Take the same directions as if you’re visiting the Cob Stone Field carving; but instead of going into the field on your right, walk down the track about 100 yards towards the large barn below. As you walk down keep your eyes peeled to the field on your left and, right up against the wall of the barn, you’ll see a large boulder resting quietly. That’s what yer after!
Archaeology & History
This large faded cup-marked rock whose western side has been split off in recent years, has a scatter of “up to 21 small shallow worn cups” on its upper surface. They can be difficult to see in some light, but they’re definitely there (as Ray Spencer’s photos clearly show), fading slowly into Nature’s winds and storms. A couple of ‘lines’ running down the edge of the stone are due to modern farm-workings.
Close-up of the cupsSketch of the design
Several other rocks in this and adjacent fields have what may be faded remains of other cup-markings, but without guidance from a geologist or a stone-mason, we can’t know for sure whether they’re authentic or not. It’s likely that there are other authentic carvings hiding in this area—they just need sniffing out!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Acknowledgements: Huge thanks to Ray Spencer for us of his photos in this site profile. Thanks Ray.
From the Askwith Moor Road parking spot, head across the road and take the directions to the Woman Stone carving about 510 yards (467m) across the moors to the west. From here, look straight down the slope and head towards the largest boulder at the bottom, 20-30 yards away. About 10-20 yards to the right of this, zigzag about in the vegetation until you find the small stone amidst the bracken. You’ll find it!
Archaeology & History
This small stone, whose natural contours and cracks have been utilised in the design of the petroglyph, may once have been part of a prehistoric tomb, perhaps rolled or thrown downhill from the nearby Askwith Moor Cairnfield. I say this due to the size and portability of the stone, i.e., it’s small and barely earthfast, giving an increased likelihood that its present position was not its original one. But we might never know…
Rough sketch of the designClose-up of the carving
It’s almost archetypal in design, being a primary cup-and-ring, with what appears to be a faint inner ring etched marginally within the larger notable incomplete circle, just an inch beyond the inner central cup. From this same cup runs a carved line, out to the near edge of the small stone. Single cup-marks occur on the edges of the rock, as can be seen in the photos: three, possibly four of them. One of the cups, where the stone narrows to a rounded point, may also have had a partial ring around it. When we found this stone a few weeks ago, the day was grey and overcast and the light was poor, so our photos do not highlight the carving too well.
(Note: the OS grid-reference for this stone is an approximation: pretty damn close, but not close enough. If someone ventures here and can get the exact grid-ref, we’d be most grateful.)
From the Askwith Moor Road parking spot, head west to the Askwith Moor cairnfield. Keep walking west, going downhill past the main cluster of rocks. If you begin zigzagging amidst the heather hereby, you’ll eventually come across this relatively small stone which, even when the heather is deep, thankfully rises to the surface. The Wester Cairnfield 1 carving is close by.
Archaeology & History
Although I presumed that Graeme Chappell and I found this petroglyph when we surveyed the area in the 1990s, I cannot find an early account of it in my files, so must presume that when James Elkington, James Turner and I came across it a few weeks ago, it was the first view of the stone in many a century… It’s another simple carving, only of interest to the mad rock art hunters out there.
…and from another angle
When we first found it, it seemed to me (with the sunlight effects on the stone) that two cup-marks had been etched here; but as Mr Elkington pointed out, from the angle he was looking at the stone, there were another two. He was right. But it’s nothing special to look at, sadly, and is probably only of interest to the real hardcore petroglyph nutters amongst you. (please note that the grid-ref for this carving needs revising and may be 50 yards either side of the one given)
From the Askwith Moor Lane parking site, take the directions to the Askwith Moor Cairnfield. Walk westwards for about 100 yards down the gradual slope, towards the boggy land below, but before reaching the reeds, still in the moorland heather, there are a scatter of rocks. Just keep zigzagging about until you find it. It’s a reasonably large stone.
Archaeology & History
‘Cup mark’ on vertical face
This is one of several simple cup-marked stones found down the slopes about 100 yards west of the Askwith Moor Cairnfield. When James Elkington, James Turner and I re-surveyed this area again recently, I wondered whether it was a newbie or had already been located when Graeme Chappell and I did our tedious surveying of this region in the 1990s—and it turned out that we did! The carving is nothing special to look at, even if you’re a petroglyph zealot. Comprising of a distinct single cup-mark on the top nose of the rock, another is visible on the vertical south face, and another possible is on its eastern face.
1894 map of shooting target
When we look at the early maps of this area, we find that to the north and south of this stone once existed ‘Shooting Houses’. As we can see on the attached map, the position of one of the shooting targets is very close to the location of this stone and so we must conclude that the cups on the vertical face were done by gunshot and are not prehistoric. However, the distinct cup on top of the stone retains its prehistoric link.
Start at the Askwith Moor parking spot on Askwith Moor Road, then walk down the road (south) 300 yards till you reach the gate and track on the other side of the road, heading southeast. Following the track onto the moor and take the footpath on your right after 75 yards. Follow this along until you hit the gate & fence. Climb over this, then follow the same fence along (left) and down, and keep following the fence and walling all the way on until you reach the very bottom southwestern edge of Askwith Moor itself. Now, walk up the slope to your right and, near the top of this rise 250 yards away, past Lower Lanshaw 01 carving, in some ancient walling, you’ll find it!
Archaeology & History
A very faded cup-and-ring carving can be found about 30 yards northeast of the Lower Lanshaw cup-marked stone, just as the hill slopes down to the overgrown stream. It rests on the lower edges of the prehistoric (probably Bronze Age) enclosure in which other archaeological remains can be found. Although the photo here highlights what seems to be 3 cups on the south-face of the rock, only one of them seems authentic. A pecked “line” also seemed evident, but the light conditions were poor when we were here. It does seem that there’s a faded ring around one of the cups, as you can see in the photo.
Take the directions as if you’re visiting the ornate petroglyphs known asthe Lunar Stone and the Spotted Stone. Walk past them and down the slope, NW, as if you’re heading to the small valley a few hundred yards away. As you reach the bottom of the slope, closer to the stream, a large boulder catches your attention. This carved stone is just a few yards before you reach it.
Archaeology & History
This simple cup-marked design below the northern slope of Stanbury Hill has, on its northeastern sloping face, a single cup-mark; then, past a curiously-etched line (probably more recent) is a larger circular feature, like a very shallow ‘bowl’ as in the one found in the superb Stag Cottage petroglyph complex 300 miles north (and several other carvings). A few yards away, a large single cup-mark has been etched onto another stone. As with quite a few carvings in this region, they have been missed in the standard archaeocentric surveys.
Follow the same directions as if you’re going to the Black Burn (2) carving (which you’ll obviously be looking at if you’re checking this one out!); and from there, walk two or three steps southwards down the slope – and you’re just about stood on it!
Archaeology & History
This, at first sight, seems little more than two cup-marks: one rather small, and the other somewhat larger than usual. I walked round it, crouched down and fondled it, poured water on it and heightened the carving… and noticed what seemed to be a carved arc around the western side of the large cup. But I couldn’t make my mind up whether this was natural or not. And then as laid down and looked across the stone, it seemed as if a very faint triangle completely enclosed the large cup! I crawled round it at ground level and the shape appeared and disappeared as the light altered. So I took a few more photos and wondered whether or not the shape would become obvious in them. And it did!
An eye in the triangle?Cup and faint triangle, or a trick of the mind?
It’s unusual – and I’m still not sure whether it’s natural or not. The carving needs more attention, in better daylight. Or perhaps the computer-tech kids might have a look at it and see if this really is an eye-in-the-triangle style design we’ve got here. It would be damn good! Anyhow, the carving was first mentioned by George Currie (2005), who told of it being two metres south of the Black Burn (2) cup-and-ring and, plainly, that it “has two cups: 60 x 15mm and 25 x 8mm.” It overlooks the urisk-haunted Urlar Burn, a creature known in some places for having milk and other offerings poured into cup-marks to appease it and gain good fortune.
References:
Currie, George, “Perthshire: Black Burn (Dull Parish) – Cup and Ring Marked Rocks”, in Discovery & Excavation Scotland, volume 6 (new series), 2005.
Take the A826 Crieff Road uphill for 275 yards then turn right up the Urlar Road. It’s a long uphill walk from here, up the private road, through and past Urlar Farm and along the track, making sure to go right where the track splits, keeping to the west-side of the burn. (don’t cross over it!) From here, the fields open up ahead of you into the distant hills. Keep along the track until, after a few hundred yards a small copse of trees is on your right. Walk past the bottom of this and then walk immediately up to the top of the large rounded knoll, or Tom, on your right. Once at the top, look for the triangular stone on its southwestern edge.
Archaeology & History
Upon this rounded tom, beloved of faerie folk and overlooking the urisk-haunted Urlar Burn, is this small flat triangular-shaped stone, embedded in the ground, possessing an unusual set of seven, possibly eight cup-markings (not five as Currie [2005] initially described) of varying depths and age, carved into straight geological fissures in the rock which, I hasten to add, were probably intended as part of the original design. Such elements are not unusual in carvings in other parts of the world, tending to relate to some spirit or ancestral ingredient. Whether that was important here, we might never know.
Black Burn (2) carvingBlack Burn (2) carving
But in addition to the cups on their geological cracks, a large faint wonky incomplete ring has been carved around the centre-most cup-mark, seemingly stopping where it meets the natural crack. You can just make it out in the photos. One side of this ring may continue onto the top of the longer crack, but it was difficult to see in the cloudy daylight and another visit is necessary.
The carving was first described by George Currie (2005), who told, in his usual minimalist manner:
“On W side of large knoll, triangular-shaped rock, 0.7 x 0.7m, flush with ground; five cups, largest being 50 x 20mm and smallest, 25 x 8mm.”
Two or three yards away, just slightly down the slope to your south, is another cup-marked stone: the Black Burn (3) carving.
References:
Currie, George, “Perthshire: Black Burn (Dull Parish) – Cup and Ring Marked Rocks”, in Discovery & Excavation Scotland, volume 6 (new series), 2005.
Acknowledgements:Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland.
Take the same directions to locate the cup-and-ring stone of Ballochraggan 12. There are several rocks adjacent. The one immediately next to it, to the northeast, is the one you’re looking for. Be gentle and careful if you’re gonna look at it — deadly serious, be very careful indeed!
Archaeology & History
One of the most intriguing and most fascinating of all the prehistoric carvings I’ve yet to discover. Not that this was all my own work. If it hadn’t been for Paul Hornby, we might have simply walked past it as being little more than a single cup-marked stone—and in this area, single cup-marks tend to be little more than geological in nature.
After we’d looked over several of the registered carvings close by, I did my usual meandering back and forth, stroking stones and seeing if there were any carvings that had been missed by previous surveyors. And in walking past a small piece of smooth rock, a singular cupmark seemed to stand out. I walked past it, shouting across to my colleague.
“It looks like we’ve got a single cup-mark here Paul,” I said, “with possible half-ring.” Thankfully Mr Hornby gave it his better attention.
Mask Stone, with faint ‘urn’Close-up of features
The sun was still out and shining across the smooth rock surface, which tends to mean that you’re not seeing any carving on the stone quite as good as it actually is. Thankfully however, the sun was beginning to get lower and, when this happens, if we wet the rock, any carvings that might be there stand out much better. And this little fella just seemed to get better and more curious the more attention Paul gave it!
The first thing that became obvious were a series of faint carved lines above the single cup-mark. Initially these didn’t seem to merit much attention (straight lines on rock are usually more the product of geophysical action than that of humans), but as the rock got wetter, Paul saw something very distinct indeed.
“There’s a face on it!” he exclaimed. And indeed there was. A Rorschach response no doubt, but it was still very much like a face. This looked for all the world akin to the stylised olde English gentry sort of countenance, as in old cartoons. It was quite ‘distinct’, as such characters themselves insist on being! Yet around this initial face, more lines seemed to be emerging as the stone gave up more and more of its hidden story.
Standing back from an initial investigation, the carving was seen to consist of a triple-ring, but without the traditional ‘cup’ in its centre. Instead, the centre was marked simply by a small ‘dot’—perhaps, originally, being a small conglomerate hole formed as a result of another tiny harder fragment of stone falling away from its larger mass. But a ‘dot’ it was. The other carved ‘lines’ however, immediately below and attached to the triple-ring, gave us something almost unique—and another strong Rorschach response. As the photos clearly show, we have a distinct second ‘face’ made up of the same lines but in a quite different form. This ‘face’ has all the attributes we usually associate with pictures of mythical spirits, demons, or a mask—hence the name!
Paul took a series of fine photos, hoping that he could catch the image that our eyes could clearly see. And thankfully, his digital camera brought the image to life even better than our eyes did! The ‘mask’ is comprised of carved lozenge forms, akin to the more decorative ones we find at Kilmartin, and more especially around Newgrange, Ireland. We sat and talked about this: wondering and working out routes that we’d take over mountains and moors, from Ireland, to Kilmartin, then onto Ballochraggan, etching the same designs onto the rocks hereby and attaching similar mythic notions to them: of shamanism and kingship; underworlds and journeys—paradigms lost and certainly misunderstood in the non-polysemia of many modern academics.
Lozenges and rings
…The stone here was still slightly covered over and, beneath the loose grasses, another feature emerged of another petroglyphic rarity. At the topmost western side of the rock a straight line ran across the surface, seemingly marked by the hand of man, with a curious little line almost doubling back on itself for just an inch or so, and then feeling to run down the stone, towards the concentric rings and the face below. When we stood back and took the photos, this line and its tracer took on a form that I’ve only seen echoed in one of the Netherlargie tombs at Kilmartin, Argyll, 44.4 miles (73km) to the west. It is very distinct.
The beaker, rings & ‘face’
Spuriously ascribed as being ‘axe’ carvings (oh how archaeologists love this Rorschach projection), the Netherlargie North tomb cover-stone in Kilmartin has a series of burial ‘urns’ or beakers carved onto the rock, amidst a scattered collection of cup markings. (Beckensall 2005:73-4; Bradley 1983:92-3; Royal Commission 1971:68-70; Twohig 1972, etc) Here too at Ballochraggan we find another such symbol, but just a singular example, much larger and more clearly a beaker or urn, as are traditionally found within many old neolithic and Bronze Age tombs; although no tomb is immediately apparent at this Ballochraggan carving.
The entire carving is very faint indeed (you can’t even see it when you’re looking directly at it unless conditions are good) showing that it remained open to the elements for thousands of years. Other adjacent carvings lack the erosion that we find on this one, even on those which, as archaeologist Lisa Samson said, is “softer sandstone rock than this one”—implying that it’s one of the older carvings in this incredible cluster.
References:
Beckensall, Stan, The Prehistoric Rock Art of Kilmartin, Kilmartin Trust: Kilmartin 2005.
Bradley, Richard, Altering the Earth, Society of Antiquaries Scotland: Edinburgh 1993.
Royal Commission on the Ancient & Historical Monuments of Scotland, Argyll – volume 6: Mid-Argyll and Cowal, HMSO: Edinburgh 1971.
Twohig, Elizabeth Shee, The Megalithic Art of Western Europe, Clarendon: Oxford 1981.
Acknowledgments: Huge thanks again to Mr Paul Hornby for his considerable help with this site, and for use of his photos.
Cup-Marked Stone (missing): OS Grid Reference – SE 16940 87301
Archaeology & History
A prehistoric carving that is missing and possibly destroyed since being rediscovered in 2001 by Barbara Brown (2008) and subsequently described in her book on North Yorkshire petroglyphs. She told it to be in “Thornton Steward field hedge bottom” and was a simple glyph, being a
“rectangular slab (with) single cup-mark located in hedge bottom part of old walling.”
When she revisited the site with her husband in 2006, the old hedge and wall had been removed, with “new hedging in place.” The carved stone may be buried within a pile of clearance stones adjacent to the hedgerow, but it has yet to be relocated. If anyone finds it, please let us know! It was one of several cup-marked stones that exist in the wider neighbourhood.
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
