In Lochearnhead village start walking up the Glen Ogle road and, just past the last house on the right, a dirt-track bends down to an old building. Just before the building, keep your eyes peeled for the small footpath that runs down to the river. Walk along here and cross the river-bridge, then bear diagonally to your left and walk up the singular footpath. It snakes through the trees for a few hundred yards then opens out into a field. About 75 yards along the path in the field the land levels out. From here, walk through the grasses to your right about 20 yards. Zigzag about – you’ll find it.
Archaeology & History
Main cluster + v.faint ring
The setting of this carving is, like many of Perthshire’s petroglyphs, quite beautiful. It was made when the ‘artist’ carving the stone was crouched or sat on the ground, gazing at the southern landscape and heights around Ben Vorlich, whose mythic nature may have been part of the design.
Comprising of a cluster of typical cup-marks, there are two, perhaps three very faint rings in the design, which seems to have been described for the first time in George Currie’s (2012) typically short minimalist way. He told that in the field,
“50m E of the Ogle Burn is a boulder 2.1 x 0.9 x 0.5m, which bears 21 cup marks, 2 of which have single rings.”
Cup and faint ringFaint cups on the crown
Much of the original design is difficult to see in full unless the lighting is good. We spent several hours here and counted 25 cup-marks and found rings around three of them—but these proved difficult to photograph and some more visits are needed to capture them. “Officially” at least, there are no other carvings close to this one. But that’s obviously not going to be the case. Well worth checking out when you’re in the area.
References:
Currie, George, “Stirling: Balquhidder, Glen Ogle – Cup-and ring-marked rock”, in Discovery & Excavation Scotland, volume 13 (New Series), 2012.
Cup-Marked Stone (removed): OS Grid Reference – SE 1579 3995
Archaeology & History
Jenny Lane carving
A small, seemingly broken cup-marked stone that may have once been part of a prehistoric tomb, found itself being included in an old wall at some time in the not-too-distant past: in the south-facing wall of the cricket ground at the top end of town. No one seemed to know it was there until it was noticed in the 1950s by a local man who brought it to the attention of Sidney Jackson (1958), editor of the local Bradford archaeology mag at the time. Jackson visited the site and thankfully did a sketch of what it looked like, before it was removed at a later date. He wrote:
“The small rectangular stone bearing four cup-shaped hollows…is another of Mr George Pritchard’s finds. It forms part of the high wall which bounds the Baildon Cricket Club’s ground in Jenny Lane… Its appearance suggests that it is part of a Bronze age cup-marked rock which was split to make building stones.”
Following its removal more than twenty years ago, it ended up in the hands of a dude from Cononley called Gerald Wright. I’m not sure whether it still lives over there or has subsequently found a new abode. Does anyone know what’s become of it…?
Folklore
Although there’s nothing specific to this carving, the place where it was found, on Jenny Lane, was where a phantom black dog used to be seen in bygone years. It was renowned as the harbinger od death.
References:
Jackson, Sidney, “Cup-Marked Stone in Jenny Lane, Baildon,” in Cartwright Hall Archaeology Group Bulletin, volume 3, part 10, 1958.
Once you’ve got yourself to the start of Shipley Glen, from the Old Glen House pub, from the car-park outside walk up the road for 60 yards (if you reach the next small car-parking spot, you’ve gone too far) then step off-road into the vegetation on your left and you’ll see the large flat fractured section of earthfast rock. Get low down and seek out the cup-mark first!
Archaeology & History
This is a very faded and quite basic design and unless you get decent low sunlight, it can be very difficult to discern. On my most recent visit here, conditions weren’t too good, as the photos here indicate.
The main feature is a single cup-mark surrounded by a very wide ‘square’ ring (if y’ get mi drift). It was first mentioned and illustrated in John Hedges (1986) survey, who described it simply:
“Striated, pitted bedrock with crack down centre, in grass and amongst other rocks and bedrock. Carving, centre and W end: enclosure type angular grooves and two cups.”
John Hedges 1986 sketchCup & surrounding lines
One of the two cups is presently beneath some shallow vegetation (easily removed if anyone’s passing), but the main feature of the large enclosing square and its central cup is presently exposed and can be seen when your eyes eventually adjust. Interestingly, Hedges shows the existence of a faint ring around the central cup inside of the larger square enclosure. If someone is able to capture a photo of this, please add it on our Facebook page. 🙂
I must point out that somewhere, not too far from this carving, was once found a very similar design known as the Brackenhall Green carving that possessed the same curious squared-ring feature that we find on this stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Cup-and-Ring Stone (destroyed): OS Grid Reference – SE 133 389
Archaeology & History
The lost carving of Brackenhall, in 1888
I first came across a description of this lovely-looking cup-and-ring carving during some research I was doing in the archives at Bradford Central Library in the 1980s—and decided there and then that I had to find it! It was described and illustrated for the first time by William Glossop (1888) when he made a short survey of some of the prehistoric sites on Baildon Hill and Shipley Glen. He told that it was one amidst “a cluster of rocks on Bracken Hall Green”—but was seemingly destroyed not too long after he wrote about it. There was some discussion in the late-1980s that it may have been a petroglyph that was cataloged by John Hedges as carving ‘BM14’ (at SE 13272 38924), due to it possessing a similar ‘artistic’ element (or motif, as some like to call it) and which is also along the Brackenhall plateau by the roadside about 160 yards below the entrance to the Brackenhall centre—but it turned out not to be the case.
A few years after Mr Glossop uncovered this carving, a short note by J.H. Turner (1894) described two cup-marked stones, “both now destroyed” that could be seen in the same area just as you entered “the plateau where the Easter fair is now held”. And his description closely fitted Glossop’s sketch. Turner wrote:
“The cups were three inches in diameter, and one inch deep, in an oblong 18 by 12 inches, with line 6 feet long towards the east. The second oblong, same size, had also an eastern pointer and one cup in the centre. These have both disappeared since June, 1889; I fear by wanton mischief.”
This would seem to be the same carving illustrated by Glossop, although it’s still difficult to say with any accuracy where it was located. The great historian W.Paley Baildon (1913) thought it may have been the same carving which Harry Speight (aka Johnnie Gray) described at the Glen Gate—and it does sound similar, but until we are able to ascertain (i) where Glen Gate was; and (ii) whether it coincided with the location of “where the Easter fair” was held, we must err on the side of caution. Tis an intriguing mystery… (Note: the grid-reference given for this site profile is an educated guesstimate!)
References:
Baildon, W. Paley, Baildon and the Baildons – volume 1, Adelphi: London 1913.
Glossop, William, ‘Ancient British Remains on Baildon Moor,’ in Bradford Antiquary, no.1, 1888.
Gray, Johnnie, Through Airedale from Goole to Malham, Walker & Laycock: Leeds 1891.
Turner, J. Horsfall, ‘Cup Marks, Shipley Glen,’ in Yorkshire County Magazine – volume 4, J.E. Watmough: Idel 1894.
A real pain-in-the-arse to find this one, and even describing how to get there is troublesome—but I’ll try my best! I think the best starting point would be from the track that runs through Rivock plantation. Follow directions to reach the Ripple Stone carving, then walk 35-40 yards east to the ornate multiple-ringed stones of Rivock (067) and company. Now comes the tricky bit. From here walk, zigzag fashion (it’s the only way y’ can do it!) up the slope ever-so-slightly east of due south until you reach the top of the slope, where the land levels out. If you walked in a dead straight line from the triple-ringed Rivock (66) carving, it is almost bang on 100 yards. Anyhow, now you’re on top of the slope, zigzag about and look for the large flat oval-shaped stone. Take your time—you’re gonna need it!
Archaeology & History
Section of carving
Laid amongst the dense mass of cheap crappy pine trees that plagues some of our upland countryside depriving the land of necessary nutrients for animals, flowers and other trees, this impressive multiple cup-and-ringed marked rock lies sleeping. It was rediscovered in 2017 by local hunter Chris Slinger during one of his many ventures through the undergrowth. I’m informed that one of his compatriots reckons that he already knew about it some forty years prior to Chris claiming it—but as yet we have no way of knowing that for sure, so the name of the carving goes to Mr Slinger. And it’s a beauty—one helluva beauty!
Main line & ring clusterScattered mass of rings
This large, flat, ovoid-shaped stone, roughly 10 feet by 7 feet across, is virtually covered from head to foot in large and not-so-large cup-and-rings at varying levels of erosion. The carving appears to have been partitioned, so to speak, into two sections that are clearly defined by a carved line that runs the breadth of the stone. On the top, larger section above this main line are about 30 cup-marks, with perhaps a dozen of them having rings around them—some complete, some incomplete—scattered about in the usual non-linear manner. One or two of the cup-and-rings may have double-rings, but due to dark conditions in here none of us could be sure. On one visit, a local lady (Liz of Fell Edge if I remember rightly) noticed that the largest cluster of cup-and-rings near one quarter of the stone seemed to be arranged in a similar form to the Swastika Stone, 1.9 miles northeast of here!
Main line, cups & ringsCluster of cup & rings
On the lower smaller section of the carving, beneath the main line if you like, there’s not quite as much going on. At least twelve cup-marks are apparent here, at least five of which have rings around them. The main little bunch of these are pushed right up against the long carved line, seemingly communicating with other rings on the top-side of it. In some photos it looks as if, in this section of the stone, carved lines link the cup-and-rings on each side of the main dividing line (if y’ get mi drift). There’s a lot going on here. It’s a pretty complex carving as you can see: one of the best in the Rivock cluster and one that I’d like to spend more time with, if only to get a complete picture of what the carving looks like in full as we’ve not yet got to the outer edges of the stone itself, meaning that there may be more of it beneath the vegetation.
Stone-fondler KootStone-fondler Sean
I was hoping to get some much better photos of this site and clear back more of the covering foliage, but as the carving is now all but covered in dense forestry, we may have seen the last of it for a few decades. Even worse, there’s the great possibility that the carving will be destroyed when the forestry lads come to cut down the trees—through no fault of their own—as they’ll have no idea that it’s directly beneath their machinery. It would be good if some local volunteers could perhaps completely clear and protect this stone to avert such a likely disaster a few decades from now. A small metal fence with a little notice-board would do the trick!
Acknowledgements: Firstly, to Chris Slinger for rediscovering the carving; then to the modern stone-fondlers Rod ‘Koot’ Chambers and Sean Dillon for beginning the cleaning process, and for their photographs in this site profile; and then to Sarah Walker, Sarah Jackson and Marianna, for helping to bring the entire stone into view.
If you start from the Castleton (2) carving, in the first small birch copse closest to the road, walk to its southeast side where there’s a small break before the next small birch copse begins which runs along the raised rocky crag to the southeast. Walk along the back lower east-side of these birches for about 100 yards until you reach a break in the copse (the next lot of trees are another 30-40 yards further on) and from here walk up the slope onto the first flat piece of rock on the crag itself. Zigzag hereabouts until you’re about two or three yards from the edge.
Archaeology & History
Single cup-and-ring
Once this rock surface is covered again by Nature’s carpet, you’ll struggle to find it. Unlike many of its more ornate neighbours, this seems to be a lonely solitary cup-and-ring design, cut near the edge of a large level piece of otherwise blank rock. Numerous geological nicks and scratches scatter the same surface, but the carved element is easy enough to see, as the photos here show. It was rediscovered in the 1980s by Morris & van Hoek (1986) who described it simply as “a single cup and one ring, 8cm in diameter on horizontal rock.” There may well be additional elements to this design beneath the soil.
References:
Morris, Ronald W.B. & van Hoek, Maarten, “Stirling District: Castleton 4d; Castleton 5e,” in Discovery & Excavation, Scotland, 1986.
Acknowledgments: Massive thanks to Thomas Cleland for helping to make this site visible again.
Start from the Castleton (2) carving, in the first small birch copse closest to the road and walk to its southeast side where there’s a small break in the trees before the next small birch copse begins, which runs along the raised rocky crag to the southeast. Walk to the front or western side of the trees there and along the very edge of the low crag. About thirty yards along, right on the edge of where the rocks begin, look for the smooth sloping earthfast boulder (about 20 yards before the mighty nine-ringer of Castleton 7). Rummage around and you’ll find it.
Archaeology & History
Castleton (7e) carving
This newly recorded petroglyph was rediscovered by Thomas Cleland on August 6, 2025. Initially it was thought to consist of just a single cup-and-ring with an opening from which a carved line ran outwards; but, once wet, there seemed to be the beginning of an outer second-ring on its left-side. You can see it clearly in the photos. And, the more we looked, the more it seemed there were one or two other very faded elements.
Above the main cup-and-ring is a faint, shallow cup-marking and surrounding this appears to be an incomplete dumb-bell-shaped ‘ring’ that you can only just make out in the photos. It’s very faded and would seem to pre-date the primary design by some considerable time (unless, of course, it was merely ‘outlined’, so to speak and never completed).
Cup & ring & faint ‘bell’Cup & ring & faint ‘bell’
Both Tom and I are convinced that there’s more to this carving than is presently visible. The rock is covered in deeply compacted soil and it would require a lot of work to uncover the rest of it. A job for the future maybe…..
Note to self: This carving and all the others in the Castleton complex need to be fully re-catalogued as their indexing is haphazard through various academic tomes and websites.
Acknowledgements: Massive thanks to Thomas Cleland for locating this carving, for the first time in millenia. 🙂
Follow the directions as if you’re visiting the impressive multi-ringed design of the Castleton (10) carving. Once there, walk south-east along the geological ridge for 45 yards where the small cliff drops down to the field. Just where this drop occurs, on a lower horizontal level of the rock face (only a small section) you’ll notice two distinct “cups”. You can’t really miss it!
Archaeology & History
This very basic cup-marked stone was, until recently, covered in dense gorse, making access to the site almost impossible. But following a fire that happened here not too long ago, the smoldering remains needed to be cleared and, once the job was done, we were able to see the two distinct ‘cups’ that were first described in Maarten van Hoek’s (1996) survey. But the cups that he described are, most likely, little more than Nature’s handiwork. I’m somewhat skeptical of them as being the real deal. In the same survey, he added another site, which are just natural bowls in the rock just over 100 yards southwest of here as being cup-marks — which they’re not!
References:
van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.
Take the A826 Crieff Road uphill for 275 yards then turn right up the Urlar Road. It’s a long uphill walk from here, up the private road, through and past Urlar Farm and along the track; making sure you keep to the west-side of the burn – don’t cross over it! Beyond the farm, the fields open up ahead of you into the distant hills. Keep along the track until, after a few hundred yards, on the left by the waters, the first small copse of trees appears. (if you reach the bothy, you’ve gone way to far) Here, walk towards the waters and you’ll see good-sized boulder sticking out of the ground and overlooking the burn below. That’s it.
Archaeology & History
This faded but decent cup-and-ring design, cut into an overhanging rock where you’d sit and dangle your legs, was first described by George Currie (2009) who, in his typically minimalist style told that it “bears 17 cups, 4 of which have single rings.” There may be more to it, but some of the stone is heavily covered in vegetation and on my visit here, the summer heat overwhelmed my ability to gain a complete picture of the surface.
The Urlar Burn (4) carving
Faded design in bright sun
Most of the design is near the western earthfast end of the stone. A long natural scratch in the rock, seemingly enhanced by the hand of man, separates at least three shallow cup-marks on one side (north) from the greater mass of the design on the other —which is where all the cup-and-rings can be seen. One of the rings is incomplete, whilst another has a natural crack running up to its outer edge, which may have been played around with slightly when the carving was first made.
I liked it here – and spent an hour or so under the bright sun before the heat pushed me away, to bathe in the pool below for a while…. Check it out when you’re looking at the other carvings in the neighbourhood
Folklore
Some cup&rings close-up
Although there’s nothing specific about this stone, the burn to the side of the carving was haunted by an old urisk in times gone by: an elemental creature from Scottish fairy lore who inhabited lonely streams and waterfalls. The urisk of Urlar Burn was known as Brunaidh an Easain (his brother, Peallaidh, of greater renown, lived in the gorge of Moness close to Aberfeldy) and this spot may have been one of his abodes. Urisks are associated in some places with cup-marked stones, in which offerings of milk were given to placate them — and this is a good site for any urisk to look over his winding waters….
References:
Currie, George, “Perth and Kinross: Dull: Urlar Burn 1-4,” in Discovery & Excavation Scotland (new series), volume 10, 2009.
Take the A826 Crieff Road uphill for 275 yards then turn right up the Urlar Road. It’s a long uphill walk from here, up the private road, through and past Urlar Farm and along the track (keeping to the west-side of the burn), past the impressive Urlar Burn (8) carving, until you eventually reach the bothy, 3¼ miles (5.2km) up from where you first turned off the A826. Walk 70 yards past the bothy then into the heather on your left where a large couch-shaped boulder stands. The carved rock is a couple of yards on the floor in front of you.
Archaeology & History
An unimpressive faint cup-marked stone consisting of between two and five shallow cups that are difficult to make out unless lighting conditions are good – and even then they’re troublesome! It was first noted by George Currie (2009) how described it simply as: “a rock 2.0 x 1. x 0.2m between Urlar Burn and Hill Park track bears five cup marks.” There are much more impressive carvings in this neck o’ the woods that you’ll want to see ahead of this one!
Folklore
Shallow cups: top-middle; centre-middle
Although there’s nothing specific about this stone, the burn to the side of the carving was haunted by an old urisk in times gone by: an elemental creature from Scottish fairy lore who inhabited lonely streams and waterfalls. The urisk of Urlar Burn was known as Brunaidh an Easain (his brother, Peallaidh, of greater renown, lived in the gorge of Moness close to Aberfeldy) and was likely to have lived further downstream from here. They are associated in some places with cup-marked stones, where offerings of milk were given to placate them.
References:
Currie, George, “Perth and Kinross: Dull: Urlar Burn (3),” in Discovery & Excavation Scotland (new series), volume 10, 2009.
