the path up the quarries) all the way to the top. Here you’ll see the boundary stone of  Churn Milk Joan. Take the footpath to its side for up onto the moor 250 yards or so, taking a right turn into the deeply cut footpath and walk along for several hundred yards, keeping your eyes to the north (right).  You’ll see the rocky cairn of Miller’s Grave not far away in the heather, near to the large rounded boulder known as Robin Hood’s Pennystone.

Archaeology & History

Ascribed by some as neolithic, and others as Bronze Age (the more probable), here is a curious archaeological relic: curious, inasmuch as it’s received very little attention from archaeologists.  It’s quite a large monument — and perhaps the fact that it has always seemed to be in isolation from other prehistoric remains has held it back a little.  But recent ventures here have brought about the discovery of more cairns (though singular small ones), neolithic walling, hut circles and other prehistoric remains that have never previously been reported.

Millers Grave01
Miller’s Grave, Midgley Moor (in VERY heavy rain!)
Central stone aligning north to Nab End

It’s a decent site aswell.  Mainly consisting of the usual mass of smaller stones piled up and around one main point; in the middle of this ‘tomb’ is a large split glacial erratic boulder, which may have been the original focus of the builders.  Some may even ascribe a coupla cup-markings on this ‘ere central rock form — but they’d be pushing it a bit! This large central feature aligns to the high peak of Nab Hill several miles north, above Oxenhope.  Whether this feature was of any significance in the cairn’s construction is debatable (though as north represents death in pre-christian peasant lore, this ingredient has to be noted).

Profile shot – looking NE
Looking SE, with small cairn in foreground

The cairn is a goodly size: some 4 feet tall and about 50 foot across at its greatest diameter.  Some of the stones near the centre of the stones have been put there in more recent years.  In previous centuries, treasure-seekers came here in the hope that they’d uncover gold or other trinkets and stripped off much of the original cover, moving many rocks to the edges.  Others were also stolen from here to make some of the grouse-butts, not far from away.  In a foray to the site on 5.9.10. we were lucky to find the heather had been burnt back and found, some ten yards to the north and to the southwest, the remains of small, outlying singular cairns (though these need excavating to ascertain their precise nature).

Calderdale Council’s archaeology notes on Miller’s Grave tell it to be “situated on the summit of Midgley Moor”, which is quite wrong.  The summit of the moor is some distance west of here, near where an old standing stone called the Greenwood B stone (75 yards south of the Greenwood Stone) and the much denuded remains of other prehistoric sites could once be found — though I’m not sure that they, nor the regional archaeologist for Upper Calderdale has ever been aware of them.

Folklore

In F.A. Leyland’s (c.1869) extensive commentary to Watson’s History of Halifax (1775), he relates a fascinating tale which seems to account for the name of this old tomb:

“About ninety years ago,” he wrote, “that is, towards the end of the eighteenth century – one Lee, a miller, committed suicide in Mayroyd Mill near Hebden Bridge. The jury at the inquest held on the occasion returned a verdict of felo-de-se, and the body was buried at Four Lane Ends, the Rough, in Midgley. The fact, however, of the body of one who had laid violent hands upon himself, lying in unconsecrated ground at a point where the highways met, and at a spot which the inhabitants passed early and late, oppressed the people of the neighbourhood with an irresistible dread. Persons going to market and passing from village to village, feared and avoided the unhallowed spot, until the feeling increased to one of insupportable terror; and, in the night time, a multitude collected with torches to disinter the body. This was speedily effected and violence was even offered to the dead. A man named Mark Sutcliffe, and others, who attempted to prevent the exhumation, were stoned* by the mob, and the body was hurried to the cairn on Midgley Moor, where it was hastily interred. Here however, it was not allowed to rest; the isolation of the body, though buried in a lonely spot, was yet apart from the common cemetery where the dead lie together in their special domain; and this invested the surrounding district with a superstitious awe difficult to describe. The body was still too near the haunts of the living; and, to the perturbed imagination of the inhabitants, the unquiet ghost of the suicide constantly brooded over the hills. As this was not to be endured, the body was at last removed from the cairn, and finally buried in the churchyard of St. Thomas a’ Beckett’s, Heptonstall. Although the interment of Lee, at the cairn, has conferred upon the spot the name of the Miller’s Grave, it cannot be doubted that the large quantity of heavy stones which we find heaped together at this place…was piled up in distant times…”

Modern pagan folklore ascribes the name of this site to relate to Much, the Miller’s Son: acquaintance of the legendary Robin Hood, whose ‘Penny Stone’ boulder is just 100 yards west of here.

References:

  1. Abraham, John Harris, Hidden Prehistory around the North West, Kindle 2012.
  2. Leyland, F.A. (ed.), The History and Antiquities of the Parish of Halifax by the Rev. John Watson, R. Leyland: Halifax n.d. (c.1869)

* Nothing too unusual there for the people of Hebden Bridge!

© Paul Bennett, The Northern Antiquarian


Pitchfork Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11496 46039

Also Known as:

  1. Carving no. 102 (Hedges)
  2. Carving no. 256 (Boughey & Vickerman)

Getting Here

Pitchfork Stone, Ilkley Moor
Pitchfork Stone, Ilkley Moor

Follow the directions for getting to the great Badger Stone carving.  From here, walk eastwards on the footpath for about 400 yards.  Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map)  There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!

Archaeology & History

The Pitchfork Stone (after Hedges, 1986)
The Pitchfork Stone (after Hedges, 1986)

First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961.  It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986.  The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!

The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian 


Danes Hills, Riccall, North Yorkshire

Tumuli:  OS Grid Reference – SE 645 377

Getting Here

Sketch map of the Danes Hill tombs, 1849
Sketch map of the Danes Hill tombs, 1849

Travelling up (north) the A19, just as you get to Riccal village, there’s a small road to your right: take this!  A mile along there’s a parking place just where the track veers into the woods.  That’s where you’re heading.  The remains of the tombs hereabouts can be hard to discern – but if your lucky you’ll either meet a local, or the virtue of patience will bring these overgrown tombs into focus!  There are other tumuli a few hundred yards east and north of here aswell.  If you wanna get a clear picture of them all, a full day would be a good bet!

Archaeology & History

Not to be confused with the other Danes Hills tombs a couple of miles northeast of here (as done on some other sites), the early Victorian geologist and explorer John Phillips (1853) was one of several early writers who described what, today, are known to be Iron Age tombs, scattered about a short distance east of Riccall village, saying:

“On Skipwith Common are many tumuli, old banks, and the slightly-marked foundations of ancient (turf or log?) houses or wigwams. These, by some error of tradition, are called ‘Danes’ Hills/ but, on opening the tumuli, no confirmation of so modern a date appeared. The tumuli are set in square fosses; the sides of the fossae range north and south and east and west (true). Similar facts appear in connexion with the tumuli on Thorganby Common adjacent. Burnt ashes and bones occur in the mounds; facts which suffice to overthrow the supposition of these hills being funeral heaps of the Danes of the llth century, for they then buried their dead. No instruments of metal, bone, or stone, or pottery were found.”

There were dozens of tombs that could be seen here in the past, but today many have been destroyed or are hidden by the cover of trees.  A sketch-map (above) showing the rough location of many of the graves was made by the Yorkshire Antiquarian Club after a visit here in 1849 (Proctor 1855), who opened several of the barrows.  Archaeologist Ian Stead (1961; 1979) defined these remains as being of the famous La Tene burials — though I’m unsure as to whether any of the tombs here had the great horse-chariots found in them, as found in the more famous Danes Graves tombs close to Driffield.

Folklore

The name of these small hills acquired their Danish title via a mix of real history and folklore.  History tells of the old Danish King Harald Hardrada, who moored his fleet of ships a few miles away from here before going into battle against the armies of Northumbria and Mercia. “Dane’s Hill,” said Bogg (c.1895), “still marks the spot where the fight took place.”  As John Burton (1758) told us:

“Ever since the aforesaid battle, it is by tradition to this day said, that the Danes were permitted to encamp here till they had buried their dead, and their ships at Riccal should be ready for their re-embarking for Norway.”

Local folk used to tell of the tradition of the local swamp — called Riccal Towdyke — being choked with the bodies of many slain in the battle hereabouts.  Many pieces of red cloth were found all around in the neighbourhood of these tombs.  However, despite this mix of fact and folklore, the tumuli were see marked on the modern OS-maps have been found to be Iron Age in origin.

…to be continued…

References:

  1. Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds n.d.
  2. Burton, John, Monasticon Eboracense, N. Nickson: York 1758.
  3. Elgee, F. & H.W., The Archaeology of Yorkshire, Methuen: London 1933.
  4. Morrell, W. Wilberforce, The History and Antiquities of Selby, W.B. Bellerby: Selby 1867.
  5. Phillips, John, The Rivers, Mountains and Sea-Coast of Yorkshire, John Murray: London 1853.
  6. Proctor, W., ‘Report of the Proceedings of the Yorkshire Antiquarian Club, in the Excavation of Barrows from the Year 1849,’ in Proceedings of the Yorkshire Philosophical Society, 1855.
  7. Stead, I.M., ‘A Distinctive Form of La Tene Barrow in Eastern Yorkshire,’ in Antiquaries Journal, volume 41, 1961.
  8. Stead, I.M., The Arras Culture, Yorkshire Philosophical Society: York 1979.

© Paul Bennett, The Northern Antiquarian 


Barnhill, Jura, Argyll

Cairn:  OS Grid Reference – NR 7057 9700

Archaeology & History

Very close to being at the top of the island.  If you do manage to get here take a gander at the legendary Gulf of Corryvreckan: one of the largest whirlpools on Earth, where the cailleach swirled her stuff when angry! This is the ‘hill where sorrel grows,’ and where George Orwell wrote 1984 – but more important for us is where the Royal Commission for Historic & Ancient Monuments of Scotland (Argyll, vol.5) designated that,

“a stony mound about 5.5m in diameter and 0.5m high, situated on the crest of the ridge east of Barnhill, appears to be a prehistoric burial cairn.”

Sadly I never managed to check this out when I was last up here as I didn’t know it was here!

References:

  1. Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll: volume 5 – Islay, Jura, Colonsay and Oronsay, HMSO: Edinburgh 1984.

© Paul Bennett, The Northern Antiquarian


Cluster Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 13283 45920

Also Known as:

  1. Carving no.160 (Hedges)
  2. Carving no.325 (Boughey & Vickerman)

Getting Here

Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side.  Y’ can’t miss it!

Archaeology & History

Main section of cup-marks
Main section of cup-marks

This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface.  I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images.  But such is the nature of cup-and-rings I s’ppose!

Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design.  But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks.  Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors.  And I think we find an explicit affirmation of this in the Cluster Stone here.

Close-up of cup-and-ring
Close-up of cup-and-ring

Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features.  The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related.  This may be representative of a landscape map, or a series of events – but each would relate to one and other.  But, of course, we truly don’t know, so think I’d best shut up!

Cluster Stone design (after Hedges 1986)
Cluster Stone design (after Hedges 1986)

The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples.  The cup-and-ring on the stone is quite distinct.  Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Little Haystack Rock, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone: OS Grid Reference – SE 13654 45936

Also Known as:

  1. Carving no.184 (Hedges)
  2. Carving no.355 (Boughey & Vickerman)
  3. Haystack 2

The Little Haystack - looking west

Getting Here

Follow the same directions to reach the Pancake Stone.  Then walk eastwards along the footpath on the moorland edge.  After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller.  That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.

Archaeology & History

Four of the cups
Four of the cups on this lichen-rich surface
Little Haystack (after Hedges 1986)
Little Haystack (after Hedges 1986)

Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out.  It sits amidst a cairn-field with other neolithic remains nearby.  The carving itself aint that impressive, and some parts of it seem almost dubious.  But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface.  It’s nowt special to be honest.  You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.

The stone’s worth looking at though.  It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian