Nice n’ easy. Get to the Haystack Rock and walk on the path west (past the Three Cups Stone) and where the path swings round following the edge of the small Backstone valley, keep going for 150 yards or so. Keep your eyes out for the remains of walling in the Green Crag Settlement on your left. This flat stone is amidst the heather in and amongst the enclosure (hence the name). If you walk back and forth hereabouts for a short period, checking for flat stones amidst the heather about 20 yards off the path, you’ll find it!
Archaeology & History
Top-left section of CR-288
This is another one of those carvings which had been seen by a number of people, bimbling about across this part of the moor, before it saw the literary light of day in Hedges Carved Rocks book (1986). It’s a nicely-preserved design, usually covered over by much heather growth, but is worth the exploration if you like your cup&rings. The drawing of this stone however (in both Hedges and Boughey & Vickerman) does not convey the actuality of the carving, as we can see here. But that’s the case with many cup-and-rings: linear precision and the artisty of the carving are two very different things. As we can see here, one section of the stone has a defined ‘enclosure’ of cups etched upon the rock surface: something that is clearly missed in the archaeologist’s drawing. Check it out y’self and see what you think!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Take the same directions as to reach the Snowden Crags Necropolis, and where the small rounded hill rises up on the eastern end of the plain, look around and you’ll find the stone in question.
Archaeology & History
Up near the edge of the Snowden Moor settlement, just a few yards away from Carving-570, is this medium-sized earthfast boulder with what seems to be three or four cup-markings on its western-face. Boughey & Vickerman (2003) describe the stone as with a “deep gully, cups and enlarged cup, perhaps weathered carving but could be natural” — which seems a reasonable assessment. Certainly the cups seem weathered, although a couple of them may have been man-made. At the side of the rock are the remains of a small cairn, and it is positioned next to the beginning of the Snowden Moor Cemetery.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
From the village of Midgley, high above the A646 Halifax-to-Todmorden road, travel west along the moorland road until you reach the sharp-ish bend in the road, with steep wooded waterfall to your left. From here, across the road (roughly) there’s a track onto the moor. Go up this, keeping to the line of the straight walling uphill by the stream-side (instead of following the path up the quarries) all the way to the top. Here you’ll see the boundary stone of Churn Milk Joan. Take the footpath to its side for up onto the moor 250 yards or so, taking a right turn into the deeply cut footpath and walk along for several hundred yards, keeping your eyes to the north (right). You’ll see the rocky cairn of Miller’s Grave not far away in the heather, near to the large rounded boulder known as Robin Hood’s Pennystone.
Archaeology & History
Ascribed by some as neolithic, and others as Bronze Age (the more probable), here is a curious archaeological relic: curious, inasmuch as it’s received very little attention from archaeologists. It’s quite a large monument — and perhaps the fact that it has always seemed to be in isolation from other prehistoric remains has held it back a little. But recent ventures here have brought about the discovery of more cairns (though singular small ones), neolithic walling, hut circles and other prehistoric remains that have never previously been reported.
Miller’s Grave, Midgley Moor (in VERY heavy rain!)Central stone aligning north to Nab End
It’s a decent site aswell. Mainly consisting of the usual mass of smaller stones piled up and around one main point; in the middle of this ‘tomb’ is a large split glacial erratic boulder, which may have been the original focus of the builders. Some may even ascribe a coupla cup-markings on this ‘ere central rock form — but they’d be pushing it a bit! This large central feature aligns to the high peak of Nab Hill several miles north, above Oxenhope. Whether this feature was of any significance in the cairn’s construction is debatable (though as north represents death in pre-christian peasant lore, this ingredient has to be noted).
Profile shot – looking NELooking SE, with small cairn in foreground
The cairn is a goodly size: some 4 feet tall and about 50 foot across at its greatest diameter. Some of the stones near the centre of the stones have been put there in more recent years. In previous centuries, treasure-seekers came here in the hope that they’d uncover gold or other trinkets and stripped off much of the original cover, moving many rocks to the edges. Others were also stolen from here to make some of the grouse-butts, not far from away. In a foray to the site on 5.9.10. we were lucky to find the heather had been burnt back and found, some ten yards to the north and to the southwest, the remains of small, outlying singular cairns (though these need excavating to ascertain their precise nature).
Calderdale Council’s archaeology notes on Miller’s Grave tell it to be “situated on the summit of Midgley Moor”, which is quite wrong. The summit of the moor is some distance west of here, near where an old standing stone called the Greenwood B stone (75 yards south of the Greenwood Stone) and the much denuded remains of other prehistoric sites could once be found — though I’m not sure that they, nor the regional archaeologist for Upper Calderdale has ever been aware of them.
Folklore
In F.A. Leyland’s (c.1869) extensive commentary to Watson’s History of Halifax (1775), he relates a fascinating tale which seems to account for the name of this old tomb:
“About ninety years ago,” he wrote, “that is, towards the end of the eighteenth century – one Lee, a miller, committed suicide in Mayroyd Mill near Hebden Bridge. The jury at the inquest held on the occasion returned a verdict of felo-de-se, and the body was buried at Four Lane Ends, the Rough, in Midgley. The fact, however, of the body of one who had laid violent hands upon himself, lying in unconsecrated ground at a point where the highways met, and at a spot which the inhabitants passed early and late, oppressed the people of the neighbourhood with an irresistible dread. Persons going to market and passing from village to village, feared and avoided the unhallowed spot, until the feeling increased to one of insupportable terror; and, in the night time, a multitude collected with torches to disinter the body. This was speedily effected and violence was even offered to the dead. A man named Mark Sutcliffe, and others, who attempted to prevent the exhumation, were stoned* by the mob, and the body was hurried to the cairn on Midgley Moor, where it was hastily interred. Here however, it was not allowed to rest; the isolation of the body, though buried in a lonely spot, was yet apart from the common cemetery where the dead lie together in their special domain; and this invested the surrounding district with a superstitious awe difficult to describe. The body was still too near the haunts of the living; and, to the perturbed imagination of the inhabitants, the unquiet ghost of the suicide constantly brooded over the hills. As this was not to be endured, the body was at last removed from the cairn, and finally buried in the churchyard of St. Thomas a’ Beckett’s, Heptonstall. Although the interment of Lee, at the cairn, has conferred upon the spot the name of the Miller’s Grave, it cannot be doubted that the large quantity of heavy stones which we find heaped together at this place…was piled up in distant times…”
Modern pagan folklore ascribes the name of this site to relate to Much, the Miller’s Son: acquaintance of the legendary Robin Hood, whose ‘Penny Stone’ boulder is just 100 yards west of here.
Follow the directions for getting to the great Badger Stone carving. From here, walk eastwards on the footpath for about 400 yards. Hereabouts walk off the path and down the slope just a few yards and amble back and forth, checking the various stones. Keep doing this until you find it! (luckily, this stone’s marked on the OS-map) There are several other reasonable carvings nearby on the same plain…the Green Gates Stone (or carving no.257) for one!
Archaeology & History
The Pitchfork Stone (after Hedges, 1986)
First found (or rather, recorded) by our old friend Stuart Feather and described in Bradford’s Cartwright Hall Archaeology Group’s Bulletin in 1961. It’s status was all-but-secret until Hedges edited the Ilkley Archaeology Group’s Carved Rocks work in 1986. The stone’s a simple design as the illustration shows: an urn-like vessel with a cup in the middle; but the attached groove at the bottom gave one anonymous chap (who dared to use the modern name of RombaldII!) the idea of it looking like a pitchfork – so the name sticks!
The enclosing “lines” that make up the pitchfork aspect of the carving are pretty enhanced (as we can see in the photograph here) and may, just may, be the result of a more recent petroglyphic artist.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings – Nos. 2 & 3, Ilkley Moor,’ in Bradford Cartwright Hall Archaeology Group Bulletin, 6, 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Travelling up (north) the A19, just as you get to Riccal village, there’s a small road to your right: take this! A mile along there’s a parking place just where the track veers into the woods. That’s where you’re heading. The remains of the tombs hereabouts can be hard to discern – but if your lucky you’ll either meet a local, or the virtue of patience will bring these overgrown tombs into focus! There are other tumuli a few hundred yards east and north of here aswell. If you wanna get a clear picture of them all, a full day would be a good bet!
Archaeology & History
Not to be confused with the other Danes Hills tombs a couple of miles northeast of here (as done on some other sites), the early Victorian geologist and explorer John Phillips (1853) was one of several early writers who described what, today, are known to be Iron Age tombs, scattered about a short distance east of Riccall village, saying:
“On Skipwith Common are many tumuli, old banks, and the slightly-marked foundations of ancient (turf or log?) houses or wigwams. These, by some error of tradition, are called ‘Danes’ Hills/ but, on opening the tumuli, no confirmation of so modern a date appeared. The tumuli are set in square fosses; the sides of the fossae range north and south and east and west (true). Similar facts appear in connexion with the tumuli on Thorganby Common adjacent. Burnt ashes and bones occur in the mounds; facts which suffice to overthrow the supposition of these hills being funeral heaps of the Danes of the llth century, for they then buried their dead. No instruments of metal, bone, or stone, or pottery were found.”
There were dozens of tombs that could be seen here in the past, but today many have been destroyed or are hidden by the cover of trees. A sketch-map (above) showing the rough location of many of the graves was made by the Yorkshire Antiquarian Club after a visit here in 1849 (Proctor 1855), who opened several of the barrows. Archaeologist Ian Stead (1961; 1979) defined these remains as being of the famous La Tene burials — though I’m unsure as to whether any of the tombs here had the great horse-chariots found in them, as found in the more famous Danes Graves tombs close to Driffield.
Folklore
The name of these small hills acquired their Danish title via a mix of real history and folklore. History tells of the old Danish King Harald Hardrada, who moored his fleet of ships a few miles away from here before going into battle against the armies of Northumbria and Mercia. “Dane’s Hill,” said Bogg (c.1895), “still marks the spot where the fight took place.” As John Burton (1758) told us:
“Ever since the aforesaid battle, it is by tradition to this day said, that the Danes were permitted to encamp here till they had buried their dead, and their ships at Riccal should be ready for their re-embarking for Norway.”
Local folk used to tell of the tradition of the local swamp — called Riccal Towdyke — being choked with the bodies of many slain in the battle hereabouts. Many pieces of red cloth were found all around in the neighbourhood of these tombs. However, despite this mix of fact and folklore, the tumuli were see marked on the modern OS-maps have been found to be Iron Age in origin.
…to be continued…
References:
Bogg, Edmund, From Eden Vale to the Plains of York, James Miles: Leeds n.d.
Burton, John, Monasticon Eboracense, N. Nickson: York 1758.
Elgee, F. & H.W., The Archaeology of Yorkshire, Methuen: London 1933.
Morrell, W. Wilberforce, The History and Antiquities of Selby, W.B. Bellerby: Selby 1867.
Phillips, John, The Rivers, Mountains and Sea-Coast of Yorkshire, John Murray: London 1853.
Proctor, W., ‘Report of the Proceedings of the Yorkshire Antiquarian Club, in the Excavation of Barrows from the Year 1849,’ in Proceedings of the Yorkshire Philosophical Society, 1855.
Stead, I.M., ‘A Distinctive Form of La Tene Barrow in Eastern Yorkshire,’ in Antiquaries Journal, volume 41, 1961.
Stead, I.M., The Arras Culture, Yorkshire Philosophical Society: York 1979.
The local historian, H.B. McCall (1910) described this ‘Saint Lambert’s fountain’, as it was first called, in his fine work on local churches, telling of its early description in the 12th century, saying:
“This is a very early mention of St. Lambert, the patron saint of the church and parish (of Burneston). The fountain or well was probably situated in what is now the new portion of the churchyard, and the rivulet is now enclosed as a drain. The name of the wapentake of Halikeld is said to be derived from St. Lambert’s Well at Burneston.”
I can find little else about these old healing waters. Anyone got anymore info?
References:
McCall, H.B., Richmondshire Churches, Elliott Stock: London 1910.
Having not been here, I can’t say for sure exactly where this forgotten site happens to live! It may be the one shown on modern OS-maps, behind the old post office, on the west-side of the village, but I aint sure. If any local people out there who can help us, we would be hugely grateful!
Archaeology & History
Not to be confused with the other St. Michael’s Well a few miles away in the village of Well, this is a little-known holy well that was described by the historian H.B. McCall (1910), who wrote:
“As Burneston had Saint Lambert’s Fountain, mentioned so early as the 12th Century, so Kirklington possesses its holy well, beside the old Mill House on the north side of the village. Althoguh its name has now passed from the popular remembrance, it is provided in a lease of lands to Roger Croft, in 1628, that his cattle shall have right of access to go into the water near unto a spring called ‘Michaell-well’. both in winter and summer; and we are left in no doubt as to where the spring was situated, for Mrs Alice Thornton has recorded that her father brought water to the Hall in lead pipes from a cistern of the same metal, “near St. Michael’s Well near the mill-race.””
Does anyone know anything more of this all-but-forgotten site?
A short distance to the north in the same village, another sacred water source known as the Lady Well can also be found.
References:
McCall, H.B., Richmondshire Churches, Elliott Stock: London 1910.
Follow the same directions for getting to the Idol Stone, then walk just 30 yards further up the path and it’s the big rock on your left-hand side. Y’ can’t miss it!
Archaeology & History
Main section of cup-marks
This nice big boulder can be quite a temperamental chap, depending on how the light plays with the rock surface. I’ve got some photos of this old stone where you can see next to nowt on it; where as others show clearly aspects of the design that aren’t on the archaeo-images. But such is the nature of cup-and-rings I s’ppose!
Unlike its rather linear companion a few yards away, this great boulder has the more typical scattering of faded cups, lines and at least one cup-and-ring, etched with seemingly little purpose or structural design. But as we know, the very notion of structural design in forms consistent to modern mind-sets were anathema to the neolithic people who were etching these patterns on rocks. Indeed, even the notions of these images as ‘art’ as defined in modern times, has no relationship to the intrinsic reality of either cup-and-rings or reality per se, as experienced by our ancestors. And I think we find an explicit affirmation of this in the Cluster Stone here.
Close-up of cup-and-ring
Natural cuts in the rock have been heightened, for whatever reason, so that today the division between Nature’s marks and the mark of humans have become ambiguous as time has worn the features. The clustering of cup-marks on certain parts of the rock was surely indicative of (what we would term) separate events/forms, whose mythic relationship were, however, intrinscially related. This may be representative of a landscape map, or a series of events – but each would relate to one and other. But, of course, we truly don’t know, so think I’d best shut up!
Cluster Stone design (after Hedges 1986)
The carving itself, as we can see today, has perhaps as many as 40 cup-marks on it (Boughey & Vickerman safely vouch for 26), with five or six lines running across the surface, some of which have been modified by ancient peoples. The cup-and-ring on the stone is quite distinct. Neolithic or Bronze Age walling runs just a few yards away from here, but the precise line it takes has not been accurately assessed.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the same directions to reach the Pancake Stone. Then walk eastwards along the footpath on the moorland edge. After about 400 yards, keep your eye out to your right on the moorland proper where you’ll see this large boulder, seemingly isolated, of similar shape to the Haystack Rock, but a bit smaller. That’s it! If you end up near the stream (Rushy Beck) you’ve gone way past it.
Archaeology & History
Four of the cups on this lichen-rich surfaceLittle Haystack (after Hedges 1986)
Found in the middle of the Green Crag Slack Plain, this large Haystack-Rock-shaped boulder stands out. It sits amidst a cairn-field with other neolithic remains nearby. The carving itself aint that impressive, and some parts of it seem almost dubious. But both Hedges, Boughey and Vickerman include it in their surveys, describing the cup-marks and curious lines on its northeastern surface. It’s nowt special to be honest. You’d expect a bit more from the size of this old stone; but as those folk who know their rock art well will tell you, size aint everything when it comes the splattering of cups on a rock’s surface. We have four distinct cups pretty close to each other (as the photo shows), with another possible cup-and-ring and accompanying lines nearby.
The stone’s worth looking at though. It stands out amidst the mass of single- and double-tombs scattered across the moorland plain — sitting amidst a veritable necropolis no less.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Follow the directions to reach the Snowden Moor settlement and, from the Upper D-shaped enclosure (at SE 1782 5131) walk west up the sloped hillock 30 yards west and, on its top, head to its northern edge where a small cairn can be found. The carving is next to it.
Archaeology & History
Very close to what seems to be the boundary between the Snowden Moor Settlement and its adjacent Cemetery is this small earthfast rock with three cup-markings on it, two of which may be linked by a small line. I have to say that we have to be cautious about the veracity of this carving. By the side of this stone is what seems to be the remains of a cairn.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
