Another carving that might take a bitta finding. Follow the same directions for reaching the Holden Buttock Stone, going past it towards the fence 100 yards away. Go through the gate and walk along the path for a couple of hundred yards. As you walk down, you’ll eventually see the cluster of rocks amidst which lives the Dump Stone carving. This, the Rough Holden cup-and-ring, is off the path (right) before you get to them in the grasses. Look around.
Archaeology & History
Rediscovered in June 2009 by Michala Potts and I, this little stone at first only appeared to possess a few cup-markings, but the more we looked at it, the more obvious it became that one of the cups had a nice ring surrounding it. Unfortunately this didn’t come out at all well in any of the photos we took, so we need to another visit here whe the sunlight’s right to get a decent image. Aswell as that, the drawing we did of the basic design appears to be missing what looks another blatant cup-marking near the centre of the rock, which did not seem at all obvious to the naked eye when we found it. (such are the delights of assessing cup&rings!)
Rough Holden cup-marksBasic sketch of the stone
The main cluster of cups occurs on the northern-edge of the stone, where a couple of them seem linked by linear features. There are also what may be a cup or three on the vertical edge of the rock, below these cups – but this needs looking at again the better lighting. The cup-and-ring is very faint, but once noticed it become increasingly obvious that it’s there, and most of the ring can be traced with ease by running one’s finger along the groove. Mikki reckons the ring runs all the way round the cup (she’s probably right), where as I could only work it out running 75% of the way round. The line which runs off above the ring seems to link up with what looks like another obvious cup-marking on the photo. We’ll have to check it out properly next time we’re up there!
A bit troublesome this one – and the 8-figure grid-ref might be slightly astray (though only by a little). Get to the TV-mast below Rivock Edge and notice the small path going along the top of the adjacent field, over the fence, heading north-ish into the meadows — not the path into the forest. Walk on the meadow path, over the wall and notice a rise in the ground ahead of you. Go past this mound for about 75 yards and keep your eyes peeled!
Archaeology & History
Close-up of cup-markings
Named by virtue of the shape of the stone, the Keighley volunteer Michala Potts of Bracken Bank found this carving on an exploratory amble yesterday (Friday, June 12, 2009). Previously unrecorded, this carving consists merely of cup-markings — four distinct ones on the northeasterly edge of the rock, with two other ‘possibles’ thereon. The cups have been pretty well-eroded by the elements and there are few distinguishing features which will make this of any real interest, unless you’re a real rock-art freak!
Follow the same directions for reaching the Wondjina Stone. Once here, walk to the edge of the cliffs less than 10 yards away and the second largest of the rocks is the one you’re after. (the Rivock Nose [1] and [3] carvings are the rocks either side of this one)
Archaeology & History
Possible cup-markings at Rivock Edge
I’ve gotta admit, I was slightly surprised to find this carving logged in both Hedges (1986) and Boughey & Vickerman’s (2003) surveys. Although we find the distinct appearence of cup-markings near the edge of the cliff at the northwestern end of Rivock Edge, these seem a little too close to being natural to be comfortably acknowledged in archaeo-texts without notes the contrary. I took a photo of them when we were up visiting the other day, but didn’t expect them to be in the books. Not only do they include this probably natural example, they also add another two rocks found along the cliff edges (Hedges 12 & 13; B&V 45 & 47). In the event that these carvings are deemed authentic, then those along the edge of the great Kirk cliffs above Steeton must also be added to the same pot.
In the photo here you can work out perhaps nine cup-marks near the edge of the cliff, which is what the textbooks say. Make your own mind up when your next looking at the Wondjina Stone and others nearby.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the nearby Wondjina Stone, but as you reach the trig-point at the top of Rivock Edge, note the smooth rounded boulder 50 yards ESE. That’s it!
Archaeology & History
Named after the sea of cotton grasses, or niplets (Eriophorum angustifolium), amidst which it lives for several weeks of the year, the cups-marks that make up this design can be terribly difficult to work out even in the best of lighting. We have here a lichen-encrusted stone with perhaps as many as 25 cup-marks scattering, mainly, the top and westerly sloping face. Although some of the cups are quite noticeable, the vegetative growth and simple erosion has made an accurate visual impression of the original carving very difficult — as the images plainly tell! If I ever manage to capture the stone resting in a good mood, I’ll replace the photos I’ve got here!
Niplet Stone, looking SEBeautiful fusion of faded cups, lichen & great age…
Although I remember coming here and seeing this and the nearby carvings when I was a teenager, then a few years later on with Edna Whelan and Graeme Chappell, it seems that the first literary note of this carving after my own initial exploration was in the Ilkley Archaeology Group’s survey (Hedges 1986), where they make note of a flint that was found beside the stone. Boughey and Vickerman (2003) later include the same stone in their work, but with no additional information.
References:
Bennett, Paul, “The Prehistoric Rock Art and Megalithic Remains of Rivock & District (parts 1 & 2),” in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
A wonderful site, though a bittova walk for city-minded folk. Head up the road from Riddlesden, Keighley, towards the southern edge of Rombalds Moor and keep going till you reach the road which surrounds the moor (called Silsden Road). At the T-junction in front of you is a path which takes you onto the fields and moor. Go over the stile and walk straight up the steepish field that follows the straight line of the forest, all the way to the top. Climb over the wall on your left when you reach the top of the tree-line, walk past the triangulation pillar for 100 yards or so till you hit the end of the walling before it drops back into the trees. The carving’s under your nose!
Archaeology & History
Rivock Edge’s ‘Wondjina’ carving
The name of this carving is based on a first impression I got of it when I came here as a young lad, still in my teens. The ‘Wondjina’ is a name given to primal aboriginal spirits whose images are etched and painted on rock surfaces in various parts of Australia (usually rock overhangs or in caves). Don’t ask me why, but that was the impression I first got of this stone — and it’s something that stays with me. Some archaeo’s won’t like the association such mythic ancestral beings may have upon people’s notions of cup-and-ring art, but they tend to be the ones who have little educational background regarding the animistic nature of rocks in traditional and peasant societies: ingredients that are integral to these ancient carvings, as research worldwide clearly shows.
The carving was first described by our old Yorkshire historian Arthur Raistrick (1936) in an early essay on Yorkshire rock carvings; and then again in a later article by Stuart Feather. (1961) The primary design is of a large single cup-and-ring at one end of the rock, with a series of seemingly unbroken lines reaching up (or perhaps moving away) from the cup-and-ring. A long central line runs through the middle of the Wondjina ‘being’, which initially seems to have been a series of cups linked by this line; though these cups (at least four of them) have eroded over time and are difficult to see without good sunlight. What seem to be several other very eroded cup-marks are also found on two of the other long lines. These can be made out in the photograph here.
Close-up of lines & cup-marks
Another carving is on the stone right next to this one (2ft away) and there are several other cup-marked stones to be found along the same ridge (carving numbers 058, 059, 060, etc). And for those of you into landscape archaeology, take the position of this carving into consideration. The view from here is quite superb and on clear days a number of prominent hills and important mythological landscape features stand out. To those of you who think such things unimportant or of little relevance in the mythography of our ancestors — you’ve a lot to learn! Otherwise, a visit to this carving and its associates is well worth a trek!
References:
Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: Nos. 7 & 8, Rivock Edge,’ in Cartwright Hall Archaeology Group Bulletin, 6:8, 1961.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Raistrick, Arthur, “‘Cup-and-Ring’ Marked Rocks of West Yorkshire,’ in Yorkshire Archaeology Journal, 32, 1936.
From East Riddlesden, go up the road (over the swing-bridge) that takes you onto the moor-edge (ask a local if you have trouble). Go all the way up till you hit the road which encircles the moor (it’s called the Silsden Road where you hit it). Turn left for several hundred yards till you see the microwave tower just on the hillock to your right on Pinfold Hill (not the larger TV towers just below the forest). Walk up there, then follow the edge of the walling till you hit the old Pinus sylvestris trees of Robin Hood’s Wood where 2 walls meet. Go over the gate and walk to your right for about 200 yards, following the line of the walling. You’re there!
Archaeology & History
Cluster of cups on W edge
A newly-discovered cup-marked stone, located for the first time on Tuesday, June 9, 2009, by Michala Potts, who was out on an amble with some long-haired halfwit whizzing about getting excited about stupid cup-markings on stones, dragging her back and forth and leaving her in the middle of a bog! On one occasion when this ‘ere fruitbat wandered off (again!), leaving her alone in the middle of the hills, she decided to check out some rocks a bit further up the slope where she’d been left alone. And there, along the edge of some walling, right on the edge of the much-denuded Robin Hood’s Wood, a short distance west of Rivock, a curious stone popped out and caught her attention!
Was this a cup-marking she saw before her!? It certainly was! But she didn’t call out to this halfwit who’d left her to her own devices. She let him just wander off to his sad heart’s content, whilst she got into the nitty-gritty of checking the stone out, uncovering the essentials of the carving while he bimbled off like a freak! And what a nice carving it was she found…
Baldwin Stone – looking westFirst sketch of the stone
Although no accurate measurements were made of the stone (it was bigger than 10-inch!), at least 17 cup-markings were counted here: one singular and very well-preserved cup, alone on its southern edge, right by the walling. But the main feature of the design is a cluster of cup-marks (at least 11) on the western side of the rock — one part of this cluster having the appearance of the figure 5 on a dice! Several other well-defined cups occur on the central and more northern end of the rock.
Eventually, her sad stone-wandering fella returned, forlorn, having found no new carvings of his own (poor soul!). And so she took his poor little hand, and took him to see the little prehistoric treasure she’s uncovered — and her sad little man got all smiley and … well, you know what they’re like!
Additionally however, for the archaeo’s amongst you: if you come wandering up here to check this carving out, you’ll notice the remains of many large upright stones in a lot of the old stone walls round here. Many of these are the remains of Iron Age walling.
Nice n’ easy. Get to the Haystack Rock and walk on the path west (past the Three Cups Stone) and where the path swings round following the edge of the small Backstone valley, keep going for 150 yards or so. Keep your eyes out for the remains of walling in the Green Crag Settlement on your left. This flat stone is amidst the heather in and amongst the enclosure (hence the name). If you walk back and forth hereabouts for a short period, checking for flat stones amidst the heather about 20 yards off the path, you’ll find it!
Archaeology & History
Top-left section of CR-288
This is another one of those carvings which had been seen by a number of people, bimbling about across this part of the moor, before it saw the literary light of day in Hedges Carved Rocks book (1986). It’s a nicely-preserved design, usually covered over by much heather growth, but is worth the exploration if you like your cup&rings. The drawing of this stone however (in both Hedges and Boughey & Vickerman) does not convey the actuality of the carving, as we can see here. But that’s the case with many cup-and-rings: linear precision and the artisty of the carving are two very different things. As we can see here, one section of the stone has a defined ‘enclosure’ of cups etched upon the rock surface: something that is clearly missed in the archaeologist’s drawing. Check it out y’self and see what you think!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Very close to the edge of the M9, this old water source is thankfully still visible, though not in its original state. At the bottom of the ridge, loosely enclosed in the grounds of St. Thomas Well House, we find that the original well has been submerged into the pond which covers it.
Folklore
I’ve not yet found the mythic origins behind the dedication to this site, though St. Thomas’ Day is the winter solstice on December 21, and his mythic status was that of didymus, or twin. In Yorkshire, folk customs surrounding this figure have been found to be inextricably intertwined with death rites, Robin Hood and shamanism! But this Stirlingshire site is as yet silent. The presence of numerous prehistoric burials very close by may have something to do with its dedication, as such sites would heighten the likelihood of there being ‘heathen’ practices close by, to which the said ‘St Thomas’—or one of his emissaries—could subdue with their christian figure. But that’s pure speculation on my part…
References:
Attwater, Donald, The Penguin Dictionary of Saints, Penguin: Harmondsworth 1965.
Morris, Ruth & Frank, Scottish Healing Wells, Alethea: Sandy 1982.
Fleming, J.S., Old Nooks of Stirling, Delineated and Described, Munro & Jamieson: Stirling 1898.
Royal Commission on the Ancient & Historical Monuments, Scotland, Stirlingshire – volume 2, HMSO: Edinburgh 1963.
From the village of Midgley, high above the A646 Halifax-to-Todmorden road, travel west along the moorland road until you reach the sharp-ish bend in the road, with steep wooded waterfall to your left. From here, across the road (roughly) there’s a track onto the moor. Go up this, keeping to the line of the straight walling uphill by the stream-side (instead of following the path up the quarries) all the way to the top. Here you’ll see the boundary stone of Churn Milk Joan. Take the footpath to its side for up onto the moor 250 yards or so, taking a right turn into the deeply cut footpath and walk along for several hundred yards, keeping your eyes to the north (right). You’ll see the rocky cairn of Miller’s Grave not far away in the heather, near to the large rounded boulder known as Robin Hood’s Pennystone.
Archaeology & History
Ascribed by some as neolithic, and others as Bronze Age (the more probable), here is a curious archaeological relic: curious, inasmuch as it’s received very little attention from archaeologists. It’s quite a large monument — and perhaps the fact that it has always seemed to be in isolation from other prehistoric remains has held it back a little. But recent ventures here have brought about the discovery of more cairns (though singular small ones), neolithic walling, hut circles and other prehistoric remains that have never previously been reported.
Miller’s Grave, Midgley Moor (in VERY heavy rain!)Central stone aligning north to Nab End
It’s a decent site aswell. Mainly consisting of the usual mass of smaller stones piled up and around one main point; in the middle of this ‘tomb’ is a large split glacial erratic boulder, which may have been the original focus of the builders. Some may even ascribe a coupla cup-markings on this ‘ere central rock form — but they’d be pushing it a bit! This large central feature aligns to the high peak of Nab Hill several miles north, above Oxenhope. Whether this feature was of any significance in the cairn’s construction is debatable (though as north represents death in pre-christian peasant lore, this ingredient has to be noted).
Profile shot – looking NELooking SE, with small cairn in foreground
The cairn is a goodly size: some 4 feet tall and about 50 foot across at its greatest diameter. Some of the stones near the centre of the stones have been put there in more recent years. In previous centuries, treasure-seekers came here in the hope that they’d uncover gold or other trinkets and stripped off much of the original cover, moving many rocks to the edges. Others were also stolen from here to make some of the grouse-butts, not far from away. In a foray to the site on 5.9.10. we were lucky to find the heather had been burnt back and found, some ten yards to the north and to the southwest, the remains of small, outlying singular cairns (though these need excavating to ascertain their precise nature).
Calderdale Council’s archaeology notes on Miller’s Grave tell it to be “situated on the summit of Midgley Moor”, which is quite wrong. The summit of the moor is some distance west of here, near where an old standing stone called the Greenwood B stone (75 yards south of the Greenwood Stone) and the much denuded remains of other prehistoric sites could once be found — though I’m not sure that they, nor the regional archaeologist for Upper Calderdale has ever been aware of them.
Folklore
In F.A. Leyland’s (c.1869) extensive commentary to Watson’s History of Halifax (1775), he relates a fascinating tale which seems to account for the name of this old tomb:
“About ninety years ago,” he wrote, “that is, towards the end of the eighteenth century – one Lee, a miller, committed suicide in Mayroyd Mill near Hebden Bridge. The jury at the inquest held on the occasion returned a verdict of felo-de-se, and the body was buried at Four Lane Ends, the Rough, in Midgley. The fact, however, of the body of one who had laid violent hands upon himself, lying in unconsecrated ground at a point where the highways met, and at a spot which the inhabitants passed early and late, oppressed the people of the neighbourhood with an irresistible dread. Persons going to market and passing from village to village, feared and avoided the unhallowed spot, until the feeling increased to one of insupportable terror; and, in the night time, a multitude collected with torches to disinter the body. This was speedily effected and violence was even offered to the dead. A man named Mark Sutcliffe, and others, who attempted to prevent the exhumation, were stoned* by the mob, and the body was hurried to the cairn on Midgley Moor, where it was hastily interred. Here however, it was not allowed to rest; the isolation of the body, though buried in a lonely spot, was yet apart from the common cemetery where the dead lie together in their special domain; and this invested the surrounding district with a superstitious awe difficult to describe. The body was still too near the haunts of the living; and, to the perturbed imagination of the inhabitants, the unquiet ghost of the suicide constantly brooded over the hills. As this was not to be endured, the body was at last removed from the cairn, and finally buried in the churchyard of St. Thomas a’ Beckett’s, Heptonstall. Although the interment of Lee, at the cairn, has conferred upon the spot the name of the Miller’s Grave, it cannot be doubted that the large quantity of heavy stones which we find heaped together at this place…was piled up in distant times…”
Modern pagan folklore ascribes the name of this site to relate to Much, the Miller’s Son: acquaintance of the legendary Robin Hood, whose ‘Penny Stone’ boulder is just 100 yards west of here.
From Durness take the road east for a couple of miles till you see the signpost which takes you on the left-hand side of the road, down to the coast. You can’t miss it!
Archaeology & History
Findings here allege to take the history of the place into the mesolithic period, but we don’t know this for sure. An excavation here by a Mr Donald Macdonald of Sangobeg in 1904 uncovered the presence of several small bone pins, which seem consistent with Mesolithic finds elsewhere. When archaeo-excavations were done here in 1982, human remains going back to at least Iron Age were found in the simple deposit of many shells. A further analysis by the Glasgow Archaeology Unit in 1996 was prevented of some excavation by (get this!) those screwy Health & Safety regulations. Here’s a definite case for an independent group to undertake work here, as we could ignore such preventative measures (and if we drown it’s our fault!). Smoo Cave’s primary function is pretty obvious: it would have been used for both shelter and ritual.
Folklore
The folklore here tells of magick and occultism and possible remnants of rites of passage lore. For herein, many centuries ago, a powerful land-owner called Lord Reay — reputed as a master in the black arts — battled with the devil in the Smoo Cave.
The devil was keeping watch on Lord Reay following a previous dispute between the two of them, and espied him as he entered the cave. As Alexander Polson told it, the cave
“consists of three caverns, one within the other. Lord Reay had got as far as the second, and his dog, which had gone on in advance, returned howling and hairless. By this, Lord Reay knew that Satan was there before him, and bravely waited the attack, which was soon made, and his lordship fought lustily. Happily at the opportune moment a cock crew. This frightened the devil and his attendant witches, but Lord Reay stood between them and the exit. In their fright they blew holes through the roof of the cave, and this is the origin of the two openings through which the Smoo burns fall.”
Pitch black cave; protective spirit animal; encountering one’s psychological nemesis; unconscious battles with Underworld forces; rebirth of the sun at cock-crowing time; the conquering of the dark forces and renewal of Lord Reay. These are typical hallmarks probably signifying folk-remnants of shamanism and rites of passage, for which this cave may once have been used.
References:
Polson, Alexander, Scottish Witchcraft Lore, W. Alexander: Inverness 1932.
