Ilkley – Page 8

Pancake Stone, Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 13404 46228

Also Known as:

Carving no.167 (Hedges)
Carving no.332 (Boughey & Vickerman)
Pancake Rock

Getting Here

We were up here again the other week: wind, hail and snow blowing like hell, thankfully keeping the place to ourselves! To get here, head up Cow Pasture Road from the train station and up to the Cow & Calf Hotel near the famous rocks. Go past it a 100 yards or so and then look uphill onto the moors ahead of you. You’ll see a great over-hanging rock on the slope above you which looks as though its may fall down at any moment. That’s the Pancake Stone! Either walk up the steep path to get there quickly, or the longer route by taking the sloping diagonal path that runs eastwards until you’re on the same level.

Archaeology & History

Highlighted on the first Ordnance Survey map of the region in 1851, this prehistoric carved stone had been known as the Pancake Stone by local people long before any antiquarians gave it their literary attention to the place. It would have had tales told of it, no doubt, but they were never written down. It’s an impressive, some would say precarious piece of rock: an elongated thin wedge of stone resting gently on the cliff edge, much like a rocking stone to be honest, seemingly hanging onto the edge of the geological ridge awaiting its fall down the slope; but that’s not gonna happen for many more centuries yet.

Much has been written about the petroglyph on the this wedge of stone, which covers much of its surface. Although a Mr J. Thornton Dale did a fine series of quite accurate drawings of this stone (and others on the moors) between 1878 and 1880, the first literary description of the Pancake rock carving appears to have been by the renowned J. Romilly Allen in 1882 (who evidently visited the stone on a cloudy or overcast day), saying that:

“On its upper surface are several cup-markings much obliterated by the actions of the weather, but some of them sufficiently distinct to prove their origin artificial, and to show that this rock was noticed in ancient times, and very possibly considered an object either of worship or superstition.”

Close-up of cups & rings — Close-up of CnRs

This latter assumption is highly probable. Strong animistic notions (moreso than usual) would be very evident here. Its position on the land with its outward focus from here towards other notable points in the landscape (Almscliffe Crags is one obvious focus); as well as looking at the rock itself from other viewpoints, give the stone considerable ritual importance. Sections of the moorland plain behind it—known as Green Crag—was the Land of the Dead in ancient times, and it is more than likely that death rites would have been enacted here — though we may never know what form they took.

The stone has what seems to be at least 54 cup-markings on its upper face, with numerous grooves meandering and connecting other points. In J. Thornton Dale’s 1879 drawing of the upper surface, you will note that a couple of the rings he included have all-but faded away and are not included in the more recent surveys. Of the primary design, rock art students Boughey & Vickerman (2003) described there being “six complete and five partial rings” amidst the morass, but much of the design is very worn and, originally, there was probably a bit more to it all. The rock upon which the main Pancake Stone rests also has some worn cup-marks etched on its surface, a couple of which can be made out in the top photo.

Folklore

Good old Nicholas Size (1934) added this site to his list as a place where he had visions of the old christian cult, upon whose bare face were enacted blood rites and sacrifice. One Beltane Eve when he decided to amble up onto the moor edge, he could see a strange glow coming from behind the rock. He continues:

“Then suddenly I noticed there was a figure dancing upon it. The figure seemed to swirl round and round with floating draperies, grey or white, and I can only say that it looked very uncanny. Stupidly, I wondered that anybody could be such a fool as to dance in the darkness upon that precarious footing…”

But such activities on these moors, at certain times of the year, have been enacted for many centuries. It’s just kept quiet and, as more modern pagans (as they like to call ’emselves) keep coming up here and to other places, so the original folk move to their older and increasingly more secluded spots… In the latter half of the 20th century the site was used as a focus by chaos magickians, shortly after the inception of that Current.

References:

Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, volume 35, 1879.
Allen, J. Romilly, ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal of the British Archaeological Association, volume 38, 1882.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Jennings, Hargrave, Archaic Rock Inscriptions, A. Reader: London 1891.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Haystack Rock, Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 13027 46310

Also known as:

Carving no.141 (Hedges 1986)
Carving no.302 (Boughey & Vickerman 2003)
Cottage Rock

Getting Here

Dead easy to find this one! Get to the Cow & Calf Hotel and walk up the slope onto the moor ahead of you. If you want a direction-pointer, head for the large, seemingly overhanging rocks which are the Pancake Stone, at the top of the ridge, but a few hundred yards to the right (west). Once you reach the level on the moor proper, you’ll see this large haystack-shaped boulder close by. That’s it!

Archaeology & History

This tends to be one of the spots I stop at when doing my tourist walks, to i) let folk get their breath back after ambling from the car park, via Hanging Stones and Map Stone; ii) to drink in the view, and, iii) to begin acquainting themselves with the landscape as it was when this stone was carved (over many decades, perhaps longer), and the animistic cosmology underlying people’s notions of their land. It can be quite an education…

Haystack Rock, with crushed man underneath — Haystack Rock crushes local man

Haystack Rock91 — Fertility symbol, or Rorschach response?

The Haystack Rock was a very important boulder in the mythic landscape on this plain. It stands near the western end of the Green Crag Necropolis: a huge area of land on these moors where, quite simply, the people of these hills laid their dead. Effectively, the Haystack Rock stands on the edge of Ilkley Moor’s “Land of the Dead”.*

Highlighting this quite firmly, we find that prehistoric walling ‘separates’ this great boulder from the other part of the Plain close to its east and southern sides (walling on its western side is as yet unproven). It was a boulder that was specifically sectioned-off, away from any tombs. All along this Plain are numerous small cairns, many with rock-art nearby, and certain parts of the Plain are split into sections by ancient walling (though a precise map of the walling, tombs and rock-art on this moorland ridge has yet to be done).

J.Romilly Allen's 1879 images — J.Romilly Allen’s 1879 images

As far as the textbooks are concerned, we find the first mention of this great carved boulder came from J. Romilly Allen at the end of the 1870s. By 1900, a number of people had been here and written of its grandeur; but, as with cup-and-rings in general, its non-linear form and design elicited the usual notions of bewilderment, druids and puzzled ideas. Much like today really!

Drawing of the central design (after Hedges, 1986) — Drawing of the central design (Hedges, 1986)

But this is a big and decent carving, with about 60 single cup-markings, 10 cup-and-rings, and various twizzly grooves and lines linking cups to others, and others going to seemingly nowhere. Some of these lines, of course, may be weathering, or weathered channels emerging from once shorter lines. We might never really know for sure what the original carving actually looked like. On the north-facing side is what looks like a decidedly human figurine etched onto this great boulder, in good old cup-and-ring style. I’ve shown this to a few hundred people and they all seem to make the same remark: it’s a woman with her legs wide open — an early form of sheela-na-gig on Ilkley Moor no less! But whether this was intentional (many folk think so), or just us seeing something we want to see (men in particular!), we might never know.

The black-and-white illustration above that shows what seems to be just about all elements of the carving in considerable detail, may well be accurate, but it’s nothing compared to seeing the carving first-hand. When it comes to ancient rock-art, detailed drawings are one thing, but the real thing is altogether much much better! Check it out and see for yourself…

Folklore

I’m not too sure what credibility we should give to Nicholas Size’s (1934) extravagant claims, but this was one of the sites he alleged to have seen visions of druidic rites and ghostly figures!

References:

Allen, J. Romilly, ‘The Prehistoric Rock Sculptures of Ilkley,’ in Journal of the British Archaeological Association, 35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock art of the West Riding, WYAS: Wakefield 2003.
Forrest,C. & Grainge, William, A Ramble on Rumbald’s Moor, part 3, Wakefield 1869.
Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.

* It’s gotta be pointed out that Ilkley Moor’s ‘Land of the Dead’ extends much further than just the Green Crag. Much of the extended land above here to the south was an important area, where at some places rites of the dead were performed. The supposed ‘settlement’ nearby (as well as the lesser known one on the moor west of here, on the moor above Ilkley Crags, near Cranshaw Thorn Hill) was likely to be a place where the dead were rested for a period. But more about that in the section on the Green Crag Settlement…

Cow & Calf (& Bull) Rocks, Ilkley Moor, West Yorkshire

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Legendary Rocks: OS Grid Reference – SE 1306 4679

Getting Here

Dead easy! Get to Ilkley train station and look across the road to your left, cross it and walk along. 100 yards on is Cowpasture Road. Walk up it! You’ll be at the rocks in 10-15 minutes.

Archaeology & History

Cow & Calf Rocks from above - thanks to Jason Hawke's superb 'Yorkshire from the Air' — Cow & Calf Rocks from above – thanks to Ian Hay’s superb ‘Yorkshire from the Air’

There’s nowt specifically archaeocentric directly relating to these great rocks — well, nowt that’s been found out about anyway! — though all around here over the last coupla centuries people have found numerous flints, and we have various examples of rock-art (cup-and-rings) carved on rocks close by. There have been attempts to verify what may be cup-marks on both the Cow and the Calf — with the old master, Harry Speight (1900) telling how there used to be remains of cups and lines on the rocks, but apart from some well-worn ‘cups’ on some of the edges, these seem hard to find. For worrits worth: if Speight said there were some carvings here, its more than likely true.

I think the main relationship ancient man would have had with this great rock outcrop would have been a ritual one: the rocks themselves had no need of human imprints: their size and nature would deem them of great spirit indeed, to anyone with an ounce of feeling. Not sure that’s the way most modern folk would see things – but that’s to be expected I s’ppose!

Folklore

These grand rocks once had the even greater Bull Rock as a close companion. It was on top of this, wrote Eric Lodge (1939:40), that,

“the only point in the immediate vicinity of Ilkley from which a view of York Minster was obtainable. ‘Tis some sixty years ago, however, that a local tradesman recognised its value in building stone, and despite strong protests, quarried it for the construction of the Crescent Hotel, situated at the corner of Brook Street and Leeds Road in Ilkley.”

The matter was described in the Leeds Mercury in 1899, thus:

“About the year 1850 an act of vandalism was perpetrated at Ilkley, which would have been impossible in these days, when the Ilkley Local Board watches with such a keen eye anything that may enhance the historical interest of this rapidly increasing watering-place.

“Below the two huge rocks known as ‘The Cow and Calf,’ which have attracted thousands of visitors and invalids on to the breezy heights whereon they stand, stood a rock larger than the Calf, which was known as the ‘Bull.’ It was much nearer the highway than the Calf…

“The ‘Bull’ rock had its name cut in large letters on the side that lay nearest the road, and it is much to be regretted that an unfortunate dispute between the owners of the free-hold and the lord of the manor, in which the former won the day, gave them the right to break up this noble rock and cart it away for building purposes. It is said that the Crescent Hotel was mainly built from this stone, so some idea may be formed of its vast size and proportions.”

Incredible – they’ve turned a gigantic sacred rock into a large hotel! (and I’ve never been in it) Let’s hope it’s haunted to buggery! Does anyone know any Fortean history about the place?

Another legend tells that one day the local giant, Rombald (who gave his name to these moors and lived up here, somewhere, with his even greater but unnamed wife), decided to meet a friend a few miles away to the east, at Almscliffe Crags. So in just one step he strode over the Wharfe valley right across to the legendary crags, but he slightly stumbled and in doing so, left he footprint embedded on the face of the Cow Rock, which can still be seen today.

In modern times, the Cow & Calf have been the centre for occasional UFO, or earthlight sightings. But this appears to go back a bit earlier than when such curious light-forms were thought of as visiting ETs; for good old Nicholas Size (1936) reported seeing burning lights and curious figures up here — but when he saw these lights they took the form of druids and pagan spirits. One wonders what they’ll morph into next!

References:

Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Collyer, Robert & Turner, J. Horsfall, Ilkley Ancient and Modern,William Walker: Otley 1885.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Hay, Ian & Pritchard, Lisa, Yorkshire from the Air, Myriad: London 2005.
Lodge, Eric, Yorkshire Walks, Arthur Wigley: Leeds 1939.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1936.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Map Stone, Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 12961 46396

Also known as:

Carving No.137 (Hedges)
Carving No.295 (Boughey & Vickerman)
Planet Stone
The Planets Rock

Getting Here

Best visited in winter and spring – thereafter the vegetation can hide it a little – but even then, it’s not too hard to find. Start from the Cow & Calf Hotel and walk across the road onto the moor, and head over as if you’re gonna walk above the Cow & Calf Rocks, onto the moorland proper. When you’ve gone a few hundred yards, walk up the slope (there are several footpaths – you can take your choice). Once on the ridge on top of the moor proper, you’ll see the Haystack Rock: it’s on the same ridge, right near where the moor drops down the slope about 250 yards west of here, just about next to the footpath that runs along the edge. Look around!

Archaeology & History

Unlike some folk who’ve seen this old stone, I find this carving superb. Its one of my favourites up here! Its alternative name – the Planet Stone – perhaps lends you to expect something more, but this is down to the astronomer who thought this was some type of heavenly image (which is most unlikely). I prefer to call it the ‘Map Stone’ because the correlates this carving has with indigenous aboriginal cup-and-rings is impressive and — to Aborigines anyway — would have all the hallmarks of a map. But not a ‘map’ in the traditional sense of modern humans. The incidence of cups and rings linked by curvaceous lines, typifies routes between water-holes or settlement spots made by ancestral beings — which is just what we find at this carving here. These ancestral beings need to be seen in a quite mythic sense: they may be creation deities (giants, gods, etc), animal spirits, the routes of shaman spirits, or other expressions of homo-religiosus.

cr295-2 — Map Stone (note the carved line along the very edge of the rock)

In the Map Stone here, we see that the very edge of the rock (fig.2 & 3) is ‘encircled’, perhaps (and I say perhaps) symbolic of the edge of the world. The lines and rings upon the top of the rock may symbolize journeys to and from important places. Another impression I get of this carving, with the “map” idea, is that the large pecked diamond-shaped ‘cup’ near the middle of the carving is a large body of water around which the archaic routeways passed. The next time anyone visits this stone, have a look at it with this idea in mind. Its simple, straightforward and makes sense (mind you – that doesn’t mean to say it’s right!).

The first account I’ve found of this comes from the pen of J. Romilly Allen (1882), where this stone “measuring 5ft 3in by 5ft, and 1ft 9in high” was described thus:

“On its upper surface, which is nearly horizontal, are carved thirteen cups, varying in diameter from 2 to 2½ in, eleven of which are surrounded by rings. There is also an elaborate arrangement of connecting grooves.”

Although we can only work our nine cup-and-rings here today, Mr Allen seemed suitably impressed with this old carving. Stan Beckensall (1999) seemed to have a good feel of this design too, describing it thus:

“Two thirds of the surface of this earthfast sandstone have been used in a design that partly encloses the marked part of the rock with long curvilinear grooves along its edge, and the inner grooves link single rings around cups. The effect is one of inter-connection and fluidity.”

The Map, or Planets Stone (after Hedges 1986) — Hedges 1986 sketch

The Map Stone was also looked at to examine the potential for Alexander Thom’s proposal of a megalithic inch: a unit of measure speculated to have been used in neolithic and Bronze Age times for the carving of cup-and-ring stones. Using nine other carvings on these moor as samples, Alan Davies (1983, 1988) explored this hypothesis and gave the idea his approval. However the selectivity of his data, not only in the carvings chosen, throws considerable doubt on the idea. Unfortunately the idea doesn’t hold water. The ‘geometry’ in the size of cup-and-rings relates more to the biometrics of the human hand and not early scientific geometry, sadly….

References:

Allen, J.R., ‘Prehistoric Rock Sculptures of Ilkley,’ in Journal British Arch. Assoc., 35, 1879.
Allen, J.R., ‘Notice of Sculptured Rocks near Ilkley, with some Remarks on Rocking Stones,’ in Journal British Arch. Assoc., 38, 1882.
Allen, J.R., ‘Cup and Ring Sculptures on Ilkley Moor,’ in Reliquary Illus. Archaeology, 2, 1896.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Cowling, E.T., Rombald’s Way, William Walker: Otley 1946.
Davis, Alan, ‘The Metrology of Cup & Ring Carvings near Ilkley in Yorkshire,’ Science Journal 25, 1983.
Davies, Alan, ‘The Metrology of Cup and Ring Carvings,’ in Ruggles, C., Records in Stone, Cambridge 1988.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

Alan Davies' image of the carving - with carved 'lake' near centre — Alan Davies’ image of the carving – with carved ‘lake’ near centre

Middleton Moor Carving (454), North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 10980 51284

Archaeology & History

About 10 yards north of the old boundary stone on the Middle Ridge heading to the western end of Dryas Dike and about 10-15 yards east of the Middleton 453 carving, is this small rounded rock with between 12 and 15 cup-markings on its north and north-eastern sides. Several curious deep ridges run down across the rock which some ascribe as being man-made – but to me they’re Nature’s fine handiwork, although I may be wrong…

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

Middleton Moor Carving (453), North Yorkshire

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Cup-and-Line Stone: OS Grid Reference – SE 10968 51279

Archaeology & History

Named boringly after the catalogue number given it in Boughey & Vickerman’s (2003) survey, this is another of the many small cup-marked stones clustered at the western end of the ridge between Delves Beck and Dryas Dike, below the moorland slope up to the Old Pike and Beamsley Beacon. It’s one of the more impressive of the carvings in this locale, albeit when it’s highlighted, as in the photos shown here (apparently done by one of the photographers in the Ilkley rock art group, I was told). It’s perhaps better seen when the sun is low and the stone’s been wet, which shows the shallow undulations of the cup-marks and wavy line that seems to split the main group of twelve cup-marks at the top northern side of the stone, from the two on its south side. There seems to be another wavy line carved above the main cluster, but this is difficult to make out.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

Middleton Moor Carving (003), North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11288 51542

Getting Here

In the middle of the moors, with no footpaths close by. Unless you’re a rock-art freak I guess there aint gonna be too many people searching for it! From the Ilkley-to-Langbar road, take the track (Parks Lane) onto the moor where the road bends right. Follow it up for about a mile (though it doesn’t seem that far) and where the cup-marked stone at the edge of the wall where the spring appears (Middleton Moor carving 483), walk west (left) into the heather for a coupla hundred yards below Foldshaw Ridge. Look around!

Archaeology & History

Little-known cup-marked stone on Middleton Moor (photo courtesy Richard Stroud) — Cup-marked stone, Middleton Moor (photo © Richard Stroud)

This is one of a small cluster of carvings Richard Stroud found on a few average-sized stones prettty close to each other in April 2005 — and one which the West Yorkshire Archaeology Service told him couldn’t be there cos the region had already been surveyed. Hmmm…

Well, my first impression of this when I saw it was a absolute thumbs-up! Simple to look at, I know – but a bloody good little carving. It’s primary characteristic is that most of the ten or eleven cups occur on the vertical and near-vertical face, which aint too common. In traditional societies (though not all) where carvings occur on vertical faces, they’re deemed to be ‘male’ in nature (those on rounded smooth surfaces, female). The carving is well worth checking out — especially as there’s probably more to be found up here, hiding beneath ages of peat and heather.

Middleton Moor Carving 002, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 1154 5202

Getting Here

To find this, follow exactly the same directions as that of the Middleton Moor Carving 001, which is just a few yards away. Both of these stones may take some finding when the heather’s deep — but when we first discovered them, the heather had recently been burnt back.

Archaeology & History

This small rounded stone had a covering of vegetation on it when Richard Stroud and I first discovered it in April 2005, with just a couple of cups visible, but once the heather’d been carefully rolled back, another fine carving greeted our keen-eyed petroglyphic senses!

At least eight cups seem apparent here, though once Richard had the photos processed there appeared to be a couple of things on the stone which we hadn’t noticed when in the field (a common cup&ring dilemma). One of the most curious parts of the stone seems to be the winding line near the bottom of the stone. Make of it what you will!

Just a couple of yards east of this carving we find the rounded remains of a single burial cairn, probably for just one person, just like as with Middleton Moor 001. This site could do with excavating, as we may have a small neolithic or Bronze-Age cemetery hiding under the heath.

Middleton Moor 001, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11545 52017

Photo by Richard Stroud

Getting Here

Go up the long winding Ilkley-Langbar country moorland road. A coupla miles along there’s a sharp bend in the road, left, with a dirt-track here that takes you onto the moors. Walk up here to the shooting house just east of Black Hill in the Middleton Moor enclosure and, once there, walk up the steepish slope to the left (west). Once on the level, head to the wall and about halfway along, look around. If the heather’s long and deep you’ll be lucky to find it. Good luck!

Archaeology & History

The carving was first discovered by Richard Stroud and I in April, 2005, amidst one of several exploratory outings to records known sites and, aswell, to keep our eyes peeled in the hope that we might find some new ones! This was the first we came across; but when we found it, just one faint cup seemed noticeable on the southern edge of the small rounded stone; but after fifteen minutes of carefully rolling back the vegetation, this very well-preserved carving was eventually unveiled before us. It’s in quite excellent condition! The most notable part of the design are the two deep cup-markings, with the topmost cup looking half-surrounded by smaller cups on its southern edge.

There is also a well-preserved, though overgrown burial cairn (probably for one person) just a few yards west of this stone. This is just about impossible to see unless the heather’s been burnt back.

Langbar Stone, Langbar Moor, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 11180 52052

Also Known as:

Carving no.41 (Feather)
Carving no.459 (Boughey & Vickerman)

Getting Here

Langbar Moor carving - with extra ring — Langbar Moor carving © Richard Stroud

Various ways to get here (being in the middle of the moor n’ all). I s’ppose the best way is to go from Langbar village, up hill to The Old Pike giant cairn, then follow the footpath on about 100 yards before dropping down the slope to your right, south (NOT the other way!). You’ll notice some walling and an old path near the bottom of the slope SE from you – head in that direction, but before you get there, a coupla hundred yards before, stop and look around. Good luck!

Archaeology & History

Found halfway up the southern slope beneath The Old Pike giant cairn, we find this large, flat earthfast stone, on which are the very faded remains of archetypal cup-and-ring motifs. At the top-end of the stone are slightly more pronounced cup-markings – seemingly more than is shown on the drawing, with the multiple-rings halfway along the stone. On the southeastern part of the stone, Richard Stroud found another previously unseen aspect of the carving, consisting of one large ring, with perhaps a line running out to the east. This can be seen in the water-highlighted photo.

Langbar Stone, with small single circle not noticed by archaeologists — Langbar Stone, with extra single ring not previously noted

If you visit this carving, try and get to the Middleton Moor CR-482 stone half-a-mile southwest – where I for one got the distinct impression that whoever carved that stone, also carved this one! Barmy p’raps — but if we don’t allow subjective interface here and there, we never learn a damn thing!

Listed as stone 459 in Boughey & Vickerman’s (2003) survey, they erroneously ascribe Eric Cowling to have found it in Rombald’s Way (1946), whereas the first mention of it appears to have been by Stuart Feather in 1966 (though Cowling does mention a ‘Langbar Stone’, but illustrates another one nearby).

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings. No.41, Langbar Moor, Ilkley,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 11, 1966.