Take the A820 road from Dunblane to Doune. About a mile west of the motorway, keep your eyes peeled for where the small road on your right is signposted to Argaty and Kilbryde. Stop here and walk up the footpath on the left-hand side of the road. A couple of hundred yards up, take the right turn on the track and where the small copse of trees is, go through the gateway, keeping yourself to the left edge of the trees running parallel to the field. About 100 yards or so up, you can’t miss him!
Archaeology & History
Quite a huge fella this one! Standing more than 6 feet high, the monolith is nearly as broad, giving an impression of great size to the old stone. The stone’s nature and date is troublesome: although ostensibly labelled as Bronze Age, alongside the walling which runs down from here we see a great number of other large stones, some of which give the distinct impression of being length of Iron Age walling — but without excavation, its nature remains a puzzle. The monolith stands close to being on top of a rise in the land, which geomancers understand as being important sites of spirit, or places where the dead were rested — but we have no record of any tombs here, so are left with the options of walling or a spirit site.
…and from another angle
On its east-face, the stone has a number of what appear to be curious large cup-markings, but they appear to be little more than the effect of weathering and erosion. There’s also a solid piece of long metal sticking out of the same side, which was obviously done by someone in recent centuries — so maybe a local farmer and his mates stood this one up? Or they were planning on using it as a gatepost…
The site is well worth looking at, best in the winter months when access is easier. It has the feel of other sites close by, hidden from the record books, though probably long gone.
References:
Royal Commission on the Ancient & Historical Monuments Scotland, Stirling – 2 volumes, HMSO: Edinburgh 1963.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Ornate cup-and-ring in Queens Wood (after RCAHMS 2004)
From Kenmore, take the road towards Acharn on the south-side of Loch Tay for about a mile. Just as you go out of Acharn, watch for the small road of Queens Drive on your left going uphill. Go up here, following the tree-lined burn (stream) towards the superb Falls of Acharn, crossing the track over it and winding uphill still, until the track veers left across open fields towards the large woodland 400 yards east. Just before the track meets the trees, notice the small burn running into the woods. Follow this for some 200 yards – and where it bends more sharply to go uphill, keep going for another 75 yards upstream until you meet with another opening going east. The rocky outcrop here is where this carved stone is found. Look around!
Archaeology & History
Hidden deep within the woods where wet feet and good ankles come together, is this fine example of a cup-and-ring stone, perhaps having something in times of olde to do with the meeting of the waters. A cluster of urisks and prehistoric remains scatter this lovely rolling section of southern Loch Tay, but I’ve found nothing specific to this bitta woodland that might give added mythos to the site. The carving was described in Mr Stark’s (2005) fine little work on the local rock art, saying:
“A rock outcrop, situated in woodland between Acharn Burn and the burn running down to Remony House, bears at least thirty-six cupmarkings. There are twenty-four plain cups, three cups each with a single ring, three cups each with double rings, and a cup surrounded by three faint rings, which has a gutter leading to the NW. The cups range from 40mm to 75mm in diameter and from 60mm to 120mm in depth.”
The next time we visit the place, I’ll make sure I get some good photos – and visit the stone circle and settlement a few hundred yards further up the hill…
References:
Stark, Gordon (ed.), Cupmarked Stones in Strathtay, Breadalbane Heritage Centre 2005.
Legendary Stone & Healing Well (lost): OS Grid Reference – NN 579 323
Also Known as:
Fuaranna Druidh Chasad
Whooping Cough Well
Archaeology & History
“Well of the Whooping Cough” stone, near Killin
The grid-reference given for this site is only an approximation based on the description given by Hugh MacMillan (1884), below. The exact whereabouts of the place remains forgotten, but based on the story we have of the place it would be great if we could locate it and — as far as I’m concerned — be highlighted and preserved as an important spot in the history of religious and social history for the people of Killin and the wider mountain community. The region here was well populated all along the northern and southern sides of the adjacent Loch Tay before the coming of the Highland Clearances (Prebble 1963), and so the lore which MacMillan describes below was very likely of truly ancient pedigree.
Not to be confused with a site of the same name (and attributes) as the healing well at Balquhidder, this site comprises of a large stone, typical of the region, covered in that delicious carpet of old mosses and lichen bestowed by the aged love from Nature that bedecks much of the hidden sites in the area. Upon one side of the rock was a large hollow, in which water was always collected: of both dew and rain and the breath of low clouds, within which were great medicinal virtues long known of by local people. Foreign or shallow archaeologists would denounce this rock and its virtues as little more than the superstitious beliefs of an uneducated people living in uneducated times, but such derision is simply foolish words from pretentious souls who know little of the real world. For the attributes and mythic elements at this old stone is another example of living animism: vitally important ingredients in the spiritual background and nourishment of a people not yet overcome by the degrading influence of homo-profanus. Here we still find the living principles of the natural world, sleeping away in the consensus trance of modern folk…
Folklore
The stone and its ‘healing well’ are not mentioned in the standard Scottish texts on holy wells (MacKinlay 1893; Morris 1982) and we have to rely solely on Hugh MacMillan’s first-person account of the place from the latter-half of the 19th century. He told that the stone was to be found “in the woods of Auchmore at Killin,” some twelve miles from a similar curative rock at Fearnan called the Clach-na Cruich:
“This stone is called Fuaranna Druidh Chasad, or the Well of the Whooping-Cough. I heard of it incidentally last year in Paisley from a native of Killin, who remembered vividly when a boy having been taken to drink the water in the cavity of the stone, in order to cure the whooping-cough, from which he was suffering at the time. Happening to be in Killin lately, enjoying a few days’ holiday, I made inquiries in the village; but though some of the older inhabitants remembered having heard of the stone, and the remarkable practice connected with it, I could not get any one to describe the exact locality of it to me, so completely has the superstition passed away from the mind of the present generation. I went twice in search of the stone; and though, as I afterwards found, I had been within a very short distance of it unawares on both occasions, I was unsuccessful in finding it. At last I met an old man, and after some search we found the stone, and he identified it.
“I understood then what had puzzled me before, viz., why it should have been called Fuaran or Well, for I had supposed it had a cavity in a stone like that at Fernan. It was indeed a cavity; but it was in the projecting side of the stone, not on its top surface. It consisted of a deep basin penetrating through a dark cave-like arched recess into the heart of the stone. It was difficult to tell whether it was natural or artificial, for it might well have been either, and was possibly’ both; the original cavity having been a mere freak of nature — a weather-worn hole — afterwards perhaps enlarged by some superstitious hand, and adapted to the purpose for which it was used. Its sides were covered with green cushions of moss; and the quantity of water in the cavity was very considerable, amounting probably to three gallons or more. Indeed, so natural did it look, so like a fountain, that my guide asserted that it was a well formed by the water of on underground spring bubbling up through the rock. I said to him, “Then why does it not flow over?” That circumstance he seemed to regard as a part of its miraculous character to be taken on trust. I put my hand into it, and felt all round the cavity where the water lay, and found, as was self-evident, that its source of supply was from above and not from below; that the basin was simply filled with rain water, which was prevented from being evaporated by the depth of the cavity, and the fact that a large part of it was within the arched recess in the stone, where the sun could not get access to it. I was told that it was never known to be dry — a circumstance which I could well believe from its peculiar construction.
“The stone, which was a rough irregular boulder, somewhat square-shaped, of mica schist, with veins of quartz running through it, about 8 feet long and 5 feet high, was covered almost completely with luxuriant moss and lichen; and my time being limited, I did not examine it particularly for traces of cup-marks. There were several other stones of nearly the same size in the vicinity, but there was no evidence, so far as I could see, of any sepulchral or religious structure in the place. There is indeed a small, though well-formed and compact so-called Druidical circle, consisting of some seven or eight tall massive stones, with a few faint cup-marks on one of them, all standing upright within a short distance on the meadow near Kinnell House, the ancestral seat of the Macnabs, and it is a reasonable supposition that the Fountain of the Whooping-Cough may have had some connection in ancient times with this prehistoric structure in its immediate neighbourhood; for, unlike the cavity in the stone at Fernan, the peculiar shape of the cavity in this stone precluded its ever having been used as a mortar, and apparently it has never been used for any other purpose than that which it has so long served. There can be no doubt that the fountain dates from a remote antiquity; and the superstition connected with it has survived in the locality for many ages. It has now passed away completely, and the old stone is utterly neglected. The path leading to it, which. used to be constantly frequented, is now almost obliterated. This has come about within the last thirty years, and one of the principal causes of its being forgotten is that its site is now part of the private policies of Auchmore. The landlady of the house at Killin, where I resided, remembered distinctly having been brought to the stone to be cured of the whooping-cough; and, at the foot of it, there are still two flat stones that were used as steps to enable children to reach up to the level of the fountain, so as to drink its healing waters; but they are now almost hidden by the rank growth of grass and moss. There is more verisimilitude about the supposititious cures effected at this fountain than about those connected with the stone at Fernan; for one of the best remedies for the whooping-cough, it is well known, is change of air, and this the little patient would undoubtedly get, who was brought, it may be, a considerable distance to this spot. I am led to understand that, in connection with the cure, the ceremonial turn called “Deseul” was performed. The patient was required, before drinking the water, to go round the stone three times in a right-hand direction, which may be regarded as an act of solar adoration. This practice lingered long in this as in other parts of the Highlands, and the “deseul” was religiously performed round homesteads, newly-married couples, infants before baptism, patients to be cured, and persons to whom good success in some enterprise was wished; while the “Tuathseul,” or the unhallowed turn to the left, was also performed in cases of the imprecation of evil.”
Should anyone know the whereabouts of this fascinating healing stone and its waters, please let us know!
References:
MacKinlay, James M., Folklore of Scottish Lochs and Springs, William Hodge: Glasgow 1893.
At the pub by the bridge which crosses the Falls of Dochart (aptly called the ‘Falls of Dochart Inn’), walk downstream following the dirt-track which runs parallel with a section of the river for a good 5-600 yards. In the field that appears on your right, watch out for the rise of the stones as you approach the large gates which take you into the ground of Kinnell House. You can climb over the gate just into the field and go straight to the stones.
Archaeology & History
Found on the field called Kinnell Park in the grounds of Kinnell House, less than a mile out of Killin, this is a well-preserved site consisting of six stones. It appears to have been described first of all by Thomas Pennant in 1772, in the same breath as the megalithic remains at Lawers on the other side of Loch Tay. Pennant wrote:
“In going through Laurs observe a Druidical circle; less complete indeed than one, that should have been mentioned before, at Kinnel, a little southwest of Killin; which consists of six vast stones, placed equidistant from each other.”
Coles’ 1910 plan of KinnellThom’s geometric plan
It would seem that the site has changed little since Pennant’s visit. Sitting on a reasonably level grassy plain, the hills rise and surround the small ring of stones, with the lower horizons running along the south. Due west (equinox) we have the large pyramidal hill of Meall Clachach; whilst to the north are the legendary hills of Creag na Cailleach and Ben Lawers, each with their own rich mythic archaeological legacies. Legendary stones and wells are also close by, some with rites still enacted by old local people keeping truly ancient traditions alive.
The first detailed archaeological survey of the Kinnell site was done by Fred Coles and published in 1910. It has yet to be superseded. Mr Coles wrote:
“Taking the Stones in the usual order…I here give their dimensions and characteristics: Stone A, 6 feet 3 inches high, springs from an oblong base which girths 11 feet 4 inches, to a rough irregular top; Stone B leans forward towards the centre of the Circle, and measures along its sloping back 6 feet 9 inches, the present height from the ground to its upper edge being 4 feet. It is of smooth garnetiferous schist, and free from the deep fissures and rifts so common in these Stones. Stone C, a very rectangular but narrow block of schist, has a 15 Feet-girth at the base of 9 feet, but tapers up from both ends to a pyramidal summit, 5 feet 4 inches above ground. Its inner face is over 6 feet in breadth. Stone D, 4 feet 6 inches high, is a broad, flat-topped, very massive block, measuring 9 feet 5 inches round the base, but near the middle of its height 11 feet 2 inches. Stone E, the shortest of the group, is only 4 feet high, has a rough, uneven top, and a basal girth of 8 feet 11 inches. Stone F, the tallest, measures 6 feet 4 inches in height, but in girth only 7 feet 3 inches. It is very rough, vertically fissured in many places, and full of white quartz veins.
“Neat, well-defined, and comparatively small as this Circle is, it is to be noticed that the positions of the Stones do not conform to perfect regularity as points on the circumference. On working out the plan, the measurements prove that a diameter of 29 feet exactly bisects three of the erect Stones, B, C, and F, but leaves the other two untouched. The interspaces of the settings are not all quite equal, a space of 14 feet 8 inches dividing the centres respectively of F and A, A and B, F and E, and E and T); but between D and C it is 13 feet 8 inches, and between 0 and B I S feet 5 inches. Yet, the Stones stand proportionally near enough to each other to give one a satisfying impression that these six megaliths represent the group in its completeness, and that there were no smaller blocks between any two of them. The space enclosed by these stones is quite smooth and level, bearing no indication of having at any time been disturbed.”
Many years later, the late great Alexander Thom came here and, with his geometric perspective, gave a more precise ground-plan and lay-out. Thom (1980) defined the site as a “Type B flattened circle, or possible ellipse,” with a perimeter of 35 megalithic yards and diameter of 11.8 MY. Aubrey Burl’s commentary described Kinnell as:
“Six stones of schist stand evenly spaced on the circumference of an ellipse 32ft 7in x 27ft 5in (9.9 x 8.4m) in diameter. The stones are graded in height towards the SW where the two tallest are over 6ft (1.8m) high.”
One of the upright stones was said by Hugh MacMillan (1884) to have had cup-markings on it in the 19th century, when he told of the circle possessing “some seven or eight tall massive stones, with a few faint cup-marks on one of them.” But these appear to have faded, or were cut into the one of the missing stones.
Folklore
Close to the Kinnell circle could once be found a curious large boulder, covered in moss, but with a large cavity in which water gathered. Local lore ascribed the rock to actually be a well, as it was known as ‘The Well of the Whooping-Cough’, or Fuaran na Druidh Chasad, measuring some eight feet long and five feet high. Local people visited the site to be cured of the said disease, but Hugh MacMillan also suggested that the miraculous well-in-the-stone was connected with ancient rituals once enacted at the Kinnell circle, saying:
” it is a reasonable supposition that the Fountain of the Whooping-Cough may have had some connection in ancient times with this prehistoric structure in its immediate neighbourhood…”
He may have been right!
References:
Burl, Aubrey, A Guide to the Stone Circles of Britain, Ireland and Brittany, New Haven & London 1995.
Pennant, Thomas, A Tour in Scotland, 1772 – Part 2, Benjamin White: London 1776.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Thom, A., Thom, A.S. & Burl, H.A.W., Megalithic Rings, BAR: Oxford 1980.
Wheater, Hilary, Killin to Glencoe, Appin Publications: Aberfeldy 1982.
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ‘em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, over the deer-fence, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
On my first visit to this stone, in overcast and wet conditions — the easternmost of at least four separate carved rock faces along the same geological ridge — I only noticed a handful of cup-marks etched onto the northeastern section of the stone. But I was sure there were supposed to be more. And when I returned home to check up, found that Ron Morris (1981) said there were “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group, of which 6 are in a line.” Much more than what I saw! And when I checked further, it was evident that even more cup-marks were once visible on the rock. In the very first description of this carved stone, E.A. Cormack (1952) told:
“On the easterly area there are about 70 small cups, roughly one inch in diameter, in groups of ten to twelve. Most are on the flatter rock surface, but some are on the steeper slope facing south, which also bears the marks of deep glacial scorings.”
A sample of cups on ‘Corrycharmaig 1’
So on our visit here again a few weeks ago when we stayed at Corrycharmaig house*, a couple more visits allowed a slightly better investigation, albeit in even wetter and cloudier conditions than our first visit! And the more we looked, the more we could see; and it was plainly evident that a number of cup-marks had become receptacles for moss-growth! We counted at least 40 cup-markings on this ‘Corrycharmaig 1’ stone, but it seemed pretty obvious that beneath the grasses and vegetation, more carvings would be found.
Walking SSE along the same rocky ridge brings you to the other rock faces of Corrycharmaig (2), (3) and (4) — all with their own carvings. Corrycharmaig 2 possessing the only known complete cup-and-ring on the ridge. More carvings remain hidden nearby…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Follow the same directions to reach the Duncroisk Crosses stone. From here, look up the slope to your right and you’ll see the line of fencing running uphill. Follow this until you reach the ruined remains of the old sheepfold building. From here, look towards the tree-lined gorge of Duncroisk Burn, a few hundred yards west and walk towards it for about 50-60 yards. There’s a group of three rocks hereby, two are large, but the carving’s on the smallest one in the middle.
Archaeology & History
This cup-marked stone was rediscovered as a result of the fine archaeological survey work by that Glasgow bunch of Certified Field Archaeologists, in their assessment of remains in and around Duncroisk Farm. As well as mentioning — albeit briefly — the carvings of Duncroisk Farm and Duncroisk Crosses, Dugald MacInnes (2001) and his team came across another that hadn’t been recorded before. Described in their survey as ‘feature 2’, he told,
“Some 20 metres downslope from the sheep fank and about 60 metres NW from it, there is a group of large boulders. On the southeast sloping face of one of these there are three previously unrecorded cup-marks. These are oriented vertically on a northeast to southwest alignment and are no more than 4cm apart. They are all about 7cm in diameter and 2.5cm deep.”
The carved rock is a relatively small one sitting roughly in between two much larger rocks, both of which are easily visible from the Duncroisk Crosses stone less than 100 yards down the slope. It’s probably only gonna be of interest to the rock-art purists among you and some may even question its veracity, particularly the bottom of the three cups, which gives the impression of being unfinished. If you visit the site in summer and autumn it will be much harder to find, as it gets overgrown with bracken. (we did take a number of photos of this stone, but managed to somehow delete them all before saving to disk – so have gotta check it again when we next visit here)
References:
MacInnes, Dugald, An Archaeological Field Survey of a Deserted Settlement at Duncroisk Farm, Glen Lochay, Association of Certified Field Archaeologists: Glasgow 2001.
Go west out of Callander on the A84 road and after a mile or so turn left at Kilmahog, down the A821. After a few hundred yards, past the parking spot by the roadside, look up the small Bochastle Hill on your right and you’ll see a large singular boulder resting on top. That’s it!
Archaeology & History
When I first wandered up to this giant rock, I was hoping there may have been cup-markings on its surface, but none could be found. The stone is a glacial erratic. The Iron Age hillfort of Dunmore is 370 yards (338m) to the southwest.
Folklore
Samson Stone, close-up
In Mr Rogers’ (1853) fine historical tour of the region, he notes the Samson Stone “on the summit of one of the eminences of Bochastle,” a couple of miles west of Callander, but wondered “how it came to occupy this remarkable position.” If he’d have asked some of the old locals they may have told him what Rennie McOwan (1996) came across and described in his excellent work on the folklore of Scottish mountains. For the Samson Stone was traditionally thrown here by one of the Fingalian giants in ancient times. It was originally located upon Ben Ledi, nearly 3 miles northwest, and was one of several stones being thrown in a competition to see who was the strongest of the giants — and Samson was the name of the one who threw this huge rock. Another version of the same legend tells that the stone was originally thrown from Ben Lawers, 21 miles (34km) to the north.
References:
Bain, William, Around and about Callander, Callander & District Round Table n.d. (c.1978).
Follow the same directions to get to the cup-marked stone on the slope behind Duncroisk Farm. Once here, look up the hillside and about 100 yards above you there’s the fence, and a gate in the fence. Go through that gate and walk uphill for some 20 yards where you’ll meet with a large sheet of flat sloping rock with a stream by its side. The crosses are on this rock sheet at the top left-hand side.
Archaeology & History
Although the stone here is pretty easy to find, the insignia carved on the rock itself can be troublesome to see. The accounts by both Cormack (1952) and Morris (1981) each recommend visiting the site around sunrise, but an hour before sunset is also profitable if you wanna see the design with any clarity. And of course, if you keep the rock-face wet (the adjacent stream is handy here) the carvings stand out even better!
Main section of carvingSolar cross & arrow?
It’s a quite superb carving in a truly superb setting, come rain, shine or mist — but for the cup-and-ring aficionado’s amongst you this one might not get y’ going, as we’re looking at a carving that was probably born of the more recent mythic period. Although there are between two and four faded cup-markings here, the principal designs do not echo the more usual neolithic and Bronze Age carvings scattering this part of Perthshire. Instead we find very worn examples of what have been variously called “solar wheels”, “Greek crosses”, Celtic crosses, etc. We also find simple carved ‘arrows’ at the ends of both natural and man-made lines in the rock; along with very distinct ‘eye’ or vulva symbolism. (Crawford 1957) Added to this is the possibility of human figurines discernible in the carving, very similar indeed to those found in Spain (Kuhn 1956) and elsewhere.
The site was first described by E.A. Cormack (1952) who wrote the following, (slightly edited) piece:
“Examination of the rough and sloping rock surface revealed an interesting group of inscribed figures, confined to an area of about 8 by 2½ feet, four of which included a cross within a circle. The figures are difficult to discern, except when thrown into relief by early morning sunlight, but are clearly demonstrated on a rubbing.
Cormack’s 1952 rubbing of the carving
“The crosses may be described in three groups:
“Group 1 — a) Near the upper edge of the rock is a cross within a circle of 8-inch diameter. The vertical axis of the cross is extended below the circle for 4 inches, resting on an ill-defined rectangular base, and upwards for 5 inches to form an arrow-head with 3-inch barbs. At the junction of the shaft of the arrow with the top of the circle is a pair of contiguous rings of about 1-inch diameter. The cross is deeply cut, to about a half-inch depth, with equal arms 4 inches long and 1 inch broad. The left arm of the cross extends beyond the circle, but this may be due to the circle being slightly excentric in relation to the cross. The lower right quadrant of the circle is marred by a natural crevice in the rock, but careful examination shows that the circle does not cut the right arm of the cross.
b) On each side of this figure is a roughly circular marking, one about 4 inches above and to the left, of 3-inch diameter, and the other 2 inches to the right, of about 5-inch diameter. In each there is an indefinite depression across the centre.
“Group 2 — a) About a foot below and to the right of Group 1 there is a boldly cut cross within a 7-inch circle. Again the vertical arm of the cross is extended above and below the circle, downwards for 5 inches to a curved arrow-head with 4-inch barbs, and upwards as an equal armed 5-inch crosslet above which is a 4-inch circle with the central axis continued through it. (The junction of this axis through the circle with the top of the small cross is slightly angled.) The main cross and circle are cut to fully half an inch in depth and one inch in breadth, but the upper part of the figure is much less distinct.
b) About 8 inches to the left of the upper part of the above figure is a very faintly incised cross within a 2½-inch circle. It is difficult to discern on the rock, but can be seen in the photograph and is very clear on the rubbing. It also appears to have an arrow-head above it.
“Group 3 — a) A foot below and to the right of Group 2 is a clearly cut cross within a 6½-inch circle. A natural cleft in the rock has been used for one axis of the cross, which lies obliquely to the others already described, and this axis terminates in an arrow-head 3 inches below the circle, and another slightly smaller arrow-head is cut 2 inches above the circle; in each case the angle formed by the arrow being towards the circle.
b) Immediately below the last cross is a curious hieroglyph not easy to make out on the rubbing, but clear in the photograph. On an 18-inch vertical axis can be seen from above downwards an arrow-head, an oblique line to the left, a faint 2-inch circle, a transverse stroke, and finally two oblique lines to the right. A natural crevice to the left of the figure rather confuses the picture.”
Ron Morris’ (1981) description wasn’t as detailed and he was initially hesitant about using the site in his rock art survey of the area, as he thought it “most likely to be early christian” in nature and period. He changed his view after talking with an associate at Bergen University, who pointed out that the symbols found here up Glen Lochay were “exactly the same as Norway’s second commonest symbol, the ‘Cross-ring’, which is contemporary with their cup-and-ring series.” Morris described the carvings here as:
“3 ‘cross-rings’ and 7 other rings, some of which have traces of crosses within them. There are also grooves, some extending from a ‘cross’-line to form an ‘arrowhead’, and one group, with ring above, rather resembles a ‘man.’ Largest ring diameter, 20cm (8in) and greatest carving depth, 1cm (½in).”
Examples of the artistic symbolism found at this ‘Duncroisk Crosses Stone’ are scattered throughout western Europe from the Bronze Age period onwards: notably at Dowth and Clonfinloch in Ireland (Brennan 1983; Coffey 1912); Jonathan’s Cave, Fife (Simpson 1867); Valcamonica, Italy (Anati 1961); and all over Norway and Sweden (Coles 2005; Gelling & Davidson 1969; Janson 1966). In more recent times we find these curious symbols etched inside the prehistoric chamber of Ty Illtud (Grinsell 1981) — but these are thought to be later additions. However, the universal nature given to such interconnecting symbols such as those found here is, simply, ritual magick. We find it across the Himalayas, Africa, north and south America – just about everywhere. It would be quite wrong to believe that the presence of an encircled ‘cross’ on this stone relates it to a christian belief system, as such a motif is found in many non- and pre-christian societies with a mythic nature akin to that of the swastika, i.e., of a world unfolding or emerging from a centre-point and the arms of the ‘cross’ outwards defining the directions and boundaries of any specified cosmology: be it landscape, heavens, spirit worlds, pregnant belly, etc.
Solar cross? Eye? Vulva?…or dancing human figure?
As Cormack (1952) described, the respective groups of carvings are integrally linked by an interconnecting line that joins the symbols in the respective groups to the other symbols. The fact that the connecting ‘lines’ are natural is meaningful in the relationship between humans and Nature; but moreover, the connecting line linking the symbols strongly implies sequential reasoning and magickal import. Indeed, these three distinct clusters (see Cormack’s rubbing) are functionally akin to magickal sigils, examples of which are found across the ancient and modern world. This is a notion that must be given serious consideration as a function in the carved stone of ‘Duncroisk 4’. Equally we can see in one section of the carving what may be a dancing human figurine, very much like rock carvings found elsewhere in Europe and beyond.
Both Erich Neumann (1973) and Alex Marshack (1972), for slightly different reasons, would also see the images carved here as early expressions of human development: either through i) the emergence of archetypal patterns and the interpretative interplay of the ego, or ii) the intellectual evolution of magickal appliance, whereby imagery and human action are recognized as meaningful in a wider natural sense. In the case of Duncroisk 4 it would more likely possess magickal import, as symbols were much more than ‘art’ and possessed meaning on several interconnecting levels, one of which being ritual function — an element that modern archaeology is slowly learning to incorporate into its analyses.
Dancing Siberian ShamanDancing shaman figure?
A more in-depth comparative essay is really needed to give a clearer exposition defining the nature of this carving… My personal view is that the carving represents, not some solar design, but one of Britain’s earliest artistic examples of human beings, in this case dancing and beating a drum or bodhran. It may indeed be the earliest pictorial example of a bodhran in the country. I’d say so. There is also the distinct possibility that the dancing figure is a shaman. We have many petroglyphs from all over the world that highlight such a character, integral to all early cultures—and this is as likely a contender as any for such a figure. (see Gough 1999; Whitley 2000, etc) It may however, be a warrior with a shield. You see the problems we can have with these damn carvings! 🙂
Folklore
This carved rock is said by local people to have been where a ‘Celtic’ saint delivered sermons to the heathen populace. The saint concerned is likely to be the one who tradition tells gave his name to the small glen immediately across the track from here: St. Charmaig. Halfway up the small glen is a small cave, barely accessible, with untouched remains of dried roots and other elements of human habitation therein. A few hundred yards to the north in old Finn’s Glen, is the forgotten Waterfall of the Oracle which sometimes isn’t even there!
References:
Anati, Emmanuel, Camonica Valley, Alfred Knopf: New York 1961.
Brennan, Martin, The Stars and the Stones: Ancient Art and Astronomy in Ireland, Thames & Hudson: London 1983.
Coffey, George, New Grange and other Incised Tumuli in Ireland, Dolphin: Poole 1977.
Coles, John, Shadows of a Northern Past: Rock Carvings of Bohuslan and Ostfold, Oxbow: Oxford 2005.
Grinsell, Leslie V., “The Later History of Ty Illtud,” in Archaeologia Cambrensis, 131, 1981.
Janson, Sverker & Westman, David, Rock-Carvings at Fiskeby, Esselte AB: Stockholm 1966.
Kuhn, Herbert, The Rock Pictures of Europe, Sidgwick & Jackson: London 1956.
Marshack, Alexander, The Roots of Civilization: The Cognitive Beginnings of Man’s First Art, Symbol and Notation, Weidenfeld & Nicolson: London 1972.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.Neumann, Erich, The Origins and History of Consciousness, Bollingen Princeton University Press: New York 1973.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Whitley, D.S., The Art of the Shaman: Rock Art of California, University of Utah Press 2000.
Pretty easy to find this. Go up Glen Lochay for 3 miles or so, on the road past the brilliant Stag Cottage carvings for a couple of hundred yards where you’ll see an old run-down army-looking building and past that is a curious large wooden and wire construction. Go up the farm-track next to this, past Duncroisk Farm, taking the footpath through the gates that go up to the side and behind the farm. You’ll see a rounded grassy knoll ahead of you. Head straight for it!
Archaeology & Folklore
This carving would appear to have been described for the first time by Mr Cormack (1952) in his longer essay on the cross-marked stones nearby. He said briefly:
“On the top of a small rock-strewn knoll about 300 yards behind Duncroisk farmhouse is a recumbent boulder, at one corner of which is a group of five fairly deep cup-marks of 2- to 3-inch diameter.”
Little else has been said of the site and even Ron Morris (1981) only gave the carving a brief mention in his survey, saying in passing how “east of a prominent rocky knoll, on whose summit is a cup-marked boulder…”, as he journeyed further uphill to explore the fascinating Duncroisk 4 carving with its scant cup-marks, human figurine and other curious insignia. And although this carving is probably only worthwhile for the real fanatics amongst you, I like the place — sad fella that I am!
Cup-marked stone, looking southClose-up of cups
There are five very distinct cup-marks etched onto a small, almost triangular section of the rock, sat close to a couple of other larger stones on top of the grassy knoll overlooking the glen, not far from some iron age walling. The cups are etched onto the topmost (northern) section of the rock, which is defined by a natural crack running across the surface, almost splitting one part of the stone from the other. The five cups are in no discernible linear formation. A possible sixth cup-mark and extended line may have been started on the other side of the crack on the stone, but its execution was stopped for some reason. This is by no means certain though.
Of some note is the larger stone immediately adjacent on top of this knoll, which — as Paul Hornby pointed out — is encrusted full of small garnets all over its surface. This may or may not have some significance to the cup-marked stone here. According to Mr Hornby, the nearby cup-and-ring stone at Duncroisk Burn also has garnets in it.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Corrycharmaig 3 stone, with Meall Dhuin Croisg rising…
Go thru Killin and, just past the Bridge of Lochay hotel, take the tiny road on your left. Go down here for 3 miles till you pass the gorgeous Stag Cottage (with its superb cup-and-rings in the field across the road) for another 300 yards, until you see Duncroisk Farmhouse set back on your right. On the other side of the road, go thru the giant deer-gates (close ’em behind you) to the river-bridge and across it. Walk along the track till you reach the turning to Corrycharmaig House on the right (over the stream), but here, go up into the field thru the gate. Walk up the hill ahead of you with its trees on the left, walking up onto the grassy level, then up again to the rounded knoll another 100 yards up. You’re here!
Archaeology & History
This is the most visually impressive of the set of four cup-marked rocks along this ridge — although if you visit here when the light is poor, or the sky’s overcast, you’ll be lucky if you can actually see much of the material. For example, I counted 38 cups on this particular stone on a day when the sky was bright, but upon checking later, found that Mr Morris (1981) described there being, “40 widely scattered cups of which, however, 29 well-defined cups are in a compact group of which 6 are in line.” Whereas more recently the Canmore website told there to be,
Corrycharmaig-3 carvingClose-up of line of cups
“At least 48 cupmarks are visible on the most westerly exposure. The cupmarks range in size from 25mm in diameter and 5mm in depth to 100mm in diameter and 40mm in depth. A straight line of six cupmarks arranged close together is orientated running from NW to SE.”
This line of six cups is very distinct and stands out as the most notable aspect on this carving, probably because it gives a sense of ‘order’ or linearity, whereas the rest of the carving (as with oh so many of them, thankfully) possess that non-linear feature of scattered cups and lines, dissolving reason and ego, and eliciting the natural meditative state, if one so cares to allow. On our most recent visit here, our eyes and fingers traced what appeared to be the faint remains of a carved line running along the bottom edge of the row of cups and then bending around the bottom cup in the same line — a little bit like the carved lines which run around the edges of the row of cups on Ilkley Moor’s Idol Stone. You can just make this ‘line’ out in the photo, below.
Cup-mark and flintClusters of cups and faint line
On one visit to the site when we’d stayed with the late great Lindsay Campbell of Stag Cottage, other sections of this carving were visible that we’d previously missed, highlighting at least 45 cup-marks that we counted. Several of the cups had been exposed by animals (sheep or deer – we couldn’t tell) cutting into the soaking wet earth and in carefully checking a couple of cups whose edges were exposed, found a small worked flint within one of the cups! I looked at it, held it, puzzled over it, then laid it back where we’d found it. You can see it in the photo here, on the right.
This carving obviously grows on you with time. And like its carved companions of Corrycharmaig (1), (2) and (4) both left and right of here, the stone rests within a natural theatre of dreams, eliciting — if only in a slight way — the non-focal perspective necessary to receive the carvings as its executor knew…
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
