Take the same directions as to reach the Snowden Crags Necropolis, and where the small rounded hill rises up on the eastern end of the plain, look around and you’ll find the stone in question.
Archaeology & History
Up near the edge of the Snowden Moor settlement, just a few yards away from Carving-570, is this medium-sized earthfast boulder with what seems to be three or four cup-markings on its western-face. Boughey & Vickerman (2003) describe the stone as with a “deep gully, cups and enlarged cup, perhaps weathered carving but could be natural” — which seems a reasonable assessment. Certainly the cups seem weathered, although a couple of them may have been man-made. At the side of the rock are the remains of a small cairn, and it is positioned next to the beginning of the Snowden Moor Cemetery.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
From the village of Midgley, high above the A646 Halifax-to-Todmorden road, travel west along the moorland road until you reach the sharp-ish bend in the road, with steep wooded waterfall to your left. From here, across the road (roughly) there’s a track onto the moor. Go up this, keeping to the line of the straight walling uphill by the stream-side (instead of following the path up the quarries) all the way to the top. Here you’ll see the boundary stone of Churn Milk Joan. Take the footpath to its side for up onto the moor 250 yards or so, taking a right turn into the deeply cut footpath and walk along for several hundred yards, keeping your eyes to the north (right). You’ll see the rocky cairn of Miller’s Grave not far away in the heather, near to the large rounded boulder known as Robin Hood’s Pennystone.
Archaeology & History
Ascribed by some as neolithic, and others as Bronze Age (the more probable), here is a curious archaeological relic: curious, inasmuch as it’s received very little attention from archaeologists. It’s quite a large monument — and perhaps the fact that it has always seemed to be in isolation from other prehistoric remains has held it back a little. But recent ventures here have brought about the discovery of more cairns (though singular small ones), neolithic walling, hut circles and other prehistoric remains that have never previously been reported.
Miller’s Grave, Midgley Moor (in VERY heavy rain!)Central stone aligning north to Nab End
It’s a decent site aswell. Mainly consisting of the usual mass of smaller stones piled up and around one main point; in the middle of this ‘tomb’ is a large split glacial erratic boulder, which may have been the original focus of the builders. Some may even ascribe a coupla cup-markings on this ‘ere central rock form — but they’d be pushing it a bit! This large central feature aligns to the high peak of Nab Hill several miles north, above Oxenhope. Whether this feature was of any significance in the cairn’s construction is debatable (though as north represents death in pre-christian peasant lore, this ingredient has to be noted).
Profile shot – looking NELooking SE, with small cairn in foreground
The cairn is a goodly size: some 4 feet tall and about 50 foot across at its greatest diameter. Some of the stones near the centre of the stones have been put there in more recent years. In previous centuries, treasure-seekers came here in the hope that they’d uncover gold or other trinkets and stripped off much of the original cover, moving many rocks to the edges. Others were also stolen from here to make some of the grouse-butts, not far from away. In a foray to the site on 5.9.10. we were lucky to find the heather had been burnt back and found, some ten yards to the north and to the southwest, the remains of small, outlying singular cairns (though these need excavating to ascertain their precise nature).
Calderdale Council’s archaeology notes on Miller’s Grave tell it to be “situated on the summit of Midgley Moor”, which is quite wrong. The summit of the moor is some distance west of here, near where an old standing stone called the Greenwood B stone (75 yards south of the Greenwood Stone) and the much denuded remains of other prehistoric sites could once be found — though I’m not sure that they, nor the regional archaeologist for Upper Calderdale has ever been aware of them.
Folklore
In F.A. Leyland’s (c.1869) extensive commentary to Watson’s History of Halifax (1775), he relates a fascinating tale which seems to account for the name of this old tomb:
“About ninety years ago,” he wrote, “that is, towards the end of the eighteenth century – one Lee, a miller, committed suicide in Mayroyd Mill near Hebden Bridge. The jury at the inquest held on the occasion returned a verdict of felo-de-se, and the body was buried at Four Lane Ends, the Rough, in Midgley. The fact, however, of the body of one who had laid violent hands upon himself, lying in unconsecrated ground at a point where the highways met, and at a spot which the inhabitants passed early and late, oppressed the people of the neighbourhood with an irresistible dread. Persons going to market and passing from village to village, feared and avoided the unhallowed spot, until the feeling increased to one of insupportable terror; and, in the night time, a multitude collected with torches to disinter the body. This was speedily effected and violence was even offered to the dead. A man named Mark Sutcliffe, and others, who attempted to prevent the exhumation, were stoned* by the mob, and the body was hurried to the cairn on Midgley Moor, where it was hastily interred. Here however, it was not allowed to rest; the isolation of the body, though buried in a lonely spot, was yet apart from the common cemetery where the dead lie together in their special domain; and this invested the surrounding district with a superstitious awe difficult to describe. The body was still too near the haunts of the living; and, to the perturbed imagination of the inhabitants, the unquiet ghost of the suicide constantly brooded over the hills. As this was not to be endured, the body was at last removed from the cairn, and finally buried in the churchyard of St. Thomas a’ Beckett’s, Heptonstall. Although the interment of Lee, at the cairn, has conferred upon the spot the name of the Miller’s Grave, it cannot be doubted that the large quantity of heavy stones which we find heaped together at this place…was piled up in distant times…”
Modern pagan folklore ascribes the name of this site to relate to Much, the Miller’s Son: acquaintance of the legendary Robin Hood, whose ‘Penny Stone’ boulder is just 100 yards west of here.
Follow the directions for getting to the great Badger Stone carving. From here, walk eastwards on the footpath for about 400 yards. Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map) There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!
Archaeology & History
The Pitchfork Stone (after Hedges, 1986)
First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961. It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986. The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!
The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Standing Stone (destroyed?): OS Grid Reference – SE 1765 5032
Archaeology & History
Eric Cowling (1946) described this lost or destroyed stone as “a squat standing stone at junction of the Askwith bridge-path with the Otley-Timble highway, saying how it gave its name to Stoop Hill, “which it surmounts.” But in several ambles here in search of this old stone, we’ve yet to locate it; though we did find the Stoup Hill cup-marking and possible neighbour on the southern edge of the hilltop.
Folklore
In days of olde, the ‘Old Man’ was the fabled companion of the legendary ‘Old Woman,’ or great cailleach (the christian cult stupidly, somehow, turned this mythic figure into their ‘devil’ – to which it has no relationship whatsoever). Although no specific folktale remains here, the name of this lost stone tells that it had some mythic tale underscoring it; perhaps simply that it marked the burial of some forgotten chief or elder.
Very close to being at the top of the island. If you do manage to get here take a gander at the legendary Gulf of Corryvreckan: one of the largest whirlpools on Earth, where the cailleach swirled her stuff when angry! This is the ‘hill where sorrel grows,’ and where George Orwell wrote 1984 – but more important for us is where the Royal Commission for Historic & Ancient Monuments of Scotland (Argyll, vol.5) designated that,
“a stony mound about 5.5m in diameter and 0.5m high, situated on the crest of the ridge east of Barnhill, appears to be a prehistoric burial cairn.”
Sadly I never managed to check this out when I was last up here as I didn’t know it was here!
References:
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll: volume 5 – Islay, Jura, Colonsay and Oronsay, HMSO: Edinburgh 1984.
Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the Pancake Stone. Then walk eastwards along the footpath on the moorland edge. After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller. That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.
Archaeology & History
Four of the cups on this lichen-rich surfaceLittle Haystack (after Hedges 1986)
Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out. It sits amidst a cairn-field with other neolithic remains nearby. The carving itself aint that impressive, and some parts of it seem almost dubious. But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface. It’s nowt special to be honest. You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.
The stone’s worth looking at though. It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the directions to reach the Snowden Moor settlement and, from the Upper D-shaped enclosure (at SE 1782 5131) walk west up the sloped hillock 30 yards west and, on its top, head to its northern edge where a small cairn can be found. The carving is next to it.
Archaeology & History
Very close to what seems to be the boundary between the Snowden Moor Settlement and its adjacent Cemetery is this small earthfast rock with three cup-markings on it, two of which may be linked by a small line. I have to say that we have to be cautious about the veracity of this carving. By the side of this stone is what seems to be the remains of a cairn.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
From Threshfield, go up Skirethorns Lane for about 1/2 mile, where the lane takes a sharp right. Continue uphill for nearly 2 miles to a metal gate. Go through the gate, where you’ll see a pair of curious standing stones ahead of you, but instead walk about 250 yards along the line of the old field wall running to the west. You’ll see on the modern OS-map that a ‘cairn’ is shown: this is where you’re heading!
Archaeology & History
First highlighted on the 1852 OS-map of Bordley and district, this is a lovely site in a beautiful setting, surrounded by a veritable mass of other prehistoric remains at all quarters, including the large settlement of Hammond Close immediately south, the little-known settlement at Kealcup to the west, the Lantern Holes settlement up the hill immediately north, some standing stones due east, and much more. Although it was described in Aubrey Burl’s Four Posters (1988) as just such a type of megalithic relic (a “four-poster stone circle”), an earlier description of the site from the mighty pen of Harry Speight (1892) told of a much more complete ring of stones, with trilithon to boot. He wrote:
“This prehistoric relic consists of a round stone and earthen mound, about 150 feet in circumference and 3 feet high, and was formerly surrounded by a circle of upright stones, only three of which are now left standing. On one side was a large flat stone resting upon two others, and known as the Druid’s Altar. On the adjoining land an ancient iron spear-head was found some years ago, and fragments of rudely-fashioned pottery have also from time to time turned up in the same neighbourhood.”
Edmund Bogg’s (1904) description following his own visit a few years later described this “remains of Druidical sacrifice” as consisting of,
“a mound some four feet high, and fifty yards round the outer rim. In the centre are two upright stones about four feet in length; and others nearly buried in the mound. Numerous stones from this circle have been used in building the adjoining walls.”
Bordley Circle, looking SEBordley Hill, looking south to Pendle Hill
A decade later another writer (Lewis 1914) merely copied what Speight and Bogg had recited previously. And whatever the modern books might tell of its status, I think we can safely assert that this was originally a much more substantial monument than the humble four-poster stone circle that meets our eye nowadays. Our megalithic magus, Aubrey Burl (1988), wrote the following on Bordley’s druidical stones:
“On a circular mound 41ft (12.5m) across and 3ft (1m) high, three stones of local limestone form the corners of a rectangle 11ft 6in (3.5m) square, from which the SW stone is missing. At its corner is ‘a stump, possibly the base of a prostrate stone,’ 5ft 10in (1.8m) long, now lying near the centre. The tallest stone, 3ft 7in (1.1m) high is at the south-east. The sides of the square are close to the cardinal points. Between the SW and SE stones is a scatter of round cairnstones… Characteristically, the 4-Poster stands at the edge of a terrace from which the lands falls steeply to the west.”
Plan of the Druid’s Altar (after Burl, 1988)
The Druid’s Altar seems to have originally been a large prehistoric tomb, perhaps even a chambered cairn. Its situation in the landscape where it holds a circle of many outlying hills to attention, almost in the centre of them all, was evidently of some importance. The only geographical ‘opening’ from here is to the south, where a long open valley widens to capture the grandeur of Pendle Hill, many miles away. This would not have been insignificant.
We must also draw attention to what may be a secondary tumulus of similar size and form to the mound that the Druid’s Altar sits upon only some 25 yards to the west of the “circle”. The shape and form of this second mound is similar to that of our Druid’s Circle — though to date, it seems that no archaeologist has paid attention to this secondary feature. It measures some 21 yards (east-west) x 19 yards (north-south) in diameter and has the appearance of a tumulus or buried cairn. The mound may be of a purely geological nature, but this cannot safely be asserted until the attention of the spade has been brought here.
Druid’s Altar, Bordley (drawing by Neil Wingate, 1976)
Folklore
Although we have nothing directly associated with the circle, the surrounding hills here have long been known as the abode of faerie-folk. Threshfield — in whose parish this circle lies — is renowned for it. There have been accounts of curious light phenomena here too. Modern alignment lore tells the site to be related to the peaked tomb above Seaty Hill, equinox west of here.
References:
Bogg, Edmund, Higher Wharfeland, James Miles: Otley 1904.
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR 195: Oxford 1988.
Feather, S.W. & Manby, T.G., ‘Prehistoric Chambered Tombs of the Pennines,’ in Yorkshire Archaeological Journal, Vol 42, 1970.
Lewis, A.L., ‘Standing Stones and Stone Circles in Yorkshire,’ in Man, no.83, 1914.
Raistrick, Arthur, ‘The Bronze Age in West Yorkshire,’ in Yorkshire Archaeological Journal, Vol 29, 1929.
Speight, Harry, The Craven and Northwest Yorkshire Highlands, Elliott Stock: London 1892.
Wingate, Neil, Grassington and Wharfedale, Grassington 1977.
Follow the same directions as to reach the Tree of Life Stone carving. From here walk 7 or 8 yards east. You can’t miss it!
Archaeology & History
Coped Stone carving (after Boughey & Vickerman)
About 20 feet away from the more renowned Tree of Life Stone — and seemingly linked to it by a small stretch of ancient walling that runs between the respective stones — is this rather large boulder close to the walling with at least seven cup-marks on it. A number of vague lines run down and around the edges of some of the cups, but they can be somewhat hard to see if the light conditions aint right (I don’t recommend trying to suss it out on dark grey overcast days — unless you’ve got awesome eyes!). Immediately next to this rock is a large collection of small stones, looking to be the remains of some man-made construction from time past. The nature of this pile of rocks has yet to be ascertained, but it would be reasonable to assume that it was at one point earlier a much larger pile that has been plundered for use to make the drystone walls hereby. Less than 10 yards below this and the Tree of Life Stone carving is a line of ancient walling, at least Iron Age in nature, possibly earlier, running for some distance east-west up and across the moorland.
Cup-marks near top of the stone
The carving was described for the first time, albeit very briefly, by Eric Cowling (1937) in his lengthier description of the Tree of Life Stone, saying how “a small coped stone to the east has several scattered cups” on its surface — meaning this old thing! Boughey & Vickerman’s (2003) survey (2003) describe it as a “medium-sized, upstanding, worn rock. Seven or eight possible cups, mostly at the top of S face, but one at its bottom of E face.”
…And the poor old fella has had nowt else said of it until now! I reckon this carving will only be of interest to the most serious of meditators or hardened rock-art freaks!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
